Portrait of Peter Monamy

The 71 Most Famous Peter Monamy Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 72 works by Peter Monamy in our catalogue

In short

The Opening of the First Eddystone Lighthouse in 1698 (1703) is the Peter Monamy painting that draws the most eyes; the original belongs to the Yale Center for British Art, New Haven. After it, the eye goes to Shipping in a Calm (1712) and Royal Yacht Becalmed at Anchor (1720). Among the 72 works of Peter Monamy in our catalog, these 71 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1681 – 1749, London Neoclassicism Most works: National Maritime Museum

Top 10 paintings by Peter Monamy, through the gallery's eye

Peter Monamy's famous paintings, numbers 11 to 71

11The Capture of Louisburg, 28 June 1745 (1750) by Peter MonamyThe Capture of Louisburg, 28 June 17451750 · National Maritime Museum 12The Burning of HMS Royal James at the Battle of Solebay, 28 May 1672 (1750) by Peter MonamyThe Burning of HMS Royal James at the Battle of Solebay, 28 May 16721750 · National Maritime Museum 13Sovereign of the Seas by Peter MonamySovereign of the SeasNational Maritime Museum 14A Naval Engagement between an English Ship and Barbary Ships by Peter MonamyA Naval Engagement between an English Ship and Barbary ShipsAntony House 15Ships on the sea by Peter MonamyShips on the seaNational Museum in Warsaw 16The morning gun by Peter MonamyThe morning gun 17Shipping in a Stormy Sea off a Castle by Peter MonamyShipping in a Stormy Sea off a Castle 18Winstanley's lighthouse by Peter MonamyWinstanley's lighthouse 19King George II in the Royal Yacht on a Return from Hanover by Peter MonamyKing George II in the Royal Yacht on a Return from Hanover 20A Squadron at Sea by Peter MonamyA Squadron at Sea 21A Man-of-War Firing a Salute in a Calm by Peter MonamyA Man-of-War Firing a Salute in a Calm 22Four British Warships and a Fishing Smack in a Strong Wind by Peter MonamyFour British Warships and a Fishing Smack in a Strong Wind 23Vessels at Sea by Peter MonamyVessels at Sea 24Ships in Distress in a Storm by Peter MonamyShips in Distress in a Storm 25British Men-o'-war And Other Ships by Peter MonamyBritish Men-o'-war And Other Ships 26A yacht becalmed by Peter MonamyA yacht becalmedNational Maritime Museum 27Warships Firing A Salute by Peter MonamyWarships Firing A Salute 28The British Fleet Sailing into Lisbon Harbour by Peter MonamyThe British Fleet Sailing into Lisbon Harbour 29Battle of La Hoque, May by Peter MonamyBattle of La Hoque, May 30Seascape by Peter MonamySeascape 31Shipping off Spithead by Peter MonamyShipping off Spithead 32Men-of-War and Other Shipping off the Coast by Peter MonamyMen-of-War and Other Shipping off the Coast 33Man o' War at Sea, HMS 'Lion' and Others by Peter MonamyMan o' War at Sea, HMS 'Lion' and Others 34Harbor Scene: An English Ship with Sails Loosened Firing a Gun by Peter MonamyHarbor Scene: An English Ship with Sails Loosened Firing a GunMetropolitan Museum of Art 35The Capture of Porto Bello by Admiral Edward Vernon with Only Six Men o' War, 22 November (1739) by Peter MonamyThe Capture of Porto Bello by Admiral Edward Vernon with Only Six Men o' War, 22 November (1739)Shugborough Hall 36Shore Scene with Figures, Man o' War and Rowing Boats by Peter MonamyShore Scene with Figures, Man o' War and Rowing Boats 37Men o' War and Other Shipping by Peter MonamyMen o' War and Other Shipping 38A calm by Peter MonamyA calm 39English Men o' War and Other Shipping off the Coast by Peter MonamyEnglish Men o' War and Other Shipping off the Coast 40The Battle of Cape Passaro by Peter MonamyThe Battle of Cape Passaro 41An english ship becalmed by Peter MonamyAn english ship becalmedNational Maritime Museum 42An English Fleet Coming to Anchor by Peter MonamyAn English Fleet Coming to AnchorNational Maritime Museum 43Seacape with Ships and Boats by Peter MonamySeacape with Ships and Boats 44Ship at Anchor by Peter MonamyShip at Anchor 45Man of War by Peter MonamyMan of War 46Destruction of the 'Soleil Royal' at the Battle of La Hogue by Peter MonamyDestruction of the 'Soleil Royal' at the Battle of La HogueNational Maritime Museum 47British Men o' War and an Indiaman by Peter MonamyBritish Men o' War and an Indiaman 48A Man-o'-War in a Rough Sea by Peter MonamyA Man-o'-War in a Rough SeaDunham Massey Hall 49Shipping Scene with a Laden Man o' War by Peter MonamyShipping Scene with a Laden Man o' War 50English Warships at Anchor in a Calm, Drying Sails by Peter MonamyEnglish Warships at Anchor in a Calm, Drying SailsNational Maritime Museum 51The Capture of the 'Princesa' by Peter MonamyThe Capture of the 'Princesa'National Maritime Museum 52Men o' War in a Choppy Sea by Peter MonamyMen o' War in a Choppy Sea 53The 'Princesa' Action by Peter MonamyThe 'Princesa' Action 54Shipping in a Choppy Sea by Peter MonamyShipping in a Choppy Sea 55The Capture of the Spanish Galleon 'St Joseph' by Peter MonamyThe Capture of the Spanish Galleon 'St Joseph'National Maritime Museum 56A British Man o' War Firing a Salute by Peter MonamyA British Man o' War Firing a Salute 57The Royal Yacht off the Isle of Wight by Peter MonamyThe Royal Yacht off the Isle of Wight 58A Man-of-War Firing a Gun at Sundown by Peter MonamyA Man-of-War Firing a Gun at SundownNational Maritime Museum 59A Gentleman Taking Leave of His Family by Peter MonamyA Gentleman Taking Leave of His Family 60Ship on Fire by Peter MonamyShip on Fire 61An english east indiaman by Peter MonamyAn english east indiamanNational Maritime Museum 62Embarkation of Troops, Ships at Anchor Firing the Evening Salute by Peter MonamyEmbarkation of Troops, Ships at Anchor Firing the Evening Salute 63A Ship Saluting a Fort by Peter MonamyA Ship Saluting a FortNational Maritime Museum 64Loss of HMS 'Victory', 4 October (1744) by Peter MonamyLoss of HMS 'Victory', 4 October (1744)National Maritime Museum 65Shipwreck by Peter MonamyShipwreck 66An English Ketch Rigged Yacht, thought to be the 'Isabella', with Other Ships and Vessels near the Shore by Peter MonamyAn English Ketch Rigged Yacht, thought to be the 'Isabella', with Other Ships and Vessels near the ShoreNational Maritime Museum 67Action between HMS 'Mary Rose' and Seven Algerines, 8 December by Peter MonamyAction between HMS 'Mary Rose' and Seven Algerines, 8 DecemberNational Maritime Museum 68View of Castle Cornet and St Peter Port by Peter MonamyView of Castle Cornet and St Peter Port 69An Indiaman and a Royal Yacht in a Storm off a Rocky Coast with a Castle by Peter MonamyAn Indiaman and a Royal Yacht in a Storm off a Rocky Coast with a CastleNational Maritime Museum 70An English Flagship and Other Vessels Becalmed at Sun Down by Peter MonamyAn English Flagship and Other Vessels Becalmed at Sun DownNational Maritime Museum 71The Landing of the Prince of Orange by Peter MonamyThe Landing of the Prince of Orange

