Portrait of Tobias Stimmer

Tobias Stimmer Paintings: The 63 Most Famous, Through a Gallery's Eye

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 63 works by Tobias Stimmer in our catalogue

In short

To the gallery's eye, Tobias Stimmer's most famous painting is Portrait of Jacob Schwytzer (1564), whose original hangs in the Kunstmuseum Basel, Basel. The age of men at the age of fifty and sixty years and Portrait of a Bearded Man (1576) complete the trio every eye recognises. Of the 63 works by Tobias Stimmer in our catalog, the gallery presents the 63 most famous below, each original with its year, its museum and what makes it unique.

1539 – 1584, Schaffhausen Mannerism Most works: Kunstmuseum Basel

The gallery's top 10 Tobias Stimmer paintings

1
Portrait of Jacob Schwytzer (1564) by Tobias Stimmer

Portrait of Jacob Schwytzer

1564 · Oil On Panel · Kunstmuseum Basel, Basel

The Portrait of Jacob Schwytzer is a painting by the Swiss artist Tobias Stimmer. This work depicts a man identified as Jacob Schwytzer, presented in a full-length pose. The subject is shown as a gentleman or soldier, holding a sword and positioned against a dark, muted background. An emblem or coat of arms is located in the upper right corner of the composition.

2
The age of men at the age of fifty and sixty years by Tobias Stimmer

The age of men at the age of fifty and sixty years

Engraving

The age of men at the age of fifty and sixty years emerges from the meticulous hand of Tobias Stimmer. This engraving captures a quiet, heavy moment of reflection, presenting two men whose faces carry the weight of their respective decades. We find ourselves looking into a scene where time itself seems to settle upon the figures, frozen in a delicate dance of light and shadow. The work invites a…

3
Portrait of a Bearded Man (1576) by Tobias Stimmer

Portrait of a Bearded Man

1576 · Ink On Paper · J. Paul Getty Museum, Los Angeles

Tobias Stimmer's “Portrait of a Bearded Man,” created in 1576, is more than simply a likeness; it’s a carefully constructed meditation on humanity, faith, and the dignity of everyday life. This remarkable drawing, now meticulously reproduced by WahooArt.com, offers a rare glimpse into the world of a Swiss Renaissance artist working at a pivotal moment of religious and artistic transition. Stimmer, deeply influenced by the meticulous realism of Hans Holbein…

