Portrait of John Theodore Heins

The 45 Most Famous John Theodore Heins Paintings, a Gallery Selection

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 45 works by John Theodore Heins in our catalogue

In short

Of all the originals John Theodore Heins left, the most famous is Robert Marsh (1679 1680–1771), Mayor of Norwich (1731) (1732). Close behind it come John Ives Senior as a Boy (1718 1719–1793) (1728) and Allegory of Trade (1743). Our catalog holds 45 works by John Theodore Heins; the gallery has kept the 45 the world admires most, each shown with its date, its museum and its story.

1697 – 1756, Germany Most works: Gainsborough's House

John Theodore Heins's top 10 paintings: the gallery's choice

The John Theodore Heins selection continues, 11 to 45

11Thomas Gainsborough (1709–1739) (1731) by John Theodore HeinsThomas Gainsborough (1709–1739)1731 · Gainsborough's House 12Robert Lambert (d.1734), Lady Margaret Preacher, Master, Vice Chancellor (1727) by John Theodore HeinsRobert Lambert (d.1734), Lady Margaret Preacher, Master, Vice Chancellor1727 · st John's College 13Samuel Bradford (1652–1731), Master (1716–1724), Bishop of Rochester (1723–1731) (1729) by John Theodore HeinsSamuel Bradford (1652–1731), Master (1716–1724), Bishop of Rochester (1723–1731)1729 14Edward Astley (1729–1802), Later Sir Edward Astley, 4th Bt Astley of Hill Morton, and His Sister Blanche, Later Mrs Edward Pratt, as Children, with a Parrot and a Bunch of Grapes (1732) by John Theodore HeinsEdward Astley (1729–1802), Later Sir Edward Astley, 4th Bt Astley of Hill Morton, and His Sister Blanche, Later Mrs Edward Pratt, as Children, with a Parrot and a Bunch of Grapes1732 15John Gainsborough (1711–1772) (1731) by John Theodore HeinsJohn Gainsborough (1711–1772)1731 · Gainsborough's House 16The Death of Thomas Guy (1737) by John Theodore HeinsThe Death of Thomas Guy1737 17The Honourable Horatio Walpole (1678–1757) (1740) by John Theodore HeinsThe Honourable Horatio Walpole (1678–1757)1740 18Thomas Guy Counting His Money (1737) by John Theodore HeinsThomas Guy Counting His Money1737 19William Wiggett (1693 1694–1768), Mayor of Norwich (1742) (1743) by John Theodore HeinsWilliam Wiggett (1693 1694–1768), Mayor of Norwich (1742)1743 20Thomas Emerson (d.1785), Sheriff of Norwich (1785) (1741) by John Theodore HeinsThomas Emerson (d.1785), Sheriff of Norwich (1785)1741 21Christopher Amiraut (1739) by John Theodore HeinsChristopher Amiraut1739 · Musée des Beaux-Arts Jules Chéret 22Benjamin Nuthall (d.1752), Mayor of Norwich (1721 1749) (1738) by John Theodore HeinsBenjamin Nuthall (d.1752), Mayor of Norwich (1721 1749)1738 23A Music Party at Melton Constable (1734) by John Theodore HeinsA Music Party at Melton Constable1734 24Portrait of a Man (1744) by John Theodore HeinsPortrait of a Man1744 25John, Lord Hobart (1694–1756), 1st Earl of Buckinghamshire (1743) by John Theodore HeinsJohn, Lord Hobart (1694–1756), 1st Earl of Buckinghamshire1743 26Robert Walpole (1676–1745), Earl of Orford (1743) by John Theodore HeinsRobert Walpole (1676–1745), Earl of Orford1743 27Thomas Vere (1680 1681–1766), Mayor of Norwich (1735) (1736) by John Theodore HeinsThomas Vere (1680 1681–1766), Mayor of Norwich (1735)1736 28William Clarke (d.1752), Mayor of Norwich (1739) (1740) by John Theodore HeinsWilliam Clarke (d.1752), Mayor of Norwich (1739)1740 29Thomas Harwood (b.1664 1665), Mayor of Norwich (1728) (1737) by John Theodore HeinsThomas Harwood (b.1664 1665), Mayor of Norwich (1728)1737 30Lady Gooch, Wife of Sir Thomas Gooch, Bt, Bishop of Norwich and Master of Gonville and Caius College, Cambridge (1741) by John Theodore HeinsLady Gooch, Wife of Sir Thomas Gooch, Bt, Bishop of Norwich and Master of Gonville and Caius College, Cambridge1741 · Fries Museum 31Portrait of an Unknown Lady (1748) by John Theodore HeinsPortrait of an Unknown Lady1748 · Oxburgh Hall 32Simeon Waller, Mayor of Norwich (1745) (1746) by John Theodore HeinsSimeon Waller, Mayor of Norwich (1745)1746 33Thomas Hurnard (1711 1712–1753), Mayor of Norwich (1752) (1754) by John Theodore HeinsThomas Hurnard (1711 1712–1753), Mayor of Norwich (1752)1754 34The Reverend Thomas Roger Duquesne (1750) by John Theodore HeinsThe Reverend Thomas Roger Duquesne1750 35Sir Benjamin Wrench (1665–1747), MD (1746) by John Theodore HeinsSir Benjamin Wrench (1665–1747), MD1746 36Richard Walker (1679–1764), Vice Master and Horticulturist (1751) by John Theodore HeinsRichard Walker (1679–1764), Vice Master and Horticulturist1751 37Thomas Harvey (1711–1772), Mayor of Norwich (1748) (1749) by John Theodore HeinsThomas Harvey (1711–1772), Mayor of Norwich (1748)1749 38The Reverend Henry Hubbard (1708–1778), Registrary of the University (1758–1778) (1750) by John Theodore HeinsThe Reverend Henry Hubbard (1708–1778), Registrary of the University (1758–1778)1750 · Old Schools 39Nockold Tompson (d.1777), Mayor of Norwich (1759), and Speaker of the Common Council (1744–1753) (1756) by John Theodore HeinsNockold Tompson (d.1777), Mayor of Norwich (1759), and Speaker of the Common Council (1744–1753)1756 40Matthew Goss (b.1680 1681) (1756) by John Theodore HeinsMatthew Goss (b.1680 1681)1756 41Sir Jacob Astley (1692–1760), 3rd Bt by John Theodore HeinsSir Jacob Astley (1692–1760), 3rd Bt 42The Meeting of Abraham and Melchizedek by John Theodore HeinsThe Meeting of Abraham and MelchizedekNational Trust 43John Kirkpatrick (1686–1728) by John Theodore HeinsJohn Kirkpatrick (1686–1728) 44John Harvey (1666–1742), Mayor of Norwich (1727) by John Theodore HeinsJohn Harvey (1666–1742), Mayor of Norwich (1727) 45Portrait of Georg Friedrich Handel (1750) by John Theodore HeinsPortrait of Georg Friedrich Handel1750

