Late Medieval, one artist at a time

99 Famous Late Medieval Artistas Who Shaped the Movement

Simone Martini (1284–1344) is the most famous Late Medieval artista, whose singular vision gave us Cristo Encontrado no Templo e A Anunciação e Dois Santos (detalhe). Next stand Andrei Rublev, Ambrogio Lorenzetti, Pietro Lorenzetti e Hubert Van Eyck. These 99 artistas, from Yuan Dynasty (born 1271) to Hubert Van Eyck (born 1366), came from 20 countries.

Our selection. Artists whose works our catalogue attaches to Late Medieval, in the order of our fame ranking. Artists born after 1955 with no Wikidata identifier stay out until verified. The Wikipedia figure counts our 32 languages with an article on the artist.

  1. Cristo Encontrado no Templo de Simone Martini1Simone Martini
  2. Deesis Range: The Archangel Michael de Andrei Rublev2Andrei Rublev
  3. Efeitos da Boa Governança na Vida Urbana (Detalhe) de Ambrogio Lorenzetti3Ambrogio Lorenzetti

In brief

Late Medieval in brief

  • 99Artistas
  • 1271–1366Anos de nascimento
  • 20Países de origem
  • 1Mulheres
  • 5Artistas vivos
  • 1.514Obras em nosso catálogo
Cidades com mais nascimentos
Siena (13), Florence (11), Florença (5), Modena (3)
As mulheres desta lista
Mother Julian

One artist at a time

99 Late Medieval Artistas and their signature works

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Simone Martini

Italiano Born in Siena Gótico Internacional Wikipedia in 28/32 languages

Simone Martini

Saint Louis of Toulouse Crowning His Brother Robert of Anjou, 1317. Em 1333, ele pintou a Anunciação com Santa Margarida e Santo Ansanus, uma obra que reside atualmente na Galleria degli Uffizi, em Florença. Em 1342, ele concluiu o Cristo Encontrado no Templo, uma pintura que pode ser encontrada na Walker Art Gallery, em Liverpool.

Teacher of Lippo Memmi #10

Signature works · The 100 signature works

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Andrei Rublev

Russo Born in Grão-Principado de Moscou Pintura de Ícones Russos Wikipedia in 31/32 languages

Andrei Rublev

Em 1405, ele uniu forças com Teófanes e Prokhor de Gorodets para decorar a Catedral da Anunciação, um momento crucial na pintura de ícones russa. O Ícone da Trindade: Possivelmente a obra mais celebrada de Rublev, o ícone da “Trindade” (c. 1420-1428) é um testemunho de seu gênio artístico.

Signature works · The 100 signature works

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Ambrogio Lorenzetti

Born in Siena Wikipedia in 29/32 languages

Ambrogio Lorenzetti

Embora por vezes ofuscado por contemporâneos como Duccio e Simone Martini, e frequentemente discutido em conjunto com seu irmão, o pintor Pietro Lorenzetti, Ambrogio trilhou um caminho único, marcado por um espírito inovador e um profundo engajamento com o mundo ao seu redor.

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Pietro Lorenzetti

Italiano Born in Siena Início do Renascimento Wikipedia in 27/32 languages

Pietro Lorenzetti

Pietro Lorenzetti (c. 1280 – 1348) posiciona-se como uma figura fundamental na arte sienense, marcando a profunda transição do formalismo gótico para os ideais humanistas emergentes do início do Renascimento. Nascido na vibrante paisagem cultural de Siena por volta de 1280, a jornada artística de Lorenzetti desenrolou-se durante um período de significativa transformação intelectual e artística na Toscana.

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Hubert Van Eyck

Holandês Born in Maaseik Primitivos Flamengos Wikipedia in 20/32 languages

Hubert Van Eyck

No coração desta transformação encontrava-se Hubert van Eyck, uma figura cujo próprio nome está gravado nos alicerces da arte do Renascimento Nórdico. Nascido em Maasik por volta de 1385 ou 1390, ele fazia parte de uma formidável dinastia artística; as suas ligações familiares, incluindo o seu renomado irmão Jan e os irmãos Lambert e Margaret, criaram um cadinho de criatividade que alteraria para sempre a trajetória da pintura europeia.

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Taddeo Gaddi

Italiano Born in Florença Início do Renascimento Wikipedia in 23/32 languages

Taddeo Gaddi

Como um dos discípulos mais distintos do lendário Giotto di Bondone, Gaddi não apenas herdou um estilo; ele expandiu o vocabulário visual de sua época. Enquanto Giotto focava na essência bruta e escultural da humanidade, Gaddi introduziu uma elegância delicada e um uso sofisticado da luz que poderia transformar uma superfície plana em uma janela de radiância divina.

Teacher of Agnolo Gaddi #7, Jacopo Del Casentino (Jacopo Landino) #51

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Agnolo Gaddi

Italian Born in Florença Gothic, Early Renaissance Wikipedia in 20/32 languages

Agnolo Gaddi

Agnolo’s formative years were steeped in the legacy of Giotto, whose monumental frescoes at Assisi and Padua had irrevocably altered the course of Florentine art. This familial connection immediately positioned Agnolo within the epicenter of artistic experimentation that Florence experienced during Giotto’s lifetime. The influence is palpable in Agnolo’s earliest works: the monumental figures, the emotionally resonant compositions, and the narrative clarity—hallmarks of Giotto’s frescoes—are faithfully reproduced in paintings like The Resurrection of Lazarus, executed around 1375 for San Jacopo tra i Fossi.

Pupil of Taddeo Gaddi #6

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Teófanes, O Grego

Grego Born in Constantinopla Iconografia Bizantina Wikipedia in 22/32 languages

Teófanes, O Grego

Nascido em Constantinopla por volta de 1340, embora frequentemente associado à Grécia devido às suas atividades posteriores, Teófanes foi uma figura fundamental que uniu o florescimento final da arte bizantina às tradições emergentes da Rússia. Por volta de 1395, ele chegou a Novgorod, um poderoso estado dentro da Rússia, junto com Andrei Rublev, outra figura icônica da arte ortodoxa russa.

Teacher of Andrei Rublev #2

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Paolo Veneziano

Italiano Born in Veneza Influência bizantina e arte gótica Wikipedia in 15/32 languages

Paolo Veneziano

Paolo Veneziano (c. 1333 – 1358) ergue-se como uma figura monumental na história da arte veneziana, reconhecido universalmente como o pintor veneziano mais importante do século XIV. Nascido em uma linhagem artística no coração de Veneza — sendo seu pai um artista renomado — a breve, porém brilhante carreira de Veneziano coincidiu com um período transformador na pintura europeia.