Tobias Stimmer paintings, ranked 11 to 63

11The musicians, the violin player by Tobias StimmerThe musicians, the violin player 12The musicians, the organ player by Tobias StimmerThe musicians, the organ player 13The musicians, the guitar player by Tobias StimmerThe musicians, the guitar player 14Portrait of pastor rudolph gwalther of zurich by Tobias StimmerPortrait of pastor rudolph gwalther of zurich 15Portrait of a man by Tobias StimmerPortrait of a man 16The musicians, the clarinet player by Tobias StimmerThe musicians, the clarinet player 17The musicians, the bassoon player by Tobias StimmerThe musicians, the bassoon player 18The church hierarchy, three monks by Tobias StimmerThe church hierarchy, three monks 19The secular hierarchy, three knights by Tobias StimmerThe secular hierarchy, three knights 20The church hierarchy, three bishops by Tobias StimmerThe church hierarchy, three bishops 21Gaspard de coligny by Tobias StimmerGaspard de coligny 22Temperance by Tobias StimmerTemperance 23The secular hierarchy, emperor, king , duke by Tobias StimmerThe secular hierarchy, emperor, king , duke 24Portrait of pastor heinrich bullinger, zurich reformer by Tobias StimmerPortrait of pastor heinrich bullinger, zurich reformer 25commemorative carl miegOberrichter strasbourg by Tobias Stimmercommemorative carl miegOberrichter strasbourg 26The church hierarchy, two abbots and a hermit by Tobias StimmerThe church hierarchy, two abbots and a hermit 27The secular hierarchy, artisans, soldiers and traders by Tobias StimmerThe secular hierarchy, artisans, soldiers and traders 28The secular hierarchy, scholar , lawyer and client by Tobias StimmerThe secular hierarchy, scholar , lawyer and client 29Astronomical movement in the strasbourg cathedral by Tobias StimmerAstronomical movement in the strasbourg cathedral 30The church hierarchy, pope, cardinal, archbishop by Tobias StimmerThe church hierarchy, pope, cardinal, archbishop 31The church hierarchy, pilgrims, vicar and geissler by Tobias StimmerThe church hierarchy, pilgrims, vicar and geissler 32The age of men at the age of thirty and forty years by Tobias StimmerThe age of men at the age of thirty and forty years 33Otto heinrich von schwarzenberg, lord of hohenlandenberg by Tobias StimmerOtto heinrich von schwarzenberg, lord of hohenlandenberg 34Jacob taurelis, oechsel, royal advisors by Tobias StimmerJacob taurelis, oechsel, royal advisors 35The age of the women at the age of ten and twenty years by Tobias StimmerThe age of the women at the age of ten and twenty years 36The age of men at the age of ninety and a hundred years by Tobias StimmerThe age of men at the age of ninety and a hundred years 37Gorgoneum caput seemonster by Tobias StimmerGorgoneum caput seemonster 38The age of the women at the age of thirty and forty years by Tobias StimmerThe age of the women at the age of thirty and forty years 39The age of the women at the age of seventy and eighty years by Tobias StimmerThe age of the women at the age of seventy and eighty years 40The big shooting at strasbourg by Tobias StimmerThe big shooting at strasbourg 41The age of the women at the age of ninety and a hundred years by Tobias StimmerThe age of the women at the age of ninety and a hundred years 42John fries, frisius, professor of hebrew in zurich by Tobias StimmerJohn fries, frisius, professor of hebrew in zurich 43Portrait of johann storm rector of the academy of strasbourg by Tobias StimmerPortrait of johann storm rector of the academy of strasbourg 44Jacob sturmprefekt strasbourg by Tobias StimmerJacob sturmprefekt strasbourg 45Fama by Tobias StimmerFama 46The secular hierarchy, three princes by Tobias StimmerThe secular hierarchy, three princes 47The secular hierarchy, three counts by Tobias StimmerThe secular hierarchy, three counts 48Portrait of peter ramus at the age of fifty-five years by Tobias StimmerPortrait of peter ramus at the age of fifty-five years 49Portrait of paolo jovio, bishop of como by Tobias StimmerPortrait of paolo jovio, bishop of como 50The musicians, the krummhorn player by Tobias StimmerThe musicians, the krummhorn player 51The age of men at the age of ten and twenty years by Tobias StimmerThe age of men at the age of ten and twenty years 52The church hierarchy, priest, deacon and mess assistant by Tobias StimmerThe church hierarchy, priest, deacon and mess assistant 53Melchior neusidler at the age of forty-three years by Tobias StimmerMelchior neusidler at the age of forty-three years 54Portrait of sigmund feyerabenddrucker in frankfurt by Tobias StimmerPortrait of sigmund feyerabenddrucker in frankfurt 55Commemorative by stephan brechtl by Tobias StimmerCommemorative by stephan brechtl 56The age of men at the age of seventy and eighty years by Tobias StimmerThe age of men at the age of seventy and eighty years 57Synagogue, the old belief by Tobias StimmerSynagogue, the old belief 58Portrait of men by Tobias StimmerPortrait of men 59The musicians, the flute player by Tobias StimmerThe musicians, the flute player 60Ecclesia, the new faith by Tobias StimmerEcclesia, the new faith 61Portrait of elsbeth lochmann, wife of the zurich-bearer jacob schwytzer - (1564) by Tobias StimmerPortrait of elsbeth lochmann, wife of the zurich-bearer jacob schwytzer - (1564)Kunstmuseum Basel 62Portrait of jacob schwytzer and his wife elsbeth lochmann - (1564) by Tobias StimmerPortrait of jacob schwytzer and his wife elsbeth lochmann - (1564) 63The painter and his muse - (1560) by Tobias StimmerThe painter and his muse - (1560)

Tobias Stimmer's famous paintings, period by period

The subjects that held Tobias Stimmer's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Tobias Stimmer's originals

The 2 museums that hold the most of the paintings on this page.

Museum City Works by Tobias Stimmer Paintings from this list
Kunstmuseum Basel, BaselKunstmuseum Basel Basel 2 Portrait of Jacob Schwytzer, Portrait of elsbeth lochmann, wife of the zurich-bearer jacob schwytzer - (1564)
J. Paul Getty Museum, Los AngelesJ. Paul Getty Museum Los Angeles 1 Portrait of a Bearded Man

Tobias Stimmer, the signature paintings of each year

Tobias Stimmer's career on this page runs 13 years, 1564 to 1576: each year appears here with its most famous originals.

Works per year

Pick a year to see its originals.

Tobias Stimmer's paintings: the gallery answers

Which Tobias Stimmer painting is the most famous of all?Reveal the answer

Portrait of Jacob Schwytzer (1564), Kunstmuseum Basel, Basel. The age of men at the age of fifty and sixty years and Portrait of a Bearded Man (1576) come next.

How old was Tobias Stimmer on completing Portrait of Jacob Schwytzer?Reveal the answer

25 years old: Portrait of Jacob Schwytzer dates from 1564, and Tobias Stimmer was born in 1539.

Which are Tobias Stimmer's top 10 paintings?Reveal the answer

Portrait of Jacob Schwytzer, The age of men at the age of fifty and sixty years, Portrait of a Bearded Man, Crescent madonna, Nicodemus frischlin, Wilhelm xylander, professor of greek at heidelberg, Bernhard jobin romulus killed remus, The musicians, the drummer, The musicians, the lute player and The musicians, the zither player. The ranking above gives each one's year and museum.

