Portrait of August Pezold

August Pezold Paintings: The 6 Most Famous, Through a Gallery's Eye

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 6 works by August Pezold in our catalogue

In short

To the gallery's eye, August Pezold's most famous painting is Ludwig van Beethoven (1818), whose original hangs in the Beethoven-Haus Bonn, Bonn. Portrait of a Lady before Landscape (1824) and Self-Portrait (1855) complete the trio every eye recognises. Of the 6 works by August Pezold in our catalog, the gallery presents the 6 most famous below, each original with its year, its museum and what makes it unique.

1794 – 1859, Rakvere Most works: Berlinische Galerie

The gallery's top 10 August Pezold paintings

1
Ludwig van Beethoven (1818) by August Pezold

Ludwig van Beethoven

1818 · Drawing · Beethoven-Haus Bonn, Bonn

This black and white drawing, created in 1818, presents a striking portrait of the composer Ludwig van Beethoven. The work captures his distinctive facial features, including his bushy hair, mustache, and beard, as he gazes directly at the viewer with an intense expression. The composition utilizes chiaroscuro, employing dramatic contrasts between light and shadow to sculpt his form and create a palpable sense of presence. In the background, two additional…

2
Portrait of a Lady before Landscape (1824) by August Pezold

Portrait of a Lady before Landscape

1824 · Oil On Canvas · Berlinische Galerie, Berlin

A young woman sits in a bust-length composition, her gaze fixed directly upon the viewer with a steady, calm composure. She is framed by dark, thick ringlets that fall from a center part, cascading around a face illuminated by soft, even light. Her dark, low-cut dress features subtle textures along the bodice and sleeves, while her hands rest quietly in her lap. Behind her, the landscape opens into a vista…

3
Self-Portrait (1855) by August Pezold

Self-Portrait

1855 · Pastel

In this 1855 self-portrait, we encounter a man caught in a moment of quiet, intellectual gravity. The subject, depicted from the chest up, gazes directly at us with piercing blue eyes that seem to hold a lifetime of thought. His expression is one of serious introspection, a stillness that suggests a mind constantly at work. The lighting, descending softly from the upper left, carves out the contours of his face,…

4
Arm Study (1840) by August Pezold

Arm Study

1840 · Watercolor · Berlinische Galerie, Berlin

In "Arm Study" by August Pezold, the focus narrows to the quiet architecture of the human form. Created about 1840, this detailed anatomical study captures the forearm and hand in a tight, vertical arrangement. The limb rests horizontally at the base of the frame, a heavy presence of bone and muscle. It is a singular moment of observation, stripped of any surrounding narrative or distraction.

5
Sketch for a Triumph Procession (1860) by August Pezold

Sketch for a Triumph Procession

1860 · Oil · Berlinische Galerie, Berlin

The scene unfolds within Sketch for a Triumph Procession, a work that captures a fleeting moment of movement and energy. August Pezold, the hand behind this expressive study, breathes life into the composition through a rapid and gestural approach. This piece emerges from around 1860, a period that finds the artist's hand working with a sense of immediacy and purpose. The sketch exists as a window into a world of…

6
Ludwig van Beethoven (1818) by August Pezold

Ludwig van Beethoven

1818 · Acrylic On Canvas · Beethoven-Haus Bonn, Bonn

Carl Friedrich August von Klöber's 1818 portrait of Ludwig van Beethoven stands as a testament to the Romantic fascination with intellect and artistic vision. Executed during Beethoven’s formative years, this drawing captures not merely his physical likeness but also an intangible aura of profound contemplation—a characteristic that resonated deeply within the artistic circles of Berlin and beyond.

The subjects that held August Pezold's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep August Pezold's originals

The 2 museums that hold the most of the paintings on this page.

Museum City Works by August Pezold Paintings from this list
Berlinische Galerie, BerlinBerlinische Galerie Berlin 3 Portrait of a Lady before Landscape, Arm Study, Sketch for a Triumph Procession
Beethoven-Haus Bonn, BonnBeethoven-Haus Bonn Bonn 2 Ludwig van Beethoven, Ludwig van Beethoven

August Pezold, one signature painting per decade

Works per decade

Pick a decade to see the original that defines it.

August Pezold's paintings: the gallery answers

Which August Pezold painting is the most famous of all?Reveal the answer

Ludwig van Beethoven (1818), Beethoven-Haus Bonn, Bonn. Portrait of a Lady before Landscape (1824) and Self-Portrait (1855) come next.

How old was August Pezold on completing Ludwig van Beethoven?Reveal the answer

24 years old: Ludwig van Beethoven dates from 1818, and August Pezold was born in 1794.

How many works did August Pezold create?Reveal the answer

Our catalog holds 6 works by August Pezold, dated from 1818 to 1855.

