Late Medieval, one artist at a time

99 Famous Late Medieval Artyści Who Shaped the Movement

Simone Martini (1284–1344) is the most famous Late Medieval artysta, whose singular vision gave us Zwiastowanie i dwaj święci i Anuncjacja z Świętą Marią Egipską i Świętym Ansanusem. Next stand Andriej Rublow, Ambrogio Lorenzetti, Pietro Lorenzetti i Hubert Van Eyck. These 99 artyści, from Yuan Dynasty (born 1271) to Hubert Van Eyck (born 1366), came from 22 countries.

Our selection. Artists whose works our catalogue attaches to Late Medieval, in the order of our fame ranking. Artists born after 1955 with no Wikidata identifier stay out until verified. The Wikipedia figure counts our 32 languages with an article on the artist.

  1. Zwiastowanie i dwaj święci autorstwa Simone Martini1Simone Martini
  2. Deesis Range: The Archangel Michael autorstwa Andriej Rublow2Andriej Rublow
  3. Efekty dobrej rządności na życie miejskie (detal) autorstwa Ambrogio Lorenzetti3Ambrogio Lorenzetti

In brief

Late Medieval in brief

  • 99Artyści
  • 1271–1366Rok urodzenia
  • 22Kraje pochodzenia
  • 1Kobiety
  • 5Żyjący artyści
  • 1 514Dzieła w naszym katalogu
Miasta z największą liczbą urodzeń
Siena (13), Florence (10), Florencja (6), Modena (3)
Kobiety na tej liście
Mother Julian

One artist at a time

99 Late Medieval Artyści and their signature works

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Simone Martini

Włoch Born in Siena Gotyk międzynarodowy Wikipedia in 28/32 languages

Simone Martini

Saint Louis of Toulouse Crowning His Brother Robert of Anjou, 1317. W 1342 roku ukończył Odnalezienie Chrystusa w Świątyni – płótno, które możemy podziwiać w Walker Art Gallery w Liverpoolu. Św. Saint Louis of Toulouse Crowning His Brother Robert of Anjou, 1317.

Teacher of Lippo Memmi #10

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Andriej Rublow

Rosyjska Born in Wielkie Księstwo Moskiewskie Rosyjska malarska ikona Wikipedia in 31/32 languages

Andriej Rublow

W 1405 roku połączył siły z Teofanesem i Prokhoriem z Gorodźca, aby udekorować Sobór Zwiastowania, co stanowiło przełomowy moment w rosyjskim malarstwie ikon. Ikona Trójcy Świętej: Bez wątpienia najsławniejsze dzieło Rubliowa, ikona „Trójcy” (ok. 1420-1428), jest świadectwem jego artystycznego geniuszu.

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Ambrogio Lorenzetti

Born in Siena Wikipedia in 29/32 languages

Ambrogio Lorenzetti

Ambrogio Lorencetti, urodzony około 1290 roku w sercu Sieny we Włoszech, wyłonił się jako kluczowa postać w przejściu od średniowiecznych tradycji artystycznych do rozwijającego się renesansu. Choć przez pewne okresy przyćmiony przez takich współczesnych jak Duccio i Simone Martini, a często omawiany obok swojego brata, malarza Pietro Lorencettiego, Ambrogio wytyczył sobie własną ścieżkę – naznaczoną innowacyjnym duchem i głębokim zaangażowaniem w otaczający go świat.

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Pietro Lorenzetti

Włoska Born in Siena Wczesny renesans Wikipedia in 27/32 languages

Pietro Lorenzetti

Pietro Lorenzetti (ok. 1280–1348) jawi się jako postać kluczowa dla sztuki sienieńskiej, wyznaczająca moment głębokiego przejścia od gotyckiego formalizmu ku rodzącym się ideałom humanizmu wczesnego renesansu. Urodzony w tętniącym życiem krajobrazie kulturowym Sieny około 1280 roku, Lorenzetti rozpoczął swoją artystyczną podróż w epoce znaczących przemian intelektualnych i artystycznych w Toskanii.

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Hubert Van Eyck

Holenderski Born in Maaseik Wczesnoniemiecki Wikipedia in 20/32 languages

Hubert Van Eyck

W samym sercu tej transformacji stał Hubert van Eyck, postać, której samo nazwisko wyryte jest w fundamentach sztuki Renesansu Północnego. Urodzony w Maasik około 1385 lub 1390 roku, był częścią potężnej dynastii artystycznej; jego więzi rodzinne, obejmujące słynnego brata Jana oraz rodzeństwo Lambert i Margareta, stworzyły tygiel kreatywności, który na zawsze odmienił trajektorię malarstwa europejskiego.

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Taddeo Gaddi

Włoska Born in Florencja Wczesny renesans Wikipedia in 23/32 languages

Taddeo Gaddi

W tętniącej życiem, rozkwitającej atmosferze czternastowiecznej Florencji – epoki zdefiniowanej przez przejście od średniowiecza do wczesnego renesansu – Taddeo Gaddi wyłonił się jako mistrz światła, narracji i architektonicznego przepychu. Jako jeden z najwybitniejszych uczniów legendarnego Giotta di Bondone, Gaddi nie tylko odziedziczał styl; on rozszerzył wizualny język swojej epoki.

Teacher of Agnolo Gaddi #7, Jacopo Del Casentino (Jacopo Landino) #51

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Agnolo Gaddi

Włoski Born in Florencja Gothic, Early Renaissance Wikipedia in 20/32 languages

Agnolo Gaddi

Where Giotto frequently favored robust simplicity and monumental scale, Gaddi infused his canvases with intricate detail and heightened decorative flourish – reflecting the humanist sensibilities gaining traction in Florence during this period. This wasn’t to suggest a rejection of naturalism; rather, Gaddi skillfully layered it with stylistic refinements that anticipated the humanist ideals championed by artists like Brunelleschi and Donatello. The monumental figures, the palpable emotional resonance, and the narrative clarity characteristic of Giotto’s frescoes are unmistakably present in Agnolo’s initial paintings—a testament to his unwavering devotion to Giotto's groundbreaking innovations.

Pupil of Taddeo Gaddi #6

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Teofan Grek

Grecki Born in Konstantynopol Ikonografia bizantyjska Wikipedia in 22/32 languages

Teofan Grek

Urodzony w Konstantynopolu około 1340 roku, choć często kojarzony z Grecją ze względu na swoją późniejszą działalność, Teofanc był kluczową postacią łączącą ostatni rozkwit sztuki bizantyjskiej z rodzącymiymi się tradycjami Rusi. Około 1395 roku przybył do Nowogrodu, potężnego państwa-miasta na Rusi, wraz z Andriejem Rublowem,อีก jedną ikoniczną postacią sztuki prawosławnej.