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Lippo Memmi

Born in Siena Wikipedia in 17/32 languages

Lippo Memmi

Lippo Memmi, nascido por volta de 1291 no coração de Siena, Itália, destaca-se como uma figura crucial na transição das tradições bizantinas da pintura medieval para a elegância florescente do estilo Gótico Internacional. Talvez a mais celebrada delas seja a Anunciação com Santa Margarida e Santo Ansanus (1333), criada em colaboração com Simone Martini para a Galeria Uffizi.

Pupil of Simone Martini #1

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Altichiero

Italiano Born in Zevio Arte Gótica Wikipedia in 20/32 languages

Altichiero

Altichiero da Zevio, nascido perto da pacata cidade de Zevio, em Verona, por volta de 1330, não foi apenas um cronista de eventos sagrados, mas um pioneiro do estilo gótico veneziano.

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Spinello Aretino

Italiano Born in Arezzo Elo entre a Escola de Giotto e a Escola de Siena Wikipedia in 16/32 languages

Spinello Aretino

Nascido no seio de uma família de ourives florentinos, o seu verdadeiro nome era Spinello Di Luca Spinelli, mas tornou-se conhecido pela história pelo apelido "Aretino", significando a sua ligação a Arezzo. Nos seus primeiros anos, trabalhou nas movimentadas oficinas de Florença, contribuindo para obras monumentais, como os frescos na igreja de Carmine e Santa Maria Novella.

Pupil of Jacopo Del Casentino (Jacopo Landino) #51 · Teacher of Lorenzo di Bicci #32

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Bernardo Daddi

Born in Florença Wikipedia in 17/32 languages

Bernardo Daddi

Bernardo Daddi, nascido em Florença por volta de 1290 e falecido em 1348, ergue-se como uma figura fundamental na transição do final do período Gótico para o florescente Renascimento Italiano. Suas obras primordiais demonstram uma conexão clara com os seguidores de Giotto — mestres como o “Mestre de Santa Cecília” e outros pintores florentinos do primeiro quarto do século XIV — refletindo uma linhagem direta de influência artística.

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Niccolò Di Tommaso

Italian Born in Florence Early Renaissance

Niccolò Di Tommaso

Niccolò di Tommaso's art is characterized by a compelling synthesis of influences. The foundational solidity inherited from Maso di Banco provided a structural framework for his compositions, while the collaborative experience with Nardo di Cione instilled a refined sense of color and narrative clarity. The Madonna del Parto within the church of San Lorenzo, Florence, further exemplifies his sensitivity to maternal tenderness and spiritual devotion.

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Ni Zan

Chinês Born in Wuxi Quatro Mestres da Dinastia Yuan Wikipedia in 15/32 languages

Ni Zan

Seu nome de cortesia era Yuan Zhen (元鎮), e ele adotou nomes artísticos como Yun Lin Zi (雲林子), Huan Xia Sheng (幻霞生) e Jing Man Min (荊蠻民). Ni Zan é amplamente reconhecido como um dos quatro mestres da Dinastia Yuan, ao lado de Huang Gongwang, Wu Zhen e Wang Meng.

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Andrea Di Cione Di Arcangelo (Orcagna)

Italian Born in Florence Gothic-Late Gothic

Andrea Di Cione Di Arcangelo (Orcagna)

Orcagna achieved unparalleled fame through The Triumph of Death, a monumental undertaking commissioned for Siena Cathedral between 1365 and 1370.

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Orcagna

Italian Born in Florence Gothic-Late Gothic Wikipedia in 20/32 languages

Orcagna

However, Orcagna’s artistic trajectory quickly diverged from his master's, developing a distinctly Florentine style characterized by dramatic figures, vibrant colors, and an innovative approach to composition. He was formally admitted into the painter’s guild in 1343-44 and later joined the stonemasons’ guild in 1352, demonstrating his versatility and ambition across multiple artistic disciplines. His work served as an inspiration to many of Florence’s leading painters, including Jacopo di Cione, his brother, who continued Orcagna's artistic legacy after his death in 1368.

Pupil of Andrea Pisano #14

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Giovanni Di Milano

Born in Lombardia

Giovanni Di Milano

Nascido Giovanni di Jacopo di Guido da Caversaccio na Lombardia por volta de 1346, sua jornada artística se desenrolou principalmente no vibrante cenário cultural de Florença durante um tempo de imensa mudança e inovação.

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Barna Da Siena

Italian Born in Siena Gothic Art Wikipedia in 14/32 languages

Barna Da Siena

Through the dramatic shadows of his frescoes and the haunting beauty of his Madonna with Child, Barna da Siena remains an eternal presence in the canon of Italian masters, a name that continues to echo through the corridors of art history, inviting us to rediscover the soul of the Middle Ages.

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Wang Meng

Chinese Born in Huzhou Yuan Dynasty Landscape Painting Wikipedia in 14/32 languages

Wang Meng

His brushstrokes—often described as “ropy” or “layered”—were meticulously applied in thick, overlapping patterns, creating a palpable sense of texture and movement. Wang Meng’s compositions are often densely populated with elements—trees, rocks, mountains, streams—creating an immersive experience for the viewer. Notably, "Ge Zhichuan Relocating" sold for an astonishing $62.1 million at auction in 2011, a testament to its artistic merit and historical significance.

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Nicolas Bataille

French Medieval Art, Religious Paintings

Nicolas Bataille

His tapestries, particularly the famed “Seven Seals” cycle now housed in the Saint-Nicolas du Chardonnet church in Paris, offer a window into a world grappling with anxieties about mortality, divine judgment, and the impending end times – a perspective rarely found in contemporary art. The depiction of Babylon’s destruction reflects the prevailing fears about political instability and social decay in 14th-century France.

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Lorenzo Veneziano

Italiano Born in Veneza Arte bizantina Wikipedia in 11/32 languages

Lorenzo Veneziano

O ano de 1336 ressoa profundamente na paisagem artística da Itália, intrinsecamente ligado a uma figura envolta em um mistério fascinante – o Mestre de 1336. Mais precisamente conhecido como Giovanni Lipini, o nome deste artista, derivado de um afresco milagroso que retrata a Virgem Maria em Santa Maria delle Grazie, em Pistoia, oferece um vislumbre instigante de suas origens e de sua influência duradoura.

