Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas
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Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas
Giclée / Art Print
Reproduction Size
-
Total Price
$ 81
A Sermon in Color: Jacob Lawrence's Genesis Creation
To stand before a piece from Jacob Lawrence’s Genesis Creation Sermon series is to be enveloped in a vibrant confluence of scripture, social history, and raw artistic energy. This particular panel, depicting "And God Created All the Fowls of the Air and Fishes of the Seas," transcends mere religious illustration; it is a monumental cultural document rendered in paint. Lawrence, whose life story was so deeply intertwined with the evolving narrative of African-American experience in America, channeled that profound sense of communal storytelling into this work. The painting pulses with an almost palpable energy, capturing not just the moment of creation, but the fervent act of witnessing it—the sermon itself.
The Dynamics of Narrative and Form
Lawrence masterfully orchestrates a scene brimming with life. At the heart of the composition stands the preacher figure, rendered in striking red robes, his arms raised in an eloquent gesture that seems to physically project sound and divine revelation outward. This central dynamism draws the viewer immediately into the foreground, making one feel as if they are part of the gathered congregation, rapt in awe. Yet, the spectacle does not remain confined to the pulpit. The air itself is alive; numerous birds take flight or perch nearby, while the presence of fish anchors the narrative within the vastness of the seas. This rich tapestry of fauna speaks directly to the biblical text, yet Lawrence imbues it with a distinctly modern, almost jazz-like rhythm.
Symbolism Rooted in Harlem Life
What elevates this work beyond traditional religious art is its deeply personal lens. Inspired by the sermons of Rev. Adam Clayton Powell Sr., the piece carries the resonance of the Abyssinian Baptist Church in Harlem. The setting, with its arched windows gazing out onto an unseen exterior world, suggests that the divine narrative is not sequestered within four walls but spills out into the very fabric of American life. For collectors and admirers, this symbolism is key: it speaks to the enduring power of oral tradition, the communal uplift found in spiritual gathering, and the way art can serve as both memorial and prophecy for a community.
Technique and Emotional Resonance
Lawrence’s technique, while rooted in realism, possesses an undeniable Expressionist fervor. The bright, saturated colors do not merely decorate; they amplify the emotional pitch of the moment—the wonder, the awe, the sheer magnitude of creation being proclaimed. When considering a reproduction for your space, one must appreciate this balance: the meticulous detail required to render every bird and every face coexists with the sweeping, gestural brushwork that conveys overwhelming emotion. It is art designed not just to be looked at, but to be felt—a vibrant echo of powerful testimony.
Artist Biography
A Life Painted in Story: The World of Jacob Lawrence
Jacob Armstead Lawrence, born in Atlantic City, New Jersey, in 1917, emerged as one of the most significant American artists of the 20th century. His life story is intrinsically woven into his art—a powerful narrative shaped by the realities of being African-American during a period of profound social change. Following his parents’ divorce in 1924, Lawrence experienced a childhood marked by movement and adaptation, spending time in foster care in Philadelphia before ultimately finding a home with his mother in Harlem during the vibrant years of the Harlem Renaissance. This immersion into the cultural heart of Black America would become the wellspring of his artistic vision. It was within the bustling streets and communal spirit of Harlem that Lawrence first encountered art, attending classes at Utopia Children’s House and later studying under Charles Alston at the Harlem Art Workshop—a formative experience that set him on a path to becoming a visual storyteller of unparalleled depth.Dynamic Cubism: A Style Born of Experience
Lawrence didn't simply adopt artistic styles; he forged his own, famously describing it as “dynamic cubism.” This wasn’t an imitation of the European avant-garde but rather a unique synthesis of modernist principles and the lived experiences of his community. Influenced by the bold colors and flattened forms of African sculpture and Mexican muralists—artists who prioritized narrative and social commentary—Lawrence developed a visual language that was both strikingly modern and deeply rooted in Black culture. His paintings are characterized by strong, simplified shapes, vibrant color palettes, and a deliberate rejection of traditional perspective. This approach wasn’t merely aesthetic; it served to emphasize the emotional weight of his subjects and create a sense of immediacy and accessibility. He sought not to replicate reality but to distill its essence, capturing the spirit of a people and their history with unwavering honesty.Chronicling History & Everyday Life
Lawrence’s artistic output is remarkable for its breadth and thematic consistency. He didn't focus on isolated portraits or landscapes; instead, he created sweeping series that tackled monumental historical events and the nuances of everyday Black life. His breakthrough came with The Migration Series, a powerful sequence of sixty panels depicting the Great Migration—the mass movement of African Americans from the rural South to the industrial North in search of opportunity and escape from Jim Crow segregation. This work, begun in 1940-41, catapulted Lawrence to national recognition, earning him accolades and securing his place as a leading voice in American art. But The Migration Series was just the beginning. He went on to create equally compelling series dedicated to figures like Toussaint L’Ouverture, Frederick Douglass, and Harriet Tubman—transforming historical narratives into accessible visual stories. Beyond these grand historical cycles, Lawrence also found beauty and significance in the ordinary: scenes of barbershops, diners, and domestic life became canvases for exploring themes of community, resilience, and identity. His painting Bar and Grill, a stark depiction of segregation within a New Orleans café, exemplifies his ability to distill complex social realities into potent visual statements. Similarly, Victory and Defeat, with its imposing wall of cannonballs, commemorates the pivotal siege of Yorktown, Virginia, offering a nuanced reflection on American history.Legacy & Enduring Influence
Jacob Lawrence’s impact extends far beyond his impressive body of work. He was not only an artist but also a dedicated educator, teaching at institutions like Black Mountain College and the University of Washington for sixteen years. Through his teaching, he nurtured generations of artists, encouraging them to find their own voices and explore themes relevant to their experiences. Lawrence paved the way for countless African-American artists who followed, challenging prevailing norms and expanding the boundaries of American art. His work continues to resonate today, prompting critical conversations about race, history, and social justice. Featured in prominent museums such as the Smithsonian American Art Museum and the University of Washington’s collection, his paintings serve as enduring testaments to the power of art to illuminate the human condition and inspire change. He left behind a legacy not just of beautiful images but of courageous storytelling—a visual chronicle of a people's journey toward freedom and self-determination.Jacob Lawrence
1917 - 2000 , United States of America
Quick Facts
- Artistic Movement Or Style: Dynamic Cubism
- Artists Or Movements Influenced By This Artist: African-American artists
- Date Of Birth: September 7, 1917
- Date Of Death: June 9, 2000
- Full Name: Jacob Lawrence
- Nationality: American
- Notable Artworks:
- Bar and Grill
- Victory and Defeat
- Captain Skinner
- Firewood 55
- Place Of Birth: Atlantic City, USA

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