Portrait of Cornelis Schut

The 35 Most Famous Cornelis Schut Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 36 works by Cornelis Schut in our catalogue

In short

Of all the originals Cornelis Schut left, the most famous is The Virgin and Child with Saints (1600), in the collection of the Museo de Arte de Ponce, Ponce. Close behind it come Conversion of St. William of Maleval by St. Bernard of Clairvaux (1642) and Bacchus, Ceres and Venus (1633). Our catalog holds 36 works by Cornelis Schut; the gallery has kept the 35 the world admires most, each shown with its date, its museum and its story.

1597 – 1655, Antwerp Baroque Most works: Royal Museum of Fine Arts Antwerp

Cornelis Schut's top 10 paintings: the gallery's choice

1
The Virgin and Child with Saints (1600) by Cornelis Schut

The Virgin and Child with Saints

1600 · Oil On Canvas · Museo de Arte de Ponce, Ponce

In this oil on canvas work from the first half of the 17th century, the Virgin Mary holds the infant Jesus in a central embrace. The figures are surrounded by a gathering of angels and saints, some positioned at the periphery and others situated above the primary pair. The arrangement of these figures creates a sense of depth within the religious scene. Scattered throughout the composition are various fruits, including…

2
Conversion of St. William of Maleval by St. Bernard of Clairvaux (1642) by Cornelis Schut

Conversion of St. William of Maleval by St. Bernard of Clairvaux

1642 · Oil · Kunsthistorisches Museum, Vienna

The air in the composition feels heavy, thick with the sudden weight of a spiritual encounter. At the center, a pyramidal arrangement of figures anchors the chaos, pulling the eye from the fallen form at the bottom toward the celestial light above. St. William of Maleval lies cast down, his body a study in sudden, jarring movement. Above him, St. Bernard of Clairvaux stands as a pillar of steady, divine…

4
Triumph of Time (1625) by Cornelis Schut

Triumph of Time

1625 · Oil On Canvas · Kunsthistorisches Museum, Vienna

The oil painting titled Triumph of Time presents a large-scale, swirling arrangement of figures set against a turbulent sky. The composition is built upon a series of curvilinear lines that follow the limbs and heavy, folded drapery of various anatomical forms. In the center of this movement, a heroic figure holds a large astronomical clock or astrolabe, anchoring the chaotic arrangement. Surrounding this central action are several putti and larger…

5
Abduction Of Europa (1620) by Cornelis Schut

Abduction Of Europa

1620 · Oil

The composition is defined by a powerful diagonal movement, sweeping from the lower left toward the upper right. This trajectory drives the viewer's eye along the white bull as it surges through turbulent waters, carrying Europa upon its back. Her body is twisted in a startled, graceful pose, one arm reaching toward the sky while her long hair trails behind her in the wind. A large, billowing red cloth drapes…

7
Beheading of Saint James (1626) by Cornelis Schut

Beheading of Saint James

1626 · Oil On Canvas · Bavarian State Painting Collections, Munich

The air hangs heavy with the tension of a life reaching its final, violent moment. In this dramatic scene, titled Beheading of Saint James, the artist Cornelis Schut captures the precise instant of the saint's execution. The subject matter centers entirely on this harrowing martyrdom, pulling the viewer into the immediate presence of the executioner's blade and the heavy atmosphere of religious sacrifice. It is a moment frozen in time,…

8
The Glorification of the Holy Family by Female Saints and Angels (1635) by Cornelis Schut

The Glorification of the Holy Family by Female Saints and Angels

1635 · Oil On Canvas · Museum Gouda, Gouda

In The Glorification of the Holy Family by Female Saints and Angels, Cornelis Schut organizes a celestial hierarchy through a dynamic, pyramidal composition. The Virgin Mary and Christ Child occupy the central focal point, anchoring the upward movement of the surrounding figures. This arrangement directs the eye through a layered perspective, beginning with female saints in the foreground, ascending to the Holy Family in the midground, and finally reaching an…

9
Holy Family with Saint John the Baptist as a Child (1626) by Cornelis Schut

Holy Family with Saint John the Baptist as a Child

We are looking at Holy Family with Saint John the Baptist as a Child, a work by the Flemish painter Cornelis Schut. This particular piece dates to 1626, a period when the artist was establishing his presence within the artistic circles of the Low Countries. Schut, who was born in 1597, brought a specific sensibility to his religious subjects, focusing on the intimate connections between the figures depicted.