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Segna Di Buonaventure

Italian Trecento

Segna Di Buonaventure

However, unlike Duccio’s often exuberant and emotionally charged compositions, Segna’s paintings possess a more restrained elegance, characterized by a sense of solemnity and a focus on formal clarity. It’s believed that Segna spent time in Florence during this period, absorbing influences from the burgeoning Florentine school, which was beginning to experiment with linear perspective and naturalistic representation.

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Ugolino Di Nerio

Italiano Born in Siena Pintura sienense Wikipedia in 13/32 languages

Ugolino Di Nerio

Ugolino di Nerio, um nome amplamente ausente das narrativas históricas da arte convencional, ergue-se como uma figura fundamental no florescente cenário artístico de Siena e Florença durante a década de 1320.

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Taddeo di Bartolo

Italian Born in Siena Early Renaissance Wikipedia in 13/32 languages

Taddeo di Bartolo

His compositions often feature: Luminous Pigments: A palette rich in ultramarine, vermilion, and gold leaf that reflects the divine splendor of his subjects. Architectural Precision: The use of structured backgrounds to ground holy figures within a tangible, albeit idealized, reality. The historical significance of Taddeo di Bartolo lies in his role as a custodian of Sienese identity during a period of immense change.

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Lippo Di Benivieni

Italian Born in Florence Early Quattrocento

Lippo Di Benivieni

Despite the paucity of surviving paintings attributed to Lippo di Benivieni, his influence is palpable in several significant frescoes adorning churches throughout Siena and San Gimignano. Madonna and Child Panel Painting: A monochrome panel depicting Mary holding the infant Jesus exemplifies Lippo’s mastery of technique—particularly his ability to achieve remarkable tonal gradation using tempera on wood. Furthermore, his work serves as an exemplar of early Quattrocento painting—a transitional phase between Gothic formalism and Renaissance naturalism —demonstrating Lippo’s willingness to embrace new stylistic approaches while retaining core aesthetic principles.

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Zhao Yuan

Chinese Landscape painting

Zhao Yuan

Like Wang Meng, Zhao Yuan embraced a dense, complex compositional structure characterized by layered mountains, gnarled trees, and meticulously rendered details. Beyond Wang Meng, echoes of earlier masters like Fan Kuan (c. 937-1020), renowned for his monumental landscapes and powerful brushwork, can also be detected in Zhao Yuan’s treatment of rock formations and atmospheric effects. His most significant debt is undoubtedly to Wang Meng (1308-1383), one of the last great masters of the Yuan dynasty.

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Andrea Di Bartolo

Italian Born in Siena Sienese School Wikipedia in 12/32 languages

Andrea Di Bartolo

Working alongside luminaries such as Luca di Tommè, he contributed to significant communal works, including an altarpiece for the shoemaker's guild in the cathedral of Siena, marking his first documented presence in the annals of art history.

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Lorenzo di Bicci

Italian Florentine School

Lorenzo di Bicci

He eschewed the heavy, dark backgrounds favored by many of his contemporaries, opting instead for lighter, more airy compositions that allowed figures to emerge with clarity and grace. He skillfully employed perspective, though not with the mathematically precise rigor of later Renaissance artists, creating a sense of depth and spatial awareness through subtle variations in scale and detail. His successors, Bicci di Lorenzo and Neri di Bicci, continued to serve these groups, carrying forward his artistic legacy.

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Melchior Broederlam

Belgian Born in Ypres Early Netherlandish Painting Wikipedia in 15/32 languages

Melchior Broederlam

His influence can be traced through the lineage of the great Netherlandish painters, acting as a vital precursor to the technical perfection achieved by Jan van Eyck. The court at Dijon was a crucible of talent, attracting the finest goldsmiths, sculptors, and painters of Europe, and within this vibrant atmosphere, Broederlam refined a style that was both regal and deeply spiritual.

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Lorenzo Di Bicci

Italiano Born in Florença Escola Florentina Wikipedia in 8/32 languages

Lorenzo Di Bicci

Lorenzo di Bicci, nascido por volta de 1373 em Florença, ergue-se como uma figura fundamental na florescente Escola Florentina de pintura durante a segunda metade do século quatorze e o início do quinhentos. Vida Inicial e Treinamento: Os anos formativos de Lorenzo foram passados imerso na oficina de seu pai, Jacopo di Bicci—um artesão cujos próprios esforços artísticos prenunciavam a abordagem distinta de Lorenzo.

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Gherardo Starnina

Italian Born in Florence Venetian Renaissance Wikipedia in 12/32 languages

Gherardo Starnina

The enduring impact of Gherardo di Jacopo Starnina can be summarized through several key artistic contributions: Stylistic Synthesis: The seamless blending of Florentine emotional realism with Venetian decorative splendor.

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Jean Pucelle

French Early Gothic painting

Jean Pucelle

Jean Pucelle remains one of the most captivating enigmas in the annals of medieval art, a figure whose name is whispered with reverence by those who study the delicate transition from the rigid structures of the Middle Ages to the burgeoning humanism of the Renaissance.

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Andrea de Bonaiuto

Italiano Born in Florença Pintura toscana Wikipedia in 12/32 languages

Andrea de Bonaiuto

O meado do século XIV em Florença testemunhou um florescimento de talento artístico e, entre as suas figuras mais significativas, destacava-se Andrea Orcagna – um pintor, escultor, arquiteto e administrador cuja carreira multifacetada deixou uma marca indelével na paisagem visual da cidade.

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Guariento di Arpo

Italian Born in Piove di Sacco Early Renaissance; Venetian painting; Gothic art Wikipedia in 12/32 languages

Guariento di Arpo

The foundations of Guariento’s genius were laid in the workshops of his contemporaries, where the shadows of masters like Giotto di Bondone and Giovanni Pisano loomed large.

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Giovanni Del Biondo

Italian Born in Pratovecchio Gothic & Early Renaissance Wikipedia in 10/32 languages

Giovanni Del Biondo

He stands as a pivotal bridge between two worlds—the stylized, symbolic realm of the Gothic and the human-centric, observational era of the Renaissance.

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Claus Sluter

Holandês Born in Haarlem Realismo Norte

Claus Sluter

Claus Sluter (c. 1350-1406) posiciona-se como um dos escultores mais influentes de sua era, marcando uma conjuntura crucial entre as tradições artísticas góticas e renascentistas no norte da Europa. Primeiros Anos e Formação: Detalhes biográficos precisos permanecem esquivos, mas as evidências sugerem que Sluter recebeu treinamento nas oficinas das guildas de Haarlem, absorvendo as convenções estilísticas da escultura gótica prevalecente na época.

