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Untitled (posssibly The Cigarette)

Experience Frederic Remington's 'Untitled (possibly The Cigarette)' – a captivating black-and-white painting of cowboys around a campfire, showcasing the rugged beauty of the American West and Remington’s masterful artistry.

Explore the captivating world of Frederic Remington (1861-1909), master of Western American art! Discover iconic paintings of cowboys, Native Americans & frontier life – a true American legend.

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H $10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W $10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z $10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH $12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH $12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H $10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z $10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ $10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G $10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ $10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ $12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ $8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y $10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ $8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J $10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH $15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G $12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H $8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG $15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ $8

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Total Price

$ 81

Untitled (posssibly The Cigarette)

Giclée / Art Print

Reproduction Size

-

Total Price

$ 81

Quick Facts

  • Subject or theme: Cowboys, frontier life
  • Medium: Oil on canvas
  • Artistic style: Western American art
  • Artist: Frederic Remington
  • Influences: Remington's work

A Moment of Quietude in the American West

Frederic Remington’s “Untitled (possibly The Cigarette),” painted in 1908-1909, isn't merely a depiction of cowboys; it’s a carefully constructed tableau of camaraderie and the subtle beauty of a Western evening. The painting captures a fleeting moment around a campfire – a scene both familiar and imbued with a poignant sense of solitude. It’s a work that speaks volumes about Remington’s profound understanding of his subject matter, not just as an artist but as a chronicler of a vanishing way of life.

Remington, a pivotal figure in American art history, spent much of his career documenting the frontier—the cowboys, Native Americans, and rugged landscapes that defined the West. However, “The Cigarette” departs from the typical heroic narratives often associated with his work. There’s no dramatic showdown or sweeping vista here; instead, we are presented with a quiet scene of men sharing a simple pleasure – smoking cigarettes by the firelight. The composition is deliberately restrained, focusing on the intimate details of this small group and their immediate surroundings.

The Language of Light and Shadow

Remington’s masterful use of light and shadow is central to the painting's evocative power. He employs a muted palette—primarily browns, grays, and deep blues—to create an atmosphere of cool tranquility. The firelight casts long shadows across the cabin walls and illuminates the faces of the cowboys, lending them a sense of depth and realism. Notice how the light doesn’t dominate; it's subtly diffused, contributing to the overall mood of quiet contemplation rather than dramatic intensity.

The artist’s technique is particularly noteworthy. Remington was known for his meticulous attention to detail, evident in the rendering of the rough-hewn cabin walls, the worn leather saddles, and the individual faces of the cowboys. He utilized a broken brushstroke technique, layering thin washes of paint to build up texture and create a sense of atmosphere. The subtle gradations of color and tone contribute significantly to the painting’s realism and its ability to transport the viewer to this specific moment in time.

Symbolism and the Vanishing Frontier

Beyond its immediate depiction, “The Cigarette” is rich with symbolic meaning. The act of smoking a cigarette around a campfire represents a shared ritual—a pause in the relentless demands of frontier life. The cowboy on the left, partially obscured by the cabin’s shadow, embodies this quiet contemplation, while his companion leans forward, seemingly engaged in conversation or storytelling. The arrangement of figures mirrors the gentle downward slope of the roofline, creating a sense of harmony and balance within the composition.

Remington's work often served as a poignant reminder of the West’s rapid transformation. As the painting was created during the twilight years of the frontier era, it reflects a growing awareness of its imminent demise. The scene evokes a nostalgia for a simpler time—a time when life revolved around community, hard work, and the rhythms of nature. It's a subtle elegy to a way of life that was rapidly disappearing.

A Legacy of Western Art

“Untitled (possibly The Cigarette)” stands as a testament to Frederic Remington’s artistic vision and his enduring legacy in American art. It is a painting that invites contemplation, prompting us to consider the complexities of the West—its beauty, its hardships, and its inevitable transition. Reproductions of this iconic work continue to resonate with audiences today, offering a glimpse into a bygone era and reminding us of the power of art to capture both the grandeur and the quiet moments of human experience.

Questions & Answers

Which museum holds the original "Untitled (posssibly The Cigarette)"?

The original "Untitled (posssibly The Cigarette)" by Frederic Remington is held at the Frederic Remington Art Museum, Ogdensburg, United States of America. A reproduction allows the work to be displayed at home.

Can I preview "Untitled (posssibly The Cigarette)" by Frederic Remington before ordering?

The Preview page of "Untitled (posssibly The Cigarette)" lets you preview the artwork before ordering.

Is a download available for "Untitled (posssibly The Cigarette)"?

The image of "Untitled (posssibly The Cigarette)" by Frederic Remington can be downloaded from the artwork's Download page: a high-resolution digital image download.


