Portrait of José Malhoa

The 97 Most Famous José Malhoa Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 97 works by José Malhoa in our catalogue

In short

Of all the originals José Malhoa left, the most famous is Seascape (1918), in the collection of the Grão Vasco National Museum, Viseu. Close behind it come The Xexé (study) (1895) and Portrait of Luís de Camões (1934). Our catalog holds 97 works by José Malhoa; the gallery has kept the 97 the world admires most, each shown with its date, its museum and its story.

1855 – 1933, Caldas da Rainha Naturalism Most works: José Malhoa Museum

José Malhoa's top 10 paintings: the gallery's choice

1
Seascape (1918) by José Malhoa

Seascape

1918 · Oil On Canvas · Grão Vasco National Museum, Viseu

José Malhoa's "Seascape," painted in 1918, isn’t merely a depiction of the Atlantic; it’s a profound meditation on memory, the passage of time, and the enduring connection between humanity and the natural world. Created during a pivotal period of artistic evolution in Portugal – bridging the rigid formality of academic painting with the burgeoning influences of Impressionism and early Modernism – this work stands as a testament to Malhoa's unique…

3
Portrait of Luís de Camões (1934) by José Malhoa

Portrait of Luís de Camões

1934 · Oil On Canvas

The painting titled Portrait of Luís de Camões is a work by the Portuguese artist José Malhoa. Created in 1934, this portrait depicts the figure of Luís de Camões. The subject is recognized as Portugal's greatest poet.

4
Portuguese Estudo para o quadro Clara (1934) by José Malhoa

Portuguese Estudo para o quadro Clara

1934 · Oil On Canvas

The work before us is titled Portuguese Estudo para o quadro Clara. It is a piece by the Portuguese painter José Malhoa, created about 1934. This specific composition reflects the artist's presence in the final years of his life, capturing a moment of quiet study through his particular lens.

5
Portrait of Almeida Garrett (1881) by José Malhoa

Portrait of Almeida Garrett

1881 · Oil On Canvas

In this bust-length portrait, José Malhoa presents the subject within a circular tondo format, a choice that focuses the viewer's attention entirely on the man's presence. The subject is positioned slightly off-center, looking toward the viewer's right, which lends a sense of quiet movement to the otherwise still composition. This arrangement creates a dignified, contemplative atmosphere, as if we have caught the man in a moment of private reflection. The…

6
Júlia Malhoa (1883) by José Malhoa

Júlia Malhoa

1883 · Oil On Canvas · José Malhoa Museum, Caldas da Rainha

The portrait of Júlia Malhoa emerges from a soft, atmospheric wash of light yellow and tan. She is positioned slightly off-center, her head and shoulders filling the frame in a quiet, eye-level encounter. A heavy fur hat rests upon her head, its thick, tactile texture rendered with visible brushstrokes that suggest the weight of winter. Below, a fur-trimmed garment wraps around her, catching the light that descends from the upper…

7
Carlos Relvas Riding the Rollito (1883) by José Malhoa

Carlos Relvas Riding the Rollito

1883 · Oil On Canvas · Casa-Museu dos Patudos, Alpiarça

In Carlos Relvas Riding the Rollito, José Malhoa presents a profile view of a man mounted on a white horse. The rider and horse are positioned centrally in the mid-ground, moving from left to right across a rural landscape. The perspective is set at eye-level with the subject, creating a direct observation of the movement. The rider is dressed in dark navy or black attire, providing a sharp contrast to…

9
Shouting to the flock (1891) by José Malhoa

Shouting to the flock

1891 · Oil On Canvas · José Malhoa Museum, Caldas da Rainha

In this 1891 oil painting, a young boy is positioned in the lower right quadrant of a rolling landscape. He sits upon a grassy slope, his body angled toward the left side of the canvas. His mouth is open, and his gaze is fixed on something beyond the frame, suggesting the act of calling out or shouting. The landscape consists of receding hills that establish a sense of depth through…

10
Portrait of Lady (1890) by José Malhoa

Portrait of Lady

1890 · Oil On Canvas

The gaze of the viewer meets a single female figure in Portrait of Lady. This work, a portrait by the Portuguese artist José Malhoa, captures a quiet moment of presence. The subject remains still, held within the soft boundaries of the composition. It is a study of a woman, rendered with a focus that draws the eye toward her individual character.

