Portrait of John Collier

The 100 Most Famous John Collier Paintings, a Gallery Selection

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 105 works by John Collier in our catalogue

In short

Of all the originals John Collier left, the most famous is Godiva (1898), in the collection of the The Herbert Art Gallery and Museum, Coventry. Close behind it come Lilith (1887) and Priestess of Delphi (1891). Our catalog holds 105 works by John Collier; the gallery has kept the 100 the world admires most, each shown with its date, its museum and its story.

1850 – 1934, London Pre-raphaelite Most works: National Portrait Gallery

John Collier's top 10 paintings: the gallery's choice

1
Godiva (1898) by John Collier

Godiva

1898 · Oil On Canvas · The Herbert Art Gallery and Museum, Coventry

In the quiet corners of the Herbert Art Gallery and Museum in Coventry resides a masterpiece that transcends mere portraiture, inviting the viewer into a realm of profound stillness and historical myth. John Maler Collier’s Lady Godiva, executed at the turn of the century, is far more than a depiction of a legendary figure; it is a window into the late Victorian soul. The painting captures a moment of suspended…

2
Lilith (1887) by John Collier

Lilith

1887 · Oil On Canvas

In this 1887 oil painting, John Collier presents the Mesopotamian mythic figure Lilith. The subject is a nude woman with porcelain skin and long, golden hair. She exists within a primordial forest, a dense landscape of dark, brown-green foliage. A large serpent coils around her body, its scales contrasting against her pale flesh. The creature's head rests upon her shoulder in a heavy, silent embrace.

3
Priestess of Delphi (1891) by John Collier

Priestess of Delphi

1891 · Oil On Canvas · Art Gallery of South Australia, Adelaide

The work before us is titled Priestess of Delphi, a significant oil on canvas painted in 1891. It was executed by John Maler Collier OBE RP ROI, a prominent English artist and author who was a leading figure in portraiture during his era. Collier’s presence in the British art scene was marked by his ability to navigate both the formal requirements of high-society portraiture and the more narrative, dramatic demands…

4
The Priestess of Bacchus (1885) by John Collier

The Priestess of Bacchus

1885 · Oil On Canvas

The air feels heavy with the scent of damp earth and crushed ivy as she emerges from the thicket. She stands with a startling, quiet authority, her gaze meeting the viewer with a directness that feels almost intrusive, as if we have stumbled upon a private ritual. A wreath of ivy rests upon her head, its green leaves a stark contrast to the luminous quality of her skin. She does…

5
The Sleeping Beauty (1921) by John Collier

The Sleeping Beauty

1921 · Oil On Canvas

We are looking at The Sleeping Beauty, a work created in 1921 by the English artist John Maler Collier. This oil on canvas offers a quiet depiction of the classic fairy tale, focusing on the moment of rest within a storied narrative. The subject matter is drawn from the familiar legend, rendered through a lens of stillness and repose.

6
Sir John Evans (1905) by John Collier

Sir John Evans

1905 · Oil On Canvas · Ashmolean Museum, Oxford

The photograph presented here offers a rare glimpse into a meticulously crafted portrait – that of Sir John Evans, painted by the renowned artist John Maler Collier in 1905. This image isn't merely a reproduction; it’s an echo of a bygone era, a testament to Collier’s mastery of Victorian portraiture and his unwavering dedication to capturing not just likeness, but also character and status. The stark black and white palette…

8
Thomas Henry Huxley (1883) by John Collier

Thomas Henry Huxley

1883 · Oil On Canvas · National Portrait Gallery, London

John Collier painted this portrait of Thomas Henry Huxley in 1883. The subject was a prominent scientist and served as President of the Royal Society. Collier, a leading portraitist of his generation, captured the sitter during a period of significant intellectual influence. The work is part of the National Portrait Gallery collection in London.

9
George Smith (1901) by John Collier

George Smith

1901 · Oil On Canvas · National Portrait Gallery, London

George Smith by John Collier, an oil on canvas, presents a formal study of George Murray Smith. Executed in 1901, the portrait captures the subject in a manner consistent with the artist's mature period of portraiture. The work is currently held within the collection of the National Portrait Gallery, London.

