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Audience #4

Experience David Dixon Porter’s ‘Audience #4,’ a captivating 1971 black & white photo capturing Melbourne's vibrant counterculture scene. A unique art reproduction.

Discover David Dixon Porter (1813-1891), a distinguished U.S. Navy Admiral & artist! Explore his captivating artworks – concert photography, band portraits, and event scenes. A unique blend of naval history & artistic expression.

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
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W316PJ $8
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Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
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Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
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Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
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Total Price

$ 81

Audience #4

Giclée / Art Print

Reproduction Size

-

Total Price

$ 81

In the early 1970s David Porter was a contributing photographer for some of the most influential Australian Rock music and underground publications (Go-Set, Daily/Planet, Rolling Stone (Australian Edition), The Digger. Porter was based in Melbourne, his subject the zeitgeist of its Rock/Pop music, underground theatre, and Counterculture scenes, sometimes working as ‘David Porter’, sometimes ‘Jacques L’Affrique’, sometimes ‘Jack Africa’. In 1973 he left Melbourne, stopped working in commercial photography, and pursued a teaching career.This photograph was taken at MONTSALVAT ‘SYRIUS’ BENEFIT CONCERT (3 October 1971)An artist colony established in 1934. Montsalvat is in the Melbourne suburb of Eltham (boasting gardens, houses, halls, studios, galleries designed and built by residents). Montsalvat continues to present exhibitions, performances, and events (with artists residing and creating on site). In the 1970s bands such as Spectrum and Captain Matchbox Whoopee Band regularly performed there. On 3 October 1971 a benefit concert for the penniless and stranded Hungarian band Syrius was at Montsalvat by the lake. Organised by John Pinder and Let it Be the ‘benefit’ raised over $3,000 to enable the band to return home. The event bill featured Carson, Captain Matchbox, Daddy Cool, Highway, Pilgrimage, Syrius and Tribe Theatre. However, torrential rain caused chaos. Captain Matchbox was cut short when the sound system packed it in, and Daddy Cool citing equipment and safety concerns refused to play. However, a drenched Pilgrimage soldiered on. Theatrical radicals Tribe provided ‘good clean, obscene fun’. Carson, Syrius and Highway played during breaks in the weather. Daily Planet (6 October 1971) reported … the weather was shithouse…everything else was, the place, the bands, the people and the vibes were really good…the hillside was a quagmire, and the people were so wet they were beyond caring (there was plenty of booze around), that they were sliding down the hill in the mud and splashing into the pool in front of the stage...despite the rain, and the cold and the mud and the slush and the beer, it had been a good day. Syrius (1962-77) Hungarian jazz-fusion, progressive rock group. Miklos ‘Jackie’ Orszaczky (bass guitar, guitar and vocals), Zoltan Baronits (piano, oboe, saxophone), Latsi Pataki (organ, piano, drums), Mihaly Raduly (saxophone, flute, violin), Andras Veszelinov (drums, guitar, trombone).Published Syrius Benefit was Wet Fun!! Go-Set, 9 October 1971

Questions & Answers

Is there a factsheet about "Audience #4" by David Dixon Porter for students?

The guide to "Audience #4" is the artwork's Guide page - a printable factsheet showing the artwork with its caption, credit line and identity table (artist, dates, medium, original size, collection).

Which color stands out most in "Audience #4"?

The color that stands out most in "Audience #4" is sap green (#5c615b). The dominant color is useful when matching an artwork to an interior.

What are the date and style of "Audience #4" by David Dixon Porter?

"Audience #4" was created in 1971 as a work of the Contemporary Realism movement. Date and movement anchor the artwork in art history.


Artist Biography

A Life Forged on the Waves: The Remarkable Journey of David Dixon Porter

David Dixon Porter, born in Chester, Pennsylvania, in 1813, was a figure inextricably linked to the narrative of American naval history. His life wasn’t merely *in* the Navy; it *was* the Navy, a legacy inherited from his celebrated father, Commodore David Porter. From the astonishingly young age of ten, he embarked on voyages to the West Indies alongside his father, an immersion that instilled within him a profound connection to the sea and its demands. This early exposure wasn’t simply about nautical training; it was a baptism into a world of discipline, strategy, and unwavering dedication – qualities that would define Porter's entire career. His formative years continued with service in the Mexican Navy as a midshipman aboard the frigate *Libertad*, followed by a formal commission in the U.S. Navy in 1829. These early experiences weren’t just stepping stones; they were foundational, shaping his understanding of naval tactics and international relations. He diligently served on vessels like the frigates *Constellation* and *United States*, participating in Mediterranean voyages that broadened his horizons and honed his skills between 1829 and 1834. His commitment to meticulous charting and observation during coastal surveys from 1836 to 1842, ultimately leading to a promotion to lieutenant, demonstrated an analytical mind perfectly suited for command.

