In short
Of all the originals James Herring left, the most famous is James Monroe (1834), in the collection of the National Portrait Gallery, Washington, D.C.. Close behind it come Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) and Jacob Jennings Brown (1775-1828) (1835). Our catalog holds 6 works by James Herring; the gallery has kept the 6 the world admires most, each shown with its date, its museum and its story.
James Herring's top 10 paintings: the gallery's choice
The museums that keep James Herring's originals
The 2 museums that hold the most of the paintings on this page.
| Museum | City | Works by James Herring | Paintings from this list |
|---|---|---|---|
| New York City | 5 | Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828), William Lintz (ca. 1815-1874) | |
| Washington, D.C. | 1 | James Monroe |
James Herring year by year: the originals that define each
The selection follows James Herring over 12 years, from 1834 to 1845, keeping the finest originals of each year.
Works per year
Pick a year to see its originals.
Collectors' questions about James Herring's paintings
Which work is James Herring most famous for?Reveal the answer
James Monroe (1834), National Portrait Gallery, Washington, D.C.. Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) and Jacob Jennings Brown (1775-1828) (1835) come next.
What age was James Herring when James Monroe was made?Reveal the answer
40 years old: James Monroe dates from 1834, and James Herring was born in 1794.
How many paintings did James Herring leave?Reveal the answer
Our catalog holds 6 works by James Herring, dated from 1834 to 1845.
In which museums do James Herring's masterpieces hang?Reveal the answer
Mostly in New York Historical Society (New York City) and National Portrait Gallery (Washington, D.C.). The museum table above lists them all.
In which years did James Herring paint the most famous works?Reveal the answer
In 1845: 2 of the 6 works on this page were made then, William Lintz (ca. 1815-1874) among them.
What are the first and the last famous originals of James Herring?Reveal the answer
On this page, the earliest is James Monroe (1834) and the latest William Lintz (ca. 1815-1874) (1845).
Which James Herring works hang at the New York Historical Society?Reveal the answer
Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828) and William Lintz (ca. 1815-1874): the New York Historical Society, New York City holds 5 of the works on this page.
James Herring: life and work
The Life and Legacy of James Herring
Born in London on January 12, 1794, James Herring was an artist whose life journey mirrored the expanding horizons of the nineteenth-century Atlantic world. Though his roots were English, his spirit was profoundly shaped by the American landscape after he emigrated to the United States with his family in 1805. Growing up amidst the bustling energy of New York City and the developing reaches of New Jersey, Herring’s early years were marked by a diverse range of trades. Before finding his true calling at the easel, he navigated the worlds of education as a school teacher and even engaged in the gritty commerce of his father's distillery business in the Bowery. This varied upbringing provided him with a unique, grounded perspective that would later infuse his work with a sense of unpretentious, honest observation.
Herring’s artistic evolution began not with grand canvases, but with the meticulous and delicate task of coloring prints and maps. This early immersion in graphic arts instilled in him a profound respect for line and detail, a skill set that would serve him well as he moved to Philadelphia to continue his work in map coloring. However, the pull of portraiture eventually drew him back to New York, where he settled in Chatham Square. It was here that he truly found his voice, transitioning from the precise world of cartography to the more expressive realm of portrait painting. His ability to capture the essence of a subject—whether through a formal likeness or a more spirited profile—marked him as a significant figure in the burgeoning American art scene of the mid-1800s.
Artistic Style and Contributions
The work of James Herring is often characterized by its charming, almost naive quality, particularly when he turned his attention to animal subjects and landscapes. While he was a master of the formal portrait, there is a palpable warmth in his depictions of working horses, chickens, and pastoral scenes that suggests a deep affection for the everyday rhythms of American life. His technique, while rooted in the precision learned from his early days with prints, allowed for a certain fluidity and emotional resonance. He was not merely a recorder of faces but an illustrator of character, a talent he shared with notable contemporaries like James Barton Longacre when they collaborated on documenting American biography in the National Portrait Gallery.
Beyond his individual canvases, Herring was a vital promoter of the arts during a period when American artistic identity was still being forged. He possessed a visionary drive to elevate the status of local talent, famously persuading the American Academy of Fine Arts to support significant publications. His influence extended through generations, as seen in the career of his son, Frederick William Herring, who studied under his father and continued the family tradition of portraiture. Through his dual roles as a practitioner and an advocate, Herring helped lay the groundwork for a more robust and self-assured American art movement.
Historical Significance
Today, the historical importance of James Herring lies in his role as a bridge between the colonial traditions of Europe and the emerging aesthetic of a young United States. His work serves as a visual archive of nineteenth-century life, capturing both the dignified portraits of notable citizens and the humble beauty of the natural world. The enduring legacy of his art can be seen in the collections of prestigious institutions such as:
- The Morris Museum of Art
- The Mattatuck Museum
- Oolite Arts, 924 & 928 Gallery
As an artist who moved seamlessly between the technical rigors of engraving and the soulful expression of painting, Herring remains a fascinating figure for scholars and lovers of art alike. His life, spanning from the streets of London to the heart of New York, encapsulates the transformative energy of his era, leaving behind a body of work that continues to resonate with its quiet, enduring truth.

