In short
The Virgin of the Assumption with St Thomas Receiving the Girdle (1360) is the Bartolommeo Bulgarini painting that draws the most eyes; the original belongs to the Pinacoteca Nazionale, Siena. After it, the eye goes to Calvary and Madonna of Humility. Among the 7 works of Bartolommeo Bulgarini in our catalog, these 7 are the most famous, each a unique original presented with its year, its museum and the reason it endures.
Top 10 paintings by Bartolommeo Bulgarini, through the gallery's eye
The subjects that held Bartolommeo Bulgarini's eye
The four subjects that come back most often in these originals, each with its finest example.
The museums that keep Bartolommeo Bulgarini's originals
The 2 museums that hold the most of the paintings on this page.
| Museum | City | Works by Bartolommeo Bulgarini | Paintings from this list |
|---|---|---|---|
| Siena | 1 | The Virgin of the Assumption with St Thomas Receiving the Girdle | |
| Amsterdam | 1 | Madonna of Humility |
Bartolommeo Bulgarini across the years: the unique originals of each
All the dated Bartolommeo Bulgarini originals shown here belong to a single year, 1360: they appear in order of fame.
Works per year
Pick a year to see its originals.
Bartolommeo Bulgarini's paintings: questions for the gallery
What is the single most famous work of Bartolommeo Bulgarini?Reveal the answer
The Virgin of the Assumption with St Thomas Receiving the Girdle (1360), Pinacoteca Nazionale, Siena. Calvary and Madonna of Humility come next.
At what age did Bartolommeo Bulgarini create The Virgin of the Assumption with St Thomas Receiving the Girdle?Reveal the answer
55 years old: The Virgin of the Assumption with St Thomas Receiving the Girdle dates from 1360, and Bartolommeo Bulgarini was born in 1305.
How many works by Bartolommeo Bulgarini are known?Reveal the answer
Our catalog holds 7 works by Bartolommeo Bulgarini.
Where can the most famous Bartolommeo Bulgarini originals be seen?Reveal the answer
Mostly in Pinacoteca Nazionale (Siena) and Rijksmuseum (Amsterdam). The museum table above lists them all.
What subjects did Bartolommeo Bulgarini favour?Reveal the answer
Virgin mary (3) and Children (2), across the 7 works on this page.
Bartolommeo Bulgarini: a portrait of the artist
The Sienese Master of Light and Line
Bartolommeo Bulgarini, known variously as Bulgarino or Bologhini, emerged from the vibrant artistic ferment of fourteenth-century Siena to become one of the most profound voices of the Trecento. Born around 1300, his life was inextricably linked to the golden age of Sienese painting, a period defined by a unique tension between the celestial and the terrestrial. His formative years were shaped by the rigorous training of an apprenticeship under the legendary Pietro Lorenzetti, a connection that would anchor his style in the prestigious lineage of Sienese masters. Unlike many of his contemporaries who sought fame in distant courts, Bulgarini remained deeply rooted in his home city, dedicating his life to the altarpieces and devotional panels that would grace the chapels and cathedrals of Siena, weaving his personal legacy into the very fabric of the city's religious identity.A Synthesis of Tradition and Innovation
The true brilliance of Bulgarini lies in his ability to act as a bridge between two worlds. He possessed a rare, intuitive grasp of how to marry the ancient, ethereal majesty of Byzantine iconography with the burgeoning humanism and spatial curiosity emerging from Florence. His technique was characterized by a meticulous attention to detail and a luminous use of color that seemed to radiate from within the gold-grounded panels. Through the careful application of tempera, he achieved a sense of weight and presence in his figures that moved beyond mere symbolism toward a more tangible reality. In his mature works, one observes a deliberate consideration for spatial depth and a sophisticated interplay of light. This stylistic evolution is perhaps most evident in his ability to balance:- The Byzantine influence, which provided the sacred, unmoving grandeur of the divine.
- The Florentine innovation, which introduced a nascent naturalism and anatomical grace.
- A luminous palette that utilized gold and rich pigments to evoke a sense of heavenly splendor.





