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A painting made for you, by hand

Reclining Man (John F. Kennedy)

Hand Made Oil Reproduction

Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

Collectible Description

Artist Biography

Discover Willem de Kooning (1904-1997), a pivotal Abstract Expressionist. Explore his iconic 'Woman' series & dynamic paintings known for bold brushwork, emotional intensity, and influence on the New York School.

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Chapter 1

How large should it be?

Slide to change the size; the picture on the left shows the frame at its real width. The proportions of the original are kept.

Standard
custom
CM
INCH

Pick from our preset sizes that match the artwork's original proportions.

width
height

Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.

Chapter 2

How should it arrive?

Choose the edges of the stretched canvas

Choose your frame

Corner sample of the WhiteWrap canvas edge finish, stretched on solid wood bars
White $1
Corner sample of the BlurSideWrap canvas edge finish, stretched on solid wood bars
Blurside $1
Corner sample of the ExtendedWrap canvas edge finish, stretched on solid wood bars
Extended $1
Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H $10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W $10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z $10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH $12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH $12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H $10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z $10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ $10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G $10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ $10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ $12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ $8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y $10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ $8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J $10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH $15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G $12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H $8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG $15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ $8
Corner sample of the H24-GOLD picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
H24-GOLD $30
Corner sample of the H24-SILVER picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
H24-SILVER $30
Corner sample of the H36-GOLD picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
H36-GOLD $45
Corner sample of the H36-SILVER picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
H36-SILVER $45
Frame preview
Framed

Moulding: . Overall size with the frame: .

Chapter 3

Who paints it, and should anything change?

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview

Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (3 November). No compromise on quality.

Chapter 4

The finishing touches

A nameplate, as in a museum?

Engraved Bronze Plaque Details

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Transparent Acrylic Plaque Details

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Black Acrylic Plaque Details

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

When do you need it?

Chapter 5

Your painting, as you ordered it

Reclining Man (John F. Kennedy)

Reproduction Medium

Reproduction Size

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Elite Senior Artist

More detail, finesse, and extra production time

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Reproduction Frame

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For artworks or reproductions larger than 105 cm (approximately 41 inches) on any side, the frame will be shipped as a kit, disassembled. This method ensures safe delivery and prevents damage during transport.

Professional assembly required - this is not a DIY product.
The kit must be assembled and the canvas stretched by an experienced professional framer, using wood glue (not supplied), a canvas stretching plier and clamps to hold the bars square while the glue dries. Incorrect assembly or uneven canvas tension can permanently damage the artwork and is not covered by our warranty.

  • All solid wood bars are included, precisely cut to size.

  • Assembled with the screws provided, plus wood glue for the corner joints, which is not supplied and must be sourced by your framer.

  • Professional tools are required and not included: a canvas stretching plier (tensioner) and clamps to hold the bars square while the glue dries.

Important:
The corner joints require wood glue, the bars must be held with clamps until the glue is fully dry, and tightening the canvas on the assembled frame requires a canvas stretching plier. None of these are included in the kit. Please arrange an experienced professional framer before ordering this size.

Nameplate

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Protective Varnish

Glossy Varnish (enhances colors, protects against light/moisture)

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Customize My Artwork

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.

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Urgent

Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (3 November). No compromise on quality.

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Express Shipping

Worldwide Delivery () in 5 weeks. (10 November).

Included

Total Price

$ 300

Total Price $ 300

Glass option is only available in size under 110 CM

Included with every order

  • Free Worldwide Express Shipping
  • High-Quality Linen Canvas
  • Full Shipping Insurance
  • Customs Tax Refund Guarantee
  • True Color Matching Guarantee
  • 100-Day Return Policy (Defects Only)
  • 100% Money-Back Guarantee
  • Bulk Discount Offer

