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The 6 Most Famous Orcagna Paintings, a Gallery Selection
Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 13 works by Orcagna in our catalogue
In short
Of all the originals Orcagna left, the most famous is Saint John the Baptist (1355), in the collection of the Yale University Art Gallery, New Haven. Close behind it come The Calling of St. Matthew (1367) and Throne of Grace (1400). Our catalog holds 13 works by Orcagna; the gallery has kept the 6 the world admires most, each shown with its date, its museum and its story.
1315 – 1368, Florence
Most works: Yale University Art Gallery
Orcagna's top 10 paintings: the gallery's choice
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Triptych with the Virgin and Child, and Saints Mary Magdalene and Ansanus, Andrea di Cione named Orcagna, 1350
Triangle with Mary and child and saints. On the middle panel is Mary with the child of Christ sitting on the left knee, on both sides a kneeling angel with a vase with flowers. In the trilobium above Christ, half-hand, blessing with a book in the left hand. On the left panel the standing Saint Mary Magdalene with ointment pot and banderol. On the right panel, Saint Ansanus as a…
The museums that keep Orcagna's originals
The 4 museums that hold the most of the paintings on this page.
| Museum | City | Works by Orcagna | Paintings from this list |
|---|---|---|---|
 Yale University Art Gallery |
New Haven | 1 | Saint John the Baptist |
 National Museum in Warsaw |
Warsaw | 1 | Throne of Grace |
 Cappella Strozzi |
Florence | 1 | The Strozzi Altarpiece |
 Rijksmuseum |
Amsterdam | 1 | Triptych with the Virgin and Child, and Saints Mary Magdalene and Ansanus, Andrea di Cione named Orcagna, 1350 |
Orcagna decade by decade: the original that defines each
Works per decade
Pick a decade to see the original that defines it.
Collectors' questions about Orcagna's paintings
Which work is Orcagna most famous for?Reveal the answer
Saint John the Baptist (1355), Yale University Art Gallery, New Haven. The Calling of St. Matthew (1367) and Throne of Grace (1400) come next.
What age was Orcagna when Saint John the Baptist was made?Reveal the answer
40 years old: Saint John the Baptist dates from 1355, and Orcagna was born in 1315.
How many paintings did Orcagna leave?Reveal the answer
Our catalog holds 13 works by Orcagna, dated from 1345 to 1367.
In which museums do Orcagna's masterpieces hang?Reveal the answer
Mostly in Yale University Art Gallery (New Haven), National Museum in Warsaw (Warsaw) and Cappella Strozzi (Florence). The museum table above lists them all.
In which years did Orcagna paint the most famous works?Reveal the answer
In 1350s: 3 of the 6 works on this page were made then, Saint John the Baptist among them.
What are the first and the last famous originals of Orcagna?Reveal the answer
On this page, the earliest is Hell (fragment) (1345) and the latest The Calling of St. Matthew (1367).
Orcagna: life and work
Andrea di Cione: The Architect of Florentine Vision
The name Orcagna—a moniker bestowed upon him by local artisans—encompasses a remarkable figure in the history of Italian art: Andrea di Cione, a painter, sculptor, architect, and master craftsman who dominated the artistic landscape of Florence during the latter half of the 14th century. Born around 1308 within the bustling heart of the city, Orcagna’s life was inextricably linked to its burgeoning wealth, political intrigue, and fervent religious devotion—elements that profoundly shaped his distinctive style and enduring legacy. His story isn't one of solitary genius, but rather a testament to collaborative artistry, meticulous planning, and an unwavering commitment to both technical mastery and expressive power.
Orcagna’s early life remains shrouded in some mystery, though it is believed he apprenticed under the renowned sculptor Andrea Pisano. This formative experience instilled within him a deep appreciation for classical forms and a sophisticated understanding of three-dimensional space—qualities that would later manifest in his monumental marble tabernacle for Orsanmichele. However, Orcagna’s artistic trajectory quickly diverged from his master's, developing a distinctly Florentine style characterized by dramatic figures, vibrant colors, and an innovative approach to composition. He was formally admitted into the painter’s guild in 1343-44 and later joined the stonemasons’ guild in 1352, demonstrating his versatility and ambition across multiple artistic disciplines.
The Grandeur of Orvieto: Mosaic Master
Orcagna's most celebrated achievement undoubtedly lies in his contribution to the magnificent façade of the cathedral in Orvieto. Commissioned in 1358, this project demanded a level of technical skill and artistic vision that pushed Orcagna to the very limits of his abilities. He oversaw the creation of an extensive mosaic decoration, including a breathtaking rose window—a masterpiece of Byzantine-inspired design that exemplifies the lavishness and spiritual intensity characteristic of the period. The mosaics themselves are characterized by their rich palette, intricate detailing, and powerful emotional impact, reflecting Orcagna’s mastery of color theory and his ability to imbue religious subjects with palpable drama.
The scale of this undertaking was immense, requiring meticulous planning and coordination. Orcagna's role extended beyond mere execution; he served as a consultant, guiding the work of numerous skilled artisans and ensuring that every element harmonized within the overall design. The Orvieto mosaics stand as a testament to his organizational prowess and his ability to synthesize diverse artistic talents into a cohesive whole.
The Sculptural Triumph: Orsanmichele’s Tabernacle
Perhaps Orcagna's most enduring legacy resides in the monumental marble tabernacle he designed and oversaw for the Orsanmichele, a former confraternity hall now serving as a public art gallery. Completed between 1352 and 1359, this architectural marvel is a complex and ambitious undertaking that showcases Orcagna’s exceptional skill as an architect and sculptor. The tabernacle's intricate façade is adorned with a multitude of sculpted figures—a veritable encyclopedia of biblical narratives, allegorical symbols, and classical motifs. Each figure is rendered with remarkable detail and expressive power, reflecting Orcagna’s deep understanding of human anatomy and his ability to convey complex emotions through gesture and expression.
The tabernacle's design incorporates a sophisticated system of arches, vaults, and niches, creating a dynamic interplay of light and shadow. The use of color—particularly the vibrant hues of the inlaid marble—further enhances its visual impact. Orcagna’s work on Orsanmichele demonstrates his mastery of both architectural form and sculptural technique, solidifying his reputation as one of Florence's most accomplished artists.
A Legacy of Innovation
Orcagna’s influence extended far beyond the immediate commissions he undertook. His innovative approach to composition—characterized by dynamic figures, dramatic lighting, and a heightened sense of realism—helped to shape the course of Florentine painting in the late 14th century. He bridged the gap between the Gothic traditions inherited from his predecessors and the emerging Renaissance style, paving the way for future generations of artists. His work served as an inspiration to many of Florence’s leading painters, including Jacopo di Cione, his brother, who continued Orcagna's artistic legacy after his death in 1368.
Orcagna’s untimely death at the age of sixty is a poignant reminder of the fragility of life and the immense loss suffered by the Florentine art world. Despite his relatively short career, he left behind a remarkable body of work that continues to captivate audiences today—a testament to his extraordinary talent, unwavering dedication, and enduring vision.