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Self-Portrait

Dimensions
42.0 x 35.0 cm

Experience the melancholic introspection of Hans von Marées' 1862 self-portrait, echoing Rembrandt's depth; own a piece of German Romanticism.

Discover Hans von Marées: German painter known for mythological scenes & vibrant classicism. Explore his Italian murals & triptychs – a unique artistic voice.

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

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W106C $8
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W218G $10
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W316G $10
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Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
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W500HY $15
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W692G $12
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Total Price

$ 81

Self-Portrait

Giclée / Art Print

Reproduction Size

-

Total Price

$ 81

Quick Facts

  • Influences: Rembrandt
  • Title: Self-Portrait
  • Subject or theme: Self-reflection, Portraiture
  • Artistic style: Neoclassicism/Romanticism

Art Quiz

There is only one correct answer for each question.

Question 1:
What is the primary emotional tone suggested by the description of this self-portrait?
Question 2:
The artwork is noted for its strong resemblance to the early self-portraits of which Old Master?
Question 3:
In what year was this specific 'Self-Portrait' painted by Hans von Marées?
Question 4:
The description mentions that the artist studied Old Masters intensively during his years in which city?
Question 5:
What notable event contributed to this self-portrait being thought lost before its rediscovery in 1995?

Visual Composition and Subject Matter

In this black and white painting, the focus rests entirely upon the subject's face. The man possesses dark hair and a mustache, complemented by a beard that frames his features. He appears to be looking directly at the viewer, creating an immediate sense of intensity. The background remains blurry, ensuring that nothing distracts from the primary focus of the composition.

The lighting is handled with a specific, flat incidence from the side. This choice casts a shadow across his gaze, which does not engage the viewer but instead suggests a private moment of melancholic self-reflection. There is a sense of spiritual solitude in the way he turns his eyes away from the darkness. The restrained colors and the use of light as a central compositional tool lend the work a psychological depth.

History and Provenance of the Work

The history of this painting is as dramatic as the gaze it captures. Once held within the collection of the Kunsthalle Bremen, the work disappeared from public view during the upheaval of World War II. For decades, its fate remained uncertain, and it was widely believed to have been lost to the chaos of the conflict.

The silence surrounding the piece ended in 1995, when it was finally returned from the Ukraine. This recovery brought the work back into the light of the art world after a long period of absence. It is a rare occurrence to see a piece of this nature resurface so completely after such a significant gap in its provenance.

Questions & Answers

What does the 1862 date of "Self-Portrait" correspond to in Hans Von Marées's career?

"Self-Portrait", created in 1862, belongs to the Early Self-Portrait of Hans Von Marées's career.

When and with what materials was "Self-Portrait" made?

"Self-Portrait" was made in 1862, in oil.

How does "Self-Portrait" by Hans Von Marées connect Neoclassicism to the artist's home country?

"Self-Portrait" connects the Neoclassicism movement with Germany through its creator's birthplace.


Artist Biography

The Visionary Spirit of Hans von Marées

Hans von Marées stands as a singular figure in German art history—a painter who seamlessly blended Romantic idealism with the meticulous precision of Neoclassicism, achieving an unprecedented level of color depth and expressive nuance. Born into a wealthy banking family in Elberfeld, Prussia, in 1837, Marées’ artistic journey was shaped by both intellectual privilege and a profound, searching spirit. His early life, rooted in the disciplined atmosphere of his upbringing, provided the foundation for a career defined by a relentless pursuit of an aesthetic truth that transcended the mere imitation of nature.

His formal training at the Berlin Academy under Carl Steffeck proved to be a pivotal encounter. While Steffeck’s rigorous insistence on classical techniques and the study of Old Masters instilled in Marées a mastery of composition, it also provided the very tools he would later use to depart from tradition. The early years of his career were deeply colored by the melancholic beauty of Romanticism. Influenced by the haunting landscapes of Caspar David Friedrich, Marées began to explore the sublime power of the Prussian wilderness, using subtle tonal variations to capture the psychological weight of the natural world.

A Journey Toward Mythological Grandeur

As his style matured, Marées moved away from the purely descriptive qualities of landscape painting toward a more monumental and symbolic language. This evolution led him toward a unique form of mythological classicism, where figures were not merely subjects of historical record but vessels for eternal human emotions. His work began to resonate with a sense of timelessness, often characterized by large-scale compositions that felt both ancient and strikingly modern. This period saw him experimenting with the dramatic potential of light and shadow, creating works that possessed a sculptural weightiness.

His travels and exposure to diverse cultural influences further enriched his palette and perspective. The artist’s ability to integrate various stylistic elements—from the precision of classical antiquity to the burgeoning energy of contemporary realism—allowed him to create a visual vocabulary that was entirely his own. Whether depicting scenes of quiet contemplation or grand, epic struggles, Marées infused his canvases with a vibrant classicism that sought to elevate the human experience through art.

Legacy and Artistic Significance

The significance of Hans von Marées lies in his refusal to be confined by the rigid movements of his era. He occupied a unique space between the fading echoes of Romanticism and the rising tide of modernism, acting as a bridge between the old world and the new. His mastery of color and his ability to imbue mythological themes with profound psychological depth ensured that his work remained relevant even as artistic trends shifted toward more fragmented and abstract expressions.

Though his life was tragically cut short in 1887, the impact of his oeuvre remains palpable. His contributions can be seen in several key areas:

  • The Synthesis of Styles: His unique ability to merge the emotional depth of Romanticism with the structural clarity of Neoclassicism.
  • Mythological Innovation: The transformation of classical themes into expressive, modern psychological narratives.
  • Technical Mastery: A profound command over color depth and monumental composition that influenced subsequent generations of German painters.

Today, Marées is remembered not just as a painter of beautiful scenes, but as a pioneer who dared to seek a universal language through the marriage of myth and reality. His works, from intimate portraits like Selbstbildnis Im Japanischen Gewande to his sweeping landscapes, continue to offer a window into a soul that sought the eternal within the ephemeral.

Hans Von Marées

Hans Von Marées

1837 - 1887 , Germany

Quick Facts

  • Full Name: hans von marées
  • Nationality: German
  • Date Of Birth: 1837
  • Date Of Death: 1887
  • Place Of Birth: Wuppertal, Germany
  • Notable Artworks:
    • The Oarsmen
    • Abendliche Waldszene
  • Artistic Movement Or Style: Romanticism, Realism
  • Artists Who Influenced This Artist: ['Carl Steffeck']
  • Artists Or Movements Influenced By This Artist: ['Nationalgalerie']
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