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Paolo Veneziano

Włoska Born in Wenecja Wpływy bizantyjskie i sztuka gotycka Wikipedia in 15/32 languages

Paolo Veneziano

Paolo Veneziano (ok. 1333–1358) jawi się jako monumentalna postać w historii sztuki weneckiej, powszelegnie uznawany za najważniejszego malarza weneckiego XIV wieku. Urodzony w samym sercu Wenecji, w artystycznej linii krwi – jego ojciec był znamienitym twórcą – Veneziano przypadł na czasy przełomowe dla europejskiego malarstwa.

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Lippo Memmi

Włoski Born in Siena Gotyk Międzynarodowy Wikipedia in 17/32 languages

Lippo Memmi

Lippo Memmi, urodzony około 1291 roku w samym sercu Sieny, Włochy, jawi się jako kluczowa postać w przejściu od zakorzenionych w tradycji bizantyjskiej średniowiecznych malarstwa do rozkwitającej elegancji stylu gotyku międzynarodowego. Choć często omawiany w kontekście jego wybitnego szwagra i mentora, Simone Martiniego, współczesna nauka coraz bardziej dostrzega odrębny głos artystyczny Memmiego oraz znaczący wkład w sztukę Sieny XIV wieku.

Pupil of Simone Martini #1

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Altichiero Da Zevio

Włoska Born in Zevio Sztuka gotycka Wikipedia in 20/32 languages

Altichiero Da Zevio

Altichiero Da Zevio, urodzony około 1330 roku w pobliżu cichego miasteczka Zevio w Weronie, nie był jedynie kronikarzem świętych wydarzeń, lecz pionierem weneckiego stylu gotyckiego. Ta więź, prawdopodobnie nawiązana poprzez wnikliwą studię uczniów Giotta, takich jak Taddeo Gaddi, pozwoliła Altichiero Da Zevio tchnąć w swoje dzieła głębokie poczucie objętości, ciężaru i narracyjnej jasności, która była rewolucyjna dla jego czasów.

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Spinello Aretino

Włoska Born in Arezzo Łącznik między szkołą Giotta a szkołą syenieńską Wikipedia in 16/32 languages

Spinello Aretino

W barwnym gobelinie czternastowiecznej Toskanii niewiele nici jest tak misternie splecionych, jak te pozostawione przez Spinello Aretino. Urodzony w rodzinie florenckich złotników, nosił prawdziwe imię Spinello Di Luca Spinelli, lecz historia zapamiętała go pod przydomkiem „Aretino”, co podkreślało jego silną więź z Arezzo. W młodości pracował w tętniących życiem warsztatach Florencji, przyczyniając się do powstania monumentalnych dzieł, takich jak freski w kościołach Carmine i Santa Maria Novella.

Pupil of Jacopo Del Casentino (Jacopo Landino) #51 · Teacher of Lorenzo di Bicci #32

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Bernardo Daddi

Włoska Born in Florencja Wczesny renesans Wikipedia in 17/32 languages

Bernardo Daddi

Bernardo Daddi, urodzony we Florencji około 1290 roku i zmarły w 1348 roku, jawi się jako postać kluczowa dla okresu przejścia od późnego gotyku do rodzącego się włoskiego renesansu. Poza tymi ikonicznymi dziełami, wpływ Daddiego można dostrzec w licznych pracach rozproszonych w takich instytucjach jak National Gallery of Art czy Walters Art Museum.

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Andrea Pisano

Włoch Born in Pontecorvo Gotyk

Andrea Pisano

Andrea Pisano (ok. 1290 – 1348 Orvieto) jawi się jako monumentalna postać włoskiej rzeźby renesansowej, choć jego artystyczne dziedzictwo jest nierozerwalnie związane z poprzedzającą go epoką gotyku i zostało głęboko ukształtowane przez rewolucyjny wpływ Giotta di Bondone. Urodzony w Pontecorvo, w regionie Lazio, wczesne lata Pisana pozostają spowite tajemnicą, choć początkowo szlifował swój kunszt jako złotnik, zanim około 1300 roku całkowicie poświęcił się rzeźbiarstwu pod okiem Mino di Giovanni.

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Niccolò Di Tommaso

Włoska Born in Florencja Wczesny renesans

Niccolò Di Tommaso

Niccolò Di Tommaso, imię miękko rezonujące w annałach czternastowiecznego malarstwa włoskiego, pojawił się we Florencji około 1346 roku. Przełomowa współpraca z Nardo di Cione około 1370 roku okazała się dla niego transformująca. Ich wspólne wysiłki nad kaplicą Strozzi w kościele Santa Maria Novella stanowią kluczowy punkt zwrotny w artystycznej trajektorii Niccolò.

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Ni Zan

Chińska Born in Wuxi Czterej Mistrzowie Dynastii Yuan Wikipedia in 15/32 languages

Ni Zan

Ni Zan, znamienity chiński malarz, przyszedł na świat w 1301 roku w zamożnej rodzinie w Wuxi. Choć urodził się już po śmierci Kublaj-chana, rodzina Ni Zana mogła zapewnić mu rygorystyczne wykształcenie konfucjańskie, które ukształtowało jego intelekt i wrażliwość. Wypracowany po 1345 roku, unikalny styl Ni Zana był świadomą formą autoekspresji, nasyconą głęboką introspekcją.

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Andrea Di Cione Di Arcangelo (Orcagna)

Italian Born in Florence Gothic-Late Gothic

Andrea Di Cione Di Arcangelo (Orcagna)

Orcagna achieved unparalleled fame through The Triumph of Death, a monumental undertaking commissioned for Siena Cathedral between 1365 and 1370.

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Orcagna

Italian Born in Florence Gothic-Late Gothic Wikipedia in 20/32 languages

Orcagna

However, Orcagna’s artistic trajectory quickly diverged from his master's, developing a distinctly Florentine style characterized by dramatic figures, vibrant colors, and an innovative approach to composition. He was formally admitted into the painter’s guild in 1343-44 and later joined the stonemasons’ guild in 1352, demonstrating his versatility and ambition across multiple artistic disciplines. His work served as an inspiration to many of Florence’s leading painters, including Jacopo di Cione, his brother, who continued Orcagna's artistic legacy after his death in 1368.

Pupil of Andrea Pisano #14

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Giovanni Da Milano

Born in Lombardia

Giovanni Da Milano

Urodzony jako Giovanni di Jacopo di Guido da Caversaccio w Lombardii około 1346 roku, jego artystyczna podróż rozwinęła się głównie we wspaniałej kulturalnej scenerii Florencji, w czasach ogromnych zmian i innowacji.

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Barna Da Siena

Italian Born in Siena Gothic Art Wikipedia in 14/32 languages

Barna Da Siena

Through the dramatic shadows of his frescoes and the haunting beauty of his Madonna with Child, Barna da Siena remains an eternal presence in the canon of Italian masters, a name that continues to echo through the corridors of art history, inviting us to rediscover the soul of the Middle Ages.

