1936
Andre Derain (Balthus, 1936)
Balthus (1908–2001) made Andre Derain. It dates from 1936.
- 1936
Andre Derain, in brief
- Title
- Andre Derain
- Artist
- Balthus (1908–2001)
- Artist born in
- Paris, France
- Date
- 1936
- Subject
- buildings, men, famous people
High-resolution images of Andre Derain
Protected by copyright: these files are for personal reference, not a licence to republish.
Balthus, Andre Derain (1936).
Questions on Andre Derain, answered
In what year was "Andre Derain" by Balthus created?
"Andre Derain" dates from 1936. The date places the work within Balthus's career and its era.
What is "Andre Derain" about?
The subjects of "Andre Derain" are buildings, men, famous people.
Is "Andre Derain" free of copyright?
"Andre Derain" by Balthus is still protected by copyright. This status governs how the image of the work may be reproduced.
Who created "Andre Derain"?
The artist behind "Andre Derain" is Balthus. The work is catalogued under Balthus's name.
How old was Balthus when creating "Andre Derain" in 1936?
Balthus made "Andre Derain" at the age of 28. The artist was born in 1908 and the work is dated 1936.
What explains the copyright situation of "Andre Derain" by Balthus?
"Andre Derain" by Balthus is still protected by copyright. Copyright duration runs from the artist's death, which occurred in 2001.
About the artist, Balthus
1908–2001, France
Balthus
A World Apart: The Enigmatic Vision of Balthus Balthasar Klossowski de Rola, known to the world as Balthus, remains one of the most compelling and controversial figures in 20th-century art. Born in Paris on February 29, 1908, into a family steeped in intellectual and artistic circles, his life was marked by an early immersion in culture and a deliberate rejection of prevailing artistic trends. His father, Erich Klossowski, was a respected art historian, while his mother, Baladine Klossowska, was a painter herself, fostering an environment where aesthetic contemplation was not merely encouraged but lived. This upbringing instilled in the young Balthus a deep reverence for the Old Masters and a skepticism towards the burgeoning avant-garde movements that dominated the Parisian scene.