10
The Coronation of the Virgin (1633) by Cornelis Schut

The Coronation of the Virgin

1633 · Oil · Statens Museum For Kunst, Copenhagen

The Coronation of the Virgin is an oil painting by Cornelis Schut, executed in 1633. The artist, born in 1597 in Antwerp, Belgium, lived until 1655. This specific work depicts a celestial scene organized into two distinct registers. The upper portion of the composition features the Virgin Mary seated upon clouds, where she is being crowned by figures representing the Holy Trinity, including God the Father, Jesus Christ, and the…

The Cornelis Schut selection continues, 11 to 35

The subjects that held Cornelis Schut's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Cornelis Schut's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Cornelis Schut Paintings from this list
Royal Museum of Fine Arts Antwerp, AntwerpRoyal Museum of Fine Arts Antwerp Antwerp 4 The purification of the holy virgin, The beheading of Saint George, Portiuncula
Bavarian State Painting Collections, MunichBavarian State Painting Collections Munich 3 Annunciation to Mary, Beheading of Saint James, Holy Family with Saint John the Baptist as a Child
Kunsthistorisches Museum, ViennaKunsthistorisches Museum Vienna 2 Conversion of St. William of Maleval by St. Bernard of Clairvaux, Triumph of Time
Statens Museum For Kunst, CopenhagenStatens Museum For Kunst Copenhagen 2 Bacchus, Ceres and Venus, The Coronation of the Virgin
Rubens House, AntwerpRubens House Antwerp 2 Geometria, Astrology
Museo de Arte de Ponce, PonceMuseo de Arte de Ponce Ponce 1 The Virgin and Child with Saints
Museum Gouda, GoudaMuseum Gouda Gouda 1 The Glorification of the Holy Family by Female Saints and Angels
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 The Ascension of Christ

Cornelis Schut decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Cornelis Schut's paintings

Which work is Cornelis Schut most famous for?Reveal the answer

The Virgin and Child with Saints (1600), Museo de Arte de Ponce, Ponce. Conversion of St. William of Maleval by St. Bernard of Clairvaux (1642) and Bacchus, Ceres and Venus (1633) come next.

What are the ten most famous Cornelis Schut paintings?Reveal the answer

The Virgin and Child with Saints, Conversion of St. William of Maleval by St. Bernard of Clairvaux, Bacchus, Ceres and Venus, Triumph of Time, Abduction Of Europa, Annunciation to Mary, Beheading of Saint James, The Glorification of the Holy Family by Female Saints and Angels, Holy Family with Saint John the Baptist as a Child and The Coronation of the Virgin. The ranking above gives each one's year and museum.

How many paintings did Cornelis Schut leave?Reveal the answer

Our catalog holds 36 works by Cornelis Schut, dated from 1620 to 1653.

In which museums do Cornelis Schut's masterpieces hang?Reveal the answer

Mostly in Royal Museum of Fine Arts Antwerp (Antwerp), Bavarian State Painting Collections (Munich) and Kunsthistorisches Museum (Vienna). The museum table above lists them all.

In which years did Cornelis Schut paint the most famous works?Reveal the answer

In 1650s: 8 of the 35 works on this page were made then, The purification of the holy virgin among them.

What are the first and the last famous originals of Cornelis Schut?Reveal the answer

On this page, the earliest is Abduction Of Europa (1620) and the latest The beheading of Saint George (1653).

Which subjects did Cornelis Schut choose most often?Reveal the answer

Woman (15), Clouds (10) and Drapery (7), across the 35 works on this page.

Which technique did Cornelis Schut use most?Reveal the answer

Oil, for 14 of the 35 works on this page.

To which art movement does Cornelis Schut belong?Reveal the answer

Baroque, judging by the originals on this page.

Which Cornelis Schut works hang at the Royal Museum of Fine Arts Antwerp?Reveal the answer

The purification of the holy virgin, The beheading of Saint George and Portiuncula: the Royal Museum of Fine Arts Antwerp, Antwerp holds 4 of the works on this page.