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Jacopo di Cione

Italian Born in Florence Gothic Wikipedia in 7/32 languages

Jacopo di Cione

Jacopo's dedication extended beyond commissions; he actively participated in shaping Florence’s cultural landscape through his involvement with the cathedral workshop and his role as consul of the Arte dei Medici e Speziali (1384, 1387, 1392). His commitment to procuring marble for the cathedral underscored his understanding of artistic grandeur and civic responsibility. The dispersed predella depicting scenes from Saint Peter’s life – a collaborative effort with Niccolò di Pietro Gerini – remains a poignant reminder of Jacopo's artistic legacy and the enduring power of Florentine Gothic art.

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Bartolo Di Fredi

Italian Born in Siena Sienese School Wikipedia in 13/32 languages

Bartolo Di Fredi

No coração da Toscana do século XIV, um período definido pela transição entre a graça etérea da era Gótica e o humanismo emergente do Renascimento, Bartolo di Fredi surgiu como um mestre da luz e da narrativa. Em 1355, ele ingressou oficialmente na Arte dei Maestá di Tavola e Dipinto, um marco que lhe garantiu acesso às redes de patronato mais significativas da Itália.

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Conrad von Soest

German Born in Dortmund International Gothic soft style Wikipedia in 13/32 languages

Conrad von Soest

His presence in Dortmund placed him at the heart of a cosmopolitan social circle, where he moved among the patrician elite, securing the patronage necessary to sustain a thriving workshop that would influence Northern European painting well into the late 15th century. Completed around 1420, this monumental triptych stands as a pinnacle of the International Gothic style.

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Tuthmosis

Egyptian Born in Amarna Amarna art style

Tuthmosis

Tuthmosis’s mastery lay not only in capturing likeness but also in skillfully manipulating stone. He primarily worked with fine-grained limestone, a material readily available in the quarries surrounding Amarna. Though Tuthmosis died around 1300 BC, his influence on Egyptian art endures.

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Giovanni da Milano

Italian Born in Valmorea Italian Gothic Wikipedia in 13/32 languages

Giovanni da Milano

In the bustling streets of Florence, where the air was thick with the scent of fresh pigment and the echoes of a changing era, a painter named Giovanni di Jacopo di Guido da Caversaccio began to make his mark. Hailing from Lombardy, he arrived in Tuscany as a man seeking his fortune, appearing in the city's records as Johannes Jacobi de Commo.

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Master Bertram

German Born in Minden International Gothic Wikipedia in 13/32 languages

Master Bertram

It is believed that Bertram was influenced by both French and Netherlandish artistic trends prevalent during his time. The influence of courtly art from France can be observed in the refined elegance of his figures and decorative elements, while the meticulous detail and realism characteristic of Early Netherlandish painting are evident in his depictions of architectural settings and objects.

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Agostino Di Giovanni

Italian Born in Siena Gothic architecture/sculpture

Agostino Di Giovanni

Agostino di Siena, born around 1285 in the heart of Tuscany, emerged as a pivotal figure in the transition from late Gothic to early Renaissance sculpture. Giorgio Vasari, the celebrated Renaissance art historian, initially placed Agostino within the orbit of Giovanni Pisano’s workshop, suggesting a formative apprenticeship under this master sculptor. His exact date of death remains unknown, though records indicate he was no longer living as of June 27, 1347—a period marked by the devastating impact of the Black Death.

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André Beauneveu

Netherlandish Born in Valenciennes Pucellian revival

André Beauneveu

His technical achievements are best observed in the following areas: Illuminated Manuscripts: In works such as the Psalter of Jean de Berry and his depictions of figures like King David, Beauneveu demonstrated an extraordinary ability to use light and shadow to create a sense of three-dimensional volume on parchment.

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Jacopo Del Casentino (Jacopo Landino)

Italian Born in Florence Renaissance

Jacopo Del Casentino (Jacopo Landino)

To study the works of Jacopo del Casentino is to witness the evolution of the human spirit through paint. In the annals of Italian art, Jacopo remains a luminous figure, a painter who captured the very essence of Florentine devotion. The origins of his artistry are deeply rooted in the Florentine milieu, likely shaped by the influential circle surrounding the Master of St.

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Musō Soseki

Japonês Born in Província de Ise Budismo Zen Wikipedia in 12/32 languages

Musō Soseki

Nascido em uma família de grande relevância, sendo sua mãe filha de Hōjō Masamura (1264–1268), o sétimo shikken (regente) do shogunato Kamakura, a linhagem de Musō Soseki reforça seu impacto social.

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Francesco Traini

Italian Born in Pisa Gothic Art Wikipedia in 11/32 languages

Francesco Traini

Orcagna championed the concept of “naturalis dispositio,” prioritizing spatial realism to communicate theological ideas effectively—a principle that Traini wholeheartedly embraced. The Dance of Death Motif: The Triumph of Death fresco, arguably Traini's magnum opus, embodies the pervasive preoccupation with mortality during the Black Death era.

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Vitale Da Bologna

Italian Born in Bologna International Gothic Wikipedia in 12/32 languages

Vitale Da Bologna

The historical importance of Vitale da Bologna lies in his role as a pivotal figure in the evolution of the Bolognese school. By blending the formal rigidity of Gothicism with the emerging naturalism of the early Renaissance, he provided a blueprint for subsequent generations of Italian painters. His works, scattered across prestigious locations such as Pomposa Abbey and Udine Cathedral, serve as windows into a world where the divine and the earthly were intimately entwined.

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Sheikh Zain Al-Din

Kurdish Born in Erbil Company Style

Sheikh Zain Al-Din

Zain al-Din’s prominence grew during a period of significant change in India, as the power of the Mughal Empire waned and British influence expanded. This era saw the emergence of what is now known as the “Company style” of painting—a hybrid aesthetic favored by British officials and collectors who sought realistic depictions of Indian life, flora, and fauna. The Ashmolean Museum in Oxford holds several examples of his work, including exquisite depictions of mountain-rats, hanging bats, parrots, and storks—each painting a miniature world unto itself.

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Pere Serra

Spanish Gothic-Italian

Pere Serra

Pere Serra, also known as Jaume Serra, stands as a compelling figure in the transition from the International Gothic style to the burgeoning Renaissance aesthetic within Catalonia. While biographical details remain scarce – a common fate for artists working before widespread documentation – Serra’s surviving works speak volumes about his skill, refinement, and the patronage that supported his endeavors. The city was a vibrant hub for trade and artistic exchange, exposed to influences from Italy, France, and Flanders.

