Portrait of John Phillip

The 100 Most Famous John Phillip Paintings, Each One of a Kind

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 101 works by John Phillip in our catalogue

In short

Mary MacKay Caird, later Mrs James Glen (1847 - 1940) (1866) is the John Phillip painting that draws the most eyes; the original belongs to the Scottish National Gallery, Edinburgh. After it, the eye goes to William Borthwick Johnstone (1804 - 1868) (1865) and Gonzalo de Vilches, 1st Earl of Vilches (?) (1850). Among the 101 works of John Phillip in our catalog, these 100 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1817 – 1867, Aberdeen Academic realism Most works: Royal Collection

Top 10 paintings by John Phillip, through the gallery's eye

1
Mary MacKay Caird, later Mrs James Glen (1847 - 1940) (1866) by John Phillip

Mary MacKay Caird, later Mrs James Glen (1847 - 1940)

1866 · Oil On Canvas · Scottish National Gallery, Edinburgh

A young woman is presented in a medium shot, her presence defined by a quiet, formal elegance. She holds a small dog, a detail that anchors the composition in a sense of domestic intimacy. The subject is positioned against a dark, textured background of foliage, which recedes into a distant, twilight landscape. Light enters from the upper left, casting a soft glow upon her face and chest, while the deep…

2
William Borthwick Johnstone (1804 - 1868) (1865) by John Phillip

William Borthwick Johnstone (1804 - 1868)

1865 · Oil On Canvas · Scottish National Gallery, Edinburgh

An elderly man gazes toward the right, his expression marked by quiet introspection and a sense of wisdom. This bust-length portrait utilizes a low-key, dramatic atmosphere to establish a somber tone. The subject's weathered skin and the subtle textures of his clothing are rendered through visible brushstrokes, suggesting the tactile reality of a life lived. Lighting originates from the upper left, casting soft shadows across the right side of the…

3
Gonzalo de Vilches, 1st Earl of Vilches (?) (1850) by John Phillip

Gonzalo de Vilches, 1st Earl of Vilches (?)

1850 · Oil On Canvas · Museo del Prado, Madrid

A young man occupies the center of this intimate space, his body turned in a three-quarter view that suggests a sudden, quiet movement. He gazes toward the left, his eyes fixed on something unseen beyond the frame, lending the scene a sense of suspended animation. A heavy, dark mantle drapes over his shoulders, its deep shadows swallowing the light, while a crisp white collar breaks the darkness with a sharp,…

4
Ellen Brown, Mrs William Borthwick Johnstone (1861) by John Phillip

Ellen Brown, Mrs William Borthwick Johnstone

1861 · Oil On Canvas · Scottish National Gallery, Edinburgh

The portrait titled Ellen Brown, Mrs William Borthwick Johnstone emerges from the canvas as a quiet study of a woman in her prime. Painted by John Phillip in 1861, the work captures Ellen Brown, the daughter of J. C. Brown, ARSA. She sits with a composed grace that suggests a life of refinement and settled purpose. There is a stillness in her gaze that invites the viewer into her private…

5
Rev. Alexander Dyce Davidson, 1807 - 1872. Free Church minister (1850) by John Phillip

Rev. Alexander Dyce Davidson, 1807 - 1872. Free Church minister

1850 · Oil On Canvas · Scottish National Portrait Gallery, Edinburgh

This oil on canvas portrait is titled Rev. Alexander Dyce Davidson, 1807 - 1872. Free Church minister. The work was executed by the artist John Phillip about 1850. It depicts the subject, Rev. Alexander Dyce Davidson, in a formal bust-length composition. The sitter is positioned slightly off-center, facing toward the viewer's right while his gaze meets the observer directly. He is shown wearing a dark clerical garment and a white…

