Portrait of Richard Phelps

The 9 Most Famous Richard Phelps Paintings, a Gallery Selection

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 9 works by Richard Phelps in our catalogue

In short

Of all the originals Richard Phelps left, the most famous is Peregrine Palmer (1703 1704–1762), DCL (1764), in the collection of the Examination Schools, Oxford. Close behind it come Portrait of an Unknown Gentleman (1751) and Thomas Goldney III (1751). Our catalog holds 9 works by Richard Phelps; the gallery has kept the 9 the world admires most, each shown with its date, its museum and its story.

1710 – 1785, Porlock Most works: Dunster Castle

Richard Phelps's top 10 paintings: the gallery's choice

The museums that keep Richard Phelps's originals

The 4 museums that hold the most of the paintings on this page.

Museum City Works by Richard Phelps Paintings from this list
Dunster CastleDunster Castle 4 Margaret Luttrell (1747–1792), Mrs John Henry Southcote, as a Child, Margaret Luttrell (1726–1766), Mrs Henry Fownes Luttrell, Margaret Luttrell (1726–1766), Mrs Henry Fownes Luttrell
Examination Schools, OxfordExamination Schools Oxford 1 Peregrine Palmer (1703 1704–1762), DCL
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 Thomas Goldney III
National Portrait Gallery, LondonNational Portrait Gallery London 1 Bampfylde Moore Carew

Richard Phelps year by year: the originals that define each

The selection follows Richard Phelps over 15 years, from 1750 to 1764, keeping the finest originals of each year.

Works per year

Pick a year to see its originals.

Collectors' questions about Richard Phelps's paintings

Which work is Richard Phelps most famous for?Reveal the answer

Peregrine Palmer (1703 1704–1762), DCL (1764), Examination Schools, Oxford. Portrait of an Unknown Gentleman (1751) and Thomas Goldney III (1751) come next.

What age was Richard Phelps when Peregrine Palmer (1703 1704–1762), DCL was made?Reveal the answer

54 years old: Peregrine Palmer (1703 1704–1762), DCL dates from 1764, and Richard Phelps was born in 1710.

How many paintings did Richard Phelps leave?Reveal the answer

Our catalog holds 9 works by Richard Phelps, dated from 1750 to 1764.

In which museums do Richard Phelps's masterpieces hang?Reveal the answer

Mostly in Dunster Castle, Examination Schools (Oxford) and Bristol Museum - Art Gallery (Bristol). The museum table above lists them all.

In which years did Richard Phelps paint the most famous works?Reveal the answer

In 1751: 2 of the 9 works on this page were made then, Portrait of an Unknown Gentleman among them.

What are the first and the last famous originals of Richard Phelps?Reveal the answer

On this page, the earliest is Bampfylde Moore Carew (1750) and the latest Peregrine Palmer (1703 1704–1762), DCL (1764).

Which Richard Phelps works hang at the Dunster Castle?Reveal the answer

Margaret Luttrell (1747–1792), Mrs John Henry Southcote, as a Child, Margaret Luttrell (1726–1766), Mrs Henry Fownes Luttrell and Margaret Luttrell (1726–1766), Mrs Henry Fownes Luttrell: the Dunster Castle holds 4 of the works on this page.

Richard Phelps: life and work

Richard Phelps (1710-1785): A Portraitist of Somerset’s Gentry

Richard Phelps was a singular figure in the artistic landscape of 18th-century England, primarily recognized for his meticulous portraiture and significant contributions to landscape design—particularly at Dunster Castle. Born around 1710, Phelps emerged from Porlock, Somerset, establishing himself as a respected artist whose career spanned decades and yielded an impressive body of work encompassing portraits, landscapes, and decorative commissions. His artistic journey began under the tutelage of Thomas Hudson and Sir Joshua Reynolds, two titans of British painting who instilled in him foundational principles of observation and technique—skills that would define his distinctive style.
  • Early Training & Influences: Phelps’s formative years were spent honing his craft alongside Reynolds and Hudson, absorbing the stylistic nuances of Rococo and Neoclassical aesthetics. These masters championed idealized beauty and dramatic composition, shaping Phelps's artistic sensibilities profoundly.
  • Dunster Castle Legacy: Perhaps Phelps’s most enduring achievement lies in his revitalization of Dunster Castle’s grounds for Henry Fownes Luttrell. He undertook a monumental task—transforming the castle’s sprawling estate into a harmonious blend of formal gardens and picturesque landscapes, reflecting the grandeur of Luttrell Manor and establishing Phelps as a leading landscape designer of his time.
  • Portraiture & Patronage: Phelps cultivated relationships with prominent families across Somerset and beyond, securing commissions to depict members of the gentry—a genre characterized by its emphasis on dignity, restraint, and psychological insight. His portraits captured not merely likenesses but also conveyed character and social status, cementing his reputation as a skilled portraitist.
  • Notable Works & Exhibitions: Phelps’s oeuvre includes celebrated canvases such as “Bampfylde Moore Carew,” engraved by Faber—a testament to his artistic prowess and the esteem in which he was held by fellow artists and connoisseurs. He exhibited regularly at the Society of Artists in London, showcasing his diverse talents and furthering his artistic visibility.
  • Legacy & Recognition: Phelps’s meticulous drawings—including depictions of George, Thomas, Mrs Mary Carew, and Elizabeth Carew Bernard—are housed in the British Museum's extensive album, representing a remarkable record of his artistic output. His work continues to inspire admiration for its elegance, precision, and sensitivity to natural beauty.

A Landscape Designer Shaping Somerset’s Estate

Beyond his portraiture, Phelps possessed considerable skill in landscape design, notably demonstrated during his involvement with Dunster Castle. He skillfully blended formal gardens—designed for visual impact and social prestige—with informal landscapes that celebrated the region's natural splendor. This harmonious fusion exemplifies Phelps’s artistic vision—one rooted in observation, understanding of aesthetics, and a desire to elevate the environment.

The British Museum Album: A Treasure Trove of Drawings
  • Composition & Technique: Phelps's drawings reveal an exceptional command of line and tonal gradation, reflecting Reynolds’s influence. His meticulous attention to detail—evident in sketches of John Popham—underscores his dedication to capturing the essence of his subjects with accuracy and nuance.
  • Subjects & Themes: The British Museum album showcases Phelps's artistic range—spanning portraits of noblemen, self-portraits, landscapes imbued with atmospheric perspective, and genre scenes depicting everyday life. These works offer invaluable insights into the visual culture of the era.

Connections & Collaborations

Phelps’s artistic pursuits intersected with influential figures of his time—including Henry Luttrell and George Frideric Handel. His correspondence reveals a keen engagement with intellectual currents and artistic debates, demonstrating his role as a participant in the broader cultural landscape of 18th-century Britain.