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Império Asteca

Mexicano Born in Tenochtitlán Arte mesoamericana

Império Asteca

Nascidas no início do século XIV em Tenochtitlán, o coração do Império Asteca, as tradições artísticas dos astecas estavam profundamente enraizadas nos legados de civilizações mesoamericanas anteriores. A massiva Pedra do Sol (Calendário Asteca), descoberta em 1946, permanece como um testemunho de sua maestria neste meio — um relevo de pedra complexo e em camadas que combinava informações calendáرicas com simbolismo cosmológico.

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Marco Di Paolo Veneziano

Italian Byzantine-influenced art; Gothic art

Marco Di Paolo Veneziano

In the shimmering, maritime heart of the fourteenth century, a transformative era was unfolding within the lagoons of Venice, and at its center stood Paolo Veneziano. His formative years were steeped in the luminous, spiritual grandeur of Byzantine art, a tradition brought to the Venetian lagoons through trade and deep ecclesiastical ties to Constantinople. His ability to blend the following elements created a style that was uniquely "Venetian": Luminous Color Palettes: Drawing from the Byzantine tradition to create depth and spiritual radiance.

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Ferrer Bassa

Catalan Born in Avinyonet del Penedès Gothic painting

Ferrer Bassa

Ferrer Bassa emerged from the artistic landscape of 14th-century Catalonia as a pivotal figure, bridging the gap between established Gothic traditions and the burgeoning Italianate styles that would reshape European painting. His ability to synthesize diverse stylistic elements—French elegance, Sienese refinement, and Giottesque drama—resulted in a visual language that was both innovative and deeply rooted in its cultural context.

Signature works · The 100 signature works

63of 99

Tommaso Da Modena

Italian Born in Modena Late Gothic Wikipedia in 15/32 languages

Tommaso Da Modena

Tommaso Barisini, commonly known as Tommaso da Modena and sometimes referred to as Tomaso Baffini (c. 1325 – 1379), stands as one of the most prominent figures in Northern Italian painting during the mid-14th century—a period marked by burgeoning artistic innovation and profound spiritual reflection. His unwavering commitment to naturalistic representation—coupled with his masterful command of perspective—established a precedent for Renaissance artists seeking to emulate the grandeur and clarity of classical art forms.

Signature works · The 100 signature works

64of 99

Jacopo Avanzi

Italian Born in Bologna Renaissance, Proto-Renaissance

Jacopo Avanzi

D'Avanzi’s style occupies a fascinating position within the transition from Gothic art to the early Renaissance. The influence of Giotto is palpable, particularly in his emphasis on storytelling and relatable human emotions. He wasn’t alone in this pursuit; Altichiero da Zevio, with whom he frequently collaborated, shared similar artistic concerns.

Signature works · The 100 signature works

65of 99

Paolo Di Giovanni Fei

Italiano Born in San Quirico d'Orcia Naturalismo, Proto-Renascimento Wikipedia in 10/32 languages

Paolo Di Giovanni Fei

Pietro Lorenzetti, nascido por volta de 1280 e tragicamente falecido em 1348 durante a devastadora pandemia da Peste Negra, permanece uma figura fundamental na evolução da pintura italiana.

Signature works · The 100 signature works

67of 99

Wu Zhen

Yuan dynasty Born in Jiashan County Wikipedia in 12/32 languages

Wu Zhen

He did not merely observe the mountains or the flora; he sought to inhabit them. He achieved a rare unity known as the Three Perfections, where the boundaries between different disciplines began to dissolve. His work Qing Jiang Chun Xiao remains a definitive example of how he achieved the integration of the Three Perfections, weaving together the intellectual weight of poetry and the fluid grace of calligraphy with the visual depth of his painting.

Signature works · The 100 signature works

68of 99

Jacopo del Casentino

Florentine Born in Florence Later Gothic Wikipedia in 10/32 languages

Jacopo del Casentino

As his career progresses, the influence of the Lorenzetti brothers, Pietro and Ambrogio, becomes visible. His later Gothic style reflects this integration of Sienese elements.

Pupil of Taddeo Gaddi #6 · Teacher of Spinello Aretino #12

Signature works · The 100 signature works

69of 99

Giusto De' Menabuoi

Italian Born in Florence Early Renaissance Wikipedia in 12/32 languages

Giusto De' Menabuoi

Menabuoi’s distinctive style transcends simple categorization, reflecting a complex interplay between Byzantine iconography and Florentine Proto-Renaissance aesthetics. Unlike many of his contemporaries who embraced the burgeoning realism championed by artists like Altichiero and Jacopo d'Avanzi, Menabuoi prioritized conveying spiritual emotion over meticulous anatomical accuracy—a hallmark of Giotto’s artistic vision. Giotto's Legacy: As a student of Giotto, Menabuoi absorbed Giotto’s expressive technique—characterized by elongated figures and emotionally charged gestures—establishing a crucial link between Florentine artistic tradition and Byzantine influences.

Signature works · The 100 signature works

70of 99

Jacquemart de Hesdin

French Born in Hesdin International Gothic Wikipedia in 13/32 languages

Jacquemart de Hesdin

Très Belles Heures du Duc de Berry (Brussels Hours): Considered his most significant work, showcasing elaborate scenes and detailed miniatures. Petites Heures: A smaller-scale book of hours, also demonstrating Jacquemart’s skill in illumination. He synthesized these influences into a unique International Gothic style that was highly sought after by European nobility.

Signature works · The 100 signature works

71of 99

Matteo Giovanetti

Italian Born in Viterbo Early Italian Renaissance

Matteo Giovanetti

By absorbing the stylistic currents flowing from the great masters of Tuscany and Umbria, Giovanetti began to synthesize a unique visual language. He drew inspiration from the monumental weight and structural clarity of Giotto di Bondone, while simultaneously embracing the lyrical elegance and refined grace found in the works of Simone Martini.

Signature works · The 100 signature works

72of 99

Reisai Gukyoku

Japanese Born in Yamashiro Zen buddhism art

Reisai Gukyoku

Unlike the flamboyant styles prevalent during Nanbokuchō, Gukyoku's approach prioritized conveying spiritual essence over visual spectacle. He favored ink wash techniques (sumi-e), utilizing varying shades of black to create textured surfaces that mirrored the natural world—particularly landscapes reminiscent of Mount Yoshino, a sacred site venerated by Zen monks. Although he remains largely unrecognized by mainstream art historians, Reisai Gukyoku’s work stands as a poignant reminder of the transformative potential of artistic practice when guided by spiritual aspiration.