Artist Biography

A Chronicler of the Vanishing West: The Life and Art of Frederic Remington

Frederic Sackrider Remington, born in Canton, New York, on October 4, 1861, wasn’t a product of the Wild West he so vividly depicted; rather, he was an Easterner who forged his artistic identity through fascination and dedicated study. His lineage hinted at a life far removed from dusty trails and cavalry charges – French Basque ancestry mingled with staunchly Republican New England roots, a father who was a Civil War colonel and newspaper editor, and connections to the famed Remington Arms dynasty through distant cousins. Yet, it was an early exposure to military themes, coupled with a restless spirit and a keen eye for storytelling, that set him on a path toward becoming arguably the most recognizable artist of the American West. His childhood moved to Bloomington, Illinois, then back to Canton and finally Ogdensburg, New York, but his imagination remained captivated by tales of frontier life. Though initially steered towards a military education at Vermont Episcopal Institute, Remington’s true calling lay not in following orders, but in observing and interpreting the world around him through art. A brief stint at Yale University confirmed this; football and sketching held far more appeal than formal academic pursuits.

From Illustrator to Painter: Forging an Artistic Vision

Remington’s artistic journey began not with grand canvases, but with ink and paper. His first published work, a cartoon for the *Yale Courant*, signaled an early aptitude for capturing action and narrative. A pivotal trip to Montana in 1881 ignited his lifelong obsession with the West. This wasn't merely a tourist’s gaze; Remington sought to immerse himself in the culture, observing cowboys, Native Americans, and the landscape itself. He initially attempted ranching and mining ventures, but these proved unsuccessful, freeing him to fully dedicate himself to art. Returning East, he quickly established himself as an illustrator for magazines like *Harper's Weekly* and *Collier’s*, his dynamic depictions of Western scenes captivating a national audience hungry for stories of the frontier. These illustrations weren’t simply reportage; they were infused with drama, energy, and a romanticized vision of the West that resonated deeply with the public imagination. It was through this work that Remington honed his skills in composition, capturing movement, and conveying emotion – qualities that would later define his paintings. He received minimal formal training beyond some drawing classes at Yale and a short period at the Art Students League, developing instead a distinctive style characterized by energetic brushwork, bold colors, and a focus on realism blended with dramatic flair.

Capturing a Vanishing World: Themes and Style

Remington’s art is inextricably linked to a specific moment in American history – the twilight of the Old West. His canvases are populated by iconic figures: rugged cowboys driving cattle, stoic Native Americans facing displacement, and U.S. Cavalry soldiers engaged in both heroic battles and tragic conflicts. He didn't shy away from depicting the harsh realities of frontier life, but his work often leans towards a romanticized portrayal, emphasizing courage, adventure, and the clash of cultures. His paintings aren’t simply historical documents; they are evocative narratives that explore themes of heroism, loss, and the inevitable march of progress. Remington's style evolved over time, moving from tighter, more academic renderings to looser, more expressive brushwork. He was a master of capturing movement – horses galloping across the plains, cowboys wrestling steers, soldiers charging into battle. He often employed quick sketches and photographs as reference material, but his art always transcended mere imitation, imbued with his own unique vision and emotional intensity. Notable works like *My Ranch*, *Waiting in the Moonlight*, *Ridden Down* (1905), and *The Long-Horn Cattle Sign* (1908) exemplify his ability to capture both the grandeur and the vulnerability of the American West.

Legacy and Enduring Influence

Frederic Remington died unexpectedly in 1909 at the age of 48, leaving behind a vast body of work that continues to captivate audiences today. His impact on Western art is undeniable; he didn’t just depict the West, he helped *define* it for generations of Americans. He established a visual language for the frontier – an iconography of cowboys, Indians, and cavalrymen that became deeply ingrained in popular culture.
  • His work inspired countless other artists, including N.C. Wyeth and Zane Grey.
  • The Frederic Remington Art Museum in Ogdensburg, New York, stands as a testament to his enduring legacy, preserving an extensive collection of his paintings, sculptures, and archival materials.
  • His art continues to be exhibited in major museums across the country, including the Metropolitan Museum of Art and the Amon Carter Museum of American Art.
Remington’s depictions, while sometimes criticized for their romanticized portrayal of the West, offer a valuable glimpse into a pivotal era in American history. He captured not just what *was*, but also what people *believed* about the West – its myths, its legends, and its enduring appeal. He remains a powerful symbol of the American spirit—a chronicler of a vanishing world who transformed it into an enduring artistic legacy.
Frederic Remington

Frederic Remington

1861 - 1909 , United States of America

Quick Facts

  • Full Name: Frederic Sackrider Remington
  • Nationality: American
  • Date Of Birth: 1861
  • Date Of Death: 1909
  • Place Of Birth: Canton, United States of America
  • Notable Artworks:
    • My Ranch
    • Waiting in the Moonlight
    • Ridden Down (1905)
    • The Long-Horn Cattle Sign
  • Artistic Movement Or Style: Western American Art
  • Artists Or Movements Influenced By This Artist:
    • N.C. Wyeth
    • Zane Grey
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