Portrait of Grace Cossington Smith

Grace Cossington Smith Paintings: The 5 Most Famous, Through a Gallery's Eye

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 5 works by Grace Cossington Smith in our catalogue

In short

To the gallery's eye, Grace Cossington Smith's most famous painting is Four panels for a screen: loquat tree, gum and wattle trees, waterfall, picnic in a gully (1929), whose original hangs in the National Gallery of Australia, Canberra. Bush at evening (1947) and Drapery and wattle (1952) complete the trio every eye recognises. Of the 5 works by Grace Cossington Smith in our catalog, the gallery presents the 5 most famous below, each original with its year, its museum and what makes it unique.

1892 – 1984, Neutral Bay Most works: Art Gallery of New South Wales

The gallery's top 10 Grace Cossington Smith paintings

1
Four panels for a screen: loquat tree, gum and wattle trees, waterfall, picnic in a gully (1929) by Grace Cossington Smith

Four panels for a screen: loquat tree, gum and wattle trees, waterfall, picnic in a gully

1929 · Painting · National Gallery of Australia, Canberra

In the vast tapestry of Australian Modernism, few works capture the rhythmic pulse of nature as intimately as Grace Cossington Smith’s "Four Panels for a Screen: Loquat Tree, Gum and Wattle Trees, Waterfall, Picnic in a Gully." Created in 1929, this monumental work is not merely a painting but an immersive environmental experience. Spanning an extraordinary width, the four panels act as windows into a curated botanical dreamscape, where the…

The museums that keep Grace Cossington Smith's originals

The 3 museums that hold the most of the paintings on this page.

Museum City Works by Grace Cossington Smith Paintings from this list
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 3 Bush at evening, Drapery and wattle, Gum blossoms
National Gallery of Australia, CanberraNational Gallery of Australia Canberra 1 Four panels for a screen: loquat tree, gum and wattle trees, waterfall, picnic in a gully
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 The Bridge in Curve

Grace Cossington Smith, one signature painting per decade

Works per decade

Pick a decade to see the original that defines it.

Grace Cossington Smith's paintings: the gallery answers

Which Grace Cossington Smith painting is the most famous of all?Reveal the answer

Four panels for a screen: loquat tree, gum and wattle trees, waterfall, picnic in a gully (1929), National Gallery of Australia, Canberra. Bush at evening (1947) and Drapery and wattle (1952) come next.

How old was Grace Cossington Smith on completing Four panels for a screen: loquat tree, gum and wattle trees, waterfall, picnic in a gully?Reveal the answer

37 years old: Four panels for a screen: loquat tree, gum and wattle trees, waterfall, picnic in a gully dates from 1929, and Grace Cossington Smith was born in 1892.

How many works did Grace Cossington Smith create?Reveal the answer

Our catalog holds 5 works by Grace Cossington Smith, dated from 1929 to 1952.

Where do Grace Cossington Smith's most famous originals hang?Reveal the answer

Mostly in Art Gallery of New South Wales (Sydney), National Gallery of Australia (Canberra) and National Gallery of Victoria (Melbourne). The museum table above lists them all.

Which are Grace Cossington Smith's earliest and latest famous works?Reveal the answer

On this page, the earliest is Four panels for a screen: loquat tree, gum and wattle trees, waterfall, picnic in a gully (1929) and the latest Drapery and wattle (1952).

Which Grace Cossington Smith originals does the Art Gallery of New South Wales hold?Reveal the answer

Bush at evening, Drapery and wattle and Gum blossoms: the Art Gallery of New South Wales, Sydney holds 3 of the works on this page.

Grace Cossington Smith: the artist

**early life and artistic beginnings**

grace cossington smith, a pivotal figure in the history of australian modernist painting, was born on april 20, 1892, in neutral bay, sydney. she was the second of five children to london-born solicitor ernest smith and his wife grace, née fisher, daughter of the rector of cossington in leicestershire.

**artistic education and influences**

from 1910 to 1911, smith studied drawing with antonio dattilo rubbo, a foundational influence on her early work. her subsequent travels to england (1912-1914) exposed her to the works of watteau in berlin and further solidified her interest in modernist theories upon her return to sydney.

**pioneering post-impressionism in australia**

smith's the sock knitter (1915), arguably australia's first post-impressionist painting, marked a significant milestone in her career. adopting the middle name "cossington" in 1920, she continued to innovate with her characteristic square brush strokes and bright unblended colors.

**notable works and exhibitions**

**legacy and late-acclaimed recognition** smith's work was greatly respected by fellow artists roland wakelin and roy de maistre. a major retrospective exhibition of her work, touring australia in 1973, solidified her place in australian art history.

**explore more with OriginalUniqueArt.com**

**conclusion**

grace cossington smith's trailblazing career not only introduced post-impressionism to australia but also left an indelible mark on the country's modernist landscape. her legacy, now accessible through various platforms, including OriginalUniqueArt.com, continues to inspire and educate art enthusiasts worldwide.