Portrait of Taras Shevchenko

Taras Shevchenko Paintings: The 58 Most Famous, Through a Gallery's Eye

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 58 works by Taras Shevchenko in our catalogue

In short

To the gallery's eye, Taras Shevchenko's most famous painting is The death of Bohdan Khmelnytsky (1837). Vydubychi Monastery in Kyiv (1844) and Self-Portrait (1852) complete the trio every eye recognises. Of the 58 works by Taras Shevchenko in our catalog, the gallery presents the 58 most famous below, each original with its year, its museum and what makes it unique.

1814 – 1861, Moryntsi Romanticism Most works: Taras Shevchenko National Museum

The gallery's top 10 Taras Shevchenko paintings

Taras Shevchenko paintings, ranked 11 to 58

11Self-portrait (1860) by Taras ShevchenkoSelf-portrait1860 · National Art Museum of Ukraine 12Architectural project of private house. Side facade. (1860) by Taras ShevchenkoArchitectural project of private house. Side facade.1860 13Architectural project of private house. Main facade. (1860) by Taras ShevchenkoArchitectural project of private house. Main facade.1860 14Self-portrait of Shevchenko (winter 1840/1841) (1841) by Taras ShevchenkoSelf-portrait of Shevchenko (winter 1840/1841)1841 · Taras Shevchenko National Museum 15Life Model (1838) by Taras ShevchenkoLife Model1838 · Taras Shevchenko National Museum 16Self-Portrait (1861) by Taras ShevchenkoSelf-Portrait1861 · Taras Shevchenko National Museum 17Portrait of Anna Zakrevska (1843) by Taras ShevchenkoPortrait of Anna Zakrevska1843 18Portrait of Victor Zakrevsky (1843) by Taras ShevchenkoPortrait of Victor Zakrevsky1843 · Taras Shevchenko National Museum 19The Moonlit Night at Kos-Arali (1850) by Taras ShevchenkoThe Moonlit Night at Kos-Arali1850 · Taras Shevchenko National Museum 20Chigirin viewed  from Subotovsky (1845) by Taras ShevchenkoChigirin viewed from Subotovsky1845 21Church of the Intercession in Pereslavl (1838) by Taras ShevchenkoChurch of the Intercession in Pereslavl1838 22In Vasilivka (1838) by Taras ShevchenkoIn Vasilivka1838 23In V'unisch (1838) by Taras ShevchenkoIn V'unisch1838 24Rural cemetery (1838) by Taras ShevchenkoRural cemetery1838 25Pochaiv Cathedral (interior view) (1846) by Taras ShevchenkoPochaiv Cathedral (interior view)1846 · Taras Shevchenko National Museum 26Pochayiv Lavra from south (1846) by Taras ShevchenkoPochayiv Lavra from south1846 · Taras Shevchenko National Museum 27Pochayiv Lavra from west (1846) by Taras ShevchenkoPochayiv Lavra from west1846 · Taras Shevchenko National Museum 28unknown portraits (1838) by Taras Shevchenkounknown portraits1838 29Portrait of an unknown with necklace (1838) by Taras ShevchenkoPortrait of an unknown with necklace1838 · Taras Shevchenko National Museum 30Portrait of an unknown (1838) by Taras ShevchenkoPortrait of an unknown1838 · Taras Shevchenko National Museum 31Portrait of a girl with a dog (1838) by Taras ShevchenkoPortrait of a girl with a dog1838 32Portrait of P.V. Engelhardt (1833) by Taras ShevchenkoPortrait of P.V. Engelhardt1833 · Taras Shevchenko National Museum 33Portrait of Nikolai Alexandrovich Lunin (1838) by Taras ShevchenkoPortrait of Nikolai Alexandrovich Lunin1838 · Taras Shevchenko National Museum 34Portrait of Catherine Abaza Shevchenko (1837) by Taras ShevchenkoPortrait of Catherine Abaza Shevchenko1837 · Taras Shevchenko National Museum 35Portrait of Gorlenko by Taras ShevchenkoPortrait of GorlenkoNational Art Museum of Ukraine 36Portrait of Anton Ivanovich (1838) by Taras ShevchenkoPortrait of Anton Ivanovich1838 · Taras Shevchenko National Museum 37Report (1838) by Taras ShevchenkoReport1838 38On the bank (1838) by Taras ShevchenkoOn the bank1838 39Motryn Monastery (1845) by Taras ShevchenkoMotryn Monastery1845 40Kateryna (1842) by Taras ShevchenkoKateryna1842 · Taras Shevchenko National Museum 41St. Michael's Church in Pereslavl (1838) by Taras ShevchenkoSt. Michael's Church in Pereslavl1838 42Maria (1838) by Taras ShevchenkoMaria1838 · Taras Shevchenko National Museum 43Corner of Smolensk cemetery in St. Petersburg (1838) by Taras ShevchenkoCorner of Smolensk cemetery in St. Petersburg1838 · Taras Shevchenko National Museum 44Barn and stream (1838) by Taras ShevchenkoBarn and stream1838 45Oratory (1838) by Taras ShevchenkoOratory1838 46The Healer (1838) by Taras ShevchenkoThe Healer1838 · Taras Shevchenko National Museum 47Mother's Head (1838) by Taras ShevchenkoMother's Head1838 · Taras Shevchenko National Museum 48Bust of woman (1838) by Taras ShevchenkoBust of woman1838 · Taras Shevchenko National Museum 49Ascension Cathedral in Pereslavl (1838) by Taras ShevchenkoAscension Cathedral in Pereslavl1838 50View from the terrace around Pochayiv Lavra (1846) by Taras ShevchenkoView from the terrace around Pochayiv Lavra1846 · Taras Shevchenko National Museum 51The Willows in Andrusha (1845) by Taras ShevchenkoThe Willows in Andrusha1845 52In Hustyn: Church of Peter and Paul (1845) by Taras ShevchenkoIn Hustyn: Church of Peter and Paul1845 53In Dustin Traditional church (1845) by Taras ShevchenkoIn Dustin Traditional church1845 54Gate house, monastery, Nikolai (1838) by Taras ShevchenkoGate house, monastery, Nikolai1838 55Bohdan Khmelnytsky's Church in Subotiv (1845) by Taras ShevchenkoBohdan Khmelnytsky's Church in Subotiv1845 56Andrush (1845) by Taras ShevchenkoAndrush1845 57Self-portrait (1838) by Taras ShevchenkoSelf-portrait1838 · Taras Shevchenko National Museum 58At apiary (1843) by Taras ShevchenkoAt apiary1843 · Taras Shevchenko National Museum

