In short
Of all the originals August von der Embde left, the most famous is Portrait of Wilhelmine Caroline von Hessen-Kassel (1818), in the collection of the New Gallery, Kassel. Close behind it come Portrait of Countess Louise Bose as a Child (1820) and Self-portrait (1819). Our catalog holds 7 works by August von der Embde; the gallery has kept the 7 the world admires most, each shown with its date, its museum and its story.
August von der Embde's top 10 paintings: the gallery's choice
The museums that keep August von der Embde's originals
The museum that holds the most of the paintings on this page.
| Museum | City | Works by August von der Embde | Paintings from this list |
|---|---|---|---|
| Kassel | 6 | Portrait of Wilhelmine Caroline von Hessen-Kassel, Portrait of Countess Louise Bose as a Child, Self-portrait |
August von der Embde decade by decade: the original that defines each
Works per decade
Pick a decade to see the original that defines it.
Collectors' questions about August von der Embde's paintings
Which work is August von der Embde most famous for?Reveal the answer
Portrait of Wilhelmine Caroline von Hessen-Kassel (1818), New Gallery, Kassel. Portrait of Countess Louise Bose as a Child (1820) and Self-portrait (1819) come next.
What age was August von der Embde when Portrait of Wilhelmine Caroline von Hessen-Kassel was made?Reveal the answer
38 years old: Portrait of Wilhelmine Caroline von Hessen-Kassel dates from 1818, and August von der Embde was born in 1780.
How many paintings did August von der Embde leave?Reveal the answer
Our catalog holds 7 works by August von der Embde, dated from 1818 to 1839.
In which museums do August von der Embde's masterpieces hang?Reveal the answer
Mostly in New Gallery (Kassel). The museum table above lists them all.
In which years did August von der Embde paint the most famous works?Reveal the answer
In 1830s: 4 of the 7 works on this page were made then, Portrait of Heinrich Ferdinand Graf zu Isenburg-Philippseich among them.
What are the first and the last famous originals of August von der Embde?Reveal the answer
On this page, the earliest is Portrait of Wilhelmine Caroline von Hessen-Kassel (1818) and the latest Portr. of three brothers playing with flowers (1839).
Which August von der Embde works hang at the New Gallery?Reveal the answer
Portrait of Wilhelmine Caroline von Hessen-Kassel, Portrait of Countess Louise Bose as a Child and Self-portrait: the New Gallery, Kassel holds 6 of the works on this page.
August von der Embde: life and work
The Journey of a Master: The Life of August von der Embde
In the heart of the German landscape, during an era defined by the transition from classical traditions to the burgeoning romantic spirit, the life of August von der Embde unfolded with the quiet determination of a true craftsman. Born on December 2, 1780, in Kassel, his early years were rooted in the tactile reality of manual labor; as the son of a master carpenter, he initially learned the precision of the woodworking trade. Yet, the call of the brush proved more resonant than the chisel. This foundational discipline of craftsmanship would later manifest in the meticulous detail and structural integrity of his painted works, bridging the gap between the physical world of form and the ethereal realm of fine art.
His formal artistic odyssey began at the Kassel Academy, where from 1799 to 1804, he honed the technical foundations that would support a lifetime of exploration. This period was not merely one of academic study but of profound observation. As he traveled through the vibrant cultural hubs of Germany—visiting Dresden, Düsseldorf, and Munich—he did more than just witness the art of his era; he engaged in a deep, transformative dialogue with the masters of the past. His travels were punctuated by periods of intense study, where he sought to capture the essence of greatness through the act of copying, a practice that allowed him to internalize the brushwork and light of the Old Masters.
A Legacy of Mimicry and Mastery
One of the most remarkable chapters in Embde’s career was his ability to inhabit the styles of those who came before him. He possessed a rare, almost scholarly devotion to the lineage of European painting. In 1803, he achieved a significant milestone by becoming one of the first artists to independently reproduce the Angel from Raphael's legendary Sixtine Madonna. This feat was not merely an exercise in imitation but a profound way of reclaiming and reinterpreting classical beauty for his own generation. Through such works, he bridged the gap between the Renaissance ideal and the nineteenth-century aesthetic.
As his horizons expanded, so did his influences. His time in Vienna brought him into the orbit of the Füger school, particularly under the influence of the historical and portrait painter Josef Abel. This exposure to the refined, academic style of Vienna added a layer of sophistication to his repertoire, blending the rigorous structure of German training with the graceful, narrative elegance found in Austrian portraiture. His development was a continuous loop of learning, traveling, and absorbing the diverse artistic languages of the various German-speaking residencies he inhabited.
The Enduring Impression
Though history often remembers the innovators who broke entirely from tradition, the significance of an artist like August von der Embde lies in his role as a custodian of excellence. He served as a vital link in the chain of artistic continuity, ensuring that the techniques and spiritual weight of the masters were preserved through his careful hands. His life, which concluded in Kassel on August 10, 1862, represents a period of profound cultural synthesis.
To look upon the works associated with his name is to witness a lifetime of devotion to the craft. His legacy remains etched in the meticulous way he approached every canvas, treating each subject with the reverence of a historian and the precision of a master builder. Through his eyes, we see the echoes of Raphael and the structured elegance of the Viennese academy, all unified by the singular, dedicated spirit of a man who found his true calling far beyond the carpenter's workshop.