John Phillip's famous paintings, numbers 11 to 100

11Dorothea Harriet Gibbs (1840 -1914), as a child (1844) by John PhillipDorothea Harriet Gibbs (1840 -1914), as a child1844 · Tyntesfield 12Provost George Henry (1850-1853) (1845) by John PhillipProvost George Henry (1850-1853)1845 13Disgorging the Fly (1841) by John PhillipDisgorging the Fly1841 14The Highland Home (1845) by John PhillipThe Highland Home1845 15Tasso in Disguise Relating his Persecutions to his Sister (1840) by John PhillipTasso in Disguise Relating his Persecutions to his Sister1840 16Self Portrait (1840) by John PhillipSelf Portrait1840 17Mrs Jean Chalmers (1840) by John PhillipMrs Jean Chalmers1840 18A Scotch Fair (1848) by John PhillipA Scotch Fair1848 19The Orange Girl (1854) by John PhillipThe Orange Girl1854 · Birmingham Museum and Art Gallery 20A Spanish Gipsy Mother (1852) by John PhillipA Spanish Gipsy Mother1852 · Royal Collection 21El Paseo (1854) by John PhillipEl Paseo1854 · Royal Collection 22Princess Feodora of Hohenlohe-Langenburg (1839-1872) (1852) by John PhillipPrincess Feodora of Hohenlohe-Langenburg (1839-1872)1852 · Royal Collection 23Princess Charlotte of Belgium (1840-1927) (1852) by John PhillipPrincess Charlotte of Belgium (1840-1927)1852 · Royal Collection 24Collecting the Offering in a Scottish Kirk (1855) by John PhillipCollecting the Offering in a Scottish Kirk1855 · Йоркський художній музей 25La Perla de Triana (1852) by John PhillipLa Perla de Triana1852 26William Brodie RSA, sculptor (1850) by John PhillipWilliam Brodie RSA, sculptor1850 27John Innes (1850) by John PhillipJohn Innes1850 28Gypsy Musicians of Spain (Spanish Minstrels) (1855) by John PhillipGypsy Musicians of Spain (Spanish Minstrels)1855 29Sketch for "Drawing For The Militia" (1849) by John PhillipSketch for "Drawing For The Militia"1849 30The Marriage of the Princess Victoria Adelaide, Princess Royal (1840-1901) later Empress of Prussia, to Crown Prince Frederick William of Prussia (1831-1888) later Emperor Frederick III, Emperor of G (1858) by John PhillipThe Marriage of the Princess Victoria Adelaide, Princess Royal (1840-1901) later Empress of Prussia, to Crown Prince Frederick William of Prussia (1831-1888) later Emperor Frederick III, Emperor of G1858 31The Promenade (1859) by John PhillipThe Promenade1859 32The Antonia (1863) by John PhillipThe Antonia1863 33The Prison Window (1857) by John PhillipThe Prison Window1857 34Princess Beatrice (1857-1944) later Princess Henry of Battenberg (1860) by John PhillipPrincess Beatrice (1857-1944) later Princess Henry of Battenberg1860 · Royal Collection 35Spanish Boys Playing at Bull-fighting (1860) by John PhillipSpanish Boys Playing at Bull-fighting1860 · Scottish National Gallery 36John Phillip, 1817 - 1867. Artist (Self-portrait) (1863) by John PhillipJohn Phillip, 1817 - 1867. Artist (Self-portrait)1863 37William Borthwick Johnstone, 1804 - 1868. Artist (1861) by John PhillipWilliam Borthwick Johnstone, 1804 - 1868. Artist1861 · Scottish National Portrait Gallery 38Samuel Bough, 1822 - 1878. Landscape painter (1856) by John PhillipSamuel Bough, 1822 - 1878. Landscape painter1856 · Scottish National Portrait Gallery 39Spanish peasants at the well (1859) by John PhillipSpanish peasants at the well1859 40Albert (1819–1861), Prince Consort (1859) by John PhillipAlbert (1819–1861), Prince Consort1859 41La Loteria Nacional (1860) by John PhillipLa Loteria Nacional1860 42House of Commons - Study for 'At The House of Commons' (1860) by John PhillipHouse of Commons - Study for 'At The House of Commons'1860 43Kate Nickleby (1862) by John PhillipKate Nickleby1862 44Miss Jean Isabella Ross (1856) by John PhillipMiss Jean Isabella Ross1856 45Sketch for "The Marriage of the Princess Royal" (1858) by John PhillipSketch for "The Marriage of the Princess Royal"1858 46Agua-Bendita - A Church Scene (1861) by John PhillipAgua-Bendita - A Church Scene1861 47The Artist's Spanish