The museums that keep Taras Shevchenko's originals

The 3 museums that hold the most of the paintings on this page.

Museum City Works by Taras Shevchenko Paintings from this list
Taras Shevchenko National Museum, KievTaras Shevchenko National Museum Kiev 26 Self-Portrait, Cathedral of the Annunciation in Nizhny Novgorod, Archangel Cathedral in Nizhny Novgorod
National Art Museum of Ukraine, KievNational Art Museum of Ukraine Kiev 1 Self-portrait
National Art Museum of Ukraine, KyivNational Art Museum of Ukraine Kyiv 1 Portrait of Gorlenko

Taras Shevchenko, one signature painting per decade

Works per decade

Pick a decade to see the original that defines it.

Taras Shevchenko's paintings: the gallery answers

Which Taras Shevchenko painting is the most famous of all?Reveal the answer

The death of Bohdan Khmelnytsky (1837). Vydubychi Monastery in Kyiv (1844) and Self-Portrait (1852) come next.

How old was Taras Shevchenko on completing The death of Bohdan Khmelnytsky?Reveal the answer

23 years old: The death of Bohdan Khmelnytsky dates from 1837, and Taras Shevchenko was born in 1814.

Which are Taras Shevchenko's top 10 paintings?Reveal the answer

The death of Bohdan Khmelnytsky, Vydubychi Monastery in Kyiv, Self-Portrait, Aulia-Tau, Valley on the Khiva road, Cathedral of the Annunciation in Nizhny Novgorod, Mezhyhirya Monastery, Catholic Church of St. Alexander, Archangel Cathedral in Nizhny Novgorod and Architectural project of private house. Plan.. The ranking above gives each one's year and museum.

How many works did Taras Shevchenko create?Reveal the answer

Our catalog holds 58 works by Taras Shevchenko, dated from 1833 to 1861.

Where do Taras Shevchenko's most famous originals hang?Reveal the answer

Mostly in Taras Shevchenko National Museum (Kiev), National Art Museum of Ukraine (Kiev) and National Art Museum of Ukraine (Kyiv). The museum table above lists them all.

When did Taras Shevchenko create the most famous paintings?Reveal the answer

In 1830s: 27 of the 58 works on this page were made then, The death of Bohdan Khmelnytsky among them.

Which are Taras Shevchenko's earliest and latest famous works?Reveal the answer

On this page, the earliest is Portrait of P.V. Engelhardt (1833) and the latest Self-Portrait (1861).

Which movement is Taras Shevchenko associated with?Reveal the answer

Romanticism, judging by the originals on this page.