Reclining Man (John F. Kennedy): A Study in Ambiguity and Modernist Emotion

Willem de Kooning’s *Reclining Man (John F. Kennedy)*, completed in 1963, is a powerfully unsettling work that transcends simple portraiture. It resides within the turbulent heart of Abstract Expressionism, a movement defined not by representation but by the raw expression of emotion and process. This piece, currently housed at the Hirshhorn Museum and Sculpture Garden in Washington D.C., immediately challenges our expectations of what a portrait should be – and indeed, it’s been debated whether it depicts a man or a woman, adding layers of complexity to its interpretation. The painting isn't merely a likeness; it’s an embodiment of the anxieties and uncertainties simmering beneath the surface of American society during the early 1960s, a period marked by political upheaval and profound cultural shifts. The genesis of *Reclining Man* lies within De Kooning’s exploration of the female form, a subject he revisited with increasing intensity throughout the late 1940s and 50s. Works like *Woman I*, *Woman II*, and *Woman III* established his reputation for portraying women in states of intense physicality – often fragmented, distorted, and imbued with a primal energy. However, *Reclining Man* represents a departure, albeit a subtle one. The figure is presented from a low angle, almost lying on the ground, enveloped in a swirling vortex of pinks, reds, and yellows. This deliberate distortion creates a sense of vulnerability and instability, contrasting sharply with the heroic iconography typically associated with presidential portraits. The ambiguity surrounding the subject’s gender – a deliberately unresolved element – speaks to the broader anxieties of the time, reflecting a nation grappling with shifting social norms and challenging traditional roles. It's a figure caught between masculine power and feminine sensuality, embodying the complexities of the era. De Kooning’s technique is as crucial to understanding the painting’s impact as its subject matter. Executed on paper – a choice that lends itself to spontaneity and gestural freedom – *Reclining Man* is characterized by bold, energetic brushstrokes. These aren't carefully blended or smoothed; instead, they are applied with a forceful immediacy, conveying a sense of raw emotion and physical exertion. The colors themselves contribute significantly to the painting’s intensity. The vibrant pinks and reds evoke passion and desire, while the yellows suggest both energy and unease. The stark white background serves to amplify these colors, creating a dynamic visual field that draws the viewer into the figure's turbulent world. This technique is deeply rooted in the action painting style championed by De Kooning and his contemporaries, emphasizing the act of painting itself as a vital component of artistic expression. The historical context surrounding *Reclining Man* is inextricably linked to the broader trajectory of Abstract Expressionism. Emerging in the aftermath of World War II, this movement sought to break free from the constraints of European art traditions and explore new modes of representation. Artists like De Kooning rejected traditional notions of beauty and harmony, instead embracing abstraction, distortion, and emotional intensity as means of conveying their subjective experiences. *Reclining Man* can be seen as a reflection of the anxieties and uncertainties that permeated American society during the Cold War era – a time of heightened political tension, social unrest, and existential questioning. The painting’s ambiguous imagery and unsettling composition mirror the sense of disorientation and instability that many Americans felt in the face of these challenges. Furthermore, De Kooning's exploration of the female form at this time was part of a larger conversation about gender roles and identity, reflecting the changing social landscape of the 1960s.

Composition and Materials

Measuring 58 x 69 cm, *Reclining Man* is a relatively intimate work, allowing for a deeply personal engagement with its subject matter. The choice of paper as the support medium is significant; it allows De Kooning to exploit the material’s inherent qualities – its texture, absorbency, and responsiveness to paint – in ways that would be impossible on canvas. The composition itself is deliberately unbalanced, with the figure dominating the lower half of the picture plane while the background swirls around it like a vortex. This creates a sense of dynamism and movement, suggesting a state of perpetual flux. The use of impasto—thickly applied paint—further enhances this effect, adding tactile dimension to the image and emphasizing the physicality of De Kooning’s brushstrokes.

Willem de Kooning: A Legacy of Innovation

Willem de Kooning (1904-1997) was a pivotal figure in 20th-century art, renowned for his groundbreaking contributions to Abstract Expressionism and his relentless experimentation with form and technique. Beyond *Reclining Man*, his oeuvre encompasses a vast range of styles and subjects, including portraits, landscapes, still lifes, and abstract compositions. Key works include the monumental “Woman I” series (1948-50), which remains one of the most iconic images of the Abstract Expressionist movement, and "Painting" (1946), an early example of his gestural style. His prolific output demonstrates a lifelong commitment to pushing the boundaries of artistic expression and challenging conventional notions of representation.

Exploring a Masterpiece: Reproductions and Beyond

OriginalUniqueArt offers meticulously crafted, hand-painted reproductions of *Reclining Man (John F. Kennedy)* that capture the essence of De Kooning’s original work with unparalleled fidelity. Our artists utilize traditional oil painting techniques to recreate the texture, color palette, and dynamic brushstrokes of this iconic piece, ensuring a stunningly authentic representation for your home or collection. Whether you are an art enthusiast, collector, or simply seeking a unique and evocative artwork, our reproductions provide a beautiful and accessible way to experience the power and complexity of De Kooning’s vision. Explore our selection today and bring this compelling masterpiece into your space.
  • Size Options: Available in multiple sizes to suit your needs.
  • Hand-Painted Reproduction: Each reproduction is meticulously crafted by a skilled artist.
  • High-Quality Materials: Created using archival-quality oil paints and canvas for lasting beauty.

Learn more about *Reclining Man (John F. Kennedy)* on OriginalUniqueArt.

Questions & Answers

Where can I buy a digital image of "Reclining Man (John F. Kennedy)" by Willem de Kooning?

"Reclining Man (John F. Kennedy)" is available as a high-resolution digital image download, purchased directly on its Digital Image page.

Where does "Reclining Man (John F. Kennedy)" sit within Willem de Kooning's body of work?

"Reclining Man (John F. Kennedy)" shares with Willem de Kooning's other works its Abstract Expressionism style and the recorded themes: abstract expressionism influence, post-war modernity themes, kennedy era reflection, de kooning’s experimentation, gendered representation”, “exploring form and emotion”.

Where in Willem de Kooning's career does "Reclining Man (John F. Kennedy)" fall, given its date?

"Reclining Man (John F. Kennedy)", created in 1963, belongs to the Mature Period of Willem de Kooning's career.