Guide (1856) by John PhillipThe Artist's Spanish Guide1856 48The Pride of Seville (1858) by John PhillipThe Pride of Seville1858 49La Bomba (1863) by John PhillipLa Bomba1863 50O Nannie, Wilt Thou Gang Wi'me (1859) by John PhillipO Nannie, Wilt Thou Gang Wi'me1859 51Dolores, A Spanish Widow (1862) by John PhillipDolores, A Spanish Widow1862 52Una Maja Bonita (1856) by John PhillipUna Maja Bonita1856 53Spanish Peasants - The Wayside in Andalucia (1863) by John PhillipSpanish Peasants - The Wayside in Andalucia1863 54'La Gloria': A Spanish Wake (1864) by John Phillip'La Gloria': A Spanish Wake1864 · Scottish National Gallery 55Donald Kennedy of Drumashie, Inverness (1865) by John PhillipDonald Kennedy of Drumashie, Inverness1865 56The Spanish Flower Seller (1864) by John PhillipThe Spanish Flower Seller1864 57The Fortune Teller by John PhillipThe Fortune Teller 58First steps by John PhillipFirst steps 59Self-portrait by John PhillipSelf-portraitScottish National Gallery 60The Brig 'Manly' (1834) by John PhillipThe Brig 'Manly'1834 61Sketch for 'A Scotch Fair' (1848) by John PhillipSketch for 'A Scotch Fair'1848 62Spanish Carnival by John PhillipSpanish CarnivalFitzwilliam Museum 63A Highland Piper by John PhillipA Highland PiperRoyal Collection 64Two Boys: Study after 'Spanish Boys Playing at Bull-fighting' (NG 534) by John PhillipTwo Boys: Study after 'Spanish Boys Playing at Bull-fighting' (NG 534)Scottish National Gallery 65Sir Thomas Blaikie, Provost of Aberdeen 1839-47, 1853-56 by John PhillipSir Thomas Blaikie, Provost of Aberdeen 1839-47, 1853-56 66John Smith, First City Architect to Aberdeen by John PhillipJohn Smith, First City Architect to Aberdeen 67Bal Masque by John PhillipBal Masque 68Nude Bather - after Rubens by John PhillipNude Bather - after Rubens 69Gathering The Offerings by John PhillipGathering The Offerings 70Highland Lassie by John PhillipHighland Lassie 71Self Portrait by John PhillipSelf Portrait 72Portrait of a Lady by John PhillipPortrait of a Lady 73James Hardie by John PhillipJames Hardie 74Cornelius van der Geest - after Van Dyck by John PhillipCornelius van der Geest - after Van Dyck 75The Artist and his Wife by John PhillipThe Artist and his Wife 76Self Portrait by John PhillipSelf Portrait 77Lady Gordon and her Child by John PhillipLady Gordon and her Child 78The Bohemian Woman by John PhillipThe Bohemian Woman 79Charity by John PhillipCharity 80Scotch Washing by John PhillipScotch Washing 81Presbyterian catechising by John PhillipPresbyterian catechisingScottish National Gallery 82Faith (1864) by John PhillipFaith1864 · Museum of London 83Trilobite from Golden Grove by John PhillipTrilobite from Golden Grove 84In The Garden, Seville by John PhillipIn The Garden, Seville 85At the Opera by John PhillipAt the Opera 86Spanish Industry by John PhillipSpanish Industry 87Fiesta Time by John PhillipFiesta Time 88Fair At Seville by John PhillipFair At Seville 89Life Among The Gypsies, Seville by John PhillipLife Among The Gypsies, Seville 90A scottish fair by John PhillipA scottish fair 91A Scottish Christening by John PhillipA Scottish Christening 92A Gypsy Water-Carrier of Seville by John PhillipA Gypsy Water-Carrier of Seville 93The orange seller by John PhillipThe orange seller 94Lord Palmerston Addressing the House of Commons by John PhillipLord Palmerston Addressing the House of Commons 95A Scotch Roadside Inn by John PhillipA Scotch Roadside Inn 96Lady Playing The Mandolin by John PhillipLady Playing The MandolinWolverhampton Art Gallery 97The Evil Eye by John PhillipThe Evil Eye 98The Dying Contrabandista (1858) by John PhillipThe Dying Contrabandista1858 · Royal Collection 99The Marriage of Victoria, Princess Royal, 25 January 1858 (1860) by John PhillipThe Marriage of Victoria, Princess Royal, 25 January 18581860 · Royal Collection 100The Letter-Writer of Seville (1854) by John PhillipThe Letter-Writer of Seville1854 · Royal Collection

