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A painting made for you, by hand

St Luke (detail)

Hand Made Oil Reproduction

Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

Collectible Description

Explore Cimabue’s ‘St Luke (detail)’ – a pivotal Early Renaissance fresco showcasing Byzantine influence & linear realism. Discover 13th-century Italian art at its finest!

Artist Biography

Cimabue (c. 1240-1302): Pioneer of Italian painting! Explore his Byzantine & Renaissance blend, realistic figures, and influence on Giotto. Discover masterpieces now!

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Chapter 1

How large should it be?

Slide to change the size; the picture on the left shows the frame at its real width. The proportions of the original are kept.

Standard
custom
CM
INCH

Pick from our preset sizes that match the artwork's original proportions.

width
height

Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.

Chapter 2

How should it arrive?

Choose the edges of the stretched canvas

Choose your frame

Corner sample of the WhiteWrap canvas edge finish, stretched on solid wood bars
White $1
Corner sample of the BlurSideWrap canvas edge finish, stretched on solid wood bars
Blurside $1
Corner sample of the ExtendedWrap canvas edge finish, stretched on solid wood bars
Extended $1
Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H $10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W $10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z $10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH $12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH $12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H $10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z $10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ $10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G $10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ $10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ $12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ $8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y $10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ $8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J $10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH $15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G $12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H $8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG $15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ $8
Corner sample of the H24-GOLD picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
H24-GOLD $30
Corner sample of the H24-SILVER picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
H24-SILVER $30
Corner sample of the H36-GOLD picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
H36-GOLD $45
Corner sample of the H36-SILVER picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
H36-SILVER $45
Frame preview
Framed

Moulding: . Overall size with the frame: .

Chapter 3

Who paints it, and should anything change?

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview

Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (3 November). No compromise on quality.

Chapter 4

The finishing touches

A nameplate, as in a museum?

Engraved Bronze Plaque Details

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Transparent Acrylic Plaque Details

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Black Acrylic Plaque Details

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

When do you need it?

Chapter 5

Your painting, as you ordered it

St Luke (detail)

Reproduction Medium

Reproduction Size

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Elite Senior Artist

More detail, finesse, and extra production time

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Reproduction Frame

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For artworks or reproductions larger than 105 cm (approximately 41 inches) on any side, the frame will be shipped as a kit, disassembled. This method ensures safe delivery and prevents damage during transport.

Professional assembly required - this is not a DIY product.
The kit must be assembled and the canvas stretched by an experienced professional framer, using wood glue (not supplied), a canvas stretching plier and clamps to hold the bars square while the glue dries. Incorrect assembly or uneven canvas tension can permanently damage the artwork and is not covered by our warranty.

  • All solid wood bars are included, precisely cut to size.

  • Assembled with the screws provided, plus wood glue for the corner joints, which is not supplied and must be sourced by your framer.

  • Professional tools are required and not included: a canvas stretching plier (tensioner) and clamps to hold the bars square while the glue dries.

Important:
The corner joints require wood glue, the bars must be held with clamps until the glue is fully dry, and tightening the canvas on the assembled frame requires a canvas stretching plier. None of these are included in the kit. Please arrange an experienced professional framer before ordering this size.

Nameplate

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Protective Varnish

Glossy Varnish (enhances colors, protects against light/moisture)

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Customize My Artwork

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.

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Urgent

Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (3 November). No compromise on quality.

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Express Shipping

Worldwide Delivery () in 5 weeks. (10 November).

Included

Total Price

$ 300

Total Price $ 300

Glass option is only available in size under 110 CM

Included with every order

  • Free Worldwide Express Shipping
  • High-Quality Linen Canvas
  • Full Shipping Insurance
  • Customs Tax Refund Guarantee
  • True Color Matching Guarantee
  • 100-Day Return Policy (Defects Only)
  • 100% Money-Back Guarantee
  • Bulk Discount Offer

A Glimpse into a Changing World: Cimabue’s *St Luke (detail)*

This captivating detail from Cimabue's fresco of St. Luke offers a profound window into the pivotal moment when Italian art began to break free from the rigid conventions of the Byzantine tradition. Painted around 1280, this section – measuring an impressive 450 x 900 cm in its entirety – isn’t merely a religious depiction; it's a testament to artistic innovation and the dawn of a new era in painting.