The John Collier selection continues, 11 to 100

11Nettie and Joyce (1890) by John CollierNettie and Joyce1890 12Sir Ignatius Valentine Chirol (1909) by John CollierSir Ignatius Valentine Chirol1909 · National Portrait Gallery 13Sir Michael Foster (1907) by John CollierSir Michael Foster1907 · National Portrait Gallery 14Anthony Ashley-Cooper, 7th Earl of Shaftesbury (1877) by John CollierAnthony Ashley-Cooper, 7th Earl of Shaftesbury1877 · National Portrait Gallery 15Sir George Biddell Airy, 1801-1892 (1883) by John CollierSir George Biddell Airy, 1801-18921883 · National Maritime Museum 16Portrait of Alma Tadema (1884) by John CollierPortrait of Alma Tadema1884 · Te Whare O Rehua Sarjeant Gallery 17Portrait of James Prescott Joule (1882) by John CollierPortrait of James Prescott Joule1882 18Pope Urban VI (1896) by John CollierPope Urban VI1896 19The Hon. Florence Rachel Hamilton-Russell (d.1957) (1901) by John CollierThe Hon. Florence Rachel Hamilton-Russell (d.1957)1901 · Dudmaston Hall 20William Hillier, 4th Earl of Onslow (1853-1911) (1903) by John CollierWilliam Hillier, 4th Earl of Onslow (1853-1911)1903 · Clandon Park 21Thomas Smith, Surgeon to St Bartholomew's Hospital (1901) by John CollierThomas Smith, Surgeon to St Bartholomew's Hospital1901 22Self portrait (1907) by John CollierSelf portrait1907 · Te Whare O Rehua Sarjeant Gallery 23John Clifford (1915) by John CollierJohn Clifford1915 · National Portrait Gallery 24Clytemnestra (1914) by John CollierClytemnestra1914 25Sacred and Profane Love (1919) by John CollierSacred and Profane Love1919 26Portrait of George Bernard Shaw (1856-1950), Dramatist (1927) by John CollierPortrait of George Bernard Shaw (1856-1950), Dramatist1927 · National Gallery of Ireland 27Sir Edward Augustus Inglefield (1897) by John CollierSir Edward Augustus Inglefield1897 · National Portrait Gallery 28Stepping Stones: Pamela (1929) by John CollierStepping Stones: Pamela1929 29Sir George Williams (1887) by John CollierSir George Williams1887 · National Portrait Gallery 30Queen Guinevre's Maying (1897) by John CollierQueen Guinevre's Maying1897 31Marian Collier (née Huxley) (1882) by John CollierMarian Collier (née Huxley)1882 · National Portrait Gallery 32Sir Ughtred Kay-Shuttleworth (1884) by John CollierSir Ughtred Kay-Shuttleworth1884 33Portrait of Laura Mary Stapleton (1882) by John CollierPortrait of Laura Mary Stapleton1882 34Rudyard Kipling (1865-1936) (1891) by John CollierRudyard Kipling (1865-1936)1891 · Bateman's 35Sir George Williams (1888) by John CollierSir George Williams1888 36Portrait of a Gentleman in his Library (1890) by John CollierPortrait of a Gentleman in his Library1890 · Nationalmuseum 37Rudyard Kipling (1891) by John CollierRudyard Kipling1891 38Sir Charles Tertius Mander (1892) by John CollierSir Charles Tertius Mander1892 39Portrait of Field-marshall B. F. Haines (1891) by John CollierPortrait of Field-marshall B. F. Haines1891 40William Herford Ancrum, Esq. (1891) by John CollierWilliam Herford Ancrum, Esq.1891 41Water Baby (1890) by John CollierWater Baby1890 42The Three Daughters of William Reed (1886) by John CollierThe Three Daughters of William Reed1886 43William Charles Lucy (1895) by John CollierWilliam Charles Lucy1895 44Sir Isaac Wilson (1893) by John CollierSir Isaac Wilson1893 45Sir Charles Hall, Recorder of London (1895) by John CollierSir Charles Hall, Recorder of London1895 46Rudyard Kipling (1865-1936) (1900) by John CollierRudyard Kipling (1865-1936)1900 · Bateman's 47Osborne Reynolds (1904) by John CollierOsborne Reynolds1904 48Sir John Evans (1905) by John CollierSir John Evans1905 49Sir Charles Strickland (1904) by John CollierSir Charles Strickland1904 50The Sinner (1904) by John CollierThe Sinner1904 51Sir Willoughby Heyett Dickinson (1902) by John CollierSir Willoughby Heyett Dickinson1902 52The Very Reverend John Julias Hannah (1902) by John CollierThe Very Reverend John Julias Hannah1902 53Sir Andrew