Post-Impressionism · 1959
The moth (Balthus, 1959)
Balthus (1908–2001) made The moth. It dates from 1959. It belongs to the Post-Impressionism movement.
- 1959
The moth, in brief
- Title
- The moth
- Artist
- Balthus (1908–2001)
- Artist born in
- Paris, France
- Date
- 1959
- Movement
- Post-Impressionism
- Subject
- nude figure, interior scene, dim lighting, symbolic art, classical composition, dreamlike mood
High-resolution images of The moth
Protected by copyright: these files are for personal reference, not a licence to republish.
Balthus, The moth (1959).
Questions on The moth, answered
What is the creation date of "The moth" by Balthus?
What is "The moth" about?
Can the image of "The moth" by Balthus be freely reproduced?
What art movement does "The moth" by Balthus belong to?
"The moth" is a work of Post-Impressionism. The movement indicates the artistic tradition the work is part of.
Where does "The moth" fall in Balthus's career?
What was Balthus's age when "The moth" was created?
Is "The moth" by Balthus in the public domain, and why?
Where does "The moth" sit within Balthus's body of work?
Within Balthus's output, "The moth" sits in the Post-Impressionism style, alongside the themes of exploration of the human psyche, contrasting sensuality and restraint, rejection of academic conventions, persistent focus on female form, old master techniques, impressionist light & color, symbolist imagery, classical composition.
About the artist, Balthus
1908–2001, France
Balthus
A World Apart: The Enigmatic Vision of Balthus Balthasar Klossowski de Rola, known to the world as Balthus, remains one of the most compelling and controversial figures in 20th-century art. Born in Paris on February 29, 1908, into a family steeped in intellectual and artistic circles, his life was marked by an early immersion in culture and a deliberate rejection of prevailing artistic trends. His father, Erich Klossowski, was a respected art historian, while his mother, Baladine Klossowska, was a painter herself, fostering an environment where aesthetic contemplation was not merely encouraged but lived. This upbringing instilled in the young Balthus a deep reverence for the Old Masters and a skepticism towards the burgeoning avant-garde movements that dominated the Parisian scene.