The José Malhoa selection continues, 11 to 97

11Portrait of D. Maria Isabel da Costa São Romão (1890) by José MalhoaPortrait of D. Maria Isabel da Costa São Romão1890 12Portrait of Laura Sauvinet (1888) by José MalhoaPortrait of Laura Sauvinet1888 · José Malhoa Museum 13João das Regras (1889) by José MalhoaJoão das Regras1889 14Portrait of woman (1890) by José MalhoaPortrait of woman1890 · Museu Nacional de Belas Artes 15Portrait of Fausto de Queirós Guedes (1890) by José MalhoaPortrait of Fausto de Queirós Guedes1890 16Carlos Relvas bullfighting (1887) by José MalhoaCarlos Relvas bullfighting1887 · Casa-Museu dos Patudos 17Portrait of King D. Carlos (1890) by José MalhoaPortrait of King D. Carlos1890 18Portrait of Manuel João da Costa (1896) by José MalhoaPortrait of Manuel João da Costa1896 · José Malhoa Museum 19Portrait of the Count of Proença-a-Velha (1898) by José MalhoaPortrait of the Count of Proença-a-Velha1898 20José Relvas playing the violin (1898) by José MalhoaJosé Relvas playing the violin1898 · Casa-Museu dos Patudos 21A Difficult Compass (Violin Lesson) (1895) by José MalhoaA Difficult Compass (Violin Lesson)1895 · Museu Nacional de Belas Artes 22A good buy (1895) by José MalhoaA good buy1895 · Mariano Procópio Museum 23Boasting incomes (1893) by José MalhoaBoasting incomes1893 · Museu Nacional de Belas Artes 24Clutch onions (1896) by José MalhoaClutch onions1896 25The siesta (1898) by José MalhoaThe siesta1898 · Museu Nacional de Belas Artes 26The bakers, a market in Figueiró (1898) by José MalhoaThe bakers, a market in Figueiró1898 27Portrait of Carlos Relvas (1894) by José MalhoaPortrait of Carlos Relvas1894 · Casa-Museu dos Patudos 28The Peasantwoman (1903) by José MalhoaThe Peasantwoman1903 · Casa-Museu dos Patudos 29Reading the newspaper (1905) by José MalhoaReading the newspaper1905 · José Malhoa Museum 30D. Teresa Avelino Pereira da Costa (1900) by José MalhoaD. Teresa Avelino Pereira da Costa1900 · National Museum of Contemporary Art - Museu do Chiado 31Old Spinner (1904) by José MalhoaOld Spinner1904 32Seventh Commandment (1905) by José MalhoaSeventh Commandment1905 33Roque Gameiro (1904) by José MalhoaRoque Gameiro1904 · José Malhoa Museum 34Portrait of Júlio de Menezes (1900) by José MalhoaPortrait of Júlio de Menezes1900 35Portrait of J. S. Bach (1903) by José MalhoaPortrait of J. S. Bach1903 · National Museum of Music 36Portrait of Adelaide Prado Ribeiro (1900) by José MalhoaPortrait of Adelaide Prado Ribeiro1900 37Portrait of António Novais (1901) by José MalhoaPortrait of António Novais1901 · José Malhoa Museum 38Portrait of King Carlos I of Portugal (1905) by José MalhoaPortrait of King Carlos I of Portugal1905 39Care of Love (1905) by José MalhoaCare of Love1905 40Portrait of José Luciano de Castro (1899) by José MalhoaPortrait of José Luciano de Castro1899 · Dionísio Pinheiro And Alice Cardoso Pinheiro Foundation 41Decorative figure (1902) by José MalhoaDecorative figure1902 · Museu Antonio Parreiras 42Bleaching the clothes (1905) by José MalhoaBleaching the clothes1905 · Museu Nacional de Belas Artes 43Paisagem com camponesa (1906) by José MalhoaPaisagem com camponesa1906 · Museu Histórico Nacional 44Portrait of Prince Luís Filipe (1908) by José MalhoaPortrait of Prince Luís Filipe1908 · José Malhoa Museum 45Discovery of Brazil (1907) by José MalhoaDiscovery of Brazil1907 46Portrait of My Woman (1914) by José MalhoaPortrait of My Woman1914 · National Museum of Contemporary Art - Museu do Chiado 47In the shade of the vine (1914) by José MalhoaIn the shade of the vine1914 · Grão Vasco National Museum 48Nightingale balcony (1914) by José MalhoaNightingale balcony1914 49Discouragement (1915) by José MalhoaDiscouragement1915 50Pumpkins (1918) by José MalhoaPumpkins1918 · National Museum of Contemporary Art - Museu do