Surrealism · 1975

Fruits devastating (André Masson, 1975)

André Masson (1896–1987) made Fruits devastating. It dates from 1975. It belongs to the Surrealism movement.

  • 1975
Fruits devastating by André Masson, 1975
Fruits devastating by André Masson, 1975.

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Fruits devastating, in brief

Title
Fruits devastating
Artist
André Masson (1896–1987)
Artist born in
Balagny-sur-Thérain, France
Date
1975
Movement
Surrealism
Subject
fruits

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Fruits devastating by André Masson, 1975
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André Masson, Fruits devastating (1975).

Questions on Fruits devastating, answered

What is the creation date of "Fruits devastating" by André Masson?

"Fruits devastating" by André Masson was created in 1975.

What does "Fruits devastating" by André Masson depict?

"Fruits devastating" by André Masson depicts: fruits.

Can the image of "Fruits devastating" by André Masson be freely reproduced?

"Fruits devastating" by André Masson is still protected by copyright. This status governs how the image of the work may be reproduced.

Who created "Fruits devastating"?

"Fruits devastating" is attributed to André Masson.

What art movement does "Fruits devastating" by André Masson belong to?

The movement associated with "Fruits devastating" by André Masson is Surrealism. This classification situates the work among related artists and artworks.

What was André Masson's age when "Fruits devastating" was created?

André Masson was 79 years old when creating "Fruits devastating" in 1975. The age is computed from the artist's birth year, 1896.

What explains the copyright situation of "Fruits devastating" by André Masson?

"Fruits devastating" by André Masson is still protected by copyright. Copyright duration runs from the artist's death, which occurred in 1987.

About the artist, André Masson

André Masson

1896–1987, France

André Masson

André Masson: A Life in Art Born: Balagny-sur-Thérain, France (January 4, 1896) Died: 1987 Early Life and Artistic Training Masson began his artistic journey at the age of eleven, studying at the Académie Royale des Beaux-Arts in Brussels under Constant Montald. This early training provided a foundation for his later experimentation with various styles. His initial work showed an interest in Cubism, demonstrating an early engagement with modern art movements. The Surrealist Period and Automatic Drawing Masson became a key figure within the Surrealist movement, enthusiastically embracing automatic drawing as a technique.

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