Portrait of Paul Guigou

Paul Guigou Paintings: The 70 Most Famous, Through a Gallery's Eye

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 71 works by Paul Guigou in our catalogue

In short

To the gallery's eye, Paul Guigou's most famous painting is Self-portrait (1869), whose original hangs in the Musée d'Orsay, Paris. View of Crest (1871) and Landscape (1870) complete the trio every eye recognises. Of the 71 works by Paul Guigou in our catalog, the gallery presents the 70 most famous below, each original with its year, its museum and what makes it unique.

1834 – 1871, Villars Barbizon school Most works: Musée Des Beaux

The gallery's top 10 Paul Guigou paintings

1
Self-portrait (1869) by Paul Guigou

Self-portrait

1869 · Oil On Panel · Musée d'Orsay, Paris

In this intimate encounter, we find the artist Paul Guigou looking back at us through his own creation. The work, titled Self-portrait, captures the man himself as the central subject. It is a rare moment of introspection where the creator becomes the observed, offering a direct gaze that bridges the gap between the painter and the viewer. This piece belongs to the genre of self-portraiture, a deeply personal category where…

2
View of Crest (1871) by Paul Guigou

View of Crest

1871 · Oil On Canvas

A single figure walks along a dirt road, a small presence against the vastness of the hills. The landscape of 1871 unfolds in muted tones of brown, green, and blue. Rolling mountains recede into a soft, hazy distance under a sky of scattered clouds. There is a stillness here, found in the way the light diffuses across the terrain. The earth feels heavy and real under the brush.

3
Landscape (1870) by Paul Guigou

Landscape

1870 · Oil On Canvas

A single rider on horseback cuts a diagonal path through the reddish-brown soil. The earth feels heavy, a thick expanse of ochre and sienna that stretches toward a distant, hazy horizon. Under a sky of muted blues and soft, grey clouds, the landscape breathes with a quiet, rural solitude. The composition relies on the steady movement of the traveler to guide the eye across the rolling terrain, creating a sense…

4
Washerwomen (1869) by Paul Guigou

Washerwomen

1869

A Glimpse of Rural Life: "Washerwomen" by Paul Camille Guigou This evocative landscape painting, “Washerwomen,” offers a captivating window into 19th-century rural life in Provence, France. Created in 1869 by Paul Camille Guigou, the artwork depicts a scene of everyday labor along a riverbank – several figures diligently washing clothes against a backdrop of rolling hills and distant mountains. The composition is broadly horizontal, drawing the viewer's eye across the…

5
A Village in Vaucluse (1854) by Paul Guigou

A Village in Vaucluse

1854 · Oil

The painting depicts a mountain village centered around a large, castle-like structure. This central building, appearing as a fortress, is surrounded by a cluster of smaller dwellings. The architecture is situated within a rugged landscape where the terrain rises into the background. Several figures are positioned throughout the scene, appearing as small points of activity amidst the buildings. To the right, a separate, smaller structure sits apart from the main…

6
Washerwoman at the Foot of a Large Pine Tree (1855) by Paul Guigou

Washerwoman at the Foot of a Large Pine Tree

1855 · Oil

In this work, titled Washerwoman at the Foot of a Large Pine Tree, the artist Paul Guigou presents a quiet moment of rural labor. Painted about 1855, the scene captures a woman positioned beneath the expansive canopy of a large pine tree. She is engaged in the task of washing clothes, finding shelter within the shade provided by the tree's branches.

7
Small Road in the Pines (1860) by Paul Guigou

Small Road in the Pines

1860 · Oil · Musée Des Beaux, Марсель

The sun warms the earth in Small Road in the Pines, an oil painting by Paul Guigou. Created in 1860, this work captures a quiet moment within a dense grove of trees. A narrow, winding dirt path cuts through the landscape, inviting the eye to follow its curve toward a distant, hazy horizon. The scene feels still, as if the wind has momentarily paused among the branches.

8
The Hills of Allauch (1862) by Paul Guigou

The Hills of Allauch

1862 · Oil On Canvas · Musée Des Beaux, Марсель

The Hills of Allauch is a landscape oil painting by the French artist Paul Guigou. Created about 1862, this work reflects the artist's deep connection to the terrain of his native region. Guigou, who was born in 1834 in Villars, France, spent much of his career translating the specific light and topography of the Provençal countryside onto canvas.