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Wang Meng

Chinese Born in Huzhou Yuan Dynasty Landscape Painting Wikipedia in 14/32 languages

Wang Meng

His brushstrokes—often described as “ropy” or “layered”—were meticulously applied in thick, overlapping patterns, creating a palpable sense of texture and movement. Wang Meng’s compositions are often densely populated with elements—trees, rocks, mountains, streams—creating an immersive experience for the viewer. Notably, "Ge Zhichuan Relocating" sold for an astonishing $62.1 million at auction in 2011, a testament to its artistic merit and historical significance.

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Nicolas Bataille

French Medieval Art, Religious Paintings

Nicolas Bataille

His tapestries, particularly the famed “Seven Seals” cycle now housed in the Saint-Nicolas du Chardonnet church in Paris, offer a window into a world grappling with anxieties about mortality, divine judgment, and the impending end times – a perspective rarely found in contemporary art. The depiction of Babylon’s destruction reflects the prevailing fears about political instability and social decay in 14th-century France.

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Lorenzo Veneziano

Włoska Born in Wenecja Sztuka bizantyjska Wikipedia in 11/32 languages

Lorenzo Veneziano

Rok 1336 rezonuje w artystycznym krajobrazie Włoch, nierozerwalnie związany z postacią spowitą intrygującą tajemnicą – Mistrzem z roku 1336. Bardziej precyzyjnie znany jako Giovanni Lipini, artysta ten, którego imię wywodzi się od cudownego fresku przedstawiającego Matkę Bożą w Santa Maria delle Grazie w Pistoii, oferuje kuszący wgląd w jego pochodzenie i trwały wpływ na sztukę.

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Segna Di Buonaventure

Italian Trecento

Segna Di Buonaventure

However, unlike Duccio’s often exuberant and emotionally charged compositions, Segna’s paintings possess a more restrained elegance, characterized by a sense of solemnity and a focus on formal clarity. It’s believed that Segna spent time in Florence during this period, absorbing influences from the burgeoning Florentine school, which was beginning to experiment with linear perspective and naturalistic representation.

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Ugolino Di Nerio

Włoska Born in Siena Malarstwo sieneńskie Wikipedia in 13/32 languages

Ugolino Di Nerio

Urodzony około 1280 roku w rodzinie malarzy – jego ojcem był Guido, a rodzeństwem Muccio i Ugolino – wyłonił się jako niezależny mistrz, pozostawiając po sobie dziedzictwo poruszających dzieł, które stały się pomostem między sztywną formalnością tradycji italo-bizantyjskiej a rodzącym się duchem naturalizmu w malarstwie syeneńskim.

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Taddeo di Bartolo

Italian Born in Siena Early Renaissance Wikipedia in 13/32 languages

Taddeo di Bartolo

His compositions often feature: Luminous Pigments: A palette rich in ultramarine, vermilion, and gold leaf that reflects the divine splendor of his subjects. Architectural Precision: The use of structured backgrounds to ground holy figures within a tangible, albeit idealized, reality. The historical significance of Taddeo di Bartolo lies in his role as a custodian of Sienese identity during a period of immense change.

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Lippo Di Benivieni

Italian Born in Florence Early Quattrocento

Lippo Di Benivieni

Despite the paucity of surviving paintings attributed to Lippo di Benivieni, his influence is palpable in several significant frescoes adorning churches throughout Siena and San Gimignano. Madonna and Child Panel Painting: A monochrome panel depicting Mary holding the infant Jesus exemplifies Lippo’s mastery of technique—particularly his ability to achieve remarkable tonal gradation using tempera on wood. Furthermore, his work serves as an exemplar of early Quattrocento painting—a transitional phase between Gothic formalism and Renaissance naturalism —demonstrating Lippo’s willingness to embrace new stylistic approaches while retaining core aesthetic principles.

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Zhao Yuan

Chinese Landscape painting

Zhao Yuan

Like Wang Meng, Zhao Yuan embraced a dense, complex compositional structure characterized by layered mountains, gnarled trees, and meticulously rendered details. Beyond Wang Meng, echoes of earlier masters like Fan Kuan (c. 937-1020), renowned for his monumental landscapes and powerful brushwork, can also be detected in Zhao Yuan’s treatment of rock formations and atmospheric effects. His most significant debt is undoubtedly to Wang Meng (1308-1383), one of the last great masters of the Yuan dynasty.

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Andrea Di Bartolo

Italian Born in Siena Sienese School Wikipedia in 12/32 languages

Andrea Di Bartolo

Working alongside luminaries such as Luca di Tommè, he contributed to significant communal works, including an altarpiece for the shoemaker's guild in the cathedral of Siena, marking his first documented presence in the annals of art history.

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Lorenzo di Bicci

Italian Florentine School

Lorenzo di Bicci

He eschewed the heavy, dark backgrounds favored by many of his contemporaries, opting instead for lighter, more airy compositions that allowed figures to emerge with clarity and grace. He skillfully employed perspective, though not with the mathematically precise rigor of later Renaissance artists, creating a sense of depth and spatial awareness through subtle variations in scale and detail. His successors, Bicci di Lorenzo and Neri di Bicci, continued to serve these groups, carrying forward his artistic legacy.

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Melchior Broederlam

Belgian Born in Ypres Early Netherlandish Painting Wikipedia in 15/32 languages

Melchior Broederlam

His influence can be traced through the lineage of the great Netherlandish painters, acting as a vital precursor to the technical perfection achieved by Jan van Eyck. The court at Dijon was a crucible of talent, attracting the finest goldsmiths, sculptors, and painters of Europe, and within this vibrant atmosphere, Broederlam refined a style that was both regal and deeply spiritual.

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Lorenzo Di Bicci

Włoski Born in Florencja Florencka Szkoła Wikipedia in 8/32 languages

Lorenzo Di Bicci

Lorenzo di Bicci, urodzony około 1373 roku we Florencji, jest postacią kluczową w rozwijającej się florenckiej szkole malarstwa w drugiej połowie XIV i na początku XV wieku. Wczesne Życie i Szkolenie: Formatywne lata Lorenza spędził w warsztacie swojego ojca, Jacopo di Bicci—rzemieślnika, którego własne dzieła artystyczne zapowiadały wyrazisty styl Lorenza.

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Gherardo Starnina

Italian Born in Florence Venetian Renaissance Wikipedia in 12/32 languages

Gherardo Starnina

The enduring impact of Gherardo di Jacopo Starnina can be summarized through several key artistic contributions: Stylistic Synthesis: The seamless blending of Florentine emotional realism with Venetian decorative splendor.

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Jean Pucelle

French Early Gothic painting

Jean Pucelle

Jean Pucelle remains one of the most captivating enigmas in the annals of medieval art, a figure whose name is whispered with reverence by those who study the delicate transition from the rigid structures of the Middle Ages to the burgeoning humanism of the Renaissance.

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Andrea Di Bonaiuto

Włoska Born in Florencja Malarstwo toskańskie Wikipedia in 12/32 languages

Andrea Di Bonaiuto

Połowa czternastego wieku we Florencji była czasem niezwykłego rozkwitu talentów artystycznych, a wśród jego najznamienitszych postaci wyróżniał się Andrea Orcagna – malarz, rzeźbiarz, architekt i administrator, którego wieloaspektowa kariera odcisnęła niezatarte piętno na wizualnym krajobrazie miasta.