The subjects that held John Theodore Heins's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep John Theodore Heins's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by John Theodore Heins Paintings from this list
Gainsborough's House, SudburyGainsborough's House Sudbury 2 Thomas Gainsborough (1709–1739), John Gainsborough (1711–1772)
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 Allegory of Trade
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 Family Group on a Terrace
National Maritime Museum, LondonNational Maritime Museum London 1 Admiral Sir Robert Harland, circa 1715-1784
Riba Library Drawings And Archives Collections, LondonRiba Library Drawings And Archives Collections London 1 Matthew Brettingham the Elder (1699–1769)
st John's College, Cambridgest John's College Cambridge 1 Robert Lambert (d.1734), Lady Margaret Preacher, Master, Vice Chancellor
Musée des Beaux-Arts Jules Chéret, NiceMusée des Beaux-Arts Jules Chéret Nice 1 Christopher Amiraut
Fries Museum, LeeuwardenFries Museum Leeuwarden 1 Lady Gooch, Wife of Sir Thomas Gooch, Bt, Bishop of Norwich and Master of Gonville and Caius College, Cambridge

John Theodore Heins decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about John Theodore Heins's paintings

Which work is John Theodore Heins most famous for?Reveal the answer

Robert Marsh (1679 1680–1771), Mayor of Norwich (1731) (1732). John Ives Senior as a Boy (1718 1719–1793) (1728) and Allegory of Trade (1743) come next.

What age was John Theodore Heins when Robert Marsh (1679 1680–1771), Mayor of Norwich (1731) was made?Reveal the answer

35 years old: Robert Marsh (1679 1680–1771), Mayor of Norwich (1731) dates from 1732, and John Theodore Heins was born in 1697.

