Portrait of Leonora Carrington

The 25 Most Famous Leonora Carrington Paintings, a Gallery Selection

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 25 works by Leonora Carrington in our catalogue

In short

Of all the originals Leonora Carrington left, the most famous is Costume design for the play Penelope Fantastic Figure with Leaves (1959). Close behind it come Do You Know My Aunt Eliza? (1941) and Self Portrait (1937). Our catalog holds 25 works by Leonora Carrington; the gallery has kept the 25 the world admires most, each shown with its date, its museum and its story.

1917 – 2011, Clayton-le-Woods Surrealism Most works: Tate Britain

Leonora Carrington's top 10 paintings: the gallery's choice

2
Do You Know My Aunt Eliza? (1941) by Leonora Carrington

Do You Know My Aunt Eliza?

1941 · Graphite · Tate Britain, London

This arresting monochromatic pencil drawing plunges the viewer into a moment of profound, almost visceral drama. The composition itself is a study in vertical tension, pulling the eye upward through an unfolding narrative of struggle. At its heart lies a dynamic confrontation: on one side, a spectral, skeletal presence—perhaps representing mortality or primal fear—lunges forward with palpable aggression. Counterbalancing this force is a more recognizably human figure, whose bearing suggests…

The Leonora Carrington selection continues, 11 to 25

The subjects that held Leonora Carrington's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Leonora Carrington's originals

The 4 museums that hold the most of the paintings on this page.

Museum City Works by Leonora Carrington Paintings from this list
Tate Britain, LondonTate Britain London 2 Do You Know My Aunt Eliza?, I Am an Amateur of Velocipedes
Israel Museum, JerusalemIsrael Museum Jerusalem 2 Assurbanipal Abluting Harpies, Ayusco 2 am
Museum of Latin American Art, Long BeachMuseum of Latin American Art Long Beach 1 Title translation: Baño de pájaros
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Costume design for the play ¦Penelope¦: Fantastic Figure with Leaves

Leonora Carrington decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Leonora Carrington's paintings

Which work is Leonora Carrington most famous for?Reveal the answer

Costume design for the play Penelope Fantastic Figure with Leaves (1959). Do You Know My Aunt Eliza? (1941) and Self Portrait (1937) come next.

What age was Leonora Carrington when Costume design for the play Penelope Fantastic Figure with Leaves was made?Reveal the answer

42 years old: Costume design for the play Penelope Fantastic Figure with Leaves dates from 1959, and Leonora Carrington was born in 1917.

What are the ten most famous Leonora Carrington paintings?Reveal the answer

Costume design for the play Penelope Fantastic Figure with Leaves, Do You Know My Aunt Eliza?, Self Portrait, Bird Superior, Portrait of Max Ernst, The Old Maids, The Good King Elk Horn, The Giantess, The Necromancer, Step-Sister's Hen and Assurbanipal Abluting Harpies. The ranking above gives each one's year and museum.

How many paintings did Leonora Carrington leave?Reveal the answer

Our catalog holds 25 works by Leonora Carrington, dated from 1937 to 1987.

In which museums do Leonora Carrington's masterpieces hang?Reveal the answer

Mostly in Tate Britain (London), Israel Museum (Jerusalem) and Museum of Latin American Art (Long Beach). The museum table above lists them all.

In which years did Leonora Carrington paint the most famous works?Reveal the answer

In 1950s: 7 of the 25 works on this page were made then, Costume design for the play Penelope Fantastic Figure with Leaves among them.

What are the first and the last famous originals of Leonora Carrington?Reveal the answer

On this page, the earliest is Self Portrait (1937) and the latest Ayusco 2 am (1987).

Which subjects did Leonora Carrington choose most often?Reveal the answer

Mythology (2), Fantasy (2) and Dreamscape (2), across the 25 works on this page.

To which art movement does Leonora Carrington belong?Reveal the answer

Surrealism, judging by the originals on this page.

Which Leonora Carrington works hang at the Tate Britain?Reveal the answer

Do You Know My Aunt Eliza? and I Am an Amateur of Velocipedes: the Tate Britain, London holds 2 of the works on this page.

