In short
Mary with child (1430) is the Konrad Witz painting that draws the most eyes; the original belongs to the Kunstmuseum Basel, Basel. After it, the eye goes to Antipater before Julius Caesar (1435) and Abraham before Melchizedek (1435). Among the 33 works of Konrad Witz in our catalog, these 33 are the most famous, each a unique original presented with its year, its museum and the reason it endures.
Top 10 paintings by Konrad Witz, through the gallery's eye
Konrad Witz's famous paintings, numbers 11 to 33
The subjects that held Konrad Witz's eye
The four subjects that come back most often in these originals, each with its finest example.
Religious 8 works
Saints 6 works
Medieval art 3 works
The museums that keep Konrad Witz's originals
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by Konrad Witz | Paintings from this list |
|---|---|---|---|
| Basel | 9 | Mary with child, Antipater before Julius Caesar, Abraham before Melchizedek | |
| Berlin | 3 | Saint Christopher (Berlin), The Council of Salvation, Crucifixion | |
| Basel | 3 | St Bartholomew, Saint Christopher, The Synagoge | |
| Digione | 2 | St Augustine, Heilsspiegelaltar - Augustus and Sibyl of Tibur | |
| Berlin | 2 | King Solomon and the Queen of Sheba, Christ on the Cross | |
| Женева | 2 | The Liberation of St Peter, The Miraculous Draught of Fishes | |
| New York City | 1 | Pietà | |
| 1 | Byblis Writing to Caunus |
Konrad Witz across the years: the unique originals of each
A long career of 16 years, 1430 to 1445: Konrad Witz's most famous originals, shown year by year.
Works per year
Pick a year to see its originals.
Konrad Witz's paintings: questions for the gallery
What is the single most famous work of Konrad Witz?Reveal the answer
Mary with child (1430), Kunstmuseum Basel, Basel. Antipater before Julius Caesar (1435) and Abraham before Melchizedek (1435) come next.
At what age did Konrad Witz create Mary with child?Reveal the answer
30 years old: Mary with child dates from 1430, and Konrad Witz was born in 1400.
Which ten paintings by Konrad Witz are the most famous?Reveal the answer
Mary with child, Antipater before Julius Caesar, Abraham before Melchizedek, St Augustine, Heilsspiegelaltar - Augustus and Sibyl of Tibur, Pietà, Byblis Writing to Caunus, Saint Christopher (Berlin), The Council of Salvation and St Bartholomew. The ranking above gives each one's year and museum.
How many works by Konrad Witz are known?Reveal the answer
Our catalog holds 33 works by Konrad Witz, dated from 1430 to 1445.
Where can the most famous Konrad Witz originals be seen?Reveal the answer
Mostly in Kunstmuseum Basel (Basel), Gemäldegalerie (Berlin) and Öffentliche Kunstsammlung (Basel). The museum table above lists them all.
During which period did Konrad Witz create the best-known paintings?Reveal the answer
In 1435: 14 of the 33 works on this page were made then, Antipater before Julius Caesar among them.
Which famous Konrad Witz painting is the earliest, and which the latest?Reveal the answer
On this page, the earliest is Mary with child (1430) and the latest Saint Christopher (Berlin) (1445).
What subjects did Konrad Witz favour?Reveal the answer
Religious (8), Saints (6) and Medieval art (3), across the 33 works on this page.
Which movement does the work of Konrad Witz belong to?Reveal the answer
Northern renaissance, judging by the originals on this page.
What Konrad Witz originals can I see at the Kunstmuseum Basel?Reveal the answer
Mary with child, Antipater before Julius Caesar and Abraham before Melchizedek: the Kunstmuseum Basel, Basel holds 9 of the works on this page.
Where can I order a hand-painted Konrad Witz reproduction?Reveal the answer
Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.
Konrad Witz: a portrait of the artist
The Dawn of Realism: The Life and Legacy of Konrad Witz
In the shifting landscape of fifteenth-century European art, few figures cast as long a shadow over the transition from Gothic tradition to Renaissance naturalism as Konrad Witz. Born around 1400 in the German region of Rottenburg am Neckar, Witz emerged as a visionary whose brushwork began to peel away the stylized abstractions of the Middle Ages to reveal the breathing, textured world beneath. While much of his early life remains shrouded in the mists of history, his presence in Basel, Switzerland, is well-documented, marking him as a master who flourished within the prestigious guild systems of the era. His journey was one of profound technical evolution, moving from the rigid formalities of late Gothic art toward an unprecedented devotion to topographical accuracy and emotional depth.
The true genius of Witz lies in his ability to marry sacred narrative with the tangible reality of the physical world. He is most celebrated for his pioneering role in landscape painting, a feat epitomized by his masterpiece, Miraculous Draught of Fishes. In this work, scholars identify one of the earliest instances of a faithful, identifiable topographical scene in Western art. Rather than presenting a generic, symbolic backdrop, Witz captured the specific essence of a place, inviting the viewer to step into a recognizable environment. This innovation transformed the landscape from a mere stage for religious drama into a living protagonist, capable of conveying atmosphere, light, and depth.
Masterworks of Devotion and Detail
Witz’s oeuvre is characterized by a breathtaking duality: the ability to execute monumental, complex altarpieces while maintaining an intimate, poignant touch in smaller devotional scenes. His Heilspiegel Altarpiece stands as a towering achievement of his career, showcasing the meticulous craftsmanship required for high-level ecclesiastical commissions. Through intricately carved panels and vibrant frescoes, Witz wove together biblical narratives and saintly figures with a level of detail that commanded reverence. This work serves as a testament to his mastery of the late Gothic style, even as he began to experiment with the burgeoning realism that would define the coming century.
Beyond the grand scale of altarpieces, Witz’s talent for capturing human emotion is profoundly evident in works such as Christ on the Cross. Here, the artist blends Gothic drama with an early, raw realism, using subtle shading and expressive gestures to evoke a deep sense of pathos. Similarly, his depiction of King Solomon and the Queen of Sheba demonstrates his capacity for storytelling through rich detail and landscape innovation, illustrating biblical grandeur through a lens of Renaissance artistry. Whether painting the quiet sorrow of a saint or the majestic encounter of monarchs, Witz utilized light and form to bridge the gap between the divine and the human experience.
Historical Significance and Artistic Evolution
The historical importance of Konrad Witz cannot be overstated; he acted as a vital conduit between two eras. His development represents the slow, deliberate movement away from the symbolic language of the 14th century toward the observational science of the Renaissance. By integrating recognizable landscapes and naturalistic textures into religious iconography, he paved the way for future generations of Northern European painters to explore the beauty of the natural world.
His enduring legacy is found in the following artistic milestones:
- Landscape Innovation: The introduction of topographical accuracy, making the environment a central element of narrative painting.
- Technical Mastery: The seamless blending of late Gothic decorative elegance with early Renaissance naturalism and light manipulation.
- Emotional Depth: A shift toward more humanized, expressive depictions of biblical figures, fostering a deeper emotional connection with the viewer.
Though his life was relatively short, ending around 1446, the impact of Konrad Witz remains etched in the foundations of Western painting. He taught the eye to look closer at the earth and the sky, finding the sacred within the very details of the world we inhabit.





