Surrealism · 1969

Dragon Head (Ivan Eyre, 1969)

Ivan Eyre (1935–2022) made Dragon Head. It dates from 1969. It belongs to the Surrealism movement. It measures 157 × 157 cm.

  • 1969
  • 157 × 157 cm
Dragon Head by Ivan Eyre, 1969
Dragon Head by Ivan Eyre, 1969.

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Dragon Head, in brief

Title
Dragon Head
Artist
Ivan Eyre (1935–2022)
Artist born in
Saskatchewan, Canada
Date
1969
Dimensions
157 × 157 cm
Movement
Surrealism

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Dragon Head by Ivan Eyre, 1969
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Ivan Eyre, Dragon Head (1969).

Questions on Dragon Head, answered

In what year was "Dragon Head" by Ivan Eyre created?

"Dragon Head" dates from 1969. The date places the work within Ivan Eyre's career and its era.

What are the dimensions of the original "Dragon Head" by Ivan Eyre?

The original "Dragon Head" by Ivan Eyre measures 157 x 157 cm.

Is "Dragon Head" by Ivan Eyre in the public domain?

Regarding copyright, "Dragon Head" is still protected by copyright.

Who created "Dragon Head"?

"Dragon Head" was created by Ivan Eyre. The information on this page describes Ivan Eyre's original work.

Which artistic current is "Dragon Head" by Ivan Eyre part of?

"Dragon Head" by Ivan Eyre belongs to the Surrealism movement. This movement provides the stylistic context of the work.

At what age did Ivan Eyre make "Dragon Head"?

When "Dragon Head" was created in 1969, Ivan Eyre - born in 1935 - was 34 years old.

Is "Dragon Head" by Ivan Eyre in the public domain, and why?

"Dragon Head" by Ivan Eyre is still protected by copyright. Copyright duration runs from the artist's death, which occurred in 2022.

About the artist, Ivan Eyre

Ivan Eyre

1935–2022, Canada

Ivan Eyre

A Prairie Visionary: The Life and Art of Ivan Eyre Ivan Kenneth Eyre, who passed away in November 2022 at the age of 87, was a profoundly important figure in Canadian art—a painter, sculptor, and educator whose work resonated with the vastness and subtle power of the prairie landscape. Born in the small Saskatchewan community of Tulymétik in 1935, Eyre’s artistic journey wasn't simply about depicting what he saw, but about translating a deeply felt connection to place into a visual language that explored existential themes and the complexities of human experience. His early life, marked by moves across the prairies—from Red Deer, Alberta, to Saskatoon—instilled in him an intimate understanding of the land’s character: its solitude, its ever-changing light, and its capacity for both beauty and starkness. This formative connection would become the bedrock of his artistic expression.

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