Chiado 51Latest news (1918) by José MalhoaLatest news1918 · José Malhoa Museum 52Portrait of Judge Adalberto Soares do Amaral Pereira (1920) by José MalhoaPortrait of Judge Adalberto Soares do Amaral Pereira1920 · National Museum of Contemporary Art - Museu do Chiado 53Oh, Jesus! (1923) by José MalhoaOh, Jesus!1923 54In the garden (1924) by José MalhoaIn the garden1924 55Flowered balcony (1930) by José MalhoaFlowered balcony1930 56Posthumous portrait of José Relvas (1930) by José MalhoaPosthumous portrait of José Relvas1930 · Casa-Museu dos Patudos 57Ventura (1933) by José MalhoaVentura1933 · José Malhoa Museum 58Young girl (1933) by José MalhoaYoung girl1933 · José Malhoa Museum 59Anastácio Gonçalves (1932) by José MalhoaAnastácio Gonçalves1932 · Casa-Museu Dr. Anastácio Gonçalves 60French Maïs au soleil (1934) by José MalhoaFrench Maïs au soleil1934 · Grão Vasco National Museum 61The Woods of Caldas (1873) by José MalhoaThe Woods of Caldas1873 · José Malhoa Museum 62Landscape (1889) by José MalhoaLandscape1889 · National Museum of Contemporary Art - Museu do Chiado 63Return from the field (1897) by José MalhoaReturn from the field1897 · National Museum in Warsaw 64Portrait of an old man (1895) by José MalhoaPortrait of an old man1895 · Casa-Museu Dr. Anastácio Gonçalves 65The Dream of the Prince (1905) by José MalhoaThe Dream of the Prince1905 66Tickling (1904) by José MalhoaTickling1904 · Museu Nacional de Belas Artes 67View of the Convento de Figueiró (1908) by José MalhoaView of the Convento de Figueiró1908 68Pear tree in bloom (1910) by José MalhoaPear tree in bloom1910 69Landscape, 1908 (1908) by José MalhoaLandscape, 19081908 · Casa-Museu Dr. Anastácio Gonçalves 70Woman with Cat by José MalhoaWoman with CatJosé Malhoa Museum 71Church of Figueiró (1911) by José MalhoaChurch of Figueiró1911 72Children lurking by José MalhoaChildren lurking 73Portuguese Ilha dos Amores (1908) by José MalhoaPortuguese Ilha dos Amores1908 74An alley in Figueiró (1912) by José MalhoaAn alley in Figueiró1912 75A picture of Figueiró (1912) by José MalhoaA picture of Figueiró1912 76Landscape of Figueiró (1915) by José MalhoaLandscape of Figueiró1915 77Beach with tents with figures (1919) by José MalhoaBeach with tents with figures1919 78Patio of Figueiró (1922) by José MalhoaPatio of Figueiró1922 79Church of Figueiró (1921) (1921) by José MalhoaChurch of Figueiró (1921)1921 80Untitled (AQZDDL) (1926) by José MalhoaUntitled (AQZDDL)1926 · José Malhoa Museum 81Spring (1933) by José MalhoaSpring1933 · José Malhoa Museum 82The Hunt (1931) by José MalhoaThe Hunt1931 83French L'émigant (1934) by José MalhoaFrench L'émigant1934 84Jealousy by José MalhoaJealousySoares dos Reis National Museum 85Portuguese Rei D. Manuel II de Portugal (1908) by José MalhoaPortuguese Rei D. Manuel II de Portugal1908 · Mafra National Palace 86Leonor de Viseu by José MalhoaLeonor de Viseu 87Stream by José MalhoaStreamSoares dos Reis National Museum 88Fado (1910) by José MalhoaFado1910 · Lisboa Municipal Archive 89Praia das Maçãs (1918) by José MalhoaPraia das Maçãs1918 · National Museum of Contemporary Art - Museu do Chiado 90Clara (1918) by José MalhoaClara1918 · National Museum of Contemporary Art - Museu do Chiado 91Praia das Maças (1929) by José MalhoaPraia das Maças1929 92Island of Love (1908) by José MalhoaIsland of Love1908 · Museu Militar de Lisboa 93The Promises (1920) by José MalhoaThe Promises1920 · José Malhoa Museum 94Chat with Neighbor (1932) by José MalhoaChat with Neighbor1932 · José Malhoa Museum 95Outono (1919) by José MalhoaOutono1919 · National Museum of Contemporary Art - Museu do Chiado 96The Drunks (1907) by José MalhoaThe Drunks1907 · José Malhoa Museum 97The Artist's Atelier (1894) by José MalhoaThe Artist's Atelier1894 · Museu de Arte de São Paulo Assis Chateaubriand

