Symbolism
Roberte attacked by spirits (Balthus)
Balthus (1908–2001) made Roberte attacked by spirits. It belongs to the Symbolism movement.
Roberte attacked by spirits, in brief
High-resolution images of Roberte attacked by spirits
Protected by copyright: these files are for personal reference, not a licence to republish.
Balthus, Roberte attacked by spirits.
Questions on Roberte attacked by spirits, answered
What is "Roberte attacked by spirits" about?
The subjects of "Roberte attacked by spirits" are women.
Is "Roberte attacked by spirits" free of copyright?
"Roberte attacked by spirits" by Balthus is still protected by copyright. This status governs how the image of the work may be reproduced.
Who is the artist behind "Roberte attacked by spirits"?
"Roberte attacked by spirits" was created by Balthus. The information on this page describes Balthus's original work.
Which artistic current is "Roberte attacked by spirits" by Balthus part of?
"Roberte attacked by spirits" by Balthus belongs to the Symbolism movement. This movement provides the stylistic context of the work.
Is "Roberte attacked by spirits" by Balthus in the public domain, and why?
The copyright status of "Roberte attacked by spirits" - still protected by copyright - follows from the artist's death in 2001.
About the artist, Balthus
1908–2001, France
Balthus
A World Apart: The Enigmatic Vision of Balthus Balthasar Klossowski de Rola, known to the world as Balthus, remains one of the most compelling and controversial figures in 20th-century art. Born in Paris on February 29, 1908, into a family steeped in intellectual and artistic circles, his life was marked by an early immersion in culture and a deliberate rejection of prevailing artistic trends. His father, Erich Klossowski, was a respected art historian, while his mother, Baladine Klossowska, was a painter herself, fostering an environment where aesthetic contemplation was not merely encouraged but lived. This upbringing instilled in the young Balthus a deep reverence for the Old Masters and a skepticism towards the burgeoning avant-garde movements that dominated the Parisian scene.