Portrait of Washington Allston

The 68 Most Famous Washington Allston Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 68 works by Washington Allston in our catalogue

In short

Self-Portrait (1799) is the Washington Allston painting that draws the most eyes; the original belongs to the Harvard Art Museums, Cambridge. After it, the eye goes to Portrait of Captain A.H. Pray of the Boston Fusiliers (1796) and Dead Man Restored to Life by Touching the Bones of the Prophet Elisha (1811). Among the 68 works of Washington Allston in our catalog, these 68 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1779 – 1843, Charleston Romanticism Most works: Museum of Fine Arts

Top 10 paintings by Washington Allston, through the gallery's eye

1
Self-Portrait (1799) by Washington Allston

Self-Portrait

1799 · Oil On Canvas · Harvard Art Museums, Cambridge

A young man stares through the darkness. He sits in a three-quarter view, his gaze steady and unblinking against the viewer. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This light catches the crisp white of his cravat and the smooth planes of his skin, leaving the rest of his form to dissolve into deep, moody shadows. Behind him,…

2
Portrait of Captain A.H. Pray of the Boston Fusiliers (1796) by Washington Allston

Portrait of Captain A.H. Pray of the Boston Fusiliers

1796 · Watercolor · Rhode Island School of Design Museum of Art, Providence

Washington Allston’s Portrait of Captain A.H. Pray of the Boston Fusiliers is a delicate and intimate miniature portrait of a young man. The composition employs a close-up, three-quarter view of the subject's head and shoulders, with the figure positioned slightly off-center. This arrangement creates a sense of immediacy, drawing the viewer into a private encounter with the sitter. The focus remains fixed entirely on the subject's expressive blue eyes and…

3
Dead Man Restored to Life by Touching the Bones of the Prophet Elisha (1811) by Washington Allston

Dead Man Restored to Life by Touching the Bones of the Prophet Elisha

1811 · Oil On Canvas · Pennsylvania Academy of Fine Arts, Philadelphia

The oil on canvas titled Dead Man Restored to Life by Touching the Bones of the Prophet Elisha was painted by Washington Allston about 1811. This work captures a singular moment of biblical miracle. It depicts the resurrection of a man through the physical contact of his body with the bones of the prophet Elisha. The scene is a heavy, monumental arrangement of figures caught in the instant of divine…

4
The Poor Author and the Rich Bookseller (1811) by Washington Allston

The Poor Author and the Rich Bookseller

1811 · Oil · Museum of Fine Arts, Boston

The oil painting The Poor Author and the Rich Bookseller by Washington Allston depicts a dramatic interaction between three men within a sparse, dimly lit interior. The composition utilizes a triangular arrangement of the figures to guide the eye through the scene. This arrangement is supported by the receding lines of the floorboards and a doorway that leads toward a brightly lit window in the background. The subject matter suggests…

5
William Ellery Channing (1811) by Washington Allston

William Ellery Channing

1811 · Oil On Canvas · Museum of Fine Arts, Boston

In this intimate oil portrait, Washington Allston captures William Ellery Channing, a man who occupied a significant place in the social and intellectual circles of the early nineteenth century. Painted about 1811, the work offers a quiet study of the subject's character. The connection between the painter and the sitter was deeply personal, as Channing was the brother of the artist's wife, Ann Channing. This familial bond likely contributed to…

6
Self Portrait (1805) by Washington Allston

Self Portrait

1805 · Oil On Canvas · Museum of Fine Arts, Boston

In this 1799 oil on canvas, we find a young man caught in a moment of profound stillness. The composition is intimate, focusing on the upper torso and head to create a direct, almost unsettling connection with the viewer. He sits in a three-quarter view, his gaze steady and unblinking. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This…

9
First study for "Christ Healing the Sick" (1813) by Washington Allston

First study for "Christ Healing the Sick"

1813 · Wash · Harvard Art Museums, Cambridge

The artwork is titled First study for "Christ Healing the Sick" and was created by the artist Washington Allston. This specific piece functions as a preparatory study, a preliminary version intended to work out the composition and tonal values for a larger religious work. The work is a monochromatic, sepia-toned drawing or wash study, likely executed using ink, bistre, or sepia wash on paper.