Where do August Pezold's most famous originals hang?Reveal the answer

Mostly in Berlinische Galerie (Berlin) and Beethoven-Haus Bonn (Bonn). The museum table above lists them all.

When did August Pezold create the most famous paintings?Reveal the answer

In 1810s: 2 of the 6 works on this page were made then, Ludwig van Beethoven among them.

Which are August Pezold's earliest and latest famous works?Reveal the answer

On this page, the earliest is Ludwig van Beethoven (1818) and the latest Self-Portrait (1855).

Which subjects did August Pezold return to most?Reveal the answer

German art (2), Romantic era (2) and Sienna (2), across the 6 works on this page.

Which August Pezold originals does the Berlinische Galerie hold?Reveal the answer

Portrait of a Lady before Landscape, Arm Study and Sketch for a Triumph Procession: the Berlinische Galerie, Berlin holds 3 of the works on this page.

August Pezold: the artist

Carl Friedrich August von Klöber: A Portraitist Bridging Parisian Elegance and Prussian Tradition

Carl Friedrich August von Klöber, born in Breslau (modern-day Wrocław), Germany, in 1793, was a pivotal figure in 19th-century German art. His life’s journey—a tapestry woven with military service, artistic study across Europe, and ultimately, the creation of compelling portraits – reflects the dynamic social and cultural shifts of his era. Klöber's career unfolded against the backdrop of Napoleonic wars, burgeoning Romanticism, and the rise of urban centers as hubs for artistic innovation. He died in Berlin in 1864, leaving behind a legacy marked by both technical skill and an ability to capture the essence of his subjects, particularly through his celebrated portraiture.

Early Life and Artistic Foundations

Klöber’s early years were shaped by military service; he enlisted as a volunteer in the wars of liberation against Napoleon in 1813-14, participating in battles at Groß-Görschen, Bautzen, and even briefly stationed near Paris. This experience instilled discipline and broadened his perspective beyond the confines of Breslau. Following his military service, he pursued formal artistic training, initially at the Berlin Cadet School and later at the *Bauschule* (School of Design) in Breslau. Crucially, he then enrolled at the *Königlich Preussischen Akademie der Künste* (Royal Prussian Academy of Arts) in Berlin, where he honed his skills under the tutelage of established masters. His studies there were further enriched by a period of intensive study in Paris and Vienna – cities renowned for their artistic ferment during this time. These experiences exposed him to diverse movements, including Neoclassicism and nascent Romanticism, profoundly influencing his stylistic development.

Parisian Influence and Viennese Refinement

Klöber’s sojourn in Paris proved particularly formative. He immersed himself in the vibrant artistic scene, absorbing the techniques of established portraitists and engaging with the prevailing trends of the era. The influence of Parisian art is readily apparent in his later works – a refined elegance, an attention to detail, and a sophisticated understanding of light and shadow all contribute to this effect. Subsequently, he spent four years in Vienna, where he continued his artistic education and developed a distinct style characterized by a balance between German realism and the more expressive tendencies of Austrian painting. This period solidified his ability to capture not just physical likeness but also the character and personality of his subjects.

Notable Portraits and Artistic Style

Klöber’s most enduring contribution lies in his portraiture. He was particularly celebrated for his depictions of prominent figures, including Ludwig van Beethoven – a painting that is now considered a significant work in German art history. He also produced numerous portraits of members of the Grillparzer family, capturing their individual personalities with remarkable sensitivity. His artistic style can be described as characterized by meticulous observation, skillful rendering of fabrics and textures, and an ability to convey a sense of inner life within his subjects. He wasn’t merely replicating appearances; he was striving to reveal something deeper about the individuals he portrayed. His use of light and shadow created depth and drama, while his compositions were often balanced and harmonious.

Legacy and Continued Recognition

Carl Friedrich August von Klöber's legacy continues to be celebrated today. His works are showcased in various museums and galleries across Germany, testament to their enduring artistic value. The *Akademie der bildenden Künste Wien* (Academy of Fine Arts Vienna), where he once studied, actively promotes fine arts education and research, ensuring that his contributions are remembered and appreciated by future generations. Resources like OriginalUniqueArt.com provide valuable insights into his oeuvre, while the Kunstsammlungen der Akademie der bildenden Künste W Wien offer a comprehensive collection of artworks from various periods and styles, including those of other notable artists such as Wilhelm Trübner and Jörg the elder Breu. Furthermore, research conducted by sites like Artprice.com reveals valuable information about the market value and historical significance of his paintings, particularly his portraits. His work stands as a bridge between the formal training of the Prussian Academy and the artistic innovations emerging from Paris and Vienna – a testament to the interconnectedness of European art in the 19th century.