Which Taras Shevchenko originals does the Taras Shevchenko National Museum hold?Reveal the answer

Self-Portrait, Cathedral of the Annunciation in Nizhny Novgorod and Archangel Cathedral in Nizhny Novgorod: the Taras Shevchenko National Museum, Kiev holds 26 of the works on this page.

Taras Shevchenko: the artist

A Life Etched in Poetry and Paint: The World of Taras Shevchenko

Taras Hryhorovych Shevchenko, a name synonymous with Ukrainian identity and resilience, was more than just an artist or a poet—he was the embodiment of a nation’s yearning for freedom. Born into serfdom in 1814 in the humble village of Moryntsi, Ukraine, his early life was steeped in hardship, yet illuminated by an innate artistic talent that would ultimately transcend his circumstances and ignite a cultural awakening. The weight of oppression bore down on young Taras; he lost his mother at seven and his father eight years later, experiences that indelibly marked his sensibility and fueled the poignant social commentary woven throughout his life’s work. His initial exposure to art came through apprenticeships with local icon painters, laying the foundation for a technical skill that would blossom under formal training. This early period wasn't merely about mastering technique; it was an immersion into Ukrainian folklore, religious imagery, and the visual language of his people—elements that would become cornerstones of his artistic expression.

From Serfdom to St. Petersburg: The Flowering of a Genius

Shevchenko’s path took a pivotal turn when he was sent to Kyiv for education, first at the Grammar School and then the Theological Seminary. However, these institutions proved ill-suited to his artistic spirit. Fate intervened through the patronage of several individuals who recognized his exceptional talent. This led to his liberation from serfdom in 1838—a watershed moment achieved through a lottery where the prize was a portrait by Karl Bryullov. This freedom unlocked access to the prestigious Imperial Academy of Arts in St. Petersburg, where he studied under Karl Brück. Here, Shevchenko wasn’t simply absorbing artistic techniques; he was engaging with the broader European art scene, encountering Romanticism and Realism, styles that would subtly influence his own developing aesthetic. His work began to blend traditional Ukrainian themes with a modern sensibility, foreshadowing the unique voice he would soon project through both brushstrokes and verse. During this period, he honed his skills in painting, etching, and drawing, demonstrating a remarkable versatility that set him apart.

The Poet of Ukraine: *Kobzar* and the Voice of a Nation

While Shevchenko excelled as an artist, it was through poetry that he truly captured the soul of Ukraine. The publication of *Kobzar* in 1840 marked a turning point not only in his career but also in Ukrainian literature itself. This collection wasn’t merely a compilation of poems; it was a declaration of national identity, a lament for past injustices, and a call for future liberation. The verses resonated deeply with the Ukrainian peasantry, articulating their struggles under serfdom and igniting a sense of collective consciousness. *Kobzar* became a symbol of resistance and hope, circulating widely despite censorship attempts by the Tsarist regime. Beyond *Kobzar*, Shevchenko’s artistic output continued to reflect his deep connection to Ukraine—paintings depicting rural life, historical events, and portraits that captured the spirit of his people. Works like “Architectural project of private house. Main facade” and "Cathedral of the Annunciation in Nizhny Novgorod" demonstrate a range beyond purely nationalistic themes, showcasing his architectural interests and technical skill. His monochrome illustration, “The Death of Bohdan Khmelnytsky,” stands as a powerful example of his mastery of realism and etching, depicting a pivotal moment in Ukrainian history with profound emotional depth.

Exile, Resilience, and Enduring Legacy

Shevchenko’s outspoken criticism of the Tsarist regime and involvement with the Petrashevsky Circle—a group advocating for political reform—led to his arrest in 1847 and a decade-long exile to Central Asia. This period was marked by immense hardship; he was forbidden from writing or painting, subjected to harsh conditions, and constantly monitored. Yet, even in the face of such oppression, Shevchenko’s spirit remained unbroken. He continued to sketch secretly, documenting his surroundings and preserving his artistic vision. His exile became a symbol of Ukrainian suffering under Russian rule, further solidifying his status as a national hero. Upon his premature release due to failing health, he returned to St. Petersburg only to succumb to illness in 1861 at the age of 47. His death was mourned throughout Ukraine and beyond. Today, Taras Shevchenko is revered as a foundational figure in Ukrainian literature and art. Numerous museums and memorials—including the Taras Shevchenko National Museum in Kyiv and the Tereshchenko Museum—are dedicated to preserving his legacy. His works continue to inspire generations of artists, writers, and activists, ensuring that his voice—a voice forged in hardship and fueled by a deep love for Ukraine—will resonate for centuries to come. The recent creation of a Taras Shevchenko AI chatbot is a testament to the enduring power of his ideas and the ongoing commitment to sharing his work with new audiences.