Mitchell Torrance (1902) by John CollierSir Andrew Mitchell Torrance1902 54The Prodigal Daughter (1903) by John CollierThe Prodigal Daughter1903 55Portrait of James Talbot, 4th Baron Talbot de Malahide (1805-1883) by John CollierPortrait of James Talbot, 4th Baron Talbot de Malahide (1805-1883)National Gallery of Ireland 56George John Warren Vernon, 5th Baron Vernon (1803-1866) (from a photograph of 1859) (1908) by John CollierGeorge John Warren Vernon, 5th Baron Vernon (1803-1866) (from a photograph of 1859)1908 · Sudbury Hall 57All Hallowe'en by John CollierAll Hallowe'en 58Portrait of Edward Henry Hurry by John CollierPortrait of Edward Henry Hurry 59Sir William Mitchell Banks by John CollierSir William Mitchell Banks 60Sir William Rose by John CollierSir William Rose 61Young Girl Draped in a Tiger Skin by John CollierYoung Girl Draped in a Tiger Skin 62Portrait of Sir John Lubbock, 1st Baron Avebury by John CollierPortrait of Sir John Lubbock, 1st Baron Avebury 63Sir Edwin Cornwall (1907) by John CollierSir Edwin Cornwall1907 64Portrait of Colonel Rowland John Beech by John CollierPortrait of Colonel Rowland John Beech 65Sir Samuel Butler Provis (1910) by John CollierSir Samuel Butler Provis1910 66Sir John Bland-Sutton (1911) by John CollierSir John Bland-Sutton1911 67The White Devil (1909) by John CollierThe White Devil1909 68Samuel Radcliffe Platt, Mayor of Oldham by John CollierSamuel Radcliffe Platt, Mayor of OldhamOldham Art Gallery 69The Right Honourable T. F. Halsey (1907) by John CollierThe Right Honourable T. F. Halsey1907 70Vendetta (1915) by John CollierVendetta1915 71Pomps and Vanities (1917) by John CollierPomps and Vanities1917 72Theban Hills from Luxor (1920) by John CollierTheban Hills from Luxor1920 73Sir Frederick George Banbury (1920) by John CollierSir Frederick George Banbury1920 74Portrait of Unknown Soldier (1921) by John CollierPortrait of Unknown Soldier1921 75Sir William Huggins (1905) by John CollierSir William Huggins1905 · National Portrait Gallery 76Richard Hill Dawe, Solicitor to the Great Northern Railway (1923) by John CollierRichard Hill Dawe, Solicitor to the Great Northern Railway1923 77A Water Nymph (1923) by John CollierA Water Nymph1923 78Portrait of the Artist's Daughter (1929) by John CollierPortrait of the Artist's Daughter1929 79William Kingdon Clifford (1899) by John CollierWilliam Kingdon Clifford1899 · National Portrait Gallery 80The Right Honourable Samuel Cunliffe Lister (1901) by John CollierThe Right Honourable Samuel Cunliffe Lister1901 81Portrait of Professor Huxley by John CollierPortrait of Professor Huxley 82The Spring Wood by John CollierThe Spring Wood 83Triple Portrait of a Woman by John CollierTriple Portrait of a Woman 84Sir George Campbell by John CollierSir George Campbell 85Sir Charles Tertius Mander by John CollierSir Charles Tertius Mander 86Portrait of Mrs Adeline Hurry by John CollierPortrait of Mrs Adeline Hurry 87Portrait of Mary Frances Wilson by John CollierPortrait of Mary Frances Wilson 88Sir Francis Layland-Barratt by John CollierSir Francis Layland-Barratt 89Samuel Whitbread by John CollierSamuel Whitbread 90A view across Lake Como by John CollierA view across Lake Como 91Reclining Woman by John CollierReclining Woman 92Portrait of a Lady in Eastern Dress by John CollierPortrait of a Lady in Eastern Dress 93Portrait of Mrs H. C. Marillier by John CollierPortrait of Mrs H. C. Marillier 94Sir Landon Ronald, Principal of the Guildhall School of Music by John CollierSir Landon Ronald, Principal of the Guildhall School of Music 95Portrait of a Woman in Pink Dress by John CollierPortrait of a Woman in Pink Dress 96A Street in Jerusalem by John CollierA Street in JerusalemOldham Art Gallery 97William Fred Collier by John CollierWilliam Fred Collier 98The Queen's Shilling by John CollierThe Queen's Shilling 99Sentence of Death by John CollierSentence of Death 100William Nicholson by John CollierWilliam Nicholson

