Portrait of Arthur Lismer

The 100 Most Famous Arthur Lismer Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 238 works by Arthur Lismer in our catalogue

In short

Lake Superior Country (1927) is the Arthur Lismer painting that draws the most eyes; the original belongs to the National Gallery of Canada, Ottawa. After it, the eye goes to The Campers (1915) and The Banks of the Don (1912). Among the 238 works of Arthur Lismer in our catalog, these 100 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1885 – 1969, Sheffield Impressionism Most works: National Gallery of Canada

Top 10 paintings by Arthur Lismer, through the gallery's eye

1
Lake Superior Country (1927) by Arthur Lismer

Lake Superior Country

1927 · Black and White Photography · National Gallery of Canada, Ottawa

This work captures a specific, documentary essence of early 20th-century life. It is a visual record of agricultural architecture and the physical effort required to tame a landscape. The handwritten text at the edges of the frame reminds the viewer that this is an archival fragment, a piece of history caught in a still, silent moment. There is a sense of stillness here, as if the workers have only just…

Arthur Lismer's famous paintings, numbers 11 to 100

11Fishing Village, New Brunswick (1929) by Arthur LismerFishing Village, New Brunswick1929 · National Gallery of Canada 12Mochudi, Bechuana Village (1936) by Arthur LismerMochudi, Bechuana Village1936 · National Gallery of Canada 13Sunset (1914) by Arthur LismerSunset1914 · National Gallery of Canada 14Landscape Rhythm by Arthur LismerLandscape Rhythm 15Olympic with Returned Soldiers (1919) by Arthur LismerOlympic with Returned Soldiers1919 · Canadian War Museum 16Spruce, Algoma (1922) by Arthur LismerSpruce, Algoma1922 · The Robert McLaughlin Gallery 17Hmcs Grilse On Convoy Duty by Arthur LismerHmcs Grilse On Convoy Duty 18Portrait Of Horatio Walker by Arthur LismerPortrait Of Horatio Walker 19Portrait Of Frederick Challener by Arthur LismerPortrait Of Frederick Challener 20Portrait Of Sir Wyly Grier by Arthur LismerPortrait Of Sir Wyly Grier 21The Picnic by Arthur LismerThe Picnic 22Study Of A Head With Hat by Arthur LismerStudy Of A Head With Hat 23Man Smoking A Pipe by Arthur LismerMan Smoking A Pipe 24Study Of Two Heads by Arthur LismerStudy Of Two Heads 25Sketch Of A Boy's Head by Arthur LismerSketch Of A Boy's Head 26Sirs To You by Arthur LismerSirs To You 27Harbour Defence by Arthur LismerHarbour Defence 28Home Again by Arthur LismerHome Again 29Departure Of A Troopship by Arthur LismerDeparture Of A Troopship 30Swamp by Arthur LismerSwamp 31Nova Scotia Fishing Village by Arthur LismerNova Scotia Fishing Village 32Laocoon by Arthur LismerLaocoon 33The Picnic (1915) by Arthur LismerThe Picnic1915 · National Gallery of Canada 34The "Skinny-Dip" (1915) by Arthur LismerThe "Skinny-Dip"1915 · National Gallery of Canada 35The Fishermen (1915) by Arthur LismerThe Fishermen1915 · National Gallery of Canada 36The Sea Gulls (1915) by Arthur LismerThe Sea Gulls1915 · National Gallery of Canada 37The Ducks (1915) by Arthur LismerThe Ducks1915 · National Gallery of Canada 38A Westerly Gale, Georgian Bay (1916) by Arthur LismerA Westerly Gale, Georgian Bay1916 · National Gallery of Canada 39Study for "Road through the Bush" (1914) by Arthur LismerStudy for "Road through the Bush"1914 · National Gallery of Canada 40Lake (1914) by Arthur LismerLake1914 · National Gallery of Canada 41Shore with Birches (1914) by Arthur LismerShore with Birches1914 · National Gallery of Canada 42Island with Pine (1914) by Arthur LismerIsland with Pine1914 · National Gallery of Canada 43Study for "The Guide's Home, Algonquin" (1914) by Arthur LismerStudy for "The Guide's Home, Algonquin"1914 · National Gallery of Canada 44Wood Interior, Algonquin Park (1914) by Arthur LismerWood Interior, Algonquin Park1914 · National Gallery of Canada 45Georgian Bay (1913) by Arthur LismerGeorgian Bay1913 · National Gallery of Canada 46Georgian Bay (1915) by Arthur LismerGeorgian Bay1915 · National Gallery of Canada 47Minesweepers, Halifax (1919) by Arthur LismerMinesweepers, Halifax1919 · Canadian War Museum 48Convoy in Bedford Basin (1919) by Arthur LismerConvoy in Bedford Basin1919 · Canadian War Museum 49The Little Pool, Algoma (1921) by Arthur LismerThe Little Pool, Algoma1921 · National Gallery of Canada 50Spruce, Sand Lake, Algoma (1922) by Arthur LismerSpruce, Sand Lake, Algoma1922 · National Gallery of Canada 51Shoreline, Georgian Bay (1920) by Arthur LismerShoreline, Georgian Bay1920 · National Gallery of Canada 52Olympic with Returned Soldiers (1919) by Arthur LismerOlympic with Returned Soldiers1919 · Canadian War Museum 53Island (1926) by Arthur LismerIsland1926 · National Gallery of Canada 54The Mill, Quebec (1925) by Arthur LismerThe Mill, Quebec1925 · National Gallery of Canada 55Quebec Uplands (1926) by Arthur LismerQuebec Uplands1926 · National Gallery of Canada 56Quebec Village (Saint-Hilarion) (1925) by Arthur LismerQuebec Village (Saint-Hilarion)1925 · National Gallery of Canada 57Habitant Farm (1926) by Arthur LismerHabitant Farm1926 · National Gallery of Canada 58October on the North Shore, Lake Superior (1927) by Arthur LismerOctober on the North Shore, Lake Superior1927 · National Gallery of Canada 59Pic Island, Lake Superior (1927) by Arthur LismerPic Island, Lake Superior1927 · National Gallery of Canada 60Lilies and Apples (1931) by Arthur LismerLilies and Apples1931 · National Gallery of Canada 61Ash and Pine, Georgian Bay (1933) by Arthur LismerAsh and Pine, Georgian Bay1933 · National Gallery of Canada 62Pine Wrack (1933) by Arthur LismerPine Wrack1933 · National Gallery of Canada 63Nova Scotia Fishing Village (1930) by Arthur LismerNova Scotia Fishing Village1930 · National Gallery of Canada 64Quiet Cove, McGregor Bay (1935) by Arthur LismerQuiet Cove, McGregor Bay1935 · National Gallery of Canada 65Evening Silhouette (1926) by Arthur LismerEvening Silhouette1926 · McMichael Canadian Art Collection 66Undergrowth (1946) by Arthur LismerUndergrowth1946 · National Gallery of Canada 67Rock (1947) by Arthur LismerRock1947 · National Gallery of Canada 68Floats and Buoys, Neil's Harbour (1946) by Arthur LismerFloats and Buoys, Neil's Harbour1946 · National Gallery of Canada 69Docks at Ingonish (1945) by Arthur LismerDocks at Ingonish1945 · National Gallery of Canada 70Nature morte (1956) by Arthur LismerNature morte1956 · Musée Des Beaux 71Sketch for Minesweepers and Seaplanes (1919) by Arthur LismerSketch for Minesweepers and Seaplanes1919 · Canadian War Museum 72Pine Wrack (1939) by Arthur LismerPine Wrack1939 · McMichael Canadian Art Collection 73Canadian Jungle (1946) by Arthur LismerCanadian Jungle1946 · McMichael Canadian Art Collection 74Stormy weather, georgian bay by Arthur LismerStormy weather, georgian bay 75Georgian Bay Shoreline by Arthur LismerGeorgian Bay ShorelineNational Gallery of Canada 76Hillside by Arthur LismerHillsideNational Gallery of Canada 77Little Lake (II) by Arthur LismerLittle Lake (II)National Gallery of Canada 78Little Lake (I) by Arthur LismerLittle Lake (I)National Gallery of Canada 79The Little Drifter And The Big Freighter by Arthur LismerThe Little Drifter And The Big Freighter 80The Sea Gulls by Arthur LismerThe Sea Gulls 81The Ducks by Arthur LismerThe Ducks 82The Campers by Arthur LismerThe Campers 83The Fishermen by Arthur LismerThe Fishermen 84Young Boy by Arthur LismerYoung Boy 85Tree Stump by Arthur LismerTree Stump 86Tree Study by Arthur LismerTree Study 87Seagull by Arthur LismerSeagull 88Sketchbook by Arthur LismerSketchbook 89Seated Man by Arthur LismerSeated Man 90Robert Hubbard And Kathleen Fenwick by Arthur LismerRobert Hubbard And Kathleen Fenwick 91Indian Summer by Arthur LismerIndian Summer 92The Transport, Halifax by Arthur LismerThe Transport, Halifax 93Standing Woman by Arthur LismerStanding Woman 94Shack by Arthur LismerShack 95Merrill Denison Interviews E.W.G by Arthur LismerMerrill Denison Interviews E.W.G 96Island Of Spruce by Arthur LismerIsland Of Spruce 97Dead Spruce by Arthur LismerDead Spruce 98Woman With A Bonnet by Arthur LismerWoman With A Bonnet 99The Banks Of The Don by Arthur LismerThe Banks Of The Don 100Skinny-dip by Arthur LismerSkinny-dip