10
Samuel Taylor Coleridge (1772-1834) (1806) by Washington Allston

Samuel Taylor Coleridge (1772-1834)

1806 · Oil On Canvas · Harvard Art Museums, Cambridge

In this intimate oil portrait, we find ourselves in the presence of a young man caught in a moment of profound introspection. The subject is positioned slightly off-center, his gaze directed toward the right of the frame as if lost in a private thought or a distant memory. There is a quietude here that feels almost heavy, a stillness that invites the viewer to lean in and observe the subtle…

Washington Allston's famous paintings, numbers 11 to 68

11Diana on a Chase (1805) by Washington AllstonDiana on a Chase1805 · Harvard Art Museums 12Study for "Jason Returning to Demand His Father's Kingdom" (1807) by Washington AllstonStudy for "Jason Returning to Demand His Father's Kingdom"1807 · Harvard Art Museums 13Jeremiah Dictating His Prophecy of  the Destruction of Jerusalem to Baruch the Scribe (1820) by Washington AllstonJeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe1820 · Yale University Art Gallery 14Beatrice (1819) by Washington AllstonBeatrice1819 · Museum of Fine Arts 15Donna Mencia in the Robber's Cavern (1815) by Washington AllstonDonna Mencia in the Robber's Cavern1815 · Museum of Fine Arts 16Head of a Jew (1817) by Washington AllstonHead of a Jew1817 · Museum of Fine Arts 17Study for Belshazzar's Feast (1817) by Washington AllstonStudy for Belshazzar's Feast1817 · Museum of Fine Arts 18Study for "Belshazzar's Feast"; verso: Studies for "Angel Releasing Saint Peter from Prison" (1817) by Washington AllstonStudy for "Belshazzar's Feast"; verso: Studies for "Angel Releasing Saint Peter from Prison"1817 · Harvard Art Museums 19Rebecca at the Well (1816) by Washington AllstonRebecca at the Well1816 · Harvard Art Museums 20A Study from Life [and] Study for Angel Releasing Saint Peter from Prison (1815) by Washington AllstonA Study from Life [and] Study for Angel Releasing Saint Peter from Prison1815 · Metropolitan Museum of Art 21A Tuscan Girl (1831) by Washington AllstonA Tuscan Girl1831 · New Britain Museum of American Art 22Loammi Baldwin, Jr. (1780-1838); verso: Study for Female Head (1823) by Washington AllstonLoammi Baldwin, Jr. (1780-1838); verso: Study for Female Head1823 · Harvard Art Museums 23Ideal Head (1835) by Washington AllstonIdeal Head1835 · Rhode Island School of Design Museum of Art 24The Sisters (1816) by Washington AllstonThe Sisters1816 · Harvard Art Museums 25Elijah Fed by the Ravens (1818) by Washington AllstonElijah Fed by the Ravens1818 · Museum of Fine Arts 26A Landscape after Sunset (1819) by Washington AllstonA Landscape after Sunset1819 · National Gallery of Art 27Moonlit Landscape (1819) by Washington AllstonMoonlit Landscape1819 · Museum of Fine Arts 28The Rising of a Thunderstorm at Sea (1804) by Washington AllstonThe Rising of a Thunderstorm at Sea1804 · Museum of Fine Arts 29Italian Shepard Boy by Washington AllstonItalian Shepard BoyDetroit Institute of Arts 30Rising of a Thunderstorm at Sea (1804) by Washington AllstonRising of a Thunderstorm at Sea1804 · Museum of Fine Arts 31Landscape with a Lake (1804) by Washington AllstonLandscape with a Lake1804 · Museum of Fine Arts 32Jacob's Dream (1817) by Washington AllstonJacob's Dream1817 · Petworth House 33Hermina and Helena (1815) by Washington AllstonHermina and Helena1815 34Miriam the Prophetess (1821) by Washington AllstonMiriam the Prophetess1821 35Italian Landscape (1814) by Washington AllstonItalian Landscape1814 · Toledo Museum of Art 36Ship in a Squall (1827) by Washington AllstonShip in a Squall1827 · Harvard Art Museums 37Landscape, American Scenery: Time, Afternoon, with a Southwest Haze (1835) by Washington AllstonLandscape, American Scenery: Time, Afternoon, with a Southwest Haze1835 · Museum of Fine Arts 38Landscape Composition (1834) by Washington AllstonLandscape Composition1834 · Harvard Art Museums 39The Angel Releasing St. Peter from Prison by Washington AllstonThe Angel Releasing St. Peter from PrisonMuseum of Fine Arts 40Romantic Landscape by Washington AllstonRomantic Landscape 41HEAD OF A JEW by Washington AllstonHEAD OF A JEWNational Portrait Gallery of Sweden 42Moses and the Serpent by Washington AllstonMoses and the Serpent 43Benjamin Lynde, Sr by Washington AllstonBenjamin Lynde, Sr 44Saul and the Witch of Endor by Washington AllstonSaul and the Witch of Endor 45Italian Shepherd Boy (1819) by Washington AllstonItalian Shepherd Boy1819 · Detroit Institute of Arts 46Dr. John King (1814) by Washington AllstonDr. John King1814 · Fine Arts Museums of San Francisco 47Italian Landscape (1828) by Washington AllstonItalian Landscape1828 · Detroit Institute of Arts 48An American Landscape by Washington AllstonAn American LandscapeNational Gallery of Ireland 49Head of Saint Peter: Study for ''The Angel Releasing Saint Peter from Prison'' by Washington AllstonHead of Saint Peter: Study for ''The Angel Releasing Saint Peter from Prison''Pennsylvania Academy of Fine Arts 50Storm Rising at Sea by Washington AllstonStorm Rising at Sea 51Christ Healing the Sick by Washington AllstonChrist Healing the SickWorcester Art Museum 52The Spanish Girl in Reverie by Washington AllstonThe Spanish Girl in Reverie 53Classical Landscape by Washington AllstonClassical Landscape 54Samuel Williams by Washington AllstonSamuel WilliamsCleveland Museum of Art 55Jason Returning to Demand his Father's Kingdom by Washington AllstonJason Returning to Demand his Father's KingdomLowe Gallery 56Landscape With A Lake by Washington AllstonLandscape With A Lake 57The Tippler by Washington AllstonThe Tippler 58David Playing before Saul by Washington AllstonDavid Playing before Saul 59Belshazzar's Feat by Washington AllstonBelshazzar's FeatDetroit Institute of Arts 60Samuel Taylor Coleridge by Washington AllstonSamuel Taylor ColeridgeNational Portrait Gallery 61The Opening of the Casket by Washington AllstonThe Opening of the Casket 62Angel Releasing St. Peter from Prison by Washington AllstonAngel Releasing St. Peter from Prison 63Meeting of Lear and Cordelia by Washington AllstonMeeting of Lear and Cordelia 64Coast Scene on the Mediterranean by Washington AllstonCoast Scene on the Mediterranean 65Hermia and Helena by Washington AllstonHermia and HelenaSmithsonian American Art Museum 66Uriel Standing in the Sun (1817) by Washington AllstonUriel Standing in the Sun1817 · Mugar Memorial Library 67The Flight of Florimell (1819) by Washington AllstonThe Flight of Florimell1819 · Detroit Institute of Arts 68The Spanish Girl in Reverie (1831) by Washington AllstonThe Spanish Girl in Reverie1831 · Metropolitan Museum of Art