How many works did Tobias Stimmer create?Reveal the answer

Our catalog holds 63 works by Tobias Stimmer, dated from 1564 to 1576.

Where do Tobias Stimmer's most famous originals hang?Reveal the answer

Mostly in Kunstmuseum Basel (Basel) and J. Paul Getty Museum (Los Angeles). The museum table above lists them all.

Which are Tobias Stimmer's earliest and latest famous works?Reveal the answer

On this page, the earliest is Portrait of Jacob Schwytzer (1564) and the latest Portrait of a Bearded Man (1576).

Which subjects did Tobias Stimmer return to most?Reveal the answer

Music (8), Portraits (8) and Men (6), across the 63 works on this page.

Which movement is Tobias Stimmer associated with?Reveal the answer

Mannerism, judging by the originals on this page.

Which Tobias Stimmer originals does the Kunstmuseum Basel hold?Reveal the answer

Portrait of Jacob Schwytzer and Portrait of elsbeth lochmann, wife of the zurich-bearer jacob schwytzer - (1564): the Kunstmuseum Basel, Basel holds 2 of the works on this page.

Tobias Stimmer: the artist

A Life Etched in Detail: The World of Tobias Stimmer

Tobias Stimmer, born in the bustling Swiss city of Schaffhausen in 1539, emerged as a pivotal figure during a period of profound artistic and religious transformation. While details surrounding his earliest training remain somewhat elusive, it’s clear he quickly established himself as a versatile artist, initially working as both a wall and portrait painter across Switzerland and beyond – from the vibrant streets of Strasbourg to the elegant courts of Baden-Baden. Stimmer's career unfolded against the backdrop of the Reformation, an era that deeply influenced artistic expression and subject matter throughout Europe. He wasn’t merely a recorder of his time; he was a sensitive interpreter of its shifting beliefs and values, translating them into images imbued with both precision and spiritual depth.

The Legacy of Holbein and the Flourishing of Mannerism

Stimmer's artistic lineage is readily apparent in his profound debt to Hans Holbein the Younger. The meticulous realism, the psychological insight, and the sheer technical mastery that characterized Holbein’s work served as a foundational influence on Stimmer’s early development. However, Stimmer didn’t simply imitate his predecessor; he absorbed these lessons and forged his own distinctive path within the evolving aesthetic of Mannerism. This is evident in his tendency towards elongated figures, elegant compositions marked by dynamic movement, and an almost obsessive attention to intricate detail. His work embodies a sophisticated balance between Renaissance ideals and the emerging stylistic tendencies that would define art for decades to come. He wasn’t afraid to experiment with form and composition, pushing boundaries while maintaining a remarkable level of technical skill.

Masterworks and Enduring Contributions

Stimmer's artistic achievements are diverse and impactful. Perhaps his most celebrated contribution lies in the exquisite paintings adorning the Strasbourg astronomical clock – a testament to his ability to seamlessly blend portraiture with allegorical representation. These intricate depictions, brimming with symbolic meaning, showcase not only his technical prowess but also his deep understanding of humanist thought and scientific inquiry. Beyond this monumental project, Stimmer was an exceptionally prolific creator of designs intended for woodcuts. These drawings, often illustrating biblical scenes or exploring complex allegories, were widely disseminated thanks to prominent printers like Sigmund Feyerabend in Frankfurt am Main and Bernhart Jobin in Strasbourg, significantly expanding his reach and influence across Europe. Even today, remnants of his wall paintings can be glimpsed within the “House zum Ritter” in Schaffhausen, offering a tantalizing glimpse into his early decorative work. His portraits, such as those of Jacob Schwytzer and his wife Elsbeth Lochmann, stand as compelling examples of his ability to capture not only physical likeness but also the social standing and inner character of his sitters.

Themes, Symbolism, and a Lasting Impact

Throughout his career, Stimmer consistently explored themes of religion, morality, and the human condition. His illustrations for woodcuts frequently drew inspiration from biblical narratives or allegorical representations of virtues and vices – reflecting the spiritual concerns of his time. His artistic style is immediately recognizable through several key characteristics: a precision and detail that borders on meticulousness; an elegant composition emphasizing balance and clarity; the Mannerist elongation of figures, lending them a sense of grace and dynamism; and a pervasive use of symbolism, enriching his works with layers of meaning. Tobias Stimmer’s legacy extends beyond his individual artworks. He provided valuable insight into the artistic and cultural landscape of 16th-century Switzerland and beyond, playing a crucial role in disseminating images and ideas during an era of religious and intellectual upheaval. He bridged the gap between the High Renaissance ideals championed by Holbein and the emerging Mannerist aesthetic, solidifying his position as a skilled painter, illustrator, and a key figure in Swiss art history. He passed away in Strasbourg in 1584, leaving behind a body of work that continues to captivate and inspire scholars and art enthusiasts alike. While perhaps not as widely celebrated as some of his contemporaries, Stimmer’s contributions remain significant, particularly for those interested in the development of Mannerism and the rich history of Swiss painting.