Peter Monamy's famous paintings, period by period

The subjects that held Peter Monamy's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Peter Monamy's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Peter Monamy Paintings from this list
National Maritime Museum, LondonNational Maritime Museum London 19 Three English Flagships Becalmed, The Capture of Louisburg, 28 June 1745, The Burning of HMS Royal James at the Battle of Solebay, 28 May 1672
Yale Center for British Art, New HavenYale Center for British Art New Haven 6 The Opening of the First Eddystone Lighthouse in 1698, Shipping in a Calm, Royal Yacht Becalmed at Anchor
Felbrigg Hall, NorwichFelbrigg Hall Norwich 1 Four British Warships and a Fishing-smack in a Strong Wind
Ardress HouseArdress House 1 Stormy Seascape
Royal Collection, LondonRoyal Collection London 1 A Calm with a Royal Yacht Firing a Salute
Antony HouseAntony House 1 A Naval Engagement between an English Ship and Barbary Ships
National Museum in Warsaw, WarsawNational Museum in Warsaw Warsaw 1 Ships on the sea
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Harbor Scene: An English Ship with Sails Loosened Firing a Gun

Peter Monamy across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Peter Monamy's paintings: questions for the gallery

What is the single most famous work of Peter Monamy?Reveal the answer

The Opening of the First Eddystone Lighthouse in 1698 (1703), Yale Center for British Art, New Haven. Shipping in a Calm (1712) and Royal Yacht Becalmed at Anchor (1720) come next.

At what age did Peter Monamy create The Opening of the First Eddystone Lighthouse in 1698?Reveal the answer

22 years old: The Opening of the First Eddystone Lighthouse in 1698 dates from 1703, and Peter Monamy was born in 1681.

Which ten paintings by Peter Monamy are the most famous?Reveal the answer

The Opening of the First Eddystone Lighthouse in 1698, Shipping in a Calm, Royal Yacht Becalmed at Anchor, An Evening Calm, Four British Warships and a Fishing-smack in a Strong Wind, Stormy Seascape, Three English Flagships Becalmed, A Calm with a Royal Yacht Firing a Salute, An English Royal Yacht Standing Offshore in a Calm and British Men-of-War and a Sloop. The ranking above gives each one's year and museum.