Subject & Narrative

The fragment focuses on St. Luke, traditionally considered the author of the Gospel of Luke and the Acts of the Apostles, and patron saint of artists. He is depicted as a scholar or cleric, deeply engrossed in his work. He holds open several books, likely representing the scriptures he penned, and extends a hand in what appears to be a gesture of teaching or revelation. The surrounding architectural elements suggest an interior setting – perhaps a study or scriptorium – conducive to learning and contemplation. While part of a larger narrative scene, this detail powerfully conveys Luke’s intellectual pursuit and devotion.

Style & Technique: Bridging Byzantium and the Renaissance

Cimabue (born Cenni di Pepo), active in Florence and Pisa, was instrumental in transitioning from the Italo-Byzantine style to a more naturalistic approach. While still exhibiting hallmarks of Byzantine art – such as the use of gold leaf (not visible in this detail but present in the full fresco), flattened perspective, and hierarchical scale – this work demonstrates Cimabue’s burgeoning interest in realism. Notice the attempts at modeling forms through subtle shading, a departure from the flat, iconic representations prevalent in earlier Byzantine works. The technique employed is *fresco*, where pigments are applied to wet plaster, creating a durable and vibrant surface. This explains the textured appearance with visible brushstrokes and variations in paint application.

Color & Composition

The color palette is dominated by warm earth tones – ochres, yellows, and reds – lending the scene an air of antiquity and solemnity. The composition is dense and layered, characteristic of fresco work, with figures overlapping and receding into a shallow depth of field. Linearity is key; defined lines structure the figures and architectural elements, contributing to the overall sense of order. Geometric shapes – rectangular books, arched doorways, rounded drapery – further reinforce this structured aesthetic.

Symbolism & Historical Context

The open books are potent symbols of knowledge, scripture, and divine inspiration. St. Luke’s gesture signifies instruction or the transmission of sacred truth. Created during a period of significant social and religious change in Italy, Cimabue's work reflects a growing humanistic interest alongside continued devotion to Christian themes. He was a contemporary of Giotto, often considered his student, and both artists played crucial roles in laying the foundations for the Renaissance. Vasari’s “Lives of the Most Excellent Painters, Sculptors, and Architects” provides valuable (though sometimes debated) insights into Cimabue's life and career.

Emotional Impact & Aesthetic Appeal

Despite its age, this detail from *St Luke* evokes a sense of quiet contemplation and reverence. The artist’s skillful use of line, color, and composition draws the viewer into the scene, inviting reflection on themes of faith, knowledge, and artistic creation. For collectors and interior designers, a high-quality reproduction of this work offers a timeless piece that blends historical significance with aesthetic beauty – a subtle yet powerful statement for any space. It’s a reminder of art's capacity to both reflect and shape our understanding of the world.

Questions & Answers

Where can I buy a hand-painted reproduction of "St Luke (detail)" by Cimabue?

Hand-painted copies of "St Luke (detail)" by Cimabue are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from its Hand-Painted Reproduction page.

What color palette is used in "St Luke (detail)" by Cimabue?

The palette of "St Luke (detail)" by Cimabue is described as earthy. It is a compact description of the work's colors.

What other names is Cimabue known by?

Cimabue is also known as Giovanni Cimabue, Cenni di Pepo, Cenni di Pepi.

More about this painting

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In numbers

  • 1280the year it was painted
  • 29frames to choose from
  • standard sizes, in its own proportions
  • 5weeks to paint and deliver it
Cimabue

Cimabue

1240 - 1302, Italy

Artist Biography

The Florentine Dawn: Cimabue and the Transition from Byzantium

Giovanni Cimabue, born Cenni di Pepo around 1240 in Florence, stands as a monumental figure—a bridge between the established artistic traditions of the Byzantine world and the burgeoning innovations that would define the Italian Renaissance. His life, though partially obscured by time and romanticized accounts – most notably those penned by Giorgio Vasari centuries later – marks an undeniable turning point in Western art history. Cimabue wasn’t simply a painter; he was a courageous innovator who dared to subtly challenge artistic conventions, laying the groundwork for the revolutionary changes that would soon sweep across Italy. Even his nickname, believed to mean “bull-headed,” hints at a strong will and perhaps a rebellious spirit—qualities demonstrably present in his willingness to experiment with form and expression. He represents a crucial moment where art began to shift from being solely devotional imagery towards something more humanistic and emotionally resonant.