9
Laundress at the Stream (1858) by Paul Guigou

Laundress at the Stream

1858 · Oil On Canvas · Musée Des Beaux, Марсель

In Paul Guigou's Laundress at the Stream, an asymmetrical arrangement directs the eye through a quiet moment of rural labor. On the left, a large, dark mass of trees dominates the foreground and midground, casting a heavy presence that anchors the scene. This dense foliage creates a sense of enclosure, framing the central action. To the right, the landscape breaks open, revealing a distant valley that stretches toward a pale…

10
The Olive Trees (1860) by Paul Guigou

The Olive Trees

1860 · Oil On Canvas · Scottish National Gallery, Edinburgh

is an oil on canvas painting by the French artist Paul Guigou. Executed in 1860, the work focuses on the specific flora and light characteristic of the Provence region. It captures the arid, sun-drenched terrain through a realistic lens, emphasizing the textures of the landscape.

Paul Guigou paintings, ranked 11 to 70

11Les collines de Saint-Loup (1860) by Paul GuigouLes collines de Saint-Loup1860 · Musée d'Orsay 12A Lake in Southern France (1863) by Paul GuigouA Lake in Southern France1863 13Olive Trees (1860) by Paul GuigouOlive Trees1860 14Fields and Trees, Autumn Study (1860) by Paul GuigouFields and Trees, Autumn Study1860 15The Hills of Saint-Loup (1859) by Paul GuigouThe Hills of Saint-Loup1859 16Washerwoman at the Brook (1860) by Paul GuigouWasherwoman at the Brook1860 17Field of Wheat (1860) by Paul GuigouField of Wheat1860 18Banks of the Arc (1865) by Paul GuigouBanks of the Arc1865 · Musée des Beaux-Arts 19Triel-sur-Seine (1865) by Paul GuigouTriel-sur-Seine1865 · Musée Des Beaux 20Plan of Orgon (1871) by Paul GuigouPlan of Orgon1871 · Musée Des Beaux 21La Roque d'Anthéron (1867) by Paul GuigouLa Roque d'Anthéron1867 · Musée Des Beaux 22Landscape of Provence. View of Saint-Saturnin-les-Apt. (1867) by Paul GuigouLandscape of Provence. View of Saint-Saturnin-les-Apt.1867 · Petit Palais 23Landscape in Provence (1869) by Paul GuigouLandscape in Provence1869 · Hood Museum of Art 24Paysage provençale, 1869 (1869) by Paul GuigouPaysage provençale, 18691869 · Fitzwilliam Museum 25Landscape in Martigues (1869) by Paul GuigouLandscape in Martigues1869 · Norton Simon Museum 26Washerwomen on the Banks of the Durance (1866) by Paul GuigouWasherwomen on the Banks of the Durance1866 · National Gallery of Art 27View of Luberon (1869) by Paul GuigouView of Luberon1869 28Landscape, the Banks of the Durance (1868) by Paul GuigouLandscape, the Banks of the Durance1868 29Small Provencal Village at the Base of the Hills (1870) by Paul GuigouSmall Provencal Village at the Base of the Hills1870 30Scene on the Durance (1866) by Paul GuigouScene on the Durance1866 31Landscape with Three Poplars (1871) by Paul GuigouLandscape with Three Poplars1871 32Hut by the Seashote (1869) by Paul GuigouHut by the Seashote1869 33Laundresses by the Durance (1867) by Paul GuigouLaundresses by the Durance1867 34Rememberance of la Caru, Sunset (1869) by Paul GuigouRememberance of la Caru, Sunset1869 35Near Cernay (1866) by Paul GuigouNear Cernay1866 36The Painter and His Dog on the Banks of the Durance (1871) by Paul GuigouThe Painter and His Dog on the Banks of the Durance1871 · Staatliche Kunsthalle Karlsruhe 37Landscape in the Durance Valley (1868) by Paul GuigouLandscape in the Durance Valley1868 38Lourmarin (1868) by Paul GuigouLourmarin1868 39River Valley at Lourmarin (1867) by Paul GuigouRiver Valley at Lourmarin1867 40Chinchin Valley at Ile-sur-Sorgue, Vacluse (1869) by Paul GuigouChinchin Valley at Ile-sur-Sorgue, Vacluse1869 41Triel (1865) by Paul GuigouTriel1865 · Museum of Fine Arts 42The Village of Vaucluse, on the Banks of the Durance During the Dry Season (1868) by Paul GuigouThe Village of Vaucluse, on the Banks of the Durance During the Dry Season1868 · Ashmolean Museum 43Chinchin Valley at Ile-sur-la-Sourgue, Vacluse (1869) by Paul GuigouChinchin Valley at Ile-sur-la-Sourgue, Vacluse1869 44Hunters near the Coast of Marseille (1869) by Paul GuigouHunters near the Coast of Marseille1869 45On the Banks of the River (1868) by Paul GuigouOn the Banks of the River1868 46Tamaris by the Sea at Saint-Andre near Marseille (1871) by Paul GuigouTamaris by the Sea at Saint-Andre near Marseille1871 47Women and fishing in a creek by Paul GuigouWomen and fishing in a creek 48A mountain road by Paul GuigouA mountain road 49The Road Into The Valley in Haute Provence by Paul GuigouThe Road Into The Valley in Haute Provence 50Landscape at Saint-André, Near Marseilles by Paul GuigouLandscape at Saint-André, Near MarseillesCleveland Museum of Art 51The Banks of the Aiguebrun by Paul GuigouThe Banks of the Aiguebrun 52The Aiguebrun River at Lourmarin by Paul GuigouThe Aiguebrun River at Lourmarin 53The Banks of the Durance at Puivert by Paul GuigouThe Banks of the Durance at Puivert 54The Gineste road, near Marseille by Paul GuigouThe Gineste road, near Marseille 55An Autumn Morning by Paul GuigouAn Autumn Morning 56The Path in the Hill by Paul GuigouThe Path in the HillMusée des Beaux-Arts 57Landscape by Paul GuigouLandscapeNational Gallery 58Seascape with two figures at the bottom of the cliffs by Paul GuigouSeascape with two figures at the bottom of the cliffs 59View of Triel by Paul GuigouView of TrielMuseum of Fine Arts 60Sketch of chickens by Paul GuigouSketch of chickens 61Animals and peasants in the countryside by Paul GuigouAnimals and peasants in the countryside 62A Bend in the Durance River by Paul GuigouA Bend in the Durance River 63One autumn morning in Cernay by Paul GuigouOne autumn morning in Cernay 64The Banks of the Durance at Puivert 1 by Paul GuigouThe Banks of the Durance at Puivert 1 65Around the Cap-Couronne near Marseille by Paul GuigouAround the Cap-Couronne near Marseille 66The Banks of the Durance by Paul GuigouThe Banks of the DuranceArt Institute of Chicago 67River Landscape with a few sailing boats or docking by Paul GuigouRiver Landscape with a few sailing boats or docking 68The Bay of Marseille, Saint-Henri by Paul GuigouThe Bay of Marseille, Saint-Henri 69Paisaje by the Provenza by Paul GuigouPaisaje by the Provenza 70Lavandera by Paul GuigouLavandera

