Surrealism · 1986
Outskirts (Ivan Eyre, 1986)
Ivan Eyre (1935–2022) made Outskirts. It dates from 1986. It belongs to the Surrealism movement. It measures 203 × 142 cm.
- 1986
- 203 × 142 cm
Outskirts, in brief
- Title
- Outskirts
- Artist
- Ivan Eyre (1935–2022)
- Artist born in
- Saskatchewan, Canada
- Date
- 1986
- Dimensions
- 203 × 142 cm
- Movement
- Surrealism
- Subject
- urban decay, fragmented city, female figure, atmospheric chaos, geometric shapes, digital landscape
High-resolution images of Outskirts
Protected by copyright: these files are for personal reference, not a licence to republish.
Ivan Eyre, Outskirts (1986).
Questions on Outskirts, answered
What is the creation date of "Outskirts" by Ivan Eyre?
What are the dimensions of the original "Outskirts" by Ivan Eyre?
What does "Outskirts" by Ivan Eyre depict?
Is "Outskirts" by Ivan Eyre in the public domain?
Who created "Outskirts"?
Which artistic current is "Outskirts" by Ivan Eyre part of?
"Outskirts" is a work of Surrealism. The movement indicates the artistic tradition the work is part of.
Which period of Ivan Eyre's career does "Outskirts" belong to?
How old was Ivan Eyre when creating "Outskirts" in 1986?
What explains the copyright situation of "Outskirts" by Ivan Eyre?
The copyright status of "Outskirts" - still protected by copyright - follows from the artist's death in 2022.
About the artist, Ivan Eyre
1935–2022, Canada
Ivan Eyre
A Prairie Visionary: The Life and Art of Ivan Eyre Ivan Kenneth Eyre, who passed away in November 2022 at the age of 87, was a profoundly important figure in Canadian art—a painter, sculptor, and educator whose work resonated with the vastness and subtle power of the prairie landscape. Born in the small Saskatchewan community of Tulymétik in 1935, Eyre’s artistic journey wasn't simply about depicting what he saw, but about translating a deeply felt connection to place into a visual language that explored existential themes and the complexities of human experience. His early life, marked by moves across the prairies—from Red Deer, Alberta, to Saskatoon—instilled in him an intimate understanding of the land’s character: its solitude, its ever-changing light, and its capacity for both beauty and starkness. This formative connection would become the bedrock of his artistic expression.