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DiaporamaBetween Red_107
Oil On Canvas- WallArt
- Contemporary Art
2010- Contemporary
200.0 x 200.0 cm
Korean Art Museum Association
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Giclée / Art Print
Museum-quality giclée or canvas print with fast production and flexible finish options.
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
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Glass option is only available in size under 110 CM
Between Red_107
Giclée / Art Print
Reproduction Size
-
Total Price
-
Collectible Description
The Echoes of Division in Lee Seahyun's Landscape
To stand before Between Red_107 is not merely to observe a painting; it is to enter a deeply resonant emotional landscape, one steeped in the charged atmosphere of memory and unresolved history. This magnificent work by the contemporary Korean master, Lee Seahyun, transports the viewer to a mountainous vista rendered in striking contrasts of red and white. The scene itself—a breathtaking confluence of detailed foliage, flowing water, and towering peaks—suggests an idyllic natural beauty. Yet, this serenity is never purely peaceful; it carries the weight of human experience, hinted at by the scattered figures who seem suspended within the grandeur, caught between contemplation and passage.
A Palette Forged in Conflict and Memory
Lee Seahyun’s signature style is instantly recognizable, a visual language built upon stark monochrome palettes dominated by red and white. This deliberate chromatic choice is far from arbitrary; it acts as the emotional bedrock of the piece. Drawing profound inspiration from his formative years near the Demilitarized Zone (DMZ), the artist channels the tension inherent in division—the perpetual state of being 'between.' The vibrant, almost visceral reds speak to passion, warning, and perhaps the blood spilled by conflict, while the whites suggest purity, absence, or the stark clarity of memory. These opposing forces do not clash violently but rather coexist, creating a visual dialogue that is both beautiful and deeply unsettling.
Technique and The Illusion of Place
The technical mastery evident in Between Red_107 is breathtaking. Lee Seahyun employs meticulous detail across the natural elements—the texture of the trees, the movement suggested by the water—to ground the viewer in a palpable reality. However, this realism serves a higher purpose: to elevate the landscape from mere topography to psychological space. The application of paint seems both highly controlled and wildly expressive, allowing the monumental scale (200 x 200 cm) to envelop the observer. It is a technique that marries the precision of academic painting with the raw outpouring of personal narrative.
Symbolism: Where Nature Meets Human Consequence
The symbolism woven throughout this piece invites endless contemplation. The mountains, enduring and massive, represent permanence, while the human figures suggest transience—the fleeting nature of individual lives against the backdrop of historical weight. The very title, Between Red, encapsulates this tension: a space caught between opposing truths, between peace and conflict, between what was and what might never be again. For the collector or designer, owning this piece is acquiring not just art, but a profound meditation on resilience, loss, and the enduring power of nature to absorb—and reflect—human drama.
Bringing Emotional Depth Home
For interior design, Between Red_107 serves as an unparalleled focal point. Its dramatic scale commands attention, while its sophisticated color story allows it to anchor a room without overwhelming it. Reproducing this work allows one to integrate the artist's powerful emotional resonance into a domestic setting. It suggests a space for quiet reflection, a place where the viewer is encouraged to pause and consider the complex beauty found in contradiction—the very essence of memory itself.
Artist Biography
Lee Seahyun: A Landscape of Memory and Dystopia
Lee Seahyun (b. 1967) is a Korean contemporary painter whose distinctive style—characterized by stark monochrome palettes dominated by red and white—captures the unsettling beauty of landscapes imbued with profound emotional resonance. Born in South Korea, his artistic journey began amidst formative experiences rooted in military service stationed in the Demilitarized Zone (DMZ), an area perpetually scarred by division and conflict. This geographical backdrop profoundly informs his oeuvre, shaping themes of memory, loss, and the pervasive influence of human actions on natural environments. His breakthrough came with the ‘Between Red’ series, a collection of paintings that immediately established him as a significant voice in Korean art. These works aren't merely depictions of scenery; they are meticulously crafted explorations of psychological space—a deliberate confrontation between opposing forces represented symbolically through color. The recurring use of red and white isn’t accidental; it serves as a visual metaphor for the tensions inherent in human existence, mirroring the fractured realities experienced during his military service and extending outwards to broader societal anxieties. Critics have noted Lee Seahyun's ability to evoke a sense of melancholic grandeur, capturing moments of sublime beauty alongside hints of impending ruin—a stylistic hallmark that distinguishes him from many other landscape artists. Lee Seahyun’s artistic development has been marked by experimentation with various mediums and techniques. Initially focused on traditional Korean painting styles, he gradually embraced abstraction, pushing the boundaries of representational art while retaining a core connection to his homeland's cultural heritage. Influenced by masters like Lee Ungno—whose monumental Abstract Letter series similarly tackled themes of identity and societal critique—Lee Seahyun’s work reflects a commitment to confronting uncomfortable truths about human impact on the natural world. His paintings are not simply aesthetically pleasing; they compel viewers to contemplate questions of ethics, responsibility, and the enduring legacy of historical events. A solo exhibition at Union Gallery in London in 2008 solidified Lee Seahyun's reputation as an internationally recognized artist. The show, titled ‘Sea Hyun Lee: Between Red,’ showcased a selection of his most compelling pieces—primarily from the ‘Between Red’ series—demonstrating his mastery of monochrome painting and his unwavering dedication to conveying complex emotional narratives. Furthermore, he has garnered recognition for his contribution to museums like the Lee Ungno Museum in Daegu, where his work is prominently displayed alongside other Korean masters, fostering dialogue between artistic traditions across continents. His paintings are currently showcased at Choi&Choi Gallery in Cologne. Lee Seahyun’s enduring legacy lies in his ability to transform seemingly simple landscapes into powerful statements about human condition—a testament to the transformative potential of art as a medium for confronting societal anxieties and exploring the psychological dimensions of experience. He continues to refine his artistic vision, driven by an unwavering desire to communicate profound ideas through evocative imagery, ensuring that his contribution to contemporary art remains relevant and resonant for generations to come.
lee seahyun
1967 - , South Korea
Quick Facts
- Artistic Movement Or Style: Contemporary painting
- Date Of Death: Living
- Full Name: Lee Seahyun
- Nationality: Korean
- Notable Artworks: ['Between Red']
- Place Of Birth: South Korea
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