Portrait of Andrew Nicholl

The 56 Most Famous Andrew Nicholl Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 56 works by Andrew Nicholl in our catalogue

In short

Poppies And Daisies With Carrickfergus Castle, Co. Antrim In The Distance is the Andrew Nicholl painting that draws the most eyes. After it, the eye goes to A distant view of Derry through a bank of wild flowers (1830) and Sunrise on the Indian Ocean (1849). Among the 56 works of Andrew Nicholl in our catalog, these 56 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1804 – 1886, Belfast Romanticism Most works: Art Gallery of New South Wales

Top 10 paintings by Andrew Nicholl, through the gallery's eye

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A distant view of Derry through a bank of wild flowers (1830) by Andrew Nicholl

A distant view of Derry through a bank of wild flowers

1830 · Watercolor · Art Gallery of New South Wales, Sydney

In his breathtaking watercolor, "A distant view of Derry through a bank of wild flowers," the Irish master Andrew Nicholl achieves a rare feat of artistic perspective, merging the intimate with the infinite. At first glance, the viewer is drawn into a lush, tactile world of botanical detail; a vibrant foreground of poppies, white and yellow daisies, and delicate blue veronica dances in the light. This "worm’s-eye view" places us…

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Carrickfergus castle by Andrew Nicholl

Carrickfergus castle

Watercolor

In the evocative masterpiece Carrickfergus Castle, Andrew Nicholl invites the viewer to witness a moment of profound tranquility where the elements of earth, water, and sky converge in a dramatic display of Romanticism. The painting captures a breathtaking sunset over the ocean, a scene where the heavens are ablaze with a tapestry of clouds that catch the dying light of day. This celestial drama serves as a majestic backdrop for…