Early Influences and Artistic Development

Initially immersed in the Italo-Byzantine style prevalent throughout Florence, Cimabue’s early work adhered closely to established aesthetic principles: flattened figures adorned with shimmering gold leaf, symbolic rather than realistic depictions of space, and a profound focus on religious iconography. However, even within these constraints, a nascent desire for naturalism began to emerge. He wasn't content merely replicating existing forms; he sought to imbue his paintings with a greater sense of life and emotional depth. While the precise nature of his early training remains debated, it’s likely he honed his skills within Florentine workshops, absorbing the techniques and influences of the time while simultaneously developing his own unique artistic voice. The Byzantine style, characterized by its formality and spiritual focus, provided him with a solid foundation, but Cimabue began to subtly introduce elements that would foreshadow the coming Renaissance—a greater attention to volume, more expressive facial features, and a nascent understanding of spatial relationships. This wasn’t a sudden break from tradition, but rather a gradual evolution, a delicate balancing act between honoring the past and embracing new possibilities.

Masterpieces and Artistic Innovations

Cimabue's legacy is cemented through a series of breathtaking works that showcase his evolving style. The Maestà (Louvre), originally created for the Church of San Francesco in Pisa, stands as one of his most celebrated masterpieces. This monumental altarpiece exemplifies his mastery of composition and use of color, while simultaneously hinting at the shift away from rigid Byzantine conventions. The figures, though still possessing a degree of formality, exhibit a newfound sense of volume and presence. The Crucifixion (San Domenico, Arezzo), dating around 1270, is particularly significant as an early demonstration of his departure from strict Byzantine norms. Here, the proportions are more realistic, and the emotional weight of the scene is palpable—a stark contrast to the often-distant depictions found in earlier religious art. Further evidence of Cimabue’s innovative spirit can be seen in works like the Flagellation of Christ (Frick Collection), generally attributed to his workshop. This complex composition reveals an evolving understanding of perspective and spatial relationships, showcasing a growing interest in creating more immersive and believable scenes. His contributions weren't limited to panel paintings; Cimabue also excelled as a mosaicist, contributing significantly to the decoration of the Baptistery of Florence—though these mosaics have unfortunately suffered from deterioration over time.

A Pivotal Teacher: Giotto and Beyond

Perhaps Cimabue’s most enduring legacy lies in his role as the teacher of Giotto di Bondone. While historical accounts vary regarding the exact nature of their relationship, it is widely accepted that Giotto received crucial training under Cimabue's guidance. However, Giotto would ultimately surpass his master, revolutionizing Italian painting with an even more radical embrace of naturalism and emotional realism. It’s a testament to Cimabue’s skill as a teacher that he fostered such talent, even knowing it might eclipse his own achievements. The story, often recounted by Vasari, of Giotto playfully painting a fly on Cimabue's face speaks volumes about the dynamic between master and pupil—a playful rivalry that ultimately pushed both artists to greater heights. Cimabue’s influence extended beyond Giotto, impacting numerous other artists of the period. He challenged the artistic norms of his time, demonstrating that art could be more than just religious symbolism; it could also reflect human emotion and experience. His willingness to experiment with form, proportion, and expression paved the way for the innovations of the Renaissance, establishing him as a crucial transitional figure in the history of Western art.

Enduring Significance

Cimabue passed away in 1302 in Pisa, leaving behind a body of work that continues to captivate and inspire. Despite his significant contributions, details surrounding his later life remain scarce. However, his artistic legacy resonates powerfully through the works of his students and the evolution of Italian art. He represents a crucial step in the development of Western painting, moving away from the stylized conventions of the Byzantine era towards a more humanistic and naturalistic approach. His paintings are not merely historical artifacts; they are windows into a pivotal moment in artistic history—a time when artists began to question established norms and explore new possibilities. He was a pioneer, a visionary who dared to challenge the status quo and lay the foundations for the artistic brilliance that would define the Renaissance. Cimabue’s work reminds us that even within tradition, there is always room for innovation, and that true artistry lies in the courage to push boundaries and explore new horizons.

Quick Facts

  • dimensions: 450 x 900 cm
  • year: 1280
  • artist: Cimabue
  • movement: Early Renaissance
  • subject: St. Luke the Evangelist

Art Quiz

There is only one correct answer for each question.

Question 1:
To what artistic period does Cimabue's 'St Luke (detail)' primarily belong?
Question 2:
Cimabue is recognized for moving *away* from which dominant artistic style of his time?
Question 3:
What painting technique was used to create 'St Luke (detail)'?
Question 4:
The open books held by St. Luke symbolically represent what?
Question 5:
What is a defining characteristic of Cimabue's style as he moved towards greater realism?