Portrait of George Henry

The 55 Most Famous George Henry Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 55 works by George Henry in our catalogue

In short

Japanese Lady with a Fan (1894) is the George Henry painting that draws the most eyes. After it, the eye goes to A Galloway Landscape (1889) and The Druids Bringing in the Mistletoe (1890). Among the 55 works of George Henry in our catalog, these 55 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1828 – 1895 Impressionism Most works: Scottish National Gallery

Top 10 paintings by George Henry, through the gallery's eye

1
Japanese Lady with a Fan (1894) by George Henry

Japanese Lady with a Fan

1894 · Oil On Canvas

The oil painting presents a close-up portrait of a woman dressed in traditional Japanese attire. The subject is positioned vertically, with the focus centered on her headwear, face, and upper body. She holds a fan, which is integrated into the arrangement of her robes and posture. The color palette relies on warm browns, ochres, and muted purples, accented by touches of red and gold. A sense of depth is achieved…

2
A Galloway Landscape (1889) by George Henry

A Galloway Landscape

1889 · Oil

The canvas presents a wide valley under a blue sky populated by scattered clouds. A river winds through the center of the landscape, cutting through the terrain to provide a sense of depth. In the foreground and middle ground, numerous cows graze upon the green grass. These animals are distributed across the field, with some positioned near the viewer and others appearing as smaller forms in the distance. The scene…

3
The Druids Bringing in the Mistletoe (1890) by George Henry

The Druids Bringing in the Mistletoe

1890 · Oil On Canvas

In this 1890 collaboration, George Henry and Edward Atkinson Hornel present a scene of profound solemnity. The composition captures a procession of Celtic priests descending a steep, rugged hillside. There is a rhythmic, almost ceremonial weight to the movement of the figures. At the center of this ritual, a chief druid uses a golden sickle to harvest mistletoe from a sacred oak. The figures are draped in robes adorned with…

4
The Hedgecutter (1886) by George Henry

The Hedgecutter

1886 · Oil On Canvas

The Hedgecutter is an oil painting on canvas created by the artist George Henry. This work dates to 1886. The piece depicts a solitary figure engaged in agricultural labor amidst a field of vegetation. The subject appears to be a farmer or a worker performing tasks related to the maintenance of a hedge.

5
Marion N. Parker (1899) by George Henry

Marion N. Parker

1899 · Oil On Canvas

A young girl sits in a formal, seated pose, her presence commanding the central vertical space of the composition. The portrait, executed in 1899, utilizes a dark and muted background to push the subject forward, creating a sense of immediate depth. Her attire, characterized by intricate lace details and heavy fabric folds, suggests a position of wealth and social standing. The lighting is directional, casting a soft glow upon her…

6
Lieutenant Colonel Sir Cecil Bingham Levita (1929) by George Henry

Lieutenant Colonel Sir Cecil Bingham Levita

1929 · Oil On Canvas

This oil painting on canvas, dated 1929, presents a formal portrait of an older gentleman. The subject is depicted from the head and shoulders in a centered composition, captured from a slightly low angle that emphasizes his stature. He is dressed in elaborate military attire, featuring a color palette dominated by reds, blacks, and golds. The uniform is detailed with various decorations and ornamentation, conveying a sense of high status…

George Henry's famous paintings, numbers 11 to 55

George Henry's famous paintings, period by period

Late Medieval

1889 – 1894 · 3 works in this list

The subjects that held George Henry's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep George Henry's originals

The 7 museums that hold the most of the paintings on this page.

Museum City Works by George Henry Paintings from this list
Scottish National Gallery, EdinburghScottish National Gallery Edinburgh 2 Geisha Girl, East and West
Sheffield City Art Galleries, SheffieldSheffield City Art Galleries Sheffield 1 Hikers at Goodwood Downs, West Sussex
Mcmanus: Dundee's Art Galleries And Museums, DundeeMcmanus: Dundee's Art Galleries And Museums Dundee 1 The Feather Boa
The Royal Conservatoire of Scotland, EdinburghThe Royal Conservatoire of Scotland Edinburgh 1 The Grey Hat
Laing Art Gallery, New South WalesLaing Art Gallery New South Wales 1 Lady Margaret Sackville
Atkinson Art Gallery Collection, SouthportAtkinson Art Gallery Collection Southport 1 The Lark
Manchester Art Gallery, ManchesterManchester Art Gallery Manchester 1 Landscape with Rainbow

George Henry across the years: the unique originals of each

14 years separate George Henry's first and last dated originals shown here, 1882 and 1895: each year has its place below.

Works per year

Pick a year to see its originals.

George Henry's paintings: questions for the gallery

What is the single most famous work of George Henry?Reveal the answer

Japanese Lady with a Fan (1894). A Galloway Landscape (1889) and The Druids Bringing in the Mistletoe (1890) come next.