José Malhoa's famous paintings, period by period

The subjects that held José Malhoa's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep José Malhoa's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by José Malhoa Paintings from this list
José Malhoa Museum, Caldas da RainhaJosé Malhoa Museum Caldas da Rainha 18 Júlia Malhoa, Shouting to the flock, Portrait of Laura Sauvinet
National Museum of Contemporary Art - Museu do Chiado, LisbonNational Museum of Contemporary Art - Museu do Chiado Lisbon 8 D. Teresa Avelino Pereira da Costa, Portrait of My Woman, Pumpkins
Casa-Museu dos Patudos, AlpiarçaCasa-Museu dos Patudos Alpiarça 6 Carlos Relvas Riding the Rollito, Carlos Relvas bullfighting, José Relvas playing the violin
Museu Nacional de Belas Artes, Rio de JaneiroMuseu Nacional de Belas Artes Rio de Janeiro 6 Portrait of woman, A Difficult Compass (Violin Lesson), Boasting incomes
Casa-Museu Dr. Anastácio Gonçalves, LisbonCasa-Museu Dr. Anastácio Gonçalves Lisbon 4 The Xexé (study), Anastácio Gonçalves, Portrait of an old man
Grão Vasco National Museum, ViseuGrão Vasco National Museum Viseu 3 Seascape, In the shade of the vine, French Maïs au soleil
Museu de Arte de São Paulo Assis Chateaubriand, Sao PauloMuseu de Arte de São Paulo Assis Chateaubriand Sao Paulo 2 The Atelier of the Sculptor Simões de Almeida, The Artist's Atelier
Soares dos Reis National Museum, PortoSoares dos Reis National Museum Porto 2 Jealousy, Stream

José Malhoa decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about José Malhoa's paintings

Which work is José Malhoa most famous for?Reveal the answer

Seascape (1918), Grão Vasco National Museum, Viseu. The Xexé (study) (1895) and Portrait of Luís de Camões (1934) come next.

What age was José Malhoa when Seascape was made?Reveal the answer

63 years old: Seascape dates from 1918, and José Malhoa was born in 1855.

What are the ten most famous José Malhoa paintings?Reveal the answer

Seascape, The Xexé (study), Portrait of Luís de Camões, Portuguese Estudo para o quadro Clara, Portrait of Almeida Garrett, Júlia Malhoa, Carlos Relvas Riding the Rollito, The Atelier of the Sculptor Simões de Almeida, Shouting to the flock and Portrait of Lady. The ranking above gives each one's year and museum.

How many paintings did José Malhoa leave?Reveal the answer

Our catalog holds 97 works by José Malhoa, dated from 1873 to 1933.

In which museums do José Malhoa's masterpieces hang?Reveal the answer

Mostly in José Malhoa Museum (Caldas da Rainha), National Museum of Contemporary Art - Museu do Chiado (Lisbon) and Casa-Museu dos Patudos (Alpiarça). The museum table above lists them all.

In which years did José Malhoa paint the most famous works?Reveal the answer

In 1900s: 25 of the 97 works on this page were made then, The Peasantwoman among them.

What are the first and the last famous originals of José Malhoa?Reveal the answer

On this page, the earliest is The Woods of Caldas (1873) and the latest Ventura (1933).

Which subjects did José Malhoa choose most often?Reveal the answer

Man (30), Woman (21) and Portrait (13), across the 97 works on this page.

Which technique did José Malhoa use most?Reveal the answer

Oil On Canvas, for 42 of the 97 works on this page.

To which art movement does José Malhoa belong?Reveal the answer

Naturalism, judging by the originals on this page.