What are the ten most famous John Theodore Heins paintings?Reveal the answer

Robert Marsh (1679 1680–1771), Mayor of Norwich (1731), John Ives Senior as a Boy (1718 1719–1793), Allegory of Trade, Family Group on a Terrace, Timothy Balderston (1682–1764), Mayor of Norwich (1736 1751), Admiral Sir Robert Harland, circa 1715-1784, Matthew Brettingham the Elder (1699–1769), Isabella Astley (1724–1741), Aged Eight, Self Portrait and Francis Arnam (1673 1674–1741), Mayor of Norwich (1732). The ranking above gives each one's year and museum.

How many paintings did John Theodore Heins leave?Reveal the answer

Our catalog holds 45 works by John Theodore Heins, dated from 1726 to 1756.

In which museums do John Theodore Heins's masterpieces hang?Reveal the answer

Mostly in Gainsborough's House (Sudbury), Yale Center for British Art (New Haven) and Art Institute of Chicago (Chicago). The museum table above lists them all.

In which years did John Theodore Heins paint the most famous works?Reveal the answer

In 1740s: 16 of the 45 works on this page were made then, Allegory of Trade among them.

What are the first and the last famous originals of John Theodore Heins?Reveal the answer

On this page, the earliest is Self Portrait (1726) and the latest Nockold Tompson (d.1777), Mayor of Norwich (1759), and Speaker of the Common Council (1744–1753) (1756).

Which subjects did John Theodore Heins choose most often?Reveal the answer

Portraiture (5), 18th century (5) and Dignified (4), across the 45 works on this page.

Which John Theodore Heins works hang at the Gainsborough's House?Reveal the answer

Thomas Gainsborough (1709–1739) and John Gainsborough (1711–1772): the Gainsborough's House, Sudbury holds 2 of the works on this page.

John Theodore Heins: life and work

The Quiet Elegance of John Theodore Heins Senior

In the vibrant tapestry of eighteenth-century British art, where the flamboyant grandeur of Joshua Reynolds and the fluid grace of Thomas Gainsborough often command the spotlight, there exists a more intimate, contemplative voice. This is the voice of John Theodore Heins Senior (1697–1756), a portraitist whose work serves as a window into the psychological depth and social dignity of the Enlightenment era. While his name may not resonate with the same thunderous fame as his more celebrated contemporaries, Heins Senior offered a unique brand of visual storytelling, characterized by a meticulous devotion to detail and an uncanny ability to capture the very essence of his subjects—ranging from the scholarly elite to the powerful mayors of Norwich.

Born in London, Heins’s early years were shaped by the rigorous traditions of the English school. His artistic journey was profoundly influenced by his apprenticeship under Jonathan Richardson Sr., a master renowned for integrating theatrical composition with innovative perspectives. From Richardson, Heins inherited more than just technical proficiency; he learned the art of characterization. This foundational training instilled in him a respect for realism and an understanding of how light and shadow could be used to sculpt not just physical form, but the very soul of the sitter. As his career progressed, Heins moved away from mere imitation, developing a signature style that favored a restrained palette and a subtle gradation of tones reminiscent of the Old Master traditions.

Mastery of Light and Texture

The true brilliance of Heins Senior lies in his technical command over the medium of oil painting. Unlike the looser, more impressionistic brushstrokes that would later define much of British portraiture, Heins employed a painstaking method of building up layers of paint. This laborious process allowed him to achieve a remarkable luminosity and a textural complexity that makes his canvases feel almost tactile. His subjects are often bathed in a diffused, soft light, creating an atmosphere of serene contemplation that invites the viewer to linger.

Central to his technique was the masterful use of chiaroscuro. By orchestrating the dramatic interplay between deep shadows and brilliant highlights, Heins could direct the viewer's eye toward the most expressive features of a face or the intricate textures of fine silk and lace. This precision is evident in several of his notable works:

A Legacy of Dignity and Detail

The historical significance of John Theodore Heins Senior resides in his role as a chronicler of an era defined by intellectual growth and social stratification. His portraits were more than mere likenesses; they were carefully constructed symbols of identity, intellect, and authority. Through his work, we gain insight into the architectural symbolism and the sartorial elegance that defined the 18th-century British upper classes and scholarly circles.

Though he may have been overshadowed by the more theatrical movements of his time, Heins Senior’s contribution to the canon of British portraiture remains indispensable. His ability to marry the precision of a craftsman with the sensitivity of an artist allowed him to create works that possess a timeless, quiet dignity. Today, as art historians revisit his oeuvre, they find a painter who did not seek to overwhelm the viewer with spectacle, but rather to enchant them through the profound beauty of truth and meticulous observation.