Hudson River School · 1830
The Bathing Pool (Charles Codman, 1830)
Charles Codman (1800–1842) made The Bathing Pool. It dates from 1830. It belongs to the Hudson River School movement. It is made in oil on canvas. It is kept at Museum of Fine Arts in Boston, United States of America. It measures 43.18 × 48.58 cm.
- 1830
- Oil On Canvas
- 43.18 × 48.58 cm
- Museum of Fine Arts, Boston
The Bathing Pool, in brief
- Title
- The Bathing Pool
- Artist
- Charles Codman (1800–1842)
- Artist born in
- Portland, United States of America
- Date
- 1830
- Medium
- Oil On Canvas
- Dimensions
- 43.18 × 48.58 cm
- Where to see it
- Museum of Fine Arts, Boston, United States of America
- Movement
- Hudson River School
- Period
- 19th Century
- Subject
- figures, pool, trees, stone terrace, water, foliage
What does The Bathing Pool depict?
The Bathing Pool by Charles Codman
The Bathing Pool by Charles Codman is an oil on canvas painting dating to about 1830. The work depicts a serene wooded scene featuring figures bathing within a tranquil natural pool. This central water feature is situated amid verdant surroundings, where dense foliage and trees frame the aquatic setting. The composition focuses on the quietude of this landscape, capturing a specific moment of leisure within a secluded environment.
In this work, Charles Codman utilizes the medium of oil to render the textures of the natural world. The figures are placed near the water, integrated into the landscape to suggest a quiet, everyday activity. The surrounding greenery provides a sense of enclosure around the pool, establishing a localized, intimate setting within the broader wooded area. The painting presents a detailed view of this specific natural arrangement, emphasizing the stillness of the water and the density of the surrounding vegetation.
Composition and Visual Elements
The composition is structured around a tranquil natural pool situated within a dense, verdant landscape. A central, detailed arrangement focuses on the water's surface, which is framed by thick, green foliage and a serene wooded area. The scene is organized to emphasize the quietude of the surroundings, using the organic shapes of the trees to enclose the central aquatic feature. Small figures are positioned within the landscape, shown in the act of bathing near the water's edge.
The color palette relies on a range of greens from the surrounding vegetation, creating a sense of enclosure. Light filters through the canopy of the wooded area, illuminating the center of the scene where the figures are located. This lighting creates a contrast between the shaded areas of the forest and the more open, illuminated space around the pool. The brushwork is fine, contributing to the detailed rendering of the leaves and the textures of the natural environment.
The arrangement of elements creates a sense of depth through the layering of the forest and the placement of the figures. The water remains a still, central point within the composition, surrounded by the varied textures of the greenery. This detailed approach to the landscape focuses on the specific placement of the figures and the botanical elements that define the bathing site.
Which museum holds The Bathing Pool?
Museum of Fine Arts
Boston, United States of America
A Legacy of the Museum of Fine Arts The Museum of Fine Arts, located in Boston, United States of America, began its existence in 1870 within the walls of the Boston Athenæum. This foundation established a presence that has grown into a significant institution, now recognized as the 20th-largest art museum in the world by public gallery area. Its scale allows for a profound encounter with history, attracting a steady stream of observers; as of 2024, it is the 83rd-most-visited art museum in the world.
High-resolution images of The Bathing Pool
Charles Codman, The Bathing Pool (1830), Museum of Fine Arts. Public domain.
Questions on The Bathing Pool, answered
Which museum holds the original "The Bathing Pool"?
You can see the original "The Bathing Pool" at the Museum of Fine Arts, Boston, United States of America.
In what year was "The Bathing Pool" by Charles Codman created?
"The Bathing Pool" by Charles Codman was created in 1830.
What technique was used for "The Bathing Pool" by Charles Codman?
The medium of "The Bathing Pool" by Charles Codman is oil on canvas. Reproductions aim to render the appearance of this technique.
What are the dimensions of the original "The Bathing Pool" by Charles Codman?
The recorded dimensions of "The Bathing Pool" by Charles Codman are 43.18 x 48.58cm. Reproductions can be ordered in other sizes while keeping the same proportions.
What subjects appear in "The Bathing Pool" by Charles Codman?
The themes present in "The Bathing Pool" by Charles Codman include figures, pool, trees, stone terrace, water, foliage, garden, greenery. Together they summarize the artwork's subject matter.
Is "The Bathing Pool" free of copyright?
Regarding copyright, "The Bathing Pool" is in the public domain - its copyright has expired.
Which artist is "The Bathing Pool" attributed to?
"The Bathing Pool" is attributed to Charles Codman.
What style does "The Bathing Pool" belong to?
The movement associated with "The Bathing Pool" by Charles Codman is Hudson River School. This classification situates the work among related artists and artworks.
Which period of Charles Codman's career does "The Bathing Pool" belong to?
"The Bathing Pool" belongs to the Mature Period of Charles Codman's career. This classification relates the work to the artist's development.
About the artist, Charles Codman
1800–1842, United States of America
Charles Codman
Charles Codman: Romantic Visions of Maine’s Coastline Charles Codman (1800 – September 11, 1842) stands as a quietly influential figure in American landscape painting, particularly within the Hudson River School movement. Born in Portland, Maine, Codman's artistic journey began humbly—apprenticeship to John Ritto Penniman instilled foundational skills but lacked formal academic training. Despite this initial constraint, he rapidly cultivated a distinctive style characterized by luminous color palettes and expressive brushwork that captured the grandeur of coastal vistas and serene inland scenes. His legacy resides not merely in his paintings themselves but also in their rediscovery decades after his death, cementing his place as a cornerstone of Maine’s artistic heritage.