Arthur Lismer's famous paintings, period by period

Early 20th Century

3 works in this list

The subjects that held Arthur Lismer's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Arthur Lismer's originals

The 5 museums that hold the most of the paintings on this page.

Museum City Works by Arthur Lismer Paintings from this list
National Gallery of Canada, OttawaNational Gallery of Canada Ottawa 50 Lake Superior Country, The Campers, The Banks of the Don
Canadian War Museum, OttawaCanadian War Museum Ottawa 5 Olympic with Returned Soldiers, Minesweepers, Halifax, Convoy in Bedford Basin
McMichael Canadian Art Collection, VaughanMcMichael Canadian Art Collection Vaughan 3 Evening Silhouette, Pine Wrack, Canadian Jungle
The Robert McLaughlin Gallery, OshawaThe Robert McLaughlin Gallery Oshawa 1 Spruce, Algoma
Musée Des Beaux, Québec CityMusée Des Beaux Québec City 1 Nature morte

Arthur Lismer across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Arthur Lismer's paintings: questions for the gallery

What is the single most famous work of Arthur Lismer?Reveal the answer

Lake Superior Country (1927), National Gallery of Canada, Ottawa. The Campers (1915) and The Banks of the Don (1912) come next.

At what age did Arthur Lismer create Lake Superior Country?Reveal the answer

42 years old: Lake Superior Country dates from 1927, and Arthur Lismer was born in 1885.

Which ten paintings by Arthur Lismer are the most famous?Reveal the answer

Lake Superior Country, The Campers, The Banks of the Don, Swamp, Georgian Bay, Spring, A September Gale, Georgian Bay, Bon Echo, Algoma, A September Gale, Georgian Bay and Rain in the North Country. The ranking above gives each one's year and museum.

How many works by Arthur Lismer are known?Reveal the answer

Our catalog holds 238 works by Arthur Lismer, dated from 1912 to 1956.

Where can the most famous Arthur Lismer originals be seen?Reveal the answer

Mostly in National Gallery of Canada (Ottawa), Canadian War Museum (Ottawa) and McMichael Canadian Art Collection (Vaughan). The museum table above lists them all.

During which period did Arthur Lismer create the best-known paintings?Reveal the answer

In 1910s: 24 of the 100 works on this page were made then, The Campers among them.

Which famous Arthur Lismer painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is The Banks of the Don (1912) and the latest Nature morte (1956).

What subjects did Arthur Lismer favour?Reveal the answer

Landscape (6), Canadian art (5) and Trees (4), across the 100 works on this page.

What materials did Arthur Lismer paint with most?Reveal the answer

Oil, for 3 of the 100 works on this page.

Which movement does the work of Arthur Lismer belong to?Reveal the answer

Impressionism, judging by the originals on this page.

What Arthur Lismer originals can I see at the National Gallery of Canada?Reveal the answer

Lake Superior Country, The Campers and The Banks of the Don: the National Gallery of Canada, Ottawa holds 50 of the works on this page.