Leonora Carrington: life and work

A Realm Beyond the Veil: The Life and Art of Leonora Carrington

Born Mary Leonora Carrington in 1917 amidst the verdant landscapes of Clayton Woods, Lancashire, England, the artist who would become a pivotal figure in Surrealism was, from her earliest years, an individual set apart. Her upbringing within a wealthy textile manufacturing family provided material comfort but little solace for a spirit that chafed against societal expectations and yearned for realms beyond the tangible. Expulsions from two schools – including New Hall School in Chelmsford – signaled a rebellious streak, a refusal to be molded by conventional norms. This early defiance ultimately led her to Florence, Italy, where she briefly attended Mrs. Penrose's Academy of Art, yet it was an encounter at age ten with Surrealist art in a Paris gallery that truly ignited the flame within her imagination. The seed was planted; a lifelong fascination with the subconscious, mythology, and the power of dreams had begun to blossom. Though met with familial resistance, Carrington’s mother provided crucial encouragement, recognizing and nurturing her daughter's artistic inclinations.

Forging a Surrealist Identity: From London to Mexico

Carrington’s formal art education continued in London at the Chelsea School of Art (1935) followed by studies at the Ozenfant Academy, where she honed her technical skills. However, it was her fateful meeting with Max Ernst in 1937 that irrevocably altered the course of her artistic journey. Their passionate and intellectually stimulating relationship led them to Saint Martin d'Ardèche, France, a period of intense collaboration and experimentation. It was during this time that Carrington began to develop her distinctive style, exemplified by works like The Inn of the Dawn Horse (c. 1939). This self-portrait is not merely a depiction of physical likeness but a symbolic exploration of identity, blending human and animal forms within a dreamlike setting—a hallmark of her emerging aesthetic. The outbreak of World War II shattered this idyllic existence. Ernst’s departure for America and Carrington's subsequent mental breakdown in Spain plunged her into a period of profound suffering and institutionalization. From the depths of this experience emerged Down Below (1944), a semi-autobiographical novel that stands as a powerful testament to the horrors of psychosis and the failings of psychiatric treatment, solidifying her place within Surrealist literature. A pivotal move followed: in the 1940s, Carrington sought refuge and reinvention in Mexico City, where she would reside for the remainder of her life.

Myth, Magic, and Feminine Power: The Core of Her Vision

Leonora Carrington’s art is a captivating tapestry woven with threads of mythology, folklore, alchemy, Kabbalah, and deeply personal symbolism. Animals—often possessing human-like qualities or existing as hybrid creatures—feature prominently in her paintings, serving not merely as subjects but as representations of psychological states, archetypal figures, and the untamed forces of nature. While she resisted explicit categorization as a “feminist artist,” Carrington’s work consistently challenges traditional gender roles and explores female agency within fantastical narratives. Her dreamlike landscapes are populated by enigmatic figures and strange creatures, evoking an atmosphere of mystery and inviting viewers to delve into the depths of their own subconscious. Her unique style is characterized by meticulous detail combined with imaginative subject matter, vibrant colors, and intricate patterns that create visually arresting compositions. Arca de Noé (1967), a vibrant depiction of Noah’s Ark teeming with fantastical creatures, exemplifies her exploration of creation and renewal. The Return of Boadicea (1969) showcases her celestial imagery and mythical storytelling. Even haunting works like Do You Know My Aunt Eliza? (c. 1947), a pencil drawing exploring mortality, are imbued with a unique blend of vulnerability and strength.

A Lasting Legacy: Beyond Surrealism

In Mexico City, Carrington found not only artistic freedom but also intellectual kinship. Her close friendship and collaborative spirit with fellow Surrealist Remedios Varo fostered an exchange of ideas centered on alchemy, Mayan mysticism, and esoteric knowledge. She continued to paint prolifically throughout her life, creating a vast body of work that delved into themes of transformation, the subconscious, and the enduring power of myth. Beyond her artistic pursuits, Carrington was actively involved in social justice movements, becoming a founding member of the women’s liberation movement in Mexico during the 1970s. Her commitment to challenging societal norms extended beyond her art, reflecting a deep-seated belief in equality and empowerment. Leonora Carrington passed away in 2011, leaving behind a legacy that continues to inspire artists and audiences worldwide. She is now rightfully recognized as one of the most important Surrealist artists of the 20th century—a visionary whose work transcends categorization, inviting us to explore the hidden realms within ourselves and the world around us. Her paintings, novels, and unwavering spirit remain a testament to the power of imagination, rebellion, and the enduring search for meaning beyond the veil of reality.