Paul Guigou's famous paintings, period by period

The subjects that held Paul Guigou's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Paul Guigou's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Paul Guigou Paintings from this list
Musée Des Beaux, МарсельMusée Des Beaux Марсель 6 Small Road in the Pines, The Hills of Allauch, Laundress at the Stream
Musée d'Orsay, ParisMusée d'Orsay Paris 2 Self-portrait, Les collines de Saint-Loup
Musée des Beaux-Arts, ToulonMusée des Beaux-Arts Toulon 2 Banks of the Arc, The Path in the Hill
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Triel, View of Triel
Scottish National Gallery, EdinburghScottish National Gallery Edinburgh 1 The Olive Trees
Petit Palais, ParisPetit Palais Paris 1 Landscape of Provence. View of Saint-Saturnin-les-Apt.
Hood Museum of Art, HanoverHood Museum of Art Hanover 1 Landscape in Provence
Fitzwilliam MuseumFitzwilliam Museum 1 Paysage provençale, 1869

Paul Guigou, one signature painting per decade

Works per decade

Pick a decade to see the original that defines it.

Paul Guigou's paintings: the gallery answers

Which Paul Guigou painting is the most famous of all?Reveal the answer

Self-portrait (1869), Musée d'Orsay, Paris. View of Crest (1871) and Landscape (1870) come next.

How old was Paul Guigou on completing Self-portrait?Reveal the answer

35 years old: Self-portrait dates from 1869, and Paul Guigou was born in 1834.

Which are Paul Guigou's top 10 paintings?Reveal the answer

Self-portrait, View of Crest, Landscape, Washerwomen, A Village in Vaucluse, Washerwoman at the Foot of a Large Pine Tree, Small Road in the Pines, The Hills of Allauch, Laundress at the Stream and The Olive Trees. The ranking above gives each one's year and museum.