Cornelis Schut: life and work

A Master of Baroque Drama: The Life and Art of Cornelis Schut

Cornelis Schut, born in Antwerp in 1597, emerged as a pivotal figure within the vibrant Flemish Baroque tradition. Though often overshadowed by his celebrated contemporary, Peter Paul Rubens, Schut carved out a distinguished career marked by dynamic compositions, masterful use of color, and a profound engagement with both religious and mythological themes. His journey, spanning from the bustling artistic hub of Antwerp to the cultural heart of Italy and back again, reflects the broader currents of 17th-century European art—a period defined by dramatic intensity, spiritual fervor, and an evolving aesthetic landscape. While concrete details regarding his early training remain elusive, historical accounts suggest a formative apprenticeship under Rubens himself, an influence readily apparent in Schut’s energetic brushwork and penchant for monumental scale. However, the seeds of his individual style were also nurtured by exposure to the work of Abraham Janssens, another prominent Antwerp painter, hinting at a complex artistic lineage that shaped his unique vision.

From Antwerp to Rome: A Period of Artistic Growth

Schut’s ambition and thirst for artistic exploration led him to Italy shortly after becoming a master within the Antwerp Guild of St Luke in 1618. This sojourn proved transformative, immersing him in the rich classical heritage and burgeoning Baroque style that characterized Roman art during this period. He quickly integrated himself into the vibrant community of Northern European artists working abroad, becoming a founding member of the *Bentvueghels*, a society known for its playful nicknames and spirited artistic camaraderie. Schut adopted the moniker “Broodzak” – meaning ‘bread bag’ – a testament to the often-eccentric personalities within this group. His time in Italy wasn't solely defined by social engagements; it was also marked by significant commissions, including frescoes at the Villa "Casino Pescatore" in Frascati, undertaken in collaboration with fellow Dutch painter Tyman Arentsz. Cracht. This project, secured through the patronage of the wealthy Flemish banker Pietro Pescatore, served as a crucial stepping stone, establishing Schut’s reputation and opening doors to further opportunities. He also garnered recognition from Vincenzo Giustiniani, an aristocratic Roman art collector who commissioned two large-scale religious compositions that now reside in the Abbey of Sainte-Trinité in Caen. These commissions demonstrate not only his growing artistic prowess but also the esteem he commanded within Rome's discerning artistic circles. Even the young Nicolas Poussin acknowledged Schut’s influence, incorporating motifs from his works into his own early paintings.

A Brush with Controversy and Return to Antwerp

Schut’s Roman idyll was briefly disrupted by a dark episode in 1627: an imprisonment following the death of a fellow artist named Giusto. Though details remain murky, Schut was accused of homicide, but swiftly released thanks to the intervention of the Accademia di San Luca, highlighting his standing within the artistic community. Following this incident and a period spent in Florence designing tapestries for the Arazzeria Medicea – the renowned Medici tapestry workshop – Schut returned to Antwerp around 1631. He quickly re-established himself as a leading figure in the city’s artistic life, marrying Catharina Gheenssins from a well-to-do family and securing numerous commissions for altarpieces and other religious works. The loss of his first wife and two children was a sorrowful period, but he found companionship again with Anastasia Scelliers, with whom he had further children.

Antwerp’s Leading History Painter: Style and Legacy

Upon his return to Antwerp, Schut fully embraced the High-Baroque style that dominated Flemish painting at the time. He excelled in creating monumental compositions characterized by dramatic lighting, dynamic movement, and a palpable sense of emotional intensity. His ability to execute large-scale ceiling decorations with illusionistic effects was particularly admired, exemplified by his *Assumption of Mary* within Antwerp Cathedral – a testament to his mastery of perspective and spatial illusion. Schut’s involvement in the elaborate decorative schemes for the Royal Entry of Cardinal-Infante Ferdinand in both Antwerp and Ghent further solidified his position as one of the city's most sought-after artists. He collaborated with other prominent painters, including Gaspard de Crayer and Theodoor Rombouts, on these grand public spectacles. Beyond these large-scale projects, Schut also demonstrated a keen eye for detail and narrative clarity in his smaller works, often depicting scenes from the lives of saints or mythological narratives. His influence extended beyond painting, as he was commissioned to create over 100 etchings documenting the Ghent Royal Entry, showcasing his versatility as an artist and printmaker. Cornelis Schut died in Antwerp in 1655, leaving behind a legacy of powerful Baroque paintings that continue to captivate viewers with their dramatic energy and technical brilliance. He remains a significant figure in the history of Flemish art, representing the culmination of the Baroque style within his native region.