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Guariento di Arpo

Italian Born in Piove di Sacco Early Renaissance; Venetian painting; Gothic art Wikipedia in 12/32 languages

Guariento di Arpo

The foundations of Guariento’s genius were laid in the workshops of his contemporaries, where the shadows of masters like Giotto di Bondone and Giovanni Pisano loomed large.

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Giovanni Del Biondo

Italian Born in Pratovecchio Gothic & Early Renaissance Wikipedia in 10/32 languages

Giovanni Del Biondo

He stands as a pivotal bridge between two worlds—the stylized, symbolic realm of the Gothic and the human-centric, observational era of the Renaissance.

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Klaus Sluter

Holender Born in Haarlem Realizm Północny

Klaus Sluter

Claus Sluter (ok. 1350–1406) jawi się jako jeden z najbardziej wpływowych rzeźbiarzy swojej epoki, stanowiąc kluczowy punkt zwrotny między gotyckimi a renesansowymi tradycjami artystycznymi w Europie Północnej. Wpis jego nazwiska do rejestru cechu kamieniarzy w Brukseli około roku 1379/1380 potwierdza jego aktywność zawodową i podkreśla znaczenie kunsztu rzemieśliczego w średniowiecznej kulturze artystycznej.

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Jacopo di Cione

Italian Born in Florence Gothic Wikipedia in 7/32 languages

Jacopo di Cione

Jacopo's dedication extended beyond commissions; he actively participated in shaping Florence’s cultural landscape through his involvement with the cathedral workshop and his role as consul of the Arte dei Medici e Speziali (1384, 1387, 1392). His commitment to procuring marble for the cathedral underscored his understanding of artistic grandeur and civic responsibility. The dispersed predella depicting scenes from Saint Peter’s life – a collaborative effort with Niccolò di Pietro Gerini – remains a poignant reminder of Jacopo's artistic legacy and the enduring power of Florentine Gothic art.

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Bartolo Di Fredi

Italian Born in Siena Sienese School Wikipedia in 13/32 languages

Bartolo Di Fredi

W samym sercu czternastowiecznej Toskanii, w epoce zdefiniowanej przez przejście od eterycznej łagodności gotyku do rodzącego się humanizmu renesansu, Bartolo di Fredi wyłonił się jako mistrz światła i narracji. Urodzony w Sienie około 1330 roku, był kimś więcej niż tylko malarzem; był pomostem między dwoma światami.

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Conrad von Soest

German Born in Dortmund International Gothic soft style Wikipedia in 13/32 languages

Conrad von Soest

His presence in Dortmund placed him at the heart of a cosmopolitan social circle, where he moved among the patrician elite, securing the patronage necessary to sustain a thriving workshop that would influence Northern European painting well into the late 15th century. Completed around 1420, this monumental triptych stands as a pinnacle of the International Gothic style.

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Tuthmosis

Egyptian Born in Amarna Amarna art style

Tuthmosis

Tuthmosis’s mastery lay not only in capturing likeness but also in skillfully manipulating stone. He primarily worked with fine-grained limestone, a material readily available in the quarries surrounding Amarna. Though Tuthmosis died around 1300 BC, his influence on Egyptian art endures.

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Giovanni da Milano

Italian Born in Valmorea Italian Gothic Wikipedia in 13/32 languages

Giovanni da Milano

In the bustling streets of Florence, where the air was thick with the scent of fresh pigment and the echoes of a changing era, a painter named Giovanni di Jacopo di Guido da Caversaccio began to make his mark. Hailing from Lombardy, he arrived in Tuscany as a man seeking his fortune, appearing in the city's records as Johannes Jacobi de Commo.

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Master Bertram

German Born in Minden International Gothic Wikipedia in 13/32 languages

Master Bertram

It is believed that Bertram was influenced by both French and Netherlandish artistic trends prevalent during his time. The influence of courtly art from France can be observed in the refined elegance of his figures and decorative elements, while the meticulous detail and realism characteristic of Early Netherlandish painting are evident in his depictions of architectural settings and objects.

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Agostino Di Giovanni

Italian Born in Siena Gothic architecture/sculpture

Agostino Di Giovanni

Agostino di Siena, born around 1285 in the heart of Tuscany, emerged as a pivotal figure in the transition from late Gothic to early Renaissance sculpture. Giorgio Vasari, the celebrated Renaissance art historian, initially placed Agostino within the orbit of Giovanni Pisano’s workshop, suggesting a formative apprenticeship under this master sculptor. His exact date of death remains unknown, though records indicate he was no longer living as of June 27, 1347—a period marked by the devastating impact of the Black Death.

Signature works · The 100 signature works

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André Beauneveu

Netherlandish Born in Valenciennes Pucellian revival

André Beauneveu

His technical achievements are best observed in the following areas: Illuminated Manuscripts: In works such as the Psalter of Jean de Berry and his depictions of figures like King David, Beauneveu demonstrated an extraordinary ability to use light and shadow to create a sense of three-dimensional volume on parchment.

Signature works · The 100 signature works

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Jacopo Del Casentino (Jacopo Landino)

Italian Born in Florence Renaissance

Jacopo Del Casentino (Jacopo Landino)

To study the works of Jacopo del Casentino is to witness the evolution of the human spirit through paint. In the annals of Italian art, Jacopo remains a luminous figure, a painter who captured the very essence of Florentine devotion. The origins of his artistry are deeply rooted in the Florentine milieu, likely shaped by the influential circle surrounding the Master of St.

Signature works · The 100 signature works

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Musō Soseki

Japońska Born in Prefektura Aichi Buddyzm Zen Wikipedia in 12/32 languages

Musō Soseki

Musō Soseki, wybitna postać w świecie japońskiej sztuki i duchowości, przyszedł na świat w 1275 roku i odszedł 20 października 1351 roku. Aby dostrzec styl, który zainspirował, warto przyjrzeć się takim dziełom jak „krajobraz w stylu Zhan Jingfenga” autorstwa Li Yanshana, który, choć nie przypisuje się bezpośrednio Musō Soseki, odzwierciedla trwałe dziedzictwo jego podejścia artystycznego.

Signature works · The 100 signature works

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Francesco Traini

Italian Born in Pisa Gothic Art Wikipedia in 11/32 languages

Francesco Traini

Orcagna championed the concept of “naturalis dispositio,” prioritizing spatial realism to communicate theological ideas effectively—a principle that Traini wholeheartedly embraced. The Dance of Death Motif: The Triumph of Death fresco, arguably Traini's magnum opus, embodies the pervasive preoccupation with mortality during the Black Death era.