The subjects that held John Collier's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep John Collier's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by John Collier Paintings from this list
National Portrait Gallery, LondonNational Portrait Gallery London 11 Thomas Henry Huxley, George Smith, Sir Ignatius Valentine Chirol
Te Whare O Rehua Sarjeant GalleryTe Whare O Rehua Sarjeant Gallery 2 Portrait of Alma Tadema, Self portrait
National Gallery of Ireland, Dublin CityNational Gallery of Ireland Dublin City 2 Portrait of George Bernard Shaw (1856-1950), Dramatist, Portrait of James Talbot, 4th Baron Talbot de Malahide (1805-1883)
Bateman'sBateman's 2 Rudyard Kipling (1865-1936), Rudyard Kipling (1865-1936)
Oldham Art Gallery, OldhamOldham Art Gallery Oldham 2 Samuel Radcliffe Platt, Mayor of Oldham, A Street in Jerusalem
The Herbert Art Gallery and Museum, CoventryThe Herbert Art Gallery and Museum Coventry 1 Godiva
Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 1 Priestess of Delphi
Ashmolean Museum, OxfordAshmolean Museum Oxford 1 Sir John Evans

John Collier decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about John Collier's paintings

Which work is John Collier most famous for?Reveal the answer

Godiva (1898), The Herbert Art Gallery and Museum, Coventry. Lilith (1887) and Priestess of Delphi (1891) come next.

What age was John Collier when Godiva was made?Reveal the answer

48 years old: Godiva dates from 1898, and John Collier was born in 1850.

What are the ten most famous John Collier paintings?Reveal the answer

Godiva, Lilith, Priestess of Delphi, The Priestess of Bacchus, The Sleeping Beauty, Sir John Evans, A Fallen Idol, Thomas Henry Huxley, George Smith and Trompe l'oeil painting. The ranking above gives each one's year and museum.

How many paintings did John Collier leave?Reveal the answer

Our catalog holds 105 works by John Collier, dated from 1877 to 1929.

In which museums do John Collier's masterpieces hang?Reveal the answer

Mostly in National Portrait Gallery (London), Te Whare O Rehua Sarjeant Gallery and National Gallery of Ireland (Dublin City). The museum table above lists them all.

In which years did John Collier paint the most famous works?Reveal the answer

In 1900s: 23 of the 100 works on this page were made then, Sir John Evans among them.

What are the first and the last famous originals of John Collier?Reveal the answer

On this page, the earliest is Anthony Ashley-Cooper, 7th Earl of Shaftesbury (1877) and the latest Stepping Stones: Pamela (1929).

