Portrait of Bartolommeo Bulgarini

The 7 Most Famous Bartolommeo Bulgarini Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 7 works by Bartolommeo Bulgarini in our catalogue

In short

The Virgin of the Assumption with St Thomas Receiving the Girdle (1360) is the Bartolommeo Bulgarini painting that draws the most eyes; the original belongs to the Pinacoteca Nazionale, Siena. After it, the eye goes to Calvary and Madonna of Humility. Among the 7 works of Bartolommeo Bulgarini in our catalog, these 7 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1305 – 1378, Siena Most works: Pinacoteca Nazionale

Top 10 paintings by Bartolommeo Bulgarini, through the gallery's eye

The subjects that held Bartolommeo Bulgarini's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Bartolommeo Bulgarini's originals

The 2 museums that hold the most of the paintings on this page.

Museum City Works by Bartolommeo Bulgarini Paintings from this list
Pinacoteca Nazionale, SienaPinacoteca Nazionale Siena 1 The Virgin of the Assumption with St Thomas Receiving the Girdle
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 1 Madonna of Humility

Bartolommeo Bulgarini across the years: the unique originals of each

All the dated Bartolommeo Bulgarini originals shown here belong to a single year, 1360: they appear in order of fame.

Works per year

Pick a year to see its originals.

Bartolommeo Bulgarini's paintings: questions for the gallery

What is the single most famous work of Bartolommeo Bulgarini?Reveal the answer

The Virgin of the Assumption with St Thomas Receiving the Girdle (1360), Pinacoteca Nazionale, Siena. Calvary and Madonna of Humility come next.

At what age did Bartolommeo Bulgarini create The Virgin of the Assumption with St Thomas Receiving the Girdle?Reveal the answer

55 years old: The Virgin of the Assumption with St Thomas Receiving the Girdle dates from 1360, and Bartolommeo Bulgarini was born in 1305.

How many works by Bartolommeo Bulgarini are known?Reveal the answer

Our catalog holds 7 works by Bartolommeo Bulgarini.

Where can the most famous Bartolommeo Bulgarini originals be seen?Reveal the answer

Mostly in Pinacoteca Nazionale (Siena) and Rijksmuseum (Amsterdam). The museum table above lists them all.

What subjects did Bartolommeo Bulgarini favour?Reveal the answer

Virgin mary (3) and Children (2), across the 7 works on this page.

Bartolommeo Bulgarini: a portrait of the artist

The Sienese Master of Light and Line

Bartolommeo Bulgarini, known variously as Bulgarino or Bologhini, emerged from the vibrant artistic ferment of fourteenth-century Siena to become one of the most profound voices of the Trecento. Born around 1300, his life was inextricably linked to the golden age of Sienese painting, a period defined by a unique tension between the celestial and the terrestrial. His formative years were shaped by the rigorous training of an apprenticeship under the legendary Pietro Lorenzetti, a connection that would anchor his style in the prestigious lineage of Sienese masters. Unlike many of his contemporaries who sought fame in distant courts, Bulgarini remained deeply rooted in his home city, dedicating his life to the altarpieces and devotional panels that would grace the chapels and cathedrals of Siena, weaving his personal legacy into the very fabric of the city's religious identity.

A Synthesis of Tradition and Innovation

The true brilliance of Bulgarini lies in his ability to act as a bridge between two worlds. He possessed a rare, intuitive grasp of how to marry the ancient, ethereal majesty of Byzantine iconography with the burgeoning humanism and spatial curiosity emerging from Florence. His technique was characterized by a meticulous attention to detail and a luminous use of color that seemed to radiate from within the gold-grounded panels. Through the careful application of tempera, he achieved a sense of weight and presence in his figures that moved beyond mere symbolism toward a more tangible reality. In his mature works, one observes a deliberate consideration for spatial depth and a sophisticated interplay of light. This stylistic evolution is perhaps most evident in his ability to balance:
  • The Byzantine influence, which provided the sacred, unmoving grandeur of the divine.
  • The Florentine innovation, which introduced a nascent naturalism and anatomical grace.
  • A luminous palette that utilized gold and rich pigments to evoke a sense of heavenly splendor.
This duality allowed his art to remain deeply devotional while simultaneously participating in the progressive movement toward the Renaissance.

Enduring Devotion and Historical Legacy

Bulgarini’s career was not merely a period of artistic growth but a testament to resilience. He remained an active and influential force in the Sienese school even as the devastating Black Death of 1348 reshaped the social and cultural landscape of Italy. His monumental achievements, such as the St. Victor Altarpiece, stand as enduring landmarks of his mastery, showcasing a complex theological narrative executed with unparalleled craftsmanship. Whether through the intimate grace of his Madonna and Child compositions or the solemnity of his depictions of saints, Bulgarini’s work captures the spiritual heartbeat of an era. Today, as art historians rediscover the profound impact of his hand, his name continues to resonate as a master who successfully captured the intersection of the eternal and the earthly, leaving behind a corpus of work that remains a cornerstone of Italian medieval art.