Signature works · The 100 signature works

74of 99

Bartolommeo Bulgarini

Italian Born in Siena Sienese school

Bartolommeo Bulgarini

The true brilliance of Bulgarini lies in his ability to act as a bridge between two worlds. He possessed a rare, intuitive grasp of how to marry the ancient, ethereal majesty of Byzantine iconography with the burgeoning humanism and spatial curiosity emerging from Florence. He remained an active and influential force in the Sienese school even as the devastating Black Death of 1348 reshaped the social and cultural landscape of Italy.

Signature works · The 100 signature works

75of 99

Gikō Tettō

Japanese Born in Hara Zen painting

Gikō Tettō

He was particularly influenced by the Chinese master Hsieh Ho (c. 1021–1076), whose innovative use of color, particularly in depicting landscapes, served as a significant model for Tettō. His compositions frequently featured sweeping vistas and dynamic brushstrokes, reflecting both the natural world and the internal landscapes of Zen meditation. His bold use of color and expressive brushwork served as an inspiration for subsequent generations of artists, including those who followed in the footsteps of the Ōtōkan school.

Signature works · The 100 signature works

76of 99

Barnaba Da Modena

Italian Born in Modena Byzantine-influenced Lombard Painting Wikipedia in 12/32 languages

Barnaba Da Modena

Born around 1328 in Modena (Emilia), he emerged from obscurity to become arguably the first Lombard painter of considerable renown, leaving behind an impressive oeuvre that testifies to his unwavering devotion to this venerable artistic heritage.

Signature works · The 100 signature works

77of 99

Peter Parler

German-Bohemian Born in Schwaebisch Guemund Late Gothic

Peter Parler

In the heart of the Late Middle Ages, a period defined by soaring spires and profound devotion, Peter Parler emerged as one of the most influential architects and sculptors of his era. Known variously as Peter von Gemünd or Petr Parléř, his identity was inextricably linked to the Parler family, a lineage of craftsmen whose influence stretched across much of Central Europe.

Signature works · The 100 signature works

78of 99

Bonanat Descoll I De Santcliment

Italiano Born in Barcelona Renascimento Inicial

Bonanat Descoll I De Santcliment

Bonanat Descoll I De Santcliment foi um almirante catalão da Coroa de Aragão no século XIV. Nascido em Barcelona, Espanha, em 1310, e falecido em 1390, ele se consolidou como uma figura proeminente na arte catalã e na história, desempenhando um papel fundamental no desenvolvimento do patrimônio cultural e artístico da região. Bonanat Descoll I De Santcliment foi não apenas um habilidoso líder militar, mas também um artista consumado.

Signature works · The 100 signature works

81of 99

Domenico Di Agostino

Italian Born in Siena Gothic Art

Domenico Di Agostino

Domenico di Agostino’s oeuvre is relatively small, consisting primarily of altarpieces and devotional panels intended for private chapels and churches in and around Siena. The Virgin of the Annunciation, found in various iterations across several museums, exemplifies his mature style. The legacy of Duccio di Buoninsegna, whose monumental Maestà had revolutionized Sienese painting just decades earlier, is clearly visible in Domenico's use of rich color palettes and narrative detail.

Signature works · The 100 signature works

82of 99

Agnolo Di Ventura

Italian Gothic Art Italy

Agnolo Di Ventura

The specifics of Agnolo’s early training are lost to time, but it is reasonable to assume he apprenticed within one of Siena's established workshops. The influence of Nicola Pisano and his son Giovanni, prominent sculptors active in Pisa and Florence, cannot be discounted, as their innovations in depicting classical forms and emotional expression were widely admired throughout Tuscany. He frequently collaborated with painters, as seen in the Monument to Tarlati, highlighting the interconnectedness of artistic disciplines during the 14th century.

Signature works · The 100 signature works

84of 99

Francesco Di Petracco

Italian Born in Arezzo Humanist poetry

Francesco Di Petracco

Petracco’s work reflects a unique blend of contemporary realism, influenced by the late Gothic tradition, alongside an emerging interest in perspective and atmospheric effects – hallmarks of the evolving Renaissance aesthetic. His family, prominent Florentine notaries, faced exile due to the turbulent power struggles between the White and Black Guelphs. Furthermore, Petracco's connection to the exiled poet Dante Alighieri – both sharing political exile from Florence – undoubtedly shaped his artistic outlook.

Signature works · The 100 signature works

88of 99

Giovanni Di Chellino Boccaccio

Italian Born in Certaldo Humanism precursor

Giovanni Di Chellino Boccaccio

Born amidst the rolling landscapes of Certaldo in 1313, Giovanni Boccaccio emerged as a vital force in the cultural landscape of the fourteenth century. As one of the legendary "Three Crowns" of Italian literature—standing alongside the giants Dante Alighieri and Petrarch—his life served as a bridge between the medieval world and the dawning light of the Renaissance.

Signature works · The 100 signature works

89of 99

Emperor Kōgon

Japanese Buddhist Art

Emperor Kōgon

While the Nanboku-chō period was defined by conflict between rival courts, Kōgon’s focus on Buddhist art provided a sense of cultural continuity and spiritual stability. He successfully utilized the medium of painting to assert a form of authority that was not dependent on military might, but on moral and religious prestige. Emperor Kōgon (1313–1364) was not merely a sovereign navigating a period of profound instability; he was a visionary patron whose devotion to Buddhist iconography helped reshape the aesthetic soul of Northern Japan.

Signature works · The 100 signature works

90of 99

Jakushitsu Genkō

Japanese Born in Tokyo Rinzai Zen

Jakushitsu Genkō

Early Life & Artistic Formation: Little biographical detail survives concerning Genkō’s formative years; he emerged from obscurity as a student of Zen at Nara Temple, establishing a foundation for his lifelong devotion to the Dharma.

Signature works · The 100 signature works

92of 99

Mother Julian

English Born in Norwich Medieval Mysticism

Mother Julian

The essence of Julian’s legacy lies in her extraordinary mystical experiences, captured in the seminal manuscript, Revelations of Divine Love. Through these spiritual windows, she glimpsed a God characterized not by distant judgment, but by an overwhelming, compassionate intimacy.

Signature works · The 100 signature works

93of 99

Nardo di Cione

Italian Born in Florence Renaissance Painting Wikipedia in 10/32 languages

Nardo di Cione

To study Nardo is to witness the evolution of the Florentine spirit: Technical Versatility: The seamless integration of sculptural depth with painterly fluidity. Chromatic Mastery: The use of vibrant, symbolic colors to navigate complex theological narratives. His early training under Maestro Piero Bargellini, a distinguished sculptor and painter, provided him with a unique dual perspective.

