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The Cry

A powerful black and white portrait of a regal woman with raised hands by Indian artist Naina Dalal captures raw emotion and authority, inviting you to explore this evocative 1980 masterpiece for your collection.

A leading figure in Indian modernism, Naina Dalal uses painting and printmaking to explore the complexities of womanhood in works like The Bench and the slippers, inviting you to discover her profound emotional depth.

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Quick Facts

  • Artistic style: Portraiture, monochrome
  • Year: 1980
  • Dimensions: 29 x 41 cm
  • Notable elements or techniques: Black and white, expressive composition
Naina Dalal studied painting at Baroda under K.G Subramanyan and later trained in printmaking in London and New York. Her works usually feature portraits of women and explore their relationship with society. Together with her father, artist Ratan Parimoo, she’s brought out a complete book titled

Questions & Answers

In what period was "The Cry" by Naina Dalal made?

"The Cry" by Naina Dalal dates from the Modern period. The period gives the historical context of the work.

How does the subject of "The Cry" relate to Naina Dalal's usual themes?

"The Cry" depicts woman, crown, headpiece, clock, wall, black and white, while Naina Dalal's recorded themes are k.g. subramanyan influence, women's societal relationship, indian cultural themes, portraiture of women, printmaking techniques. Comparing the two shows how the work relates to the artist's usual subjects.

What orientation does "The Cry" by Naina Dalal have?

"The Cry" by Naina Dalal is a landscape composition. The proportions are worth checking before choosing a print size.


Artist Biography

The Silent Fire Within: The Art of Naina Dalal

Born in Vadodara, India, Naina Dalal has emerged as a profound voice in Indian contemporary art, weaving a visual narrative that bridges the intimate and the universal. Her artistic journey began at the prestigious Faculty of Fine Arts, Maharaja Sayajirao University of Baroda, where she completed her Bachelor and Master of Arts. This foundational period under the guidance of masters like K.G. Subramanyan instilled in her a rigorous academic discipline that would later serve as the bedrock for her global explorations. Dalal’s pursuit of knowledge was never confined by borders; her hunger for technical mastery led her to London, where she studied lithography at the London Polytechnic, and subsequently to New York, where she refined her skills in etching at the Pratt Graphic Center. These international encounters infused her work with a sophisticated visual vocabulary, allowing her to harmonize Indian sensibilities with the vibrant currents of international modernism.

Dalal’s practice is characterized by a remarkable duality, as she has divided her creative life almost equally between the delicate precision of printmaking and the emotive depth of painting. Whether working through the medium of lithography, etching, or canvas, her work possesses a unique ability to evoke karuna—a deep sense of pathos grounded in compassion. Her compositions often feature portraits of women, exploring their complex relationship with society and the internal landscapes of their emotional lives. In her hands, the human figure becomes an emotional vehicle for pain, longing, and unspoken truths. This exploration is not merely observational but deeply introspective, as she captures the silent, contemplative stories held within female figures, animals, and still-life objects.

Themes of Memory and Presence

The essence of Dalal’s work lies in its ability to find resonance in stillness and meaning in absence. Her landscapes and figurative works often invite a profound sense of introspection, where the interplay of light and shadow creates a dreamlike, atmospheric distance. In masterpieces such as The Bench and the slippers, she utilizes pastoral scenes to act as metaphors for memory and the ephemeral nature of existence. Through the subtle presence of birds or the suggestion of recently departed human traces, she touches upon themes of solitude and the passage of time. Her art does not merely depict a scene; it captures a lingering emotion, a sense of what remains after a moment has passed.

Beyond her technical mastery, Dalal’s significance is rooted in her commitment to exploring social realities and the fragile relationship between humans and the natural world. Her work serves as a testament to the following artistic pillars:

  • The Exploration of Womanhood: Using portraiture to examine the struggles, passions, and internal fires of women within society.
  • Technical Versatility: A seamless integration of printmaking techniques like lithography and etching with the expressive power of painting.
  • Emotional Depth: The infusion of karuna into her subjects, creating works that command attention through quiet intensity.
  • Global Dialogue: A unique synthesis of her roots in Vadodara with the technical influences gained in London and New York.

Throughout her decades-long career, Dalal’s work has found a place in esteemed public and private collections across the globe, including the Victoria & Albert Museum in London and the Berlin Museum of Indian Art. Her legacy is one of profound sensitivity, marking her as a pivotal figure in the evolution of modern Indian art, particularly through her ability to give voice to the silent, powerful emotions that reside within the human spirit.

Naina Dalal

Naina Dalal

1935 - , India

Quick Facts

  • Artistic Movement Or Style: Modern Indian art, Printmaking
  • Artists Who Influenced This Artist: ['K.G. Subramanyan']
  • Full Name: Naina Dalal
  • Nationality: Indian
  • Notable Artworks:
    • The Bench and the slippers
    • The Cry
  • Place Of Birth: Vadodara, India
  • Date Of Birth: 1935