Arthur Lismer: a portrait of the artist

A Life Forged in Steel and Painted in Light

Arthur Lismer’s story is one of remarkable transformation, a journey from the grimy industrial heartland of Sheffield, England, to becoming a pivotal figure in defining a distinctly Canadian artistic identity. Born in 1885, his early life was steeped in the realities of working-class existence, a world of factories and smoke that perhaps unknowingly fueled within him a lifelong yearning for the unspoiled beauty of nature. His apprenticeship at age thirteen with a photo-engraving company wasn’t merely a trade; it was an immersion into visual language, honing skills that would later serve as the foundation for his artistic explorations. Evening classes at the Sheffield School of Art provided formal training, nurturing a talent already blossoming through sketches and observations of his surroundings – even discreetly during Unitarian church services, much to his mother’s gentle disapproval. This early exposure wasn't just about technique; it was about seeing, truly *seeing*, the world around him, a skill that would define his entire career. The move to Antwerp’s Academie Royale further broadened his horizons, exposing him to European artistic currents like Barbizon and Post-Impressionism – influences that subtly shaped his evolving style.

From Halifax Harbor to the Group of Seven

The pivotal decision to immigrate to Canada in 1911 marked a turning point. Settling in Toronto, Lismer found employment at Grip Ltd., a commercial art firm where fatefully, he encountered Tom Thomson, another artist destined for legendary status in Canadian art history. However, it was his appointment as principal of the Victoria School of Art and Design in Halifax in 1916 that revealed his commitment to education. He didn’t simply administer; he revitalized the school, expanding its curriculum and student body, believing passionately in fostering artistic talent. World War I dramatically altered his path, though. Assigned as an official war artist, Lismer found himself captivated by the bustling Halifax harbor, a strategic port teeming with ships. It was here that he developed a unique series of paintings depicting vessels adorned with *dazzle camouflage* – a revolutionary technique designed to confuse enemy submarines through bold patterns and disruptive coloration. These weren’t merely technical exercises; they were striking visual statements, demonstrating his ability to adapt artistic principles to practical wartime needs and earning him recognition from Lord Beaverbrook. Upon returning to Toronto in 1919, Lismer became vice-principal of the Ontario College of Art and actively collaborated with a group of artists who shared a vision: to create an art that was uniquely Canadian. This collective would become known as the Group of Seven.

A Distinctly Canadian Vision

Lismer’s artistic development wasn't static; it was a continuous evolution, influenced by his European training and profoundly shaped by the vastness and raw beauty of the Canadian landscape. Initially embracing Post-Impressionist techniques, he gradually moved towards a more expressive and personal style. His landscapes weren’t simply representations of scenery; they were attempts to capture the *essence* of Canada – its emotional resonance, its untamed spirit. Vibrant colors, dynamic compositions, and bold brushstrokes became hallmarks of his work. He sought not just to depict what he saw but to convey how it felt to be immersed in the wilderness, to experience the power and majesty of nature firsthand. His paintings often featured flattened perspectives and expressive textures, reflecting a desire to move beyond mere imitation and towards a more subjective interpretation of reality. The Group of Seven’s collective goal was ambitious: to forge an artistic identity independent from European traditions, one rooted in the unique character of the Canadian environment. Lismer played a crucial role in this endeavor, contributing not only his artistic talent but also his unwavering dedication to their shared vision.

Legacy and Enduring Influence

Arthur Lismer’s contributions extend far beyond his paintings. As an educator, he profoundly impacted generations of Canadian artists through his leadership at NSCAD University and the Ontario College of Art, instilling in them a passion for creativity and a commitment to artistic excellence. His dazzle camouflage works remain historically significant, offering a unique visual record of World War I and demonstrating his adaptability as an artist. He was made a Companion of the Order of Canada in 1967, a testament to his lasting impact on Canadian culture. Today, Lismer is celebrated as one of Canada’s most important artists, recognized for his vibrant landscapes, innovative techniques, and unwavering dedication to fostering artistic talent. His works are held in major public and private collections across the country and internationally, continuing to inspire and captivate audiences with their beauty and emotional depth. His legacy isn't just about what he painted; it’s about how he inspired others to see the world – and Canada – in a new light.

Key Characteristics of His Work

  • Vibrant Color Palettes: Employing bold, expressive colors to capture the emotional impact of landscapes.
  • Dynamic Compositions: Utilizing strong compositional elements to create a sense of movement and energy.
  • Expressive Brushwork: Characterized by visible brushstrokes that convey texture and emotion.
  • Dazzle Camouflage Paintings: Unique depictions of ships during WWI, showcasing innovative use of pattern and color.
  • Focus on Canadian Wilderness: A deep connection to the landscapes of Canada, particularly Northern Ontario and Nova Scotia.