In short
To the gallery's eye, Frank Mcclure's most famous painting is Ladyslippers. Untitled (Woman Wearing Plumes) (1969) and Two Figures complete the trio every eye recognises. Of the 104 works by Frank Mcclure in our catalog, the gallery presents the 100 most famous below, each original with its year, its museum and what makes it unique.
The gallery's top 10 Frank Mcclure paintings
Untitled (Woman Wearing Plumes)
A woman sits in the quietude of a black and white world. Her hair, long and intricately braided, falls with a heavy grace, merging into the soft texture of plumes that crown her head. She does not look at the viewer. Instead, her gaze is fixed on a distant, unseen horizon, her expression caught in a moment of deep contemplation. The paper holds the weight of her thought, its grain…
Two Figures
Frank McClure’s “Two Figures” is a striking woodcut print that captivates with its stark beauty and profound emotional resonance. Created by the American artist (1896-1979), this piece exemplifies Expressionist sensibilities through its simplified forms, bold lines, and focus on conveying raw emotion rather than photographic realism. The monochromatic palette of deep browns amplifies the sense of quiet drama, drawing the viewer into an intimate moment between two individuals.
Frank Mcclure paintings, ranked 11 to 100
Frank Mcclure's famous paintings, period by period
Mature Period
9 works in this listEarly Modern
3 works in this listLate Medieval
5 works in this listThe subjects that held Frank Mcclure's eye
The four subjects that come back most often in these originals, each with its finest example.
Geometric 3 works
Figures 2 works
Monochromatic 2 works
Woodcut 2 works
Frank Mcclure, the signature paintings of each year
6 years, 1964 to 1969, hold Frank Mcclure's whole dated career on this page: a short one, seen here year by year through its most famous originals.
Works per year
Pick a year to see its originals.
Untitled (Woman Wearing Plumes)
A woman sits in the quietude of a black and white world. Her hair, long and intricately braided, falls with a heavy grace, merging into the soft texture of plumes that crown her head. She does not look at the viewer. Instead, her gaze is fixed on a distant, unseen horizon, her expression caught in a moment of deep contemplation. The paper holds the weight of her thought, its grain…
More from 1969
Frank Mcclure's paintings: the gallery answers
Which Frank Mcclure painting is the most famous of all?Reveal the answer
Ladyslippers. Untitled (Woman Wearing Plumes) (1969) and Two Figures come next.
Which are Frank Mcclure's top 10 paintings?Reveal the answer
Ladyslippers, Untitled (Woman Wearing Plumes), Two Figures, Corn Stacks, The White Scarf, Flowers in a Window, Sun Flowers, Snow on the Window, Bayberry and Sailboat and Moon. The ranking above gives each one's year and museum.
How many works did Frank Mcclure create?Reveal the answer
Our catalog holds 104 works by Frank Mcclure, dated from 1964 to 1969.
When did Frank Mcclure create the most famous paintings?Reveal the answer
In 1969: 2 of the 100 works on this page were made then, Untitled (Woman Wearing Plumes) among them.
Which are Frank Mcclure's earliest and latest famous works?Reveal the answer
On this page, the earliest is Flowers in a Window (1964) and the latest Untitled (Woman Wearing Plumes) (1969).
Which subjects did Frank Mcclure return to most?Reveal the answer
Geometric (3), Figures (2) and Monochromatic (2), across the 100 works on this page.
Which movement is Frank Mcclure associated with?Reveal the answer
American naturalism and Contemporary realism, judging by the originals on this page.
Frank Mcclure: the artist
The Soul of the American Landscape: The Life and Vision of Frank McClure
Frank McClure (1896-1979) remains a singular, evocative figure in the tapestry of American art, a creator whose work bridged the visceral realities of American Naturalism with the burgeoning emotional depths of Abstract Expressionism. Born in Lafayette, Indiana, McClure’s early years were steeped in the dualities of the American heartland—a landscape where the serene beauty of nature often collided with the grit and upheaval of a rapidly industrializing nation. This profound sensitivity to the tension between the pastoral and the industrial became the heartbeat of his creative journey, allowing him to capture not just the surface of the world, but its underlying psychological tremors.
His artistic development was never a linear path but rather an evolving dialogue with medium and emotion. While he achieved significant renown through his literary endeavors—notably his masterful studies of human psychology in prose—his true visual legacy lies in his ability to translate complex social and internal landscapes into tangible forms. McClure’s work emerged from the intellectual ferment of the early 20th century, absorbing the shadows of Surrealism and the psychological weight of Jungian theory, yet he always maintained a grounded, tactile connection to the physical world.
Mastery of the Woodcut and the Language of Form
Perhaps nowhere is McClure’s genius more evident than in his groundbreaking exploration of woodcut printmaking. In this demanding, subtractive medium, he found a way to mirror the ruggedness of the human condition. Unlike the fluid spontaneity of a brushstroke, the woodcut requires a deliberate, forceful carving that echoes the very themes of struggle and resilience present in his subject matter. He developed a distinctive style characterized by:
- Bold Geometric Forms: Utilizing simplified shapes to strip away unnecessary ornamentation and focus on the structural essence of his subjects.
- Emotional Linearity: Employing thick, decisive lines that convey raw emotion and a sense of quiet drama, particularly evident in works like "Two Figures."
- Monochromatic Depth: Using limited palettes to amplify the starkness of his compositions, creating an atmosphere of intimacy or profound isolation.
This mastery extended into his paintings and watercolors, where he could pivot from the heavy, graphic strength of printmaking to the ethereal, atmospheric qualities seen in works such as "Lavender Piano" or the tranquil, snowy vistas of "Full Moon." In doing so, he proved himself a versatile chronicler of both the monumental and the minute.
A Legacy of Emotional Resonance and Social Truth
The historical significance of Frank McClure lies in his refusal to retreat into mere sentimentality. Whether he was exploring the corrosive effects of societal pressure through his literary lens or capturing the haunting beauty of a riverside town in "Curved Street," his work always sought a deeper truth. He stood at a pivotal crossroads in art history, acting as a bridge between the gritty realism of the Naturalist movement and the abstract, emotive explorations of the post-war New York School.
Though he may not always occupy the same immediate spotlight as the canonical giants of Abstract Expressionism like Pollock or Rothko, McClure’s contribution is indispensable. He provided a vital link, demonstrating how the heavy, physical labor of printmaking and the observational rigor of Naturalism could feed into the profound, non-representational emotional landscapes of the modern era. His life's work remains a testament to the power of art to confront the harshness of reality while simultaneously seeking the sublime beauty hidden within it.