Work, Work, Work (Thérèse Lessore)
Thérèse Lessore (1884–1945) made Work, Work, Work. It measures 66 × 40 cm.
- 66 × 40 cm
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Hand Made Oil Painting
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StatsWork, Work, Work, in brief
- Title
- Work, Work, Work
- Artist
- Thérèse Lessore (1884–1945)
- Artist born in
- Southwick, United Kingdom
- Dimensions
- 66 × 40 cm
High-resolution images of Work, Work, Work
Thérèse Lessore, Work, Work, Work. Public domain.
Colours matched to the original by a digital expert, the file finely retouched, faithful to the artist's brushwork.
Own the high-resolution fileQuestions on Work, Work, Work, answered
How big is the original "Work, Work, Work"?
The recorded dimensions of "Work, Work, Work" by Thérèse Lessore are 66 x 40 cm. Reproductions can be ordered in other sizes while keeping the same proportions.
Is "Work, Work, Work" by Thérèse Lessore in the public domain?
Regarding copyright, "Work, Work, Work" is in the public domain - its copyright has expired.
Which artist is "Work, Work, Work" attributed to?
"Work, Work, Work" is attributed to Thérèse Lessore.
Why is the copyright status of "Work, Work, Work" what it is?
The copyright status of "Work, Work, Work" - in the public domain - its copyright has expired - follows from the artist's death in 1945.
About the artist, Thérèse Lessore
1884–1945, United Kingdom
Thérèse Lessore
Thérèse Lessore: A Quiet Observer of Bloomsbury Beauty Thérèse Lessore (1884 – 1945) was a British artist whose distinctive watercolor paintings and collaborative designs for Wedgwood pottery cemented her place as a significant figure in the artistic landscape of the early twentieth century. Born in Southwick, West Sussex, she inherited an artistic lineage stretching back to Jules Frédéric Lessore, her father—a French painter who had established himself in England—and his wife Ada Louise Cooper. Her family’s connections to Wedgwood and its celebrated designers further shaped her creative vision, fostering a fascination with decorative arts alongside her passion for capturing the subtleties of human experience. Her formative years were marked by exposure to artistic excellence; she attended the Slade School of Fine Art from 1904 to 1909, where she honed her skills and earned the prestigious Melville Nettleship Prize for figure composition.
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