Which José Malhoa works hang at the José Malhoa Museum?Reveal the answer

Júlia Malhoa, Shouting to the flock and Portrait of Laura Sauvinet: the José Malhoa Museum, Caldas da Rainha holds 18 of the works on this page.

José Malhoa: life and work

A Life Rooted in Portuguese Soil

José Vital Branco Malhoa, known simply as José Malhoa, emerged from the heart of Portugal in 1855, born in the thermal town of Caldas da Rainha. From a tender age, it was evident that young José possessed an innate artistic sensibility. At just twelve years old, he embarked on his formal training at Lisbon’s Royal Academy of Fine Arts, laying a solid foundation in technique that would serve as the bedrock for his future explorations. This early immersion into academic rigor didn't stifle his spirit; rather, it equipped him with the tools to later challenge conventions and forge his own path within the evolving landscape of Portuguese art. His upbringing amidst the everyday lives of ordinary people profoundly shaped his artistic vision, instilling in him a desire to depict the world as he observed it—unvarnished, authentic, and deeply connected to the soul of Portugal.

The Rise of Naturalism and a Distinctly Portuguese Voice

Malhoa’s name became synonymous with Portuguese Naturalism during the latter half of the 19th century. Alongside Columbano Bordalo Pinheiro, he spearheaded a movement that sought to portray life with unflinching realism, rejecting idealized representations in favor of honest depictions of society and its inhabitants. His early works focused intently on scenes from daily existence – farmers toiling in the fields, families gathered in humble homes, moments of leisure and labor captured with meticulous detail. This commitment wasn’t merely a stylistic choice; it was a deliberate attempt to move away from academic constraints and embrace a uniquely Portuguese artistic identity. He sought to capture not just *what* he saw, but *how* life felt within the cultural context of his nation. However, Malhoa wasn't immune to the currents of change sweeping through the art world. As his career progressed, subtle influences of Impressionism began to surface in his work, particularly evident in his increasingly nuanced use of light and color—a testament to his willingness to experiment and evolve.

Iconic Canvases: Stories Painted with Light and Shadow

Malhoa’s artistic legacy is anchored by a series of iconic paintings that continue to resonate with audiences today. Perhaps his most recognizable work, "The Drunks" (1907), offers a candid and unsentimental glimpse into the social life of the time. It's not a moralizing depiction; rather, it’s an observation—a snapshot of revelry captured with striking realism and psychological depth. Equally compelling is "Fado" (1910), a poignant portrayal of Portugal’s soul-stirring musical tradition. The painting encapsulates the melancholic beauty and emotional intensity inherent in *fado*, depicting a singer and her captivated audience in a scene brimming with atmosphere. Later works, like "Autumn" (1918), demonstrate his growing mastery of Impressionistic techniques, showcasing a landscape bathed in golden light and loose brushstrokes. Even his portraits, such as "Anastácio Gonçalves" (1932), reveal his exceptional skill with classical realism and the expressive potential of impasto—a technique where paint is applied thickly to create texture and depth. Recurring themes throughout his oeuvre include scenes of rural life, intimate portraits of ordinary people, and celebrations of Portuguese customs and traditions.

A Lasting Legacy: Bridging Eras and Inspiring Generations

José Malhoa achieved widespread recognition during his lifetime, becoming one of Portugal’s most celebrated artists. His contributions extended beyond the canvas; he played a pivotal role in establishing a distinctly Portuguese artistic identity, breaking free from foreign influences and championing national themes. The inauguration of the José Malhoa Museum in Caldas da Rainha late in his life served as a powerful testament to his enduring impact. Furthermore, his former home in Lisbon, now known as the Dr. Anastácio-Gonçalves House-Museum, stands as a living tribute to his artistic contributions and provides invaluable insight into his creative process. Malhoa’s work represents a crucial transition in Portuguese art—a bridge between traditional academic styles and more modern approaches. He didn't simply document his time; he *interpreted* it, offering valuable insights into the social fabric of Portugal during a period of significant change. His influence extended to subsequent generations of Portuguese artists, inspiring them to embrace realism, explore national identity, and push the boundaries of artistic expression. Today, José Malhoa’s legacy continues to flourish, solidifying his position as a pivotal figure in the history of Portuguese art—a master who captured the essence of his nation with both technical brilliance and profound emotional depth.