Andrew Nicholl's famous paintings, numbers 11 to 56

11An Eastern view of the Giant's Causeway by Andrew NichollAn Eastern view of the Giant's Causeway 12Valetta Harbour, Malta by Andrew NichollValetta Harbour, Malta 13Water lilies in front of Ceylon by Andrew NichollWater lilies in front of Ceylon 14A Steamer Off Staffa by Andrew NichollA Steamer Off Staffa 15Red bay castle, co. antrim by Andrew NichollRed bay castle, co. antrim 16Poppies by a Stream by Andrew NichollPoppies by a Stream 17The Indian Ocean - A Squall; And A Waterspout by Andrew NichollThe Indian Ocean - A Squall; And A Waterspout 18Pigeon Cave, Co. Donegal by Andrew NichollPigeon Cave, Co. Donegal 19Poppies, Buttercups And Daisies by Andrew NichollPoppies, Buttercups And Daisies 20The Long Bridge, Belfast by Andrew NichollThe Long Bridge, Belfast 21Kenbane castle, co. antrim by Andrew NichollKenbane castle, co. antrim 22A View In Ceylon by Andrew NichollA View In Ceylon 23View Of James Emerson Tennent's House In Ceylon by Andrew NichollView Of James Emerson Tennent's House In Ceylon 24Near Letterkenny, Co. Donegal by Andrew NichollNear Letterkenny, Co. Donegal 25Irish Wildflowers by Andrew NichollIrish Wildflowers 26Poppies, Daisies and other Flowers by the Sea by Andrew NichollPoppies, Daisies and other Flowers by the Sea 27The Twelve Pins Of Connemara From Beyond Roundstone by Andrew NichollThe Twelve Pins Of Connemara From Beyond Roundstone 28Poppies, Ox-eye Daisies And Dandelions At The Edge Of A Field by Andrew NichollPoppies, Ox-eye Daisies And Dandelions At The Edge Of A Field 29Steamer Off The Coast With Dunluce Castle, Co. Antrim Beyond by Andrew NichollSteamer Off The Coast With Dunluce Castle, Co. Antrim Beyond 30Prospect Of Kingston Harbour by Andrew NichollProspect Of Kingston Harbour 31Near Colombo, Ceylon by Andrew NichollNear Colombo, Ceylon 32Giant's eye, causeway head by Andrew NichollGiant's eye, causeway head 33Dun Laoghaire Harbour And Dublin Bay From Killiney Hill by Andrew NichollDun Laoghaire Harbour And Dublin Bay From Killiney Hill 34View of ross castle, killarney, co. kerry by Andrew NichollView of ross castle, killarney, co. kerry 35Glenarm, co. antrim by Andrew NichollGlenarm, co. antrim 36Fair head from ballycastle, co. antrim by Andrew NichollFair head from ballycastle, co. antrim 37Mallards Taking Flight At Sunset by Andrew NichollMallards Taking Flight At Sunset 38Poppies, Ox-eye Daisies, Dandelions And Foxgloves At The Edge Of A Field, With A View Of Londonderry Beyond by Andrew NichollPoppies, Ox-eye Daisies, Dandelions And Foxgloves At The Edge Of A Field, With A View Of Londonderry Beyond 39Shore Road, Belfast by Andrew NichollShore Road, Belfast 40Duck flighting at dusk by Andrew NichollDuck flighting at dusk 41A Coastal Landscape With Poppies, Cornflowers, Daisies And Grasses In The Foreground by Andrew NichollA Coastal Landscape With Poppies, Cornflowers, Daisies And Grasses In The Foreground 42A Herd Of Elephants, Ceylon by Andrew NichollA Herd Of Elephants, Ceylon 43Dunluce castle, co. antrim by Andrew NichollDunluce castle, co. antrim 44A Lake Landscape With Cattle Grazing And A Castle Beyond by Andrew NichollA Lake Landscape With Cattle Grazing And A Castle Beyond 45Carrick-a-rede, Co. Antrim by Andrew NichollCarrick-a-rede, Co. Antrim 46The giant's causeway, co. antrim by Andrew NichollThe giant's causeway, co. antrim 47A Pool In A Wooded Landscape, Ceylon by Andrew NichollA Pool In A Wooded Landscape, Ceylon 48Pleaskin head, co. antrim by Andrew NichollPleaskin head, co. antrim 49Landscape by Andrew NichollLandscape 50Red Bay, County Antrim by Andrew NichollRed Bay, County Antrim 51Off The Coast Of St Helena En-route To Sri Lanka by Andrew NichollOff The Coast Of St Helena En-route To Sri Lanka 52The Giant’s Causeway by Andrew NichollThe Giant’s Causeway 53A Flowerbank With Poppies, Harebells And Marigolds by Andrew NichollA Flowerbank With Poppies, Harebells And Marigolds 54Old Bush Mill, County Antrim by Andrew NichollOld Bush Mill, County Antrim 55The Old Tree in the Glen – June by Andrew NichollThe Old Tree in the Glen – June 56Poppies, Cornflowers And Daisies On Killiney Hill; Killiney Bay, Bray Head And The Sugar Loaf Mountain In The Distance by Andrew NichollPoppies, Cornflowers And Daisies On Killiney Hill; Killiney Bay, Bray Head And The Sugar Loaf Mountain In The Distance

The subjects that held Andrew Nicholl's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Andrew Nicholl's originals

The museum that holds the most of the paintings on this page.

Museum City Works by Andrew Nicholl Paintings from this list
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 1 A distant view of Derry through a bank of wild flowers

Andrew Nicholl across the years: the unique originals of each

A long career of 20 years, 1830 to 1849: Andrew Nicholl's most famous originals, shown year by year.

Works per year

Pick a year to see its originals.

Andrew Nicholl's paintings: questions for the gallery

What is the single most famous work of Andrew Nicholl?Reveal the answer

Poppies And Daisies With Carrickfergus Castle, Co. Antrim In The Distance. A distant view of Derry through a bank of wild flowers (1830) and Sunrise on the Indian Ocean (1849) come next.

Which ten paintings by Andrew Nicholl are the most famous?Reveal the answer

Poppies And Daisies With Carrickfergus Castle, Co. Antrim In The Distance, A distant view of Derry through a bank of wild flowers, Sunrise on the Indian Ocean, The british fleet off gibraltar, The Ruins Of Balbec, Gougane Barra With The Hermitage Of St Finbarr, County Cork, Carrickfergus castle, A beach in Ceylon, A British Naval vessel off the Galite Islands and A Ceylon harbour. The ranking above gives each one's year and museum.

How many works by Andrew Nicholl are known?Reveal the answer

Our catalog holds 56 works by Andrew Nicholl, dated from 1830 to 1849.