The subjects that held John Phillip's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep John Phillip's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by John Phillip Paintings from this list
Royal Collection, LondonRoyal Collection London 9 A Spanish Gipsy Mother, El Paseo, Princess Feodora of Hohenlohe-Langenburg (1839-1872)
Scottish National Gallery, EdinburghScottish National Gallery Edinburgh 8 Mary MacKay Caird, later Mrs James Glen (1847 - 1940), William Borthwick Johnstone (1804 - 1868), Ellen Brown, Mrs William Borthwick Johnstone
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 3 Rev. Alexander Dyce Davidson, 1807 - 1872. Free Church minister, William Borthwick Johnstone, 1804 - 1868. Artist, Samuel Bough, 1822 - 1878. Landscape painter
TyntesfieldTyntesfield 3 Oil painting, Antony Gibbs (1841 - 1907), aged 3, Dorothea Harriet Gibbs (1840 -1914), as a child
Museo del Prado, MadridMuseo del Prado Madrid 1 Gonzalo de Vilches, 1st Earl of Vilches (?)
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 1 The Orange Girl
Йоркський художній музей, YorkЙоркський художній музей York 1 Collecting the Offering in a Scottish Kirk
Fitzwilliam MuseumFitzwilliam Museum 1 Spanish Carnival

John Phillip across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

John Phillip's paintings: questions for the gallery

What is the single most famous work of John Phillip?Reveal the answer

Mary MacKay Caird, later Mrs James Glen (1847 - 1940) (1866), Scottish National Gallery, Edinburgh. William Borthwick Johnstone (1804 - 1868) (1865) and Gonzalo de Vilches, 1st Earl of Vilches (?) (1850) come next.

At what age did John Phillip create Mary MacKay Caird, later Mrs James Glen (1847 - 1940)?Reveal the answer

49 years old: Mary MacKay Caird, later Mrs James Glen (1847 - 1940) dates from 1866, and John Phillip was born in 1817.

Which ten paintings by John Phillip are the most famous?Reveal the answer

Mary MacKay Caird, later Mrs James Glen (1847 - 1940), William Borthwick Johnstone (1804 - 1868), Gonzalo de Vilches, 1st Earl of Vilches (?), Ellen Brown, Mrs William Borthwick Johnstone, Rev. Alexander Dyce Davidson, 1807 - 1872. Free Church minister, Ann Allan, James Blaikie of Craigiebuckler, Provost of Aberdeen (1833-1835), Sketch after Rubens, Oil painting and Antony Gibbs (1841 - 1907), aged 3. The ranking above gives each one's year and museum.

How many works by John Phillip are known?Reveal the answer

Our catalog holds 101 works by John Phillip, dated from 1831 to 1866.

Where can the most famous John Phillip originals be seen?Reveal the answer

Mostly in Royal Collection (London), Scottish National Gallery (Edinburgh) and Scottish National Portrait Gallery (Edinburgh). The museum table above lists them all.

During which period did John Phillip create the best-known paintings?Reveal the answer

In 1850s: 26 of the 100 works on this page were made then, Gonzalo de Vilches, 1st Earl of Vilches (?) among them.

Which famous John Phillip painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Ann Allan (1831) and the latest Mary MacKay Caird, later Mrs James Glen (1847 - 1940) (1866).