More about this painting

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In numbers

  • 1963the year it was painted
  • 29frames to choose from
  • standard sizes, in its own proportions
  • 5weeks to paint and deliver it

About the original

Dimensions
58.0 x 69.0 cm
Willem de Kooning

Willem de Kooning

1904 - 1997, Netherlands

Quick facts about Willem de Kooning

  • Artistic Movement Or Style: Abstract Expressionism
  • Artists Or Movements Influenced By This Artist: ['New York School']
  • Artists Who Influenced This Artist:
    • Arshile Gorky
    • Stuart Davis
    • John Graham
    • Picasso
    • Franz Kline
  • Full Name: Willem de Kooning
  • Nationality: Dutch-American
  • Notable Artworks:
    • Woman I
    • Woman III
    • Woman
    • Interchange
    • Excavation
  • Place Of Birth: Rotterdam, Netherlands
  • Date Of Birth: 1904
  • Date Of Death: 1997

Artist Biography

A Life Forged in Abstraction

Willem de Kooning, a name synonymous with the raw energy and emotional depth of Abstract Expressionism, was born in Rotterdam, Netherlands, in 1904. His early life was marked by a familial split – his parents divorced when he was young – which perhaps instilled within him a sense of restless searching that would permeate his artistic journey. Leaving formal schooling at twelve, de Kooning apprenticed with a commercial art firm, laying the groundwork for his technical skill while simultaneously fueling a desire to break free from conventional constraints. Evening classes at the Academie van Beeldende Kunsten en Technische Wetenschappen in Rotterdam provided further foundational training, but it was a yearning for something more – a bolder, more expressive language – that ultimately propelled him towards America in 1926. His arrival wasn’t straightforward; he famously stowed away on a ship, embodying the spirit of an outsider seeking new horizons. New York City became his adopted home, and its vibrant, often gritty energy profoundly shaped his evolving style. He navigated various jobs – house painter, carpenter – all while relentlessly pursuing his artistic vision, absorbing the city’s pulse into his work.

From Urban Scenes to Abstract Fury

De Kooning's early paintings reflected his immediate surroundings: urban landscapes and portraits that captured the dynamism of New York life. However, these were merely stepping stones towards a more profound exploration of form and emotion. A pivotal moment came with his connection to Arshile Gorky, whose influence proved transformative. Gorky encouraged de Kooning’s experimentation with abstraction, fostering a willingness to dismantle traditional representation in pursuit of something deeper. The 1930s saw de Kooning engage with social realism and mural projects through the Works Progress Administration (WPA), a period that honed his skills but also highlighted the limitations of purely representational art. He found himself drawn towards the work of Stuart Davis and John Graham, artists who were pushing boundaries in their own right. This confluence of influences gradually steered him away from literal depiction and toward an increasingly abstract vocabulary. It wasn’t a sudden shift, but rather a slow burn – a deliberate dismantling of established norms fueled by intellectual curiosity and a relentless pursuit of artistic truth.

The Woman Series: A Landmark Achievement

Following World War II, de Kooning emerged as a central figure in the burgeoning Abstract Expressionist movement. This period marked a turning point, culminating in his iconic “Woman” series (1950-1953). These paintings – including the monumental *Woman I* – are not merely depictions of female figures; they are visceral explorations of femininity, sexuality, and the complexities of human emotion. Characterized by aggressive brushstrokes, fragmented forms, and a jarring juxtaposition of colors, the “Woman” series challenged conventional notions of beauty and representation. They were controversial, even shocking to some, but their power lay precisely in their refusal to conform. De Kooning wasn’t interested in creating idealized images; he sought to capture the raw, untamed essence of his subjects. Beyond the "Woman" series, works like *The Glazier* and *Excavation* further demonstrated his dynamic approach to painting, showcasing a masterful command of texture, color, and composition. He didn't shy away from chaos or ambiguity; instead, he embraced them as integral components of his artistic language.

Evolving Landscapes and Enduring Legacy

In the 1960s, de Kooning’s style underwent another significant evolution. While abstraction remained central to his work, landscape elements began to play a more prominent role, often rendered with a brighter palette and a looser, more fluid brushstroke. He continued to experiment relentlessly throughout his life, exploring different techniques and materials, never content to rest on his laurels. His later works demonstrate a remarkable ability to reinvent himself while remaining true to his core artistic principles. Willem de Kooning’s historical significance is undeniable. He helped establish New York City as a global center for art, challenging the dominance of European traditions and paving the way for future generations of artists. His work continues to inspire awe and provoke debate, reminding us of the power of abstraction to convey profound emotional truths. De Kooning passed away in 1997, leaving behind a vast and influential body of work that stands as a testament to his unwavering commitment to artistic innovation and his enduring legacy as one of the most important American artists of the 20th century. His impact resonates still.

Quick Facts

  • Dimensions: 58 x 69 cm
  • Notable elements: Bold brushstrokes
  • Influences: De Kooning
  • Subject or theme: Figure portrait
  • Artistic style: Modernist
  • Movement: Abstract Expressionism