Naval Command and the Crucible of Civil War

The outbreak of the American Civil War found Porter poised to make a significant impact. His initial actions, though controversial – taking command of the *Powhatan* without explicit authorization to reinforce Fort Pickens – revealed his proactive nature and unwavering loyalty to the Union cause. This bold move, while initially met with disapproval from Secretary of the Navy Gideon Welles, ultimately underscored Porter’s commitment to preserving the nation. It was during the capture of New Orleans in 1862 that Porter truly distinguished himself, commanding a flotilla of mortar boats with remarkable precision and effectiveness. This pivotal moment showcased his innovative approach to naval warfare and cemented his reputation as a resourceful leader. His subsequent appointment as commander of the Mississippi River Squadron in October 1862 placed him at the heart of the conflict’s western theater. Porter's strategic brilliance was instrumental in assisting General Ulysses S. Grant during the grueling Vicksburg Campaign, culminating in the city’s surrender in 1863 – a turning point in the war. The challenges he faced during the Red River Campaign in Louisiana, navigating dangerously low water levels and overcoming logistical nightmares, further demonstrated his resilience and adaptability. His leadership extended to the North Atlantic Squadron, where he orchestrated joint assaults on Fort Fisher in North Carolina, marking one of the final major naval engagements of the Civil War.

Reforms, Recognition, and a Unique Artistic Vision

The years following the Civil War saw Porter ascend to unprecedented heights within the U.S. Navy. Promoted to Vice Admiral and later becoming only the second person to hold the rank of Admiral – after his foster brother, David G. Farragut – he dedicated himself to modernizing and professionalizing the naval service. As Superintendent of the U.S. Naval Academy, he initiated crucial reforms to enhance the curriculum and elevate standards for aspiring officers. Beyond formal duties, Porter wielded considerable influence within President Grant’s administration, effectively acting as an informal Secretary of the Navy for a period. He championed vital naval reform alongside like-minded officers, striving to create a more efficient and capable fighting force. However, Porter's legacy extends beyond his distinguished military career into a surprisingly artistic realm. While primarily known for his naval achievements, he pursued photography with passion, creating concert photographs, band portraits, and event scenes that offer a unique glimpse into 19th-century life. These images aren’t merely historical documents; they are vibrant snapshots of a bygone era, capturing the energy and atmosphere of social gatherings and musical performances. His artistic endeavors reveal a keen eye for detail and an ability to translate moments in time into compelling visual narratives.

A Lasting Legacy: Admiral, Reformer, and Artist

David Dixon Porter’s contributions resonate far beyond his lifetime. His leadership during the Civil War was undeniably crucial to the Union victory, particularly on the Mississippi River, effectively splitting the Confederacy and controlling a vital artery of commerce. His reforms at the Naval Academy laid the groundwork for modern naval education, producing generations of skilled and dedicated officers. As a two-time Admiral, he left an indelible mark on the structure and leadership of the U.S. Navy. But perhaps his most intriguing legacy lies in his artistic pursuits. His photographs offer a rare and intimate perspective on 19th-century American society, blending naval history with artistic expression. His work serves as a reminder that even within the rigid confines of military life, creativity can flourish. Porter’s story is one of family tradition, unwavering dedication, and unexpected artistry – a testament to the multifaceted nature of human potential. He embodies the spirit of innovation and service that continues to define the U.S. Navy today. His influence extends beyond the annals of naval history; it lives on in the photographs he left behind, offering a captivating window into a pivotal era of American life.
David Dixon Porter

David Dixon Porter

1813 - 1891 , United States of America

Quick Facts

  • Full Name: David Dixon Porter
  • Nationality: American
  • Date Of Birth: 1813
  • Date Of Death: 1891
  • Place Of Birth: Chester, United States of America
  • Notable Artworks: ['Audience #4']
  • Artistic Movement Or Style: Concert photography
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