How many works by Peter Monamy are known?Reveal the answer

Our catalog holds 72 works by Peter Monamy, dated from 1703 to 1730.

Where can the most famous Peter Monamy originals be seen?Reveal the answer

Mostly in National Maritime Museum (London), Yale Center for British Art (New Haven) and Felbrigg Hall (Norwich). The museum table above lists them all.

During which period did Peter Monamy create the best-known paintings?Reveal the answer

In 1720s: 7 of the 71 works on this page were made then, Royal Yacht Becalmed at Anchor among them.

Which famous Peter Monamy painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is The Opening of the First Eddystone Lighthouse in 1698 (1703) and the latest An English Royal Yacht Standing Offshore in a Calm (1730).

What subjects did Peter Monamy favour?Reveal the answer

Wars (15), Men (13) and 18th century (9), across the 71 works on this page.

Which movement does the work of Peter Monamy belong to?Reveal the answer

Neoclassicism, judging by the originals on this page.

What Peter Monamy originals can I see at the National Maritime Museum?Reveal the answer

Three English Flagships Becalmed, The Capture of Louisburg, 28 June 1745 and The Burning of HMS Royal James at the Battle of Solebay, 28 May 1672: the National Maritime Museum, London holds 19 of the works on this page.

Peter Monamy: a portrait of the artist

A Life Immersed in the Maritime World

Peter Monamy, born in London in 1681, occupies a pivotal position in the development of English marine painting. He wasn’t merely a recorder of ships and seascapes; he was a chronicler of an era—an age defined by Britain's burgeoning naval power and its expanding global reach. His life, deeply intertwined with the maritime world through familial connections to Guernsey in the Channel Islands, instilled within him a lifelong fascination with all things nautical. This wasn’t simply aesthetic appreciation; it was an intimate understanding born from heritage and observation. Monamy didn’t just paint ships, he understood them—their construction, their function, and the lives of those who sailed upon them.

From Decorative Arts to Masterful Seascapes

Monamy's artistic journey began with a solid grounding in the decorative arts. At fifteen years old, he was apprenticed to William Clark, a master painter-stainer specializing in interior decoration and ornamental painting. This apprenticeship wasn’t confined to narrow specialization; it encompassed overdoor paintings, overmantels, and even large-scale house murals—a broad education that honed his technical skills and exposed him to diverse artistic challenges. Significantly, he shared this workshop with James Thornhill, who would later achieve renown as a historical painter, indicating the high caliber of Clark’s tutelage. This early experience in decorative painting likely informed Monamy's meticulous attention to detail and his ability to create visually compelling compositions. It provided him with a foundation upon which he could build his unique style, moving beyond mere ornamentation towards capturing the dynamism and drama of life at sea. The influence of earlier Dutch masters, particularly the Van de Veldes—renowned for their realistic maritime depictions—is evident in Monamy’s work, but he wasn't simply an imitator; he synthesized these influences with his own keen observations and artistic sensibilities.

Capturing the Essence of Naval Life

Monamy’s style is characterized by a remarkable realism and an unwavering focus on detail, particularly in his renderings of ships. He possessed an exceptional ability to depict rigging, sails, and hull construction with accuracy, demonstrating a profound understanding of shipbuilding techniques. However, his paintings weren't merely technical exercises; they were imbued with a sense of movement and atmosphere. He frequently depicted scenes of action—naval battles, turbulent storms, and the everyday bustle of port life—conveying a palpable sense of drama and excitement. Sovereign of the Seas, for example, stands as a testament to his skill in portraying large warships with meticulous precision, while The Capture of Porto Bello by Admiral Edward Vernon showcases his ability to document significant historical events with both artistic flair and factual accuracy. These weren’t just paintings; they were visual records of Britain's naval triumphs and its growing maritime dominance. His works resonated deeply with a public eager for depictions of national pride and military prowess, securing commissions from both private collectors and government officials.

A Lasting Legacy

Peter Monamy’s contribution to English art extends beyond his individual paintings. He played a crucial role in establishing a distinct British tradition within marine painting, bridging the gap between earlier Dutch influences and a uniquely English style. His detailed and realistic depictions of ships and naval life helped define the genre for generations to come. He wasn't simply copying what had been done before; he was adapting it, refining it, and imbuing it with a distinctly British sensibility. He died in 1749, leaving behind a body of work that continues to be appreciated by art historians and enthusiasts alike. His legacy isn’t just about technical skill—it's about his ability to capture the spirit of an era, to convey the power and majesty of the sea, and to immortalize the ships and sailors who navigated its treacherous waters. His paintings remain invaluable historical documents as well as enduring artistic achievements, offering a glimpse into a pivotal period in British history and the lives of those who shaped it.