How many works did Paul Guigou create?Reveal the answer

Our catalog holds 71 works by Paul Guigou, dated from 1854 to 1871.

Where do Paul Guigou's most famous originals hang?Reveal the answer

Mostly in Musée Des Beaux (Марсель), Musée d'Orsay (Paris) and Musée des Beaux-Arts (Toulon). The museum table above lists them all.

When did Paul Guigou create the most famous paintings?Reveal the answer

In 1860s: 35 of the 70 works on this page were made then, Self-portrait among them.

Which are Paul Guigou's earliest and latest famous works?Reveal the answer

On this page, the earliest is A Village in Vaucluse (1854) and the latest View of Crest (1871).

Which subjects did Paul Guigou return to most?Reveal the answer

Mountains (22), Sky (22) and Landscape (20), across the 70 works on this page.

Which medium did Paul Guigou work in most?Reveal the answer

Oil On Canvas, for 27 of the 70 works on this page.

Which movement is Paul Guigou associated with?Reveal the answer

Barbizon school and Impressionism, judging by the originals on this page.

Which Paul Guigou originals does the Musée Des Beaux hold?Reveal the answer

Small Road in the Pines, The Hills of Allauch and Laundress at the Stream: the Musée Des Beaux, Марсель holds 6 of the works on this page.

Paul Guigou: the artist

The Soul of Provence: The Life and Legacy of Paul Camille Guigou

Paul Camille Guigou remains one of the most poignant figures of the nineteenth-century French landscape tradition, a painter whose brush captured the fleeting light of Provence even as his own life was cut tragically short. Born in 1834 to a prosperous family of farmers and notaries in Villars-sur-Vaucluse, Guigou possessed an innate, ancestral connection to the rugged beauty of the French countryside. While his formal education began in the quiet surroundings of Apt, it was his time in Marseille under the tutelage of Émile Loubon that truly ignited his artistic spirit. These early years were marked by a meticulous devotion to detail and a mastery of tonal harmonies, yet Guigous heart always remained tethered to the sun-drenched landscapes of his youth. The trajectory of Guigou’s career was shaped by a profound evolution in technique, moving from the polished, academic precision of his mentor toward a much more visceral and expressive language. As he moved through the vibrant artistic circles of Paris—frequenting the legendary Café Guerbois, where the seeds of Impressionism were being sown—he began to absorb the bold, textured energy of Gustave Courbet. This transition is beautifully evident in his mature works, such as The Banks of the Durance, where the artist abandoned mere imitation to embrace thick, visible brushstrokes that convey a sense of immediate, tactile reality. His canvases became more than just depictions of scenery; they became atmospheric experiences, utilizing textured earth tones and luminous washes to evoke the heat, wind, and moisture of the Mediterranean landscape.

A Life of Quiet Struggle and Artistic Resilience

Despite his undeniable mastery, Guigou’s life was characterized by a persistent struggle for both financial stability and critical recognition. For much of his adult life, he balanced his creative pursuits with more pragmatic endeavors, working as a notary clerk in Marseille and later serving as an art tutor and critic to sustain himself. The Parisian art world of the mid-nineteenth century could be notoriously indifferent to emerging talents, and Guigou often faced the sting of rejection from juries and public exhibitions. This period of obscurity was compounded by his untimely death; at the age of only 37, a sudden stroke claimed his life in Paris, leaving behind a body of work that, for a time, seemed destined to fade into the shadows of history. However, the true significance of Guigou’s contribution to the Barbizon School was not fully realized until decades after his passing. It was not until the Centennial Exposition of French Art in 1900 that the art world began to rediscover the profound emotional depth and technical brilliance of his oeuvre. His ability to blend the structural integrity of the Barbizon tradition with an almost proto-Impressionistic sensitivity to light allowed his work to resonate with a new generation of collectors and historians.

The Enduring Impression of a Master

Today, the works of Paul Camille Guigou are celebrated for their ability to transport the viewer to a lost era of rural tranquility. His paintings serve as vital historical documents of the Provençal landscape, capturing scenes that range from: Guigou’s legacy lies in his ability to find the extraordinary within the ordinary. Through his eyes, a simple wheat field or a river valley became a stage for the interplay of light and shadow, a testament to the enduring power of the natural world. His paintings, now held in prestigious collections and displayed in museums across Paris and Marseille, continue to command respect as essential pillars of nineteenth-century French landscape art.