Washington Allston's famous paintings, period by period

The subjects that held Washington Allston's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Washington Allston's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Washington Allston Paintings from this list
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 14 The Poor Author and the Rich Bookseller, William Ellery Channing, Self Portrait
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 11 Self-Portrait, First study for "Christ Healing the Sick", Samuel Taylor Coleridge (1772-1834)
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 5 Italian Shepard Boy, Italian Shepherd Boy, Italian Landscape
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 2 Portrait of Captain A.H. Pray of the Boston Fusiliers, Ideal Head
Pennsylvania Academy of Fine Arts, PhiladelphiaPennsylvania Academy of Fine Arts Philadelphia 2 Dead Man Restored to Life by Touching the Bones of the Prophet Elisha, Head of Saint Peter: Study for ''The Angel Releasing Saint Peter from Prison''
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 2 A Study from Life [and] Study for Angel Releasing Saint Peter from Prison, The Spanish Girl in Reverie
Philadelphia Museum of Art, PhiladelphiaPhiladelphia Museum of Art Philadelphia 1 Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew")
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe

Washington Allston across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Washington Allston's paintings: questions for the gallery

What is the single most famous work of Washington Allston?Reveal the answer

Self-Portrait (1799), Harvard Art Museums, Cambridge. Portrait of Captain A.H. Pray of the Boston Fusiliers (1796) and Dead Man Restored to Life by Touching the Bones of the Prophet Elisha (1811) come next.

At what age did Washington Allston create Self-Portrait?Reveal the answer

20 years old: Self-Portrait dates from 1799, and Washington Allston was born in 1779.

Which ten paintings by Washington Allston are the most famous?Reveal the answer

Self-Portrait, Portrait of Captain A.H. Pray of the Boston Fusiliers, Dead Man Restored to Life by Touching the Bones of the Prophet Elisha, The Poor Author and the Rich Bookseller, William Ellery Channing, Self Portrait, Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew"), Petruchio attacks the Tailor in Act III, scene IV of The Taming of the Shrew, First study for "Christ Healing the Sick" and Samuel Taylor Coleridge (1772-1834). The ranking above gives each one's year and museum.