What subjects did John Phillip favour?Reveal the answer

Man (4), Woman (3) and Portrait (3), across the 100 works on this page.

What materials did John Phillip paint with most?Reveal the answer

Oil On Canvas, for 6 of the 100 works on this page.

Which movement does the work of John Phillip belong to?Reveal the answer

Academic realism, judging by the originals on this page.

What John Phillip originals can I see at the Royal Collection?Reveal the answer

A Spanish Gipsy Mother, El Paseo and Princess Feodora of Hohenlohe-Langenburg (1839-1872): the Royal Collection, London holds 9 of the works on this page.

John Phillip: a portrait of the artist

The Painter of Spanish Dreams: The Life and Legacy of John Phillip

Born in the rugged landscape of Aberdeen, Scotland, in 1817, John Phillip would eventually transcend his humble beginnings to become one of the most evocative voices of the Victorian era. Affectionately known by the moniker "Spanish Phillip," his journey was one of profound transformation, moving from the meticulous, somber depictions of Scottish rural life to the sun-drenched, vibrant canvases of Southern Europe. His early years were marked by a burgeoning talent that caught the eye of influential patrons, most notably Lord Panmure, whose generosity provided the essential bridge for Phillip to reach London’s Royal Academy of Arts in 1836. It was within this prestigious institution that Phillip found his artistic tribe, joining the influential group known as The Clique. Led by the eccentric Richard Dadd, this circle of artists shared a deep reverence for the narrative realism of William Hogarth and the dramatic landscapes of David Wilkie, principles that would form the bedrock of Phillip’s early technical mastery.

In his formative years, Phillip’s brush was dedicated to the dignity and hardship of the Scottish people. He captured the quiet, often grueling existence of crofters with a precision that spoke to the soul of his homeland. These early works were characterized by a meticulous attention to detail and a sense of pious domesticity, reflecting the cultural currents of late Victorian Scotland. However, a pivotal shift occurred in 1851, prompted by medical advice to seek warmer climates for his health. This pilgrimage to Spain was not merely a restorative journey but an artistic rebirth. As he wandered through the streets of Seville and Madrid, the shadows of Scotland were replaced by the brilliant light of Andalusia. The influence of Spanish masters Bartolom Tamayo, Bartolomé Esteban Murillo, and Diego Velázquez began to permeate his work, fundamentally altering his palette and his approach to form.

A Transformation of Light and Technique

The transition from the detailed, almost documentary style of his Scottish period to a much broader, more painterly technique marks the most fascinating evolution in Phillip’s career. While he initially resisted the burgeoning Pre-Raphaelite movement, his later works, such as The Letter Writer, Seville, began to exhibit a subtle engagement with their luminous qualities. As his travels deepened his connection to the Spanish spirit, his brushwork grew more confident and expressive, mirroring the late-career developments of contemporaries like John Everett Millais. He moved away from rigid outlines toward an exploration of texture and atmosphere, using impasto to capture the heat and dust of the Spanish landscape.

This stylistic maturation reached its zenith in the 1860s, where his compositions became grander and more emotionally resonant. His ability to weave together the following elements defined his mature period:

  • Dramatic Chiaroscuro: Utilizing deep shadows and piercing highlights to create a sense of theatrical movement.
  • Cultural Immersion: Moving beyond mere observation to capture the very essence of Spanish street life and religious devotion.
  • Narrative Depth: Creating scenes that felt like frozen moments from a larger, unfolding story, much like his inspirations Murillo and Velázquez.

Major achievements such as The Early Career of Murillo (1864) and La Gloria (1865) stand as testaments to this period of mastery. In these works, Phillip did not just paint subjects; he painted the very history of art itself, paying homage to the masters who had inspired his own metamorphosis. His legacy remains that of a bridge-builder—between the somber traditions of Scottish genre painting and the vibrant, light-filled romanticism of the Mediterranean. Though his life was cut short in 1867, John Phillip left behind a body of work that continues to enchant, inviting viewers to step out of the grey mists of the North and into the eternal, golden glow of his Spanish dreams.