Where can the most famous Andrew Nicholl originals be seen?Reveal the answer

Mostly in Art Gallery of New South Wales (Sydney). The museum table above lists them all.

Which famous Andrew Nicholl painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is A distant view of Derry through a bank of wild flowers (1830) and the latest Sunrise on the Indian Ocean (1849).

What subjects did Andrew Nicholl favour?Reveal the answer

Landscape (7), Beach (7) and Buildings (6), across the 56 works on this page.

What materials did Andrew Nicholl paint with most?Reveal the answer

Watercolor, for 2 of the 56 works on this page.

Which movement does the work of Andrew Nicholl belong to?Reveal the answer

Romanticism and Impressionism, judging by the originals on this page.

Andrew Nicholl: a portrait of the artist

A Visionary of the Irish Landscape: The Life and Legacy of Andrew Nicholl

Andrew Nicholl was far more than a mere chronicler of scenery; he was a poet of light and atmosphere, a man whose brush breathed life into the rugged terrains of his homeland and beyond. Born in Belfast on April 4, 1804, to a family of modest means, Nicholl’s journey from an apprentice printer to a distinguished member of the Royal Hibernian Academy is a testament to the enduring power of artistic passion. While his early years were spent amidst the rhythmic clatter of the letterpress at The Northern Whig, his heart was always tethered to the natural world. Guided by the encouragement of his brother, the painter William Nicholl, Andrew began to translate the textures of the earth and the nuances of the sky into the delicate, luminous medium of watercolor. His early professional life was defined by a transition from the mechanical precision of printing to the fluid spontaneity of landscape painting. This evolution allowed him to master the subtle art of layered washes, a technique that enabled him to capture the ephemeral quality of light as it dances across water or settles upon ancient stone. His talent did not go unnoticed; through the generous patronage of figures such as Sir James Emerson Tennent, Nicholl was able to expand his horizons far beyond the shores of Ulster, embarking on transformative journeys that would forever enrich his visual vocabulary.

The Mastery of Light and the Romantic Spirit

The essence of Nicholl’s work lies in its profound connection to the Romantic movement, a period characterized by an intense fascination with the sublime power of nature. His landscapes are not merely topographical records but emotional experiences. When one gazes upon his depictions of Gougane Barra or the dramatic Coast of Antrim, there is a palpable sense of the untamed and the eternal. He possessed a rare ability to utilize tonal variations to create depth, pulling the viewer into the misty recesses of a valley or toward the sun-drenched horizon of a distant sea. His travels played a pivotal role in his stylistic development. The exotic landscapes of Ceylon offered him a new palette of vibrant colors and tropical light, contrasting beautifully with the more somber, moody greens and grays of the Irish countryside. This duality—the ability to render both the serene inland waterways of Ireland and the lush, humid atmospheres of distant colonies—demonstrates his versatility as a master of watercolor. His work often captures a specific moment in time, where the interplay of shadow and brilliance evokes a sense of quiet contemplation and awe.

A Pillar of the Artistic Community

Beyond his individual achievements, Andrew Nicholl was a foundational figure in the institutional development of art in Northern Ireland. He was a driving force behind the establishment of the Belfast Association of Artists, an endeavor that provided a vital platform for local talent and fostered a burgeoning culture of creative discourse. His commitment to the advancement of his peers was matched by his personal professional ascent; after serving as an associate member of the Royal Hibernian Academy since 1847, he achieved full membership in 1860, a prestigious recognition of his standing within the British and Irish art worlds. The historical significance of Nicholl’s oeuvre extends to its role as a visual archive of the nineteenth-century landscape. His meticulous attention to detail serves as a window into a world of disappearing vistas and historical landmarks. Through his legacy, we continue to explore:
  • The delicate interplay of atmospheric perspective and watercolor luminosity.
  • The profound emotional resonance found within the Romantic tradition.
  • The cultural importance of the Belfast Association of Artists in fostering regional identity.
  • The enduring beauty of the Irish and Ceylonese landscapes as captured through a master's eye.
As we reflect on the life of Andrew Nicholl, we see an artist who successfully bridged the gap between the mechanical and the ethereal, leaving behind a body of work that remains as luminous and evocative today as it was during his lifetime.