Signature works · The 100 signature works

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Vitale Da Bologna

Italian Born in Bologna International Gothic Wikipedia in 12/32 languages

Vitale Da Bologna

The historical importance of Vitale da Bologna lies in his role as a pivotal figure in the evolution of the Bolognese school. By blending the formal rigidity of Gothicism with the emerging naturalism of the early Renaissance, he provided a blueprint for subsequent generations of Italian painters. His works, scattered across prestigious locations such as Pomposa Abbey and Udine Cathedral, serve as windows into a world where the divine and the earthly were intimately entwined.

Signature works · The 100 signature works

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Sheikh Zain Al-Din

Kurdish Born in Erbil Company Style

Sheikh Zain Al-Din

Zain al-Din’s prominence grew during a period of significant change in India, as the power of the Mughal Empire waned and British influence expanded. This era saw the emergence of what is now known as the “Company style” of painting—a hybrid aesthetic favored by British officials and collectors who sought realistic depictions of Indian life, flora, and fauna. The Ashmolean Museum in Oxford holds several examples of his work, including exquisite depictions of mountain-rats, hanging bats, parrots, and storks—each painting a miniature world unto itself.

Signature works · The 100 signature works

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Pere Serra

Spanish Gothic-Italian

Pere Serra

Pere Serra, also known as Jaume Serra, stands as a compelling figure in the transition from the International Gothic style to the burgeoning Renaissance aesthetic within Catalonia. While biographical details remain scarce – a common fate for artists working before widespread documentation – Serra’s surviving works speak volumes about his skill, refinement, and the patronage that supported his endeavors. The city was a vibrant hub for trade and artistic exchange, exposed to influences from Italy, France, and Flanders.

Signature works · The 100 signature works

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Imperium Azteków

Meksykańska Born in Tenochtitlan Sztuka Mezoamerykańska

Imperium Azteków

Narodziły się na początku XIV wieku w Tenochtitlán, sercu Imperium Azteków, tradycje artystyczne Azteków były głęboko zakorzenione w dziedzictwie wcześniejszych cywilizacji Mezoameryki. Olmekowie, ze swoimi kolosalnymi głowami i wyrafinowanymi systemami kalendarzowymi, Teotihuacanos, słynący z potężnych piramid i planowania urbanistycznego, oraz Toltekowie, mistrzowie obróbki metali i rzeźby – wszyscy oni przyczynili się do bogatego gobelinu artystycznego, który odziedziczyli Aztekowie.

Signature works · The 100 signature works

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Marco Di Paolo Veneziano

Italian Byzantine-influenced art; Gothic art

Marco Di Paolo Veneziano

In the shimmering, maritime heart of the fourteenth century, a transformative era was unfolding within the lagoons of Venice, and at its center stood Paolo Veneziano. His formative years were steeped in the luminous, spiritual grandeur of Byzantine art, a tradition brought to the Venetian lagoons through trade and deep ecclesiastical ties to Constantinople. His ability to blend the following elements created a style that was uniquely "Venetian": Luminous Color Palettes: Drawing from the Byzantine tradition to create depth and spiritual radiance.

Signature works · The 100 signature works

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Ferrer Bassa

Catalan Born in Avinyonet del Penedès Gothic painting

Ferrer Bassa

Ferrer Bassa emerged from the artistic landscape of 14th-century Catalonia as a pivotal figure, bridging the gap between established Gothic traditions and the burgeoning Italianate styles that would reshape European painting. His ability to synthesize diverse stylistic elements—French elegance, Sienese refinement, and Giottesque drama—resulted in a visual language that was both innovative and deeply rooted in its cultural context.

Signature works · The 100 signature works

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Tommaso Da Modena

Italian Born in Modena Late Gothic Wikipedia in 15/32 languages

Tommaso Da Modena

Tommaso Barisini, commonly known as Tommaso da Modena and sometimes referred to as Tomaso Baffini (c. 1325 – 1379), stands as one of the most prominent figures in Northern Italian painting during the mid-14th century—a period marked by burgeoning artistic innovation and profound spiritual reflection. His unwavering commitment to naturalistic representation—coupled with his masterful command of perspective—established a precedent for Renaissance artists seeking to emulate the grandeur and clarity of classical art forms.

Signature works · The 100 signature works

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Jacopo Avanzi

Italian Born in Bologna Renaissance, Proto-Renaissance

Jacopo Avanzi

D'Avanzi’s style occupies a fascinating position within the transition from Gothic art to the early Renaissance. The influence of Giotto is palpable, particularly in his emphasis on storytelling and relatable human emotions. He wasn’t alone in this pursuit; Altichiero da Zevio, with whom he frequently collaborated, shared similar artistic concerns.

Signature works · The 100 signature works

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Paolo Di Giovanni Fei

Włoski Born in San Quirico d'Orcia Naturalizm, Proto-renesans Wikipedia in 10/32 languages

Paolo Di Giovanni Fei

Pietro Lorenzetti, urodzony około 1280 roku i tragicznie zmarły w 1348 roku podczas wyniszczającej pandemii Czarnej Śmierci, pozostaje postacią kluczową w ewolucji malarstwa włoskiego. Jego życie, choć tragicznie krótkie, było świadkiem dramatycznej zmiany wrażliwości artystycznej w Sienie, napędzanej w dużej mierze współpracą z młodszym bratem, Ambrogio Lorenzetti, oraz ich zaangażowaniem w innowacyjne techniki Giotta i Giovanni Pisano.

Signature works · The 100 signature works

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Wu Zhen

Yuan dynasty Born in Jiashan County Wikipedia in 12/32 languages

Wu Zhen

He did not merely observe the mountains or the flora; he sought to inhabit them. He achieved a rare unity known as the Three Perfections, where the boundaries between different disciplines began to dissolve. His work Qing Jiang Chun Xiao remains a definitive example of how he achieved the integration of the Three Perfections, weaving together the intellectual weight of poetry and the fluid grace of calligraphy with the visual depth of his painting.

Signature works · The 100 signature works

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Jacopo del Casentino

Florentine Born in Florence Later Gothic Wikipedia in 10/32 languages

Jacopo del Casentino

As his career progresses, the influence of the Lorenzetti brothers, Pietro and Ambrogio, becomes visible. His later Gothic style reflects this integration of Sienese elements.

Pupil of Taddeo Gaddi #6 · Teacher of Spinello Aretino #12

Signature works · The 100 signature works

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Giusto De' Menabuoi

Italian Born in Florence Early Renaissance Wikipedia in 12/32 languages

Giusto De' Menabuoi

Menabuoi’s distinctive style transcends simple categorization, reflecting a complex interplay between Byzantine iconography and Florentine Proto-Renaissance aesthetics. Unlike many of his contemporaries who embraced the burgeoning realism championed by artists like Altichiero and Jacopo d'Avanzi, Menabuoi prioritized conveying spiritual emotion over meticulous anatomical accuracy—a hallmark of Giotto’s artistic vision. Giotto's Legacy: As a student of Giotto, Menabuoi absorbed Giotto’s expressive technique—characterized by elongated figures and emotionally charged gestures—establishing a crucial link between Florentine artistic tradition and Byzantine influences.

