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Composition, Composition with Red, yellow, blue and black

Piet Mondrian pioneered Neoplasticism with works like Broadway Boogie Woogie. Discover the beauty of his geometric abstractions today.

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Total Price

$ 81

Composition, Composition with Red, yellow, blue and black

Giclée / Art Print

Reproduction Size

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Total Price

$ 81

Quick Facts

  • Notable elements or techniques: Simple shapes, primary colors
  • Subject or theme: Universal harmony
  • Medium: Oil on canvas
  • Movement: Neoplasticism
  • Title: Composition with Red, Yellow, Blue
  • Year: 1930

Art Quiz

There is only one correct answer for each question.

Question 1:
What art movement is Composition with Red, Yellow and Blue primarily associated with?
Question 2:
Who founded Suprematism, the artistic movement that heavily influenced Mondrian's work?
Question 3:
What are the dominant colors used in Composition with Red, Yellow and Blue?
Question 4:
Where is Composition with Red, Yellow and Blue currently housed?
Question 5:
What is a key characteristic of Neo-Plasticism as exemplified by Mondrian’s painting?

Abstractism Art Movement

Abstract art is a visual language that uses shape, form, color, and line to create compositions independent from visual references in the world. It emerged as a distinct movement in Europe during the 19th century when artists sought to encompass fundamental changes taking place in technology, science, and philosophy. Abstract art exists along a continuum, with verisimilitude at one end and total abstraction at the other.

Neoplasticism Art Movement

Composition with Red, Yellow, Blue and Black is an exemplary work of Neoplasticism, a contemporary art movement that draws inspiration from the early 20th-century Russian avant-garde movement, Suprematism. Founded by Kazimir Malevich in 1913, Suprematism was an abstract art based on pure artistic feeling rather than visual depiction of objects. Neo Suprematism seeks to continue this legacy by creating a new kind of art that evokes a universal and timeless image.

Piet Mondrian

Piet Mondrian (1872-1944) was a Dutch painter who is regarded as one of the greatest artists of the 20th century. He is known for being one of the pioneers of abstract art, and his work had a great influence on the development of modernism. In 1917, Mondrian established the De Stijl movement together with Bart van der Leck and Theo van Doesburg. They aimed to create a new kind of art, for a new and better world.

Composition with Red, Yellow, Blue and Black

Composition with Red, Yellow, Blue and Black is an oil on canvas painting that Mondrian created in 1930. The painting measures 51 x 101 cm and is currently held at the San Francisco Museum of Modern Art (San Francisco, United States). This work is a perfect example of Neoplasticism, as it consists of simple shapes and primary colors.

Conclusion

Composition with Red, Yellow, Blue and Black by Piet Mondrian is an exemplary work of Neoplasticism, a contemporary art movement that draws inspiration from the early 20th-century Russian avant-garde movement, Suprematism. This painting, like many other works by Mondrian, demonstrates the artist's mastery of abstract art and his ability to create a new kind of art that evokes a universal and timeless image.

Questions & Answers

Is Piet Mondrian, creator of "Composition, Composition with Red, yellow, blue and black", known under other names?

Piet Mondrian is also known as Pieter Cornelis Mondriaan, Jr..

What color palette is used in "Composition, Composition with Red, yellow, blue and black" by Piet Mondrian?

The colors of "Composition, Composition with Red, yellow, blue and black" form a pastels palette. This classification describes the dominant color families.

Which artistic current is "Composition, Composition with Red, yellow, blue and black" by Piet Mondrian part of?

"Composition, Composition with Red, yellow, blue and black" is a work of Neo Suprematism. The movement indicates the artistic tradition the work is part of.


Artist Biography

The Architecture of Order

To look at a Mondrian today is to see the blueprint of modern visual culture. We encounter his logic every time we interact with a clean graphic layout or a minimalist building facade. He stripped away the unnecessary until only the essential remained. This was not an act of destruction, but one of extreme distillation. By reducing his vocabulary to straight lines, right angles, and a strict palette of red, blue, and yellow, he removed the distraction of reality to reveal a structural truth.

His early work in the Netherlands followed much more traditional paths. He began with landscapes that captured the windmills and rivers of the Dutch countryside, heavily influenced by the Hague School and Impressionism. Pieces like The Red Mill show an artist focused on naturalistic detail and the soft light of his homeland. However, even in these early years, a drive toward simplification was present. He moved through Pointillism and Fauvism, testing how much color and form could be compressed before the subject disappeared entirely.

The Parisian Shift and Neoplasticism

The move to Paris in 1912 changed everything. Encountering Cubism forced him to deconstruct objects into geometric components. He stopped trying to depict what he saw and began exploring how he saw it. This period was deeply tied to his interest in Theosophy, a mystical philosophy that sought universal principles beneath surface appearances. He believed art could express these hidden truths through pure abstraction.

By 1917, this search resulted in Neoplasticism, or "pure plastic art." Alongside Theo van Doesburg, he co-founded the De Stijl movement to promote a rigid aesthetic of horizontal and vertical lines. The rules were absolute:

  • The use of primary colors: red, blue, and yellow.
  • The use of primary values: black, white, and gray.
  • A focus on right angles and straight lines.

This reduction was a deliberate attempt to manifest spiritual order through visual balance. Works like Composition with Red, Blue and Yellow demonstrate this commitment to geometric purity.

New York and the Final Rhythm

The arrival of World War II forced Mondrian to flee Europe for New York City in 1940. The transition from the organic landscapes of his youth to the rigid grid of Manhattan provided a new, unexpected energy. His late works, such as Broadway Boogie Woogie, show a shift in rhythm. While he maintained his core principles, the lines began to dance with a new, syncopated movement inspired by the city's pulse and jazz music.

His death in 1944 ended a career that had fundamentally altered the trajectory of 20th-century art. He left behind a legacy that moved far beyond the canvas, influencing everything from architecture to fashion, including the famous 1965 collection by Yves Saint Laurent. His work remains a standard for anyone seeking clarity and structural integrity in a chaotic visual age.

Piet Mondrian

Piet Mondrian

1872 - 1944 , Netherlands

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