At what age did George Henry create Japanese Lady with a Fan?Reveal the answer

66 years old: Japanese Lady with a Fan dates from 1894, and George Henry was born in 1828.

Which ten paintings by George Henry are the most famous?Reveal the answer

Japanese Lady with a Fan, A Galloway Landscape, The Druids Bringing in the Mistletoe, The Hedgecutter, Marion N. Parker, Lieutenant Colonel Sir Cecil Bingham Levita, Hikers at Goodwood Downs, West Sussex, The Geisha Girl, Head of the Holy Loch and Eyemouth. The ranking above gives each one's year and museum.

How many works by George Henry are known?Reveal the answer

Our catalog holds 55 works by George Henry, dated from 1882 to 1895.

Where can the most famous George Henry originals be seen?Reveal the answer

Mostly in Scottish National Gallery (Edinburgh), Sheffield City Art Galleries (Sheffield) and Mcmanus: Dundee's Art Galleries And Museums (Dundee). The museum table above lists them all.

During which period did George Henry create the best-known paintings?Reveal the answer

In 1894: 7 of the 55 works on this page were made then, Japanese Lady with a Fan among them.

Which famous George Henry painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Head of the Holy Loch (1882) and the latest In a Tokyo Garden (1895).

What subjects did George Henry favour?Reveal the answer

Elegant woman (4), Landscape (3) and Portraiture (2), across the 55 works on this page.

What materials did George Henry paint with most?Reveal the answer

Oil On Canvas, for 5 of the 55 works on this page.

Which movement does the work of George Henry belong to?Reveal the answer

Impressionism and Post-impressionism, judging by the originals on this page.

What George Henry originals can I see at the Scottish National Gallery?Reveal the answer

Geisha Girl and East and West: the Scottish National Gallery, Edinburgh holds 2 of the works on this page.

George Henry: a portrait of the artist

The Visionary of the Glasgow Style

George Henry stands as a luminous figure in the annals of British art, a painter whose brush captured the shifting light and soulful atmosphere of the late nineteenth century. Born in Irvine, Scotland, in 1858, Henry became a cornerstone of the influential Glasgow Boys movement, a group of rebellious young artists who sought to break free from the stifling constraints of academic realism. His journey was one of profound transformation, moving away from traditionalist rigidity toward a more emotive, sensory experience of the world. Through his work, the rugged beauty of the Ayrshire landscape and the quiet dignity of his subjects were elevated into something much more poetic and enduring.

The foundations of Henry’s aesthetic were laid during his formative years at the Glasgow School of Art. It was here that he forged deep connections with contemporaries such as John Singer Sargent, creating a shared intellectual space where new ideas could flourish. His training was not merely technical but deeply philosophical, as he began to absorb the revolutionary currents of Impressionism and the delicate, flattened perspectives of Japonisme. This fascination with Japanese art prints introduced a decorative elegance to his compositions, allowing him to balance the raw energy of light with a structured, almost rhythmic sense of design.

A Symphony of Light and Color

Henry’s mastery lay in his ability to translate the ephemeral qualities of nature into permanent pigment. His landscapes are far more than mere topographical records; they are psychological evocations of place. He utilized loose, expressive brushstrokes and a vibrant palette to capture the fleeting moments of the day, from the golden warmth of afternoon sun to the melancholic descent of dusk. One of his most evocative triumphs, "Gloamin'" (1889), serves as a masterclass in atmosphere, where the artist uses color and texture to invite the viewer into a state of quiet contemplation and intimacy.

Beyond the sweeping vistas of the Scottish countryside, Henry’s portraiture revealed a different facet of his genius. In his depictions of individuals, he moved beyond simple likeness to capture an inner essence. His portraits are characterized by:

  • A sensitive approach to light that softens the features and emphasizes mood.
  • An empathetic gaze that honors the psychological depth of his subjects.
  • A seamless integration of subject and setting, often using decorative elements to frame the sitter.
This duality—the ability to be both a bold experimentalist and a meticulous observer—is what defines his unique contribution to the Glasgow Style.

Legacy and Historical Significance

While George Henry may have experienced periods of relative obscurity during his lifetime, the historical significance of his work has undergone a profound resurgence. He is now recognized not just as a regional painter, but as a pioneer who helped bridge the gap between traditional Scottish painting and the modern European avant-garde. His ability to fuse the ruggedness of his native landscape with the sophisticated decorative motifs of international trends created a visual language that was entirely his own.

Today, the legacy of George Henry lives on through the enduring charm of his canvases, which continue to resonate with modern audiences seeking beauty, emotion, and a connection to the natural world. His life’s work remains a testament to the power of artistic rebellion—a reminder that by challenging the conventions of the past, one can illuminate the path toward a new and breathtaking way of seeing.