Signature works · The 100 signature works

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Jacquemart de Hesdin

French Born in Hesdin International Gothic Wikipedia in 13/32 languages

Jacquemart de Hesdin

Très Belles Heures du Duc de Berry (Brussels Hours): Considered his most significant work, showcasing elaborate scenes and detailed miniatures. Petites Heures: A smaller-scale book of hours, also demonstrating Jacquemart’s skill in illumination. He synthesized these influences into a unique International Gothic style that was highly sought after by European nobility.

Signature works · The 100 signature works

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Matteo Giovanetti

Italian Born in Viterbo Early Italian Renaissance

Matteo Giovanetti

By absorbing the stylistic currents flowing from the great masters of Tuscany and Umbria, Giovanetti began to synthesize a unique visual language. He drew inspiration from the monumental weight and structural clarity of Giotto di Bondone, while simultaneously embracing the lyrical elegance and refined grace found in the works of Simone Martini.

Signature works · The 100 signature works

72of 99

Reisai Gukyoku

Japanese Born in Ямаширо Zen buddhism art

Reisai Gukyoku

Unlike the flamboyant styles prevalent during Nanbokuchō, Gukyoku's approach prioritized conveying spiritual essence over visual spectacle. He favored ink wash techniques (sumi-e), utilizing varying shades of black to create textured surfaces that mirrored the natural world—particularly landscapes reminiscent of Mount Yoshino, a sacred site venerated by Zen monks. Although he remains largely unrecognized by mainstream art historians, Reisai Gukyoku’s work stands as a poignant reminder of the transformative potential of artistic practice when guided by spiritual aspiration.

Signature works · The 100 signature works

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Bartolommeo Bulgarini

Italian Born in Siena Sienese school

Bartolommeo Bulgarini

The true brilliance of Bulgarini lies in his ability to act as a bridge between two worlds. He possessed a rare, intuitive grasp of how to marry the ancient, ethereal majesty of Byzantine iconography with the burgeoning humanism and spatial curiosity emerging from Florence. He remained an active and influential force in the Sienese school even as the devastating Black Death of 1348 reshaped the social and cultural landscape of Italy.

Signature works · The 100 signature works

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Gikō Tettō

Japanese Born in Hara Zen painting

Gikō Tettō

He was particularly influenced by the Chinese master Hsieh Ho (c. 1021–1076), whose innovative use of color, particularly in depicting landscapes, served as a significant model for Tettō. His compositions frequently featured sweeping vistas and dynamic brushstrokes, reflecting both the natural world and the internal landscapes of Zen meditation. His bold use of color and expressive brushwork served as an inspiration for subsequent generations of artists, including those who followed in the footsteps of the Ōtōkan school.

Signature works · The 100 signature works

76of 99

Barnaba Da Modena

Italian Born in Modena Byzantine-influenced Lombard Painting Wikipedia in 12/32 languages

Barnaba Da Modena

Born around 1328 in Modena (Emilia), he emerged from obscurity to become arguably the first Lombard painter of considerable renown, leaving behind an impressive oeuvre that testifies to his unwavering devotion to this venerable artistic heritage.

Signature works · The 100 signature works

77of 99

Piotr Parler

German-Bohemian Born in Schwaebisch Guemund Late Gothic

Piotr Parler

In the heart of the Late Middle Ages, a period defined by soaring spires and profound devotion, Peter Parler emerged as one of the most influential architects and sculptors of his era. Known variously as Peter von Gemünd or Petr Parléř, his identity was inextricably linked to the Parler family, a lineage of craftsmen whose influence stretched across much of Central Europe.

Signature works · The 100 signature works

78of 99

Bonanat Descoll I De Santcliment

Włoska Born in Barcelona Wczesny renesans

Bonanat Descoll I De Santcliment

Bonanat Descoll I De Santcliment był katalońskim admirałem Korony Aragonii w XIV wieku. Urodził się w Barcelonie w Hiszpanii w 1310 roku, a zmarł w 1390 roku. Bonanat Descoll I De Santcliment był nie tylko biegłym dowódcą wojskowym, ale także wybitnym artystą.

Signature works · The 100 signature works

81of 99

Domenico Di Agostino

Italian Born in Siena Gothic Art

Domenico Di Agostino

Domenico di Agostino’s oeuvre is relatively small, consisting primarily of altarpieces and devotional panels intended for private chapels and churches in and around Siena. The Virgin of the Annunciation, found in various iterations across several museums, exemplifies his mature style. The legacy of Duccio di Buoninsegna, whose monumental Maestà had revolutionized Sienese painting just decades earlier, is clearly visible in Domenico's use of rich color palettes and narrative detail.

Signature works · The 100 signature works

82of 99

Agnolo Di Ventura

Italian Gothic Art Italy

Agnolo Di Ventura

The specifics of Agnolo’s early training are lost to time, but it is reasonable to assume he apprenticed within one of Siena's established workshops. The influence of Nicola Pisano and his son Giovanni, prominent sculptors active in Pisa and Florence, cannot be discounted, as their innovations in depicting classical forms and emotional expression were widely admired throughout Tuscany. He frequently collaborated with painters, as seen in the Monument to Tarlati, highlighting the interconnectedness of artistic disciplines during the 14th century.

Signature works · The 100 signature works

84of 99

Francesco Di Petracco

Italian Born in Arezzo Humanist poetry

Francesco Di Petracco

Petracco’s work reflects a unique blend of contemporary realism, influenced by the late Gothic tradition, alongside an emerging interest in perspective and atmospheric effects – hallmarks of the evolving Renaissance aesthetic. His family, prominent Florentine notaries, faced exile due to the turbulent power struggles between the White and Black Guelphs. Furthermore, Petracco's connection to the exiled poet Dante Alighieri – both sharing political exile from Florence – undoubtedly shaped his artistic outlook.

Signature works · The 100 signature works

88of 99

Giovanni Di Chellino Boccaccio

Italian Born in Certaldo Humanism precursor

Giovanni Di Chellino Boccaccio

Born amidst the rolling landscapes of Certaldo in 1313, Giovanni Boccaccio emerged as a vital force in the cultural landscape of the fourteenth century. As one of the legendary "Three Crowns" of Italian literature—standing alongside the giants Dante Alighieri and Petrarch—his life served as a bridge between the medieval world and the dawning light of the Renaissance.

Signature works · The 100 signature works

89of 99

Emperor Kōgon

Japanese Buddhist Art

Emperor Kōgon

While the Nanboku-chō period was defined by conflict between rival courts, Kōgon’s focus on Buddhist art provided a sense of cultural continuity and spiritual stability. He successfully utilized the medium of painting to assert a form of authority that was not dependent on military might, but on moral and religious prestige. Emperor Kōgon (1313–1364) was not merely a sovereign navigating a period of profound instability; he was a visionary patron whose devotion to Buddhist iconography helped reshape the aesthetic soul of Northern Japan.

