1895
Teasing the Doves (Émile Munier, 1895)
Émile Munier (1840–1895) made Teasing the Doves. It dates from 1895. It measures 46 × 28 cm.
- 1895
- 46 × 28 cm
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Hand Made Oil Painting
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StatsTeasing the Doves, in brief
- Title
- Teasing the Doves
- Artist
- Émile Munier (1840–1895)
- Artist born in
- Paris, France
- Date
- 1895
- Dimensions
- 46 × 28 cm
High-resolution images of Teasing the Doves
Émile Munier, Teasing the Doves (1895). Public domain.
Colours matched to the original by a digital expert, the file finely retouched, faithful to the artist's brushwork.
Own the high-resolution fileQuestions on Teasing the Doves, answered
In what year was "Teasing the Doves" by Émile Munier created?
The creation of "Teasing the Doves" by Émile Munier is dated 1895.
How big is the original "Teasing the Doves"?
The recorded dimensions of "Teasing the Doves" by Émile Munier are 46 x 28 cm. Reproductions can be ordered in other sizes while keeping the same proportions.
Is "Teasing the Doves" free of copyright?
The copyright answer for "Teasing the Doves" by Émile Munier: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.
Which artist is "Teasing the Doves" attributed to?
"Teasing the Doves" is attributed to Émile Munier.
How old was Émile Munier when creating "Teasing the Doves" in 1895?
Émile Munier was 55 years old when creating "Teasing the Doves" in 1895. The age is computed from the artist's birth year, 1840.
Is "Teasing the Doves" by Émile Munier in the public domain, and why?
The copyright status of "Teasing the Doves" - in the public domain - its copyright has expired - follows from the artist's death in 1895.
About the artist, Émile Munier
1840–1895, France
Émile Munier
A Life Woven in Light: The World of Émile Munier Émile Munier, born in the heart of Paris on June 2nd, 1840, stands as a significant figure within the late 19th-century French academic art scene. His life story is deeply intertwined with artistic lineage and unwavering dedication—a narrative that began within the walls of the Gobelins Manufactory, where his father, Pierre François Munier, worked as an artist upholsterer, and his mother, Marie Louise Carpentier, found her craft polishing cashmere cloth. This familial connection to artistry instilled in young Émile, alongside his brothers François and Florimond, a natural inclination towards creative expression. From an early age, the Munier siblings demonstrated remarkable talent for drawing, each producing self-portraits as teenagers that hinted at the promise within.
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