Which subjects did John Collier choose most often?Reveal the answer

Men (16), Portraits (14) and Victorian era (11), across the 100 works on this page.

Which technique did John Collier use most?Reveal the answer

Oil On Canvas, for 20 of the 100 works on this page.

To which art movement does John Collier belong?Reveal the answer

Pre-raphaelite, judging by the originals on this page.

Which John Collier works hang at the National Portrait Gallery?Reveal the answer

Thomas Henry Huxley, George Smith and Sir Ignatius Valentine Chirol: the National Portrait Gallery, London holds 11 of the works on this page.

John Collier: life and work

John Maler Collier: A Life in Portraiture

  • Born: London, United Kingdom (1850)
  • Died: 1934

John Maler Collier OBE RP ROI was a prominent English artist and author, celebrated as a leading portrait painter of his generation. His artistic style leaned heavily into the Pre-Raphaelite aesthetic, characterized by meticulous detail, vibrant colors, and a focus on narrative storytelling within portraits.

Early Life and Artistic Training

  • Family Background: Collier hailed from a distinguished family. His grandfather was a Quaker merchant and Member of Parliament, while his father served as Attorney General and a judge in the Privy Council. This privileged background afforded him access to education and societal circles that would later influence his artistic career.
  • Education: He received his early education at Eton College before pursuing formal art training.
  • Formal Studies: Collier studied painting at the Munich Academy starting in 1875, honing his skills under established masters. He also studied in Paris with Jean-Paul Laurens.

Artistic Style and Major Works

  • Pre-Raphaelite Influence: Collier’s work is deeply rooted in the Pre-Raphaelite movement, evident in his attention to detail, rich color palettes, and a tendency towards narrative scenes within portraits.
  • Portraiture Focus: He primarily specialized in portraiture, capturing likenesses of prominent figures from various fields including art, science, politics, and royalty.
  • Notable Subjects: Collier’s sitters included Charles Darwin, Thomas Henry Huxley (his father-in-law), Rudyard Kipling, Sir Lawrence Alma-Tadema, two Lord Chancellors (Earl of Selborne and Earl of Halsbury), the Speaker of the House of Commons William Gully, and Field Marshal Lord Kitchener.
  • Royal Portraits: Significant commissions included portraits of the Duke of York (later King George V) as Master of Trinity House in 1901, and the Prince of Wales (later Edward VIII). The latter was displayed at Durbar Hall in Jodhpur, Rajputana.
  • "Problem Pictures": Beyond formal portraiture, Collier also created "problem pictures," depicting scenes from everyday life, often showcasing a brighter and fresher style than his more solemn portraits.

Personal Life and Family Connections

  • Marriages to Huxley's Daughters: A defining aspect of Collier’s life was his marriage to two daughters of Thomas Henry Huxley, a renowned scientist and President of the Royal Society. His first wife, Marian (Mady) Huxley, was also an artist.
  • Family Legacy: His daughter by his first marriage, Joyce, became a portrait miniaturist. His second son, Sir Laurence Collier, served as the British Ambassador to Norway from 1941-1951.
  • Close Ties to Intellectual Circles: Collier maintained close relationships with prominent intellectuals and writers of his time, including Leonard Huxley (Thomas Henry Huxley’s son).

Legacy and Historical Significance

  • Recognition and Awards: Collier was appointed an Officer of the Order of the British Empire (OBE) in 1920.
  • Critical Reception: While initially praised, his work later received mixed reviews. Some critics compared his style to that of Frank Holl due to its solemnity, while others recognized his "strong and surprising sense of color."
  • Extensive Record Keeping: Collier meticulously documented his sitters in a handwritten book, providing valuable insight into his career and the individuals he portrayed. This “Sitters Book” is now housed in the Heinz Archive and Library at the National Portrait Gallery.
  • Representation in Major Collections: Sixteen of Collier’s paintings are held by the National Portrait Gallery in London, with two residing in the Tate Gallery.