Portrait of Howard Somerville

The 31 Most Famous Howard Somerville Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 31 works by Howard Somerville in our catalogue

In short

Of all the originals Howard Somerville left, the most famous is Alderman Charles Hardman, Mayor of Oldham (1919–1920). Close behind it come Joyce and a Mantilla Shawl (1912) and The Artist and Model (1912). Our catalog holds 31 works by Howard Somerville; the gallery has kept the 31 the world admires most, each shown with its date, its museum and its story.

1873 – 1952, Dundee Most works: Canadian War Museum

Howard Somerville's top 10 paintings: the gallery's choice

1
Alderman Charles Hardman, Mayor of Oldham (1919–1920) by Howard Somerville

Alderman Charles Hardman, Mayor of Oldham (1919–1920)

Oil On Canvas

The portrait presents an elderly gentleman in formal regalia, captured in a moment of quiet dignity. Positioned slightly off-center against a dark, receding background, the subject commands the space through a combination of heavy textures and deliberate posture. The lighting is stark, casting deep shadows that define the contours of his face and the intricate folds of his attire. This chiaroscuro effect emphasizes the physical presence of the sitter, pulling…

2
Joyce and a Mantilla Shawl (1912) by Howard Somerville

Joyce and a Mantilla Shawl

1912 · Oil On Canvas · Walker Art Gallery, Liverpool

In this 1912 oil on canvas, we encounter a woman presented with a profound sense of poise. She is positioned slightly off-center, a choice that lends the composition a natural, unforced balance. The subject is framed against a dark, muted grey background, a decision that directs all attention toward the luminosity of her skin and the intricate textures of her attire. There is a stillness here, a moment of introspection…

3
The Artist and Model (1912) by Howard Somerville

The Artist and Model

1912 · Oil On Canvas · The Mercer Art Gallery, Harrogate

is an oil on canvas work by Howard Somerville. Created about 1912, the painting captures a formal portrait of the artist within his studio setting. The composition centers on the figure of the artist, with a female model positioned on an easel in the background.

4
Lieutenant Thomas Dinesen, VC (1918) by Howard Somerville

Lieutenant Thomas Dinesen, VC

1918 · Oil On Canvas · Canadian War Museum, Ottawa

In this 1918 oil on canvas, we find ourselves in the presence of Lieutenant Thomas Dinesen, VC. The portrait is a three-quarter length study, presenting the young man in a seated position that feels both composed and heavy with the weight of his service. He is dressed in a military tunic of olive drab, the fabric rendered with a tactile quality that suggests the coarse weave of the material. A…

5
Lieutenant G. T. Lyall, Victoria Cross (1919) by Howard Somerville

Lieutenant G. T. Lyall, Victoria Cross

1919 · Oil On Canvas · Canadian War Museum, Ottawa

In this formal oil portrait, Lieutenant G. T. Lyall, Victoria Cross, meets the observer's gaze with a quiet, steady authority. Painted by Howard Somerville about 1919, the work captures the officer in a three-quarter length pose that feels both intimate and profoundly dignified. He sits slightly off-center, his presence commanding the space through a sense of solemnity and prestige. There is a weight to his posture, a stillness that suggests…

6
Nigel, a Zulu (1930) by Howard Somerville

Nigel, a Zulu

1930 · Oil On Canvas · Grundy Art Gallery, Blackpool

A full-length bust portrait captures a man of Zulu identity, presented with a quiet, commanding presence. He is positioned centrally against a deep green, textured background that suggests draped fabric. The lighting is focused and dramatic, carving out the contours of his face and shoulders while allowing the periphery to recede into soft shadow. A patterned cloth, featuring black and white geometric designs, is draped across his chest, providing a…

The Howard Somerville selection continues, 11 to 31

The subjects that held Howard Somerville's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Howard Somerville's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Howard Somerville Paintings from this list
Canadian War Museum, OttawaCanadian War Museum Ottawa 2 Lieutenant Thomas Dinesen, VC, Lieutenant G. T. Lyall, Victoria Cross
Grundy Art Gallery, BlackpoolGrundy Art Gallery Blackpool 2 Nigel, a Zulu, Laurita
Lancaster Town Hall, LancasterLancaster Town Hall Lancaster 2 James Williamson (1842–1930), Lord Ashton, DL, Lady Ashton (d.1944), CBE
Walker Art Gallery, LiverpoolWalker Art Gallery Liverpool 1 Joyce and a Mantilla Shawl
The Mercer Art Gallery, HarrogateThe Mercer Art Gallery Harrogate 1 The Artist and Model
Girton College, CambridgeGirton College Cambridge 1 Dame Bertha Surtees Phillpotts
Worcester Guildhall, WorcesterWorcester Guildhall Worcester 1 Diana Ogilvy (d.1955), MBE
Sunderland Museum - Winter Gardens, SunderlandSunderland Museum - Winter Gardens Sunderland 1 Ralph Milbanke Hudson (1849–1938)

Howard Somerville decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Howard Somerville's paintings

Which work is Howard Somerville most famous for?Reveal the answer

Alderman Charles Hardman, Mayor of Oldham (1919–1920). Joyce and a Mantilla Shawl (1912) and The Artist and Model (1912) come next.

What are the ten most famous Howard Somerville paintings?Reveal the answer

Alderman Charles Hardman, Mayor of Oldham (1919–1920), Joyce and a Mantilla Shawl, The Artist and Model, Lieutenant Thomas Dinesen, VC, Lieutenant G. T. Lyall, Victoria Cross, Nigel, a Zulu, James Williamson (1842–1930), Lord Ashton, DL, Elissa Landi (1904–1948), Sir James Hill (1849–1936) and Eileen. The ranking above gives each one's year and museum.