Signature works · The 100 signature works

90of 99

Jakushitsu Genkō

Japanese Born in Tokyo Rinzai Zen

Jakushitsu Genkō

Early Life & Artistic Formation: Little biographical detail survives concerning Genkō’s formative years; he emerged from obscurity as a student of Zen at Nara Temple, establishing a foundation for his lifelong devotion to the Dharma.

Signature works · The 100 signature works

92of 99

Mother Julian

English Born in Norwich Medieval Mysticism

Mother Julian

The essence of Julian’s legacy lies in her extraordinary mystical experiences, captured in the seminal manuscript, Revelations of Divine Love. Through these spiritual windows, she glimpsed a God characterized not by distant judgment, but by an overwhelming, compassionate intimacy.

Signature works · The 100 signature works

93of 99

Nardo di Cione

Italian Born in Florence Renaissance Painting Wikipedia in 10/32 languages

Nardo di Cione

To study Nardo is to witness the evolution of the Florentine spirit: Technical Versatility: The seamless integration of sculptural depth with painterly fluidity. Chromatic Mastery: The use of vibrant, symbolic colors to navigate complex theological narratives. His early training under Maestro Piero Bargellini, a distinguished sculptor and painter, provided him with a unique dual perspective.

Signature works · The 100 signature works

95of 99

Serafino Serafini

Italian Born in Modena Giottesque & Bolognese

Serafino Serafini

One of his most celebrated achievements, the Coronation of the Virgin, bears a proud inscription dating the work to March 1385, serving as a permanent testament to his hand. His depictions of the Life of Saint Louis and scenes involving St. In the twilight of the fourteenth century, amidst the architectural grandeur of Northern Italy, the name Serafino Serafini emerged as a vital, if enigmatic, force in the evolution of late medieval painting.

Signature works · The 100 signature works

97of 99

Antonio Baboccio Da Piperno

Italian Born in Pietrantonella Late Medieval Art

Antonio Baboccio Da Piperno

He was a progenitor of style, fostering a school of artists that included luminaries such as Agnello del Fiore and Guglielmo Monaco. As we look back upon his life, which concluded around 1435, we see an artist who successfully navigated the complexities of patronage and the shifting tides of cultural influence. In the twilight of the Middle Ages, as the rigid structures of the Gothic era began to soften under the burgeoning light of the Renaissance, there emerged a master whose hands shaped the very identity of Neapolitan grandeur.

Signature works · The 100 signature works

98of 99

Zekkai Chūshin

Italian Born in Tosa Byzantine art

Zekkai Chūshin

The Master’s origins are shrouded in some mystery, yet a clear lineage can be traced through the artistic networks of Pistoia. He was deeply influenced by Giotto di Bondone, whose revolutionary approach to depicting human emotion and space began to permeate the region. The figure known as the Master of 1336 remains one of the most intriguing enigmas in Italian art history.

Signature works · The 100 signature works

Signature works

Signature Late Medieval works

  1. Zwiastowanie i dwaj święci autorstwa Simone Martini

    Zwiastowanie i dwaj święci

    Simone Martini

    1333 · Galleria degli Uffizi, Florencja

  2. Deesis Range: The Archangel Michael autorstwa Andriej Rublow

    Deesis Range: The Archangel Michael

    Andriej Rublow

    1410 · Galeria Tratykowa, Moskwa

  3. Efekty dobrej rządności na życie miejskie (detal) autorstwa Ambrogio Lorenzetti

    Efekty dobrej rządności na życie miejskie (detal)

    Ambrogio Lorenzetti

    1338 · Pałac Publiczny w Siennie, Siena

  4. The Apostles Saint Andrew and Saint James the Lesser, with a Prophet autorstwa Pietro Lorenzetti

    The Apostles Saint Andrew and Saint James the Lesser, with a Prophet

    Pietro Lorenzetti

    1328 · Yale University Art Gallery, Nowe Havane

  5. Agneau Mystique 0 autorstwa Hubert Van Eyck

    Agneau Mystique 0

    Hubert Van Eyck

    Katedra św. Bawa w Gandawie, Gandawa

  6. Two Apostles Saints autorstwa Taddeo Gaddi

    Two Apostles Saints

    Taddeo Gaddi

    1320 · Collezione Vittorio Cini, Venice

  7. The Crucifixion with the Virgin and Saint John autorstwa Agnolo Gaddi

    The Crucifixion with the Virgin and Saint John

    Agnolo Gaddi

    1380 · Museum of Fine Arts, Boston

  8. Our Lady of the Don autorstwa Teofan Grek

    Our Lady of the Don

    Teofan Grek

    1382 · Galeria Tratykowa, Moskwa

A timeline

Late Medieval through its signature works

  1. 1320
  2. 1324
  3. 1324
  4. 1328
  5. 1333
  6. 1333
  7. 1334
  8. 1336
  9. 1338
  10. 1345
  11. 1350
  12. 1354
  13. 1357
  14. 1370