How many works by Washington Allston are known?Reveal the answer

Our catalog holds 68 works by Washington Allston, dated from 1796 to 1835.

Where can the most famous Washington Allston originals be seen?Reveal the answer

Mostly in Museum of Fine Arts (Boston), Harvard Art Museums (Cambridge) and Detroit Institute of Arts (Detroit). The museum table above lists them all.

During which period did Washington Allston create the best-known paintings?Reveal the answer

In 1810s: 22 of the 68 works on this page were made then, Dead Man Restored to Life by Touching the Bones of the Prophet Elisha among them.

Which famous Washington Allston painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Portrait of Captain A.H. Pray of the Boston Fusiliers (1796) and the latest Ideal Head (1835).

What subjects did Washington Allston favour?Reveal the answer

Man (16), Woman (9) and Landscape (9), across the 68 works on this page.

What materials did Washington Allston paint with most?Reveal the answer

Oil On Canvas, for 19 of the 68 works on this page.

Which movement does the work of Washington Allston belong to?Reveal the answer

Romanticism, judging by the originals on this page.

What Washington Allston originals can I see at the Museum of Fine Arts?Reveal the answer

The Poor Author and the Rich Bookseller, William Ellery Channing and Self Portrait: the Museum of Fine Arts, Boston holds 14 of the works on this page.

Washington Allston: a portrait of the artist

A Pioneer of American Romanticism

Washington Allston, a name perhaps less immediately recognizable than some of his contemporaries, occupies a pivotal position in the development of American art. Born November 5, 1779, on a South Carolina rice plantation – a landscape that would subtly inform his later artistic sensibilities – Allston’s life was one of intellectual pursuit and aesthetic experimentation. His early years were marked by both privilege and complexity; the shadow of familial loss hung over him following his father's death during the Revolutionary War, and the realities of plantation life undoubtedly shaped his worldview. A solid education at Harvard College provided a foundation for his burgeoning artistic ambitions, but it was a journey to Europe in 1801 that truly ignited his creative spirit.

European Influences and Artistic Formation

London became Allston’s crucible, where he entered the Royal Academy Schools under the tutelage of Sir Benjamin West, a prominent figure in British art and a key link between European traditions and American aspirations. This period was transformative. He immersed himself in the Old Masters, particularly the Venetian Renaissance artists whose mastery of light, color, and atmospheric perspective would profoundly influence his own style. Travel throughout Europe – Paris and Italy especially – exposed him to a wealth of artistic heritage and fostered intellectual connections with luminaries like Washington Irving and Samuel Taylor Coleridge. These friendships were not merely social; they represented a confluence of Romantic thought that permeated Allston’s work, imbuing it with literary and philosophical depth. He wasn't simply replicating what he saw; he was absorbing the spirit of an era defined by emotion, imagination, and a fascination with the sublime.

A Distinctly American Voice

Upon his return to America in 1818, Allston settled in Cambridge, Massachusetts, and began to forge a distinctly American Romantic aesthetic. His paintings moved beyond mere representation, aiming instead to evoke emotional and spiritual responses in the viewer. He was often lauded as the “American Titian,” a testament to his stylistic kinship with the Venetian master, but this comparison doesn’t fully capture the originality of his vision. Works like "Storm Rising at Sea" and "Moonlit Landscape," both housed at the Museum of Fine Arts, Boston, exemplify his dramatic use of light and shadow, his ability to convey the power and mystery of nature, and his exploration of literary themes – particularly those drawn from biblical stories. He wasn’t simply painting landscapes; he was creating visual poems, imbued with a sense of awe and wonder. His unfinished masterpiece, “Belshazzar's Feast,” though never completed in his lifetime, stands as a testament to his ambition and his willingness to grapple with complex narratives and profound emotional states.

Legacy and Enduring Influence

Washington Allston’s impact on American art extends far beyond his own body of work. He paved the way for future generations of landscape painters, influencing figures like Samuel F.B. Morse and inspiring the transcendentalist philosopher Ralph Waldo Emerson. His emphasis on emotional expression and dramatic composition helped shape a distinctly American Romantic aesthetic, one that celebrated the beauty and power of the natural world while also exploring the depths of human experience. The establishment of the Allston Club in Boston by William Morris Hunt further solidified his legacy, ensuring that his techniques and artistic vision were passed down to subsequent generations. Even today, the West Boston neighborhood of Allston stands as a lasting tribute to this pioneering artist, a reminder of his enduring contribution to American culture. He was more than just a painter; he was a visionary who helped define what it meant to be an American artist in the 19th century.