How many paintings did Howard Somerville leave?Reveal the answer

Our catalog holds 31 works by Howard Somerville, dated from 1900 to 1930.

In which museums do Howard Somerville's masterpieces hang?Reveal the answer

Mostly in Canadian War Museum (Ottawa), Grundy Art Gallery (Blackpool) and Lancaster Town Hall (Lancaster). The museum table above lists them all.

In which years did Howard Somerville paint the most famous works?Reveal the answer

In 1910s: 5 of the 31 works on this page were made then, Joyce and a Mantilla Shawl among them.

What are the first and the last famous originals of Howard Somerville?Reveal the answer

On this page, the earliest is James Williamson (1842–1930), Lord Ashton, DL (1900) and the latest Nigel, a Zulu (1930).

Which subjects did Howard Somerville choose most often?Reveal the answer

Man (4), Medals (2) and Dramatic lighting (2), across the 31 works on this page.

Which technique did Howard Somerville use most?Reveal the answer

Oil On Canvas, for 6 of the 31 works on this page.

Which Howard Somerville works hang at the Canadian War Museum?Reveal the answer

Lieutenant Thomas Dinesen, VC and Lieutenant G. T. Lyall, Victoria Cross: the Canadian War Museum, Ottawa holds 2 of the works on this page.

Howard Somerville: life and work

A Life Etched in Light: The World of Howard Somerville

Howard Somerville, born in 1873 and passing in 1952, remains a compelling figure within the landscape of early 20th-century British art. Though perhaps not a household name today, his delicate portraits, evocative landscapes, and masterful etchings offer a poignant glimpse into a world transitioning between Victorian sensibilities and the burgeoning modern era. Somerville’s artistic journey was deeply rooted in his Scottish heritage, specifically the city of Dundee, where he spent much of his life and developed a distinctive style that blended meticulous realism with an atmospheric sensitivity. He often worked under the pseudonym Adamson, adding a layer of intrigue to his already nuanced body of work. While biographical details remain somewhat sparse, the art itself speaks volumes about a man attuned to the subtleties of light, character, and place.

From Dundee Roots: Early Training and Influences

Somerville’s artistic education began within the vibrant cultural milieu of Dundee. The city, a major center for jute production and shipbuilding, possessed a unique energy – a blend of industrial grit and artistic aspiration. He received formal training at the Dundee School of Art, an institution known for its emphasis on practical skills and traditional techniques. This foundation in drawing and painting proved crucial to his later development. Early influences likely included the Scottish Colourists, though Somerville’s palette tended towards more muted tones than their bold vibrancy. The Pre-Raphaelites also cast a long shadow over British art during this period, and traces of their meticulous detail and romantic subject matter can be detected in Somerville's early portraits. However, he wasn’t merely an imitator; he began to forge his own path, focusing on capturing the essence of his subjects rather than adhering strictly to academic conventions. His work demonstrates a keen observation of human form and a growing fascination with the interplay of light and shadow – qualities that would become hallmarks of his mature style.

Portraits and Landscapes: A Dual Pursuit

Somerville’s artistic output was remarkably diverse, encompassing both portraiture and landscape painting. His portraits are characterized by their psychological depth and sensitivity to character. He wasn't interested in grand displays of wealth or status; instead, he sought to capture the inner lives of his sitters – their hopes, anxieties, and quiet dignity. These weren’t idealized representations but rather intimate studies of individual personalities. Simultaneously, Somerville developed a profound connection with the Scottish landscape. His landscapes are not dramatic vistas but rather subtle evocations of mood and atmosphere. He frequently depicted scenes around Dundee and Angus, capturing the rolling hills, winding rivers, and weathered coastline with remarkable precision. The use of soft lighting and delicate brushwork creates a sense of tranquility and nostalgia, inviting viewers to immerse themselves in the beauty of the natural world.

The Art of Etching: A Masterful Technique

Beyond painting, Howard Somerville excelled as an etcher – a medium that allowed him to explore line, texture, and tonal values with exceptional finesse. He became particularly renowned for his etching work, producing numerous plates depicting scenes from Dundee and the surrounding countryside. The process of etching, involving the careful application of acid to a metal plate, demanded both technical skill and artistic vision. Somerville’s etchings are notable for their exquisite detail, atmospheric depth, and subtle use of light and shadow. They offer a unique perspective on his subjects, revealing a level of nuance that is often difficult to achieve in painting. His mastery of this technique solidified his reputation as one of the leading etchers of his time, and his prints were widely collected by art enthusiasts. The etchings are particularly valued for their ability to capture the spirit of place.

Legacy and Historical Significance

While Howard Somerville’s work may not be as widely recognized as that of some of his contemporaries, his contribution to early 20th-century British art is significant. He represents a bridge between the Victorian tradition and the emerging modern aesthetic – blending meticulous realism with an atmospheric sensitivity that anticipates later developments in landscape painting. His portraits offer valuable insights into the social and cultural life of Scotland during this period, while his landscapes capture the beauty and tranquility of the natural world. Somerville’s etchings remain particularly admired for their technical brilliance and artistic depth. He stands as a testament to the enduring power of observation, skill, and a deep connection to one's surroundings. His work continues to resonate with viewers today, offering a poignant glimpse into a bygone era and reminding us of the beauty that can be found in the everyday moments of life.
  • Somerville’s pseudonym, Adamson, adds an element of mystery to his artistic career.
  • His etchings are considered some of the finest examples of the medium from the early 20th century.
  • He successfully balanced portraiture and landscape painting throughout his life.