Figures

The figures

Every name

List of 99 famous Late Medieval artyści, every name

  1. 1Simone MartiniSimone MartiniWłoch · 1284–1344
  2. 2Andriej RublowAndriej RublowRosyjska · 1360–1430
  3. 3Ambrogio LorenzettiAmbrogio Lorenzetti1290–1348
  4. 4Pietro LorenzettiPietro LorenzettiWłoska · 1280–1348
  5. 5Hubert Van EyckHubert Van EyckHolenderski · 1366–1426
  6. 6Taddeo GaddiTaddeo GaddiWłoska · 1300–1366
  7. 7Agnolo GaddiAgnolo GaddiWłoski · 1350–1396
  8. 8Teofan GrekTeofan GrekGrecki · 1335–1410
  9. 9Paolo VenezianoPaolo VenezianoWłoska · 1333–1358
  10. 10Lippo MemmiLippo MemmiWłoski · 1291–1356
  11. 11Altichiero Da ZevioAltichiero Da ZevioWłoska · 1330–1390
  12. 12Spinello AretinoSpinello AretinoWłoska · 1350–1410
  13. 13Bernardo DaddiBernardo DaddiWłoska · 1290–1348
  14. 14Andrea PisanoAndrea PisanoWłoch · 1290–1348
  15. 15Niccolò Di TommasoNiccolò Di TommasoWłoska · 1346–1376
  16. 16Ni ZanNi ZanChińska · 1301–1374
  17. 17Andrea Di Cione Di Arcangelo (Orcagna)Andrea Di Cione Di Arcangelo (Orcagna)Italian · 1308–1368
  18. 18OrcagnaOrcagnaItalian · 1315–1368
  19. 19Giovanni Da MilanoGiovanni Da Milano1346–1369
  20. 20Barna Da SienaBarna Da SienaItalian · 1330–1380
  21. 21Wang MengWang MengChinese · 1308–1385
  22. 22Cresques AbrahamCresques AbrahamSpanish · 1325–1387
  23. 23Nicolas BatailleNicolas BatailleFrench · 1330–1405
  24. 24Lorenzo VenezianoLorenzo VenezianoWłoska · 1336–1379
  25. 25Segna Di BuonaventureSegna Di BuonaventureItalian · 1298–1326
  26. 26Cennino CenniniCennino CenniniItalian · 1360–1440
  27. 27Ugolino Di NerioUgolino Di NerioWłoska · 1280–1330
  28. 28Taddeo di BartoloTaddeo di BartoloItalian · 1362–1422
  29. 29Lippo Di BenivieniLippo Di BenivieniItalian · 1296–1327
  30. 30Zhao YuanZhao YuanChinese · urodzony/a 1350
  31. 31Andrea Di BartoloAndrea Di BartoloItalian · 1360–1428
  32. 32Lorenzo di BicciLorenzo di BicciItalian · 1350–1427
  33. 33Melchior BroederlamMelchior BroederlamBelgian · 1355–1410
  34. 34Lorenzo Di BicciLorenzo Di BicciWłoski · 1350–1427
  35. 35Gherardo StarninaGherardo StarninaItalian · 1354–1413
  36. 36Jean PucelleJean PucelleFrench · 1300–1334
  37. 37Andrea Di BonaiutoAndrea Di BonaiutoWłoska · 1343–1379
  38. 38Guariento di ArpoGuariento di ArpoItalian · 1310–1370
  39. 39Giovanni Del BiondoGiovanni Del BiondoItalian · 1356–1399
  40. 40Klaus SluterKlaus SluterHolender · 1355–1406
  41. 41Kokan ShirenKokan ShirenJapanese · 1278–1346
  42. 42Jacopo di CioneJacopo di CioneItalian · 1325–1399
  43. 43Bartolo Di FrediBartolo Di FrediItalian · 1330–1410
  44. 44Conrad von SoestConrad von SoestGerman · 1360–1423
  45. 45TuthmosisTuthmosisEgyptian · 1340–1300
  46. 46Giovanni da MilanoGiovanni da MilanoItalian · 1325–1370
  47. 47Master BertramMaster BertramGerman · 1345–1415
  48. 48Agostino Di GiovanniAgostino Di GiovanniItalian · 1285–1347
  49. 49Ashikaga YoshimitsuAshikaga Yoshimitsu1358–1408
  50. 50André BeauneveuAndré BeauneveuNetherlandish · 1335–1403
  51. 51Jacopo Del Casentino (Jacopo Landino)Jacopo Del Casentino (Jacopo Landino)Italian · 1330–1380
  52. 52Musō SosekiMusō SosekiJapońska · 1275–1351
  53. 53Francesco TrainiFrancesco TrainiItalian · 1321–1365
  54. 54Vitale Da BolognaVitale Da BolognaItalian · 1289–1359
  55. 55Sheikh Zain Al-DinSheikh Zain Al-DinKurdish · urodzony/a 1325
  56. 56Pere SerraPere SerraSpanish · 1357–1406
  57. 57Imperium AztekówImperium AztekówMeksykańska · 1300–1521
  58. 58Liaoan QingyuLiaoan QingyuChinese · 1288–1363
  59. 59Marco Di Paolo VenezianoMarco Di Paolo VenezianoItalian · urodzony/a 1362
  60. 60Matteo Di Ser CambioMatteo Di Ser CambioItalian · 1351–1424
  61. 61Zhu DiZhu Di1360–1424
  62. 62Ferrer BassaFerrer BassaCatalan · 1285–1348
  63. 63Tommaso Da ModenaTommaso Da ModenaItalian · 1326–1379
  64. 64Jacopo AvanziJacopo AvanziItalian · 1350–1416
  65. 65Paolo Di Giovanni FeiPaolo Di Giovanni FeiWłoski · 1345–1411
  66. 66GiottinoGiottinoItalian · 1324–1372
  67. 67Wu ZhenWu ZhenYuan dynasty · 1280–1354
  68. 68Jacopo del CasentinoJacopo del CasentinoFlorentine · 1297–1358
  69. 69Giusto De' MenabuoiGiusto De' MenabuoiItalian · 1330–1393
  70. 70Jacquemart de HesdinJacquemart de HesdinFrench · 1350–1410
  71. 71Matteo GiovanettiMatteo GiovanettiItalian · 1322–1368
  72. 72Reisai GukyokuReisai GukyokuJapanese · 1363–1452
  73. 73Qingzhuo Zhengcheng, Ch'Ing-Cho Cheng-Ch'EngQingzhuo Zhengcheng, Ch'Ing-Cho Cheng-Ch'EngChinese · 1274–1339
  74. 74Bartolommeo BulgariniBartolommeo BulgariniItalian · 1305–1378
  75. 75Gikō TettōGikō TettōJapanese · 1295–1369
  76. 76Barnaba Da ModenaBarnaba Da ModenaItalian · 1328–1386
  77. 77Piotr ParlerPiotr ParlerGerman-Bohemian · 1330–1399
  78. 78Bonanat Descoll I De SantclimentBonanat Descoll I De SantclimentWłoska · 1310–1390
  79. 79Yuan DynastyYuan DynastyChinese · 1271–1368
  80. 80Giovanni Di RiginoGiovanni Di RiginoItalian · urodzony/a 1315
  81. 81Domenico Di AgostinoDomenico Di AgostinoItalian · 1317–1366
  82. 82Agnolo Di VenturaAgnolo Di VenturaItalian · 1290–1349
  83. 83Giovanni Da CampioneGiovanni Da CampioneItalian · 1320–1375
  84. 84Francesco Di PetraccoFrancesco Di PetraccoItalian · 1304–1374
  85. 85Giovanni d'AgostinoGiovanni d'Agostino1285–1347
  86. 86Sesson YūbaiSesson YūbaiJapanese · 1290–1347
  87. 87Sultan Al-Malik Al-Zahir Abu Sa’Id BarquqSultan Al-Malik Al-Zahir Abu Sa’Id BarquqEgyptian · 1339–1399
  88. 88Giovanni Di Chellino BoccaccioGiovanni Di Chellino BoccaccioItalian · 1313–1375
  89. 89Emperor KōgonEmperor KōgonJapanese · 1313–1364
  90. 90Jakushitsu GenkōJakushitsu GenkōJapanese · 1290–1367
  91. 91Bernat Saulet I El Taller De Sant Joan De Les AbadessesBernat Saulet I El Taller De Sant Joan De Les AbadessesItalian · 1341–1342
  92. 92Mother JulianMother JulianEnglish · urodzony/a 1343
  93. 93Nardo di CioneNardo di CioneItalian · 1320–1366
  94. 94TutankhamenTutankhamenEgyptian · 1345–1327
  95. 95Serafino SerafiniSerafino SerafiniItalian · 1324–1393
  96. 96Filippo CalendarioFilippo CalendarioItalian · 1315–1355
  97. 97Antonio Baboccio Da PipernoAntonio Baboccio Da PipernoItalian · 1351–1435
  98. 98Zekkai ChūshinZekkai ChūshinItalian · 1336–1405
  99. 99Ryūshū ShūtakuRyūshū ShūtakuJapanese · 1307–1388

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