Signature works · The 100 signature works

95of 99

Serafino Serafini

Italian Born in Modena Giottesque & Bolognese

Serafino Serafini

One of his most celebrated achievements, the Coronation of the Virgin, bears a proud inscription dating the work to March 1385, serving as a permanent testament to his hand. His depictions of the Life of Saint Louis and scenes involving St. In the twilight of the fourteenth century, amidst the architectural grandeur of Northern Italy, the name Serafino Serafini emerged as a vital, if enigmatic, force in the evolution of late medieval painting.

Signature works · The 100 signature works

97of 99

Antonio Baboccio Da Piperno

Italian Born in Pietrantonella Late Medieval Art

Antonio Baboccio Da Piperno

He was a progenitor of style, fostering a school of artists that included luminaries such as Agnello del Fiore and Guglielmo Monaco. As we look back upon his life, which concluded around 1435, we see an artist who successfully navigated the complexities of patronage and the shifting tides of cultural influence. In the twilight of the Middle Ages, as the rigid structures of the Gothic era began to soften under the burgeoning light of the Renaissance, there emerged a master whose hands shaped the very identity of Neapolitan grandeur.

Signature works · The 100 signature works

98of 99

Zekkai Chūshin

Italian Born in Tosa Byzantine art

Zekkai Chūshin

The Master’s origins are shrouded in some mystery, yet a clear lineage can be traced through the artistic networks of Pistoia. He was deeply influenced by Giotto di Bondone, whose revolutionary approach to depicting human emotion and space began to permeate the region. The figure known as the Master of 1336 remains one of the most intriguing enigmas in Italian art history.

Signature works · The 100 signature works

Signature works

Signature Late Medieval works

  1. Cristo Encontrado no Templo de Simone Martini

    Cristo Encontrado no Templo

    Simone Martini

    1342 · Walker Art Gallery, Liverpool

  2. Deesis Range: The Archangel Michael de Andrei Rublev

    Deesis Range: The Archangel Michael

    Andrei Rublev

    1410 · Galeria Tretyakov, Moscovo

  3. Efeitos da Boa Governança na Vida Urbana (Detalhe) de Ambrogio Lorenzetti

    Efeitos da Boa Governança na Vida Urbana (Detalhe)

    Ambrogio Lorenzetti

    1338 · Palazzo Pubblico, Siena

  4. The Apostles Saint Andrew and Saint James the Lesser, with a Prophet de Pietro Lorenzetti

    The Apostles Saint Andrew and Saint James the Lesser, with a Prophet

    Pietro Lorenzetti

    1328 · Yale University Art Gallery, New Haven

  5. Agneau Mystique 0 de Hubert Van Eyck

    Agneau Mystique 0

    Hubert Van Eyck

    Catedral de São Bavo, Gante

  6. Two Apostles Saints de Taddeo Gaddi

    Two Apostles Saints

    Taddeo Gaddi

    1320 · Collezione Vittorio Cini, Venice

  7. The Last Supper de Agnolo Gaddi

    The Last Supper

    Agnolo Gaddi

    1395 · Lindenau-Museum, Altengau

  8. Our Lady of the Don de Teófanes, O Grego

    Our Lady of the Don

    Teófanes, O Grego

    1382 · Galeria Tretyakov, Moscovo

A timeline

Late Medieval through its signature works

  1. 1320
  2. 1324
  3. 1324
  4. 1328
  5. 1333
  6. 1336
  7. 1338
  8. 1339
  9. 1342
  10. 1345
  11. 1350
  12. 1354
  13. 1357
  14. 1370

Figures

The figures

País de nascimento
Italy37
Itália18
Japan8
China5
Spain3
France3
Egypt3
People's Republic of China2
Década de nascimento
1270s4
1280s9
1290s11
1300s9
1310s8
1320s12
1330s13
1340s9
1350s15
1360s9
Museus que detêm suas obras principais
Metropolitan Museum of Art18
Galleria degli Uffizi6
National Gallery of Art5
Yale University Art Gallery4
National Gallery4
Gemäldegalerie3
Rijksmuseum3
Biblioteca Nacional da França3

Every name

List of 99 famous Late Medieval artistas, every name

  1. 1Simone MartiniSimone MartiniItaliano · 1284–1344
  2. 2Andrei RublevAndrei RublevRusso · 1360–1430
  3. 3Ambrogio LorenzettiAmbrogio Lorenzetti1290–1348
  4. 4Pietro LorenzettiPietro LorenzettiItaliano · 1280–1348
  5. 5Hubert Van EyckHubert Van EyckHolandês · 1366–1426
  6. 6Taddeo GaddiTaddeo GaddiItaliano · 1300–1366
  7. 7Agnolo GaddiAgnolo GaddiItalian · 1350–1396
  8. 8Teófanes, O GregoTeófanes, O GregoGrego · 1335–1410
  9. 9Paolo VenezianoPaolo VenezianoItaliano · 1333–1358
  10. 10Lippo MemmiLippo Memmi1291–1356
  11. 11AltichieroAltichieroItaliano · 1330–1390
  12. 12Spinello AretinoSpinello AretinoItaliano · 1350–1410
  13. 13Bernardo DaddiBernardo Daddi1290–1348
  14. 14Andrea PisanoAndrea PisanoItaliano · 1290–1348
  15. 15Niccolò Di TommasoNiccolò Di TommasoItalian · 1346–1376
  16. 16Ni ZanNi ZanChinês · 1301–1374
  17. 17Andrea Di Cione Di Arcangelo (Orcagna)Andrea Di Cione Di Arcangelo (Orcagna)Italian · 1308–1368
  18. 18OrcagnaOrcagnaItalian · 1315–1368
  19. 19Giovanni Di MilanoGiovanni Di Milano1346–1369
  20. 20Barna Da SienaBarna Da SienaItalian · 1330–1380
  21. 21Wang MengWang MengChinese · 1308–1385
  22. 22Cresques AbrahamCresques AbrahamSpanish · 1325–1387
  23. 23Nicolas BatailleNicolas BatailleFrench · 1330–1405
  24. 24Lorenzo VenezianoLorenzo VenezianoItaliano · 1336–1379
  25. 25Segna Di BuonaventureSegna Di BuonaventureItalian · 1298–1326
  26. 26Cennino CenniniCennino CenniniItalian · 1360–1440
  27. 27Ugolino Di NerioUgolino Di NerioItaliano · 1280–1330
  28. 28Taddeo di BartoloTaddeo di BartoloItalian · 1362–1422
  29. 29Lippo Di BenivieniLippo Di BenivieniItalian · 1296–1327
  30. 30Zhao YuanZhao YuanChinese · nascido(a) em 1350
  31. 31Andrea Di BartoloAndrea Di BartoloItalian · 1360–1428
  32. 32Lorenzo di BicciLorenzo di BicciItalian · 1350–1427
  33. 33Melchior BroederlamMelchior BroederlamBelgian · 1355–1410
  34. 34Lorenzo Di BicciLorenzo Di BicciItaliano · 1350–1427
  35. 35Gherardo StarninaGherardo StarninaItalian · 1354–1413
  36. 36Jean PucelleJean PucelleFrench · 1300–1334
  37. 37Andrea de BonaiutoAndrea de BonaiutoItaliano · 1343–1379
  38. 38Guariento di ArpoGuariento di ArpoItalian · 1310–1370
  39. 39Giovanni Del BiondoGiovanni Del BiondoItalian · 1356–1399
  40. 40Claus SluterClaus SluterHolandês · 1355–1406
  41. 41Kokan ShirenKokan ShirenJapanese · 1278–1346
  42. 42Jacopo di CioneJacopo di CioneItalian · 1325–1399
  43. 43Bartolo Di FrediBartolo Di FrediItalian · 1330–1410
  44. 44Conrad von SoestConrad von SoestGerman · 1360–1423
  45. 45TuthmosisTuthmosisEgyptian · 1340–1300
  46. 46Giovanni da MilanoGiovanni da MilanoItalian · 1325–1370
  47. 47Master BertramMaster BertramGerman · 1345–1415
  48. 48Agostino Di GiovanniAgostino Di GiovanniItalian · 1285–1347
  49. 49Ashikaga YoshimitsuAshikaga Yoshimitsu1358–1408
  50. 50André BeauneveuAndré BeauneveuNetherlandish · 1335–1403
  51. 51Jacopo Del Casentino (Jacopo Landino)Jacopo Del Casentino (Jacopo Landino)Italian · 1330–1380
  52. 52Musō SosekiMusō SosekiJaponês · 1275–1351
  53. 53Francesco TrainiFrancesco TrainiItalian · 1321–1365
  54. 54Vitale Da BolognaVitale Da BolognaItalian · 1289–1359
  55. 55Sheikh Zain Al-DinSheikh Zain Al-DinKurdish · nascido(a) em 1325
  56. 56Pere SerraPere SerraSpanish · 1357–1406
  57. 57Império AstecaImpério AstecaMexicano · 1300–1521
  58. 58Liaoan QingyuLiaoan QingyuChinese · 1288–1363
  59. 59Marco Di Paolo VenezianoMarco Di Paolo VenezianoItalian · nascido(a) em 1362
  60. 60Matteo Di Ser CambioMatteo Di Ser CambioItalian · 1351–1424
  61. 61Zhu DiZhu Di1360–1424
  62. 62Ferrer BassaFerrer BassaCatalan · 1285–1348
  63. 63Tommaso Da ModenaTommaso Da ModenaItalian · 1326–1379
  64. 64Jacopo AvanziJacopo AvanziItalian · 1350–1416
  65. 65Paolo Di Giovanni FeiPaolo Di Giovanni FeiItaliano · 1345–1411
  66. 66GiottinoGiottinoItalian · 1324–1372
  67. 67Wu ZhenWu ZhenYuan dynasty · 1280–1354
  68. 68Jacopo del CasentinoJacopo del CasentinoFlorentine · 1297–1358
  69. 69Giusto De' MenabuoiGiusto De' MenabuoiItalian · 1330–1393
  70. 70Jacquemart de HesdinJacquemart de HesdinFrench · 1350–1410
  71. 71Matteo GiovanettiMatteo GiovanettiItalian · 1322–1368
  72. 72Reisai GukyokuReisai GukyokuJapanese · 1363–1452
  73. 73Qingzhuo Zhengcheng, Ch'Ing-Cho Cheng-Ch'EngQingzhuo Zhengcheng, Ch'Ing-Cho Cheng-Ch'EngChinese · 1274–1339
  74. 74Bartolommeo BulgariniBartolommeo BulgariniItalian · 1305–1378
  75. 75Gikō TettōGikō TettōJapanese · 1295–1369
  76. 76Barnaba Da ModenaBarnaba Da ModenaItalian · 1328–1386
  77. 77Peter ParlerPeter ParlerGerman-Bohemian · 1330–1399
  78. 78Bonanat Descoll I De SantclimentBonanat Descoll I De SantclimentItaliano · 1310–1390
  79. 79Yuan DynastyYuan DynastyChinese · 1271–1368
  80. 80Giovanni Di RiginoGiovanni Di RiginoItalian · nascido(a) em 1315
  81. 81Domenico Di AgostinoDomenico Di AgostinoItalian · 1317–1366
  82. 82Agnolo Di VenturaAgnolo Di VenturaItalian · 1290–1349
  83. 83Giovanni Da CampioneGiovanni Da CampioneItalian · 1320–1375
  84. 84Francesco Di PetraccoFrancesco Di PetraccoItalian · 1304–1374
  85. 85Giovanni d'AgostinoGiovanni d'Agostino1285–1347
  86. 86Sesson YūbaiSesson YūbaiJapanese · 1290–1347
  87. 87Sultan Al-Malik Al-Zahir Abu Sa’Id BarquqSultan Al-Malik Al-Zahir Abu Sa’Id BarquqEgyptian · 1339–1399
  88. 88Giovanni Di Chellino BoccaccioGiovanni Di Chellino BoccaccioItalian · 1313–1375
  89. 89Emperor KōgonEmperor KōgonJapanese · 1313–1364
  90. 90Jakushitsu GenkōJakushitsu GenkōJapanese · 1290–1367
  91. 91Bernat Saulet I El Taller De Sant Joan De Les AbadessesBernat Saulet I El Taller De Sant Joan De Les AbadessesItalian · 1341–1342
  92. 92Mother JulianMother JulianEnglish · nascido(a) em 1343
  93. 93Nardo di CioneNardo di CioneItalian · 1320–1366
  94. 94TutankhamenTutankhamenEgyptian · 1345–1327
  95. 95Serafino SerafiniSerafino SerafiniItalian · 1324–1393
  96. 96Filippo CalendarioFilippo CalendarioItalian · 1315–1355
  97. 97Antonio Baboccio Da PipernoAntonio Baboccio Da PipernoItalian · 1351–1435
  98. 98Zekkai ChūshinZekkai ChūshinItalian · 1336–1405
  99. 99Ryūshū ShūtakuRyūshū ShūtakuJapanese · 1307–1388

Questions

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