Rococo, one artist at a time
100 Famous Rococo 화가들 Who Shaped the Movement
앙투안 바토 (1684–1721) is the most famous Rococo 화가, whose singular vision gave us 사랑의 교훈 및 Pierrot, formerly known as Gilles. Next stand 카날레토, 조반니 바티스타 티에폴로, 프랑수아 부셰 및 장오노레 프라고나르. These 100 화가들, from 장 프랑수아 드 트로이 (born 1645) to 에두아르 오노레 아브 (born 1818), came from 19 countries.
Our selection. Artists whose works our catalogue attaches to Rococo, in the order of our fame ranking. Artists born after 1955 with no Wikidata identifier stay out until verified. The Wikipedia figure counts our 32 languages with an article on the artist.
In brief
Rococo in brief
- 100아티스트
- 1645–1818출생 연도
- 19출생 국가
- 5여성
- 1현역 작가
- 11,037카탈로그 내 작품들
- 주요 작품을 가장 많이 보유한 미술관
- 국립 미술관 (24), 에르미타주 박물관 (14), 루브르 박물관 (13), 메트로폴리탄 미술관 (8)
- 이 리스트의 여성 아티스트들
- 로살바 카리에라, Adélaïde Labille-Guiard, 안 발레-코스테르, Elisabeth-Louise Vigée-Lebrun, Anna Dorothea Therbusch
One artist at a time
100 Rococo 화가들 and their signature works
Signature works · The 100 signature works
Signature works · The 100 signature works
9of 100
장바티스트 그뢰즈 1725–1805
French Born in Tournus Rococo, Genre painting Wikipedia in 22/32 languages
Le Père de famille expliquant la Bible à ses enfants (1755): 그의 초기 성공의 초석으로 가족의 경건함을 구현한 계몽주의 이상을 담고 있습니다. La Jeune Fille qui pleure son oiseau mort (c. 1765): 그르즈의 감정 표현 능력과 애절한 스토리텔링을 보여줍니다. Savoyard with a Dancing Doll (c. 1763): 어린 시절의 정신과 취약성을 포착하고 그의 초상화 기술을 선보입니다.
22of 100
루이미셸 반 로 1707–1771
프랑스 Born in 툴롱 로코코 Wikipedia in 17/32 languages
Pupil of Jean-Baptiste van Loo #53
27of 100
샤를앙드레 반 루 1705–1765
프랑스 Born in 니스 로코코 회화 Wikipedia in 16/32 languages
Pupil of Jean-Baptiste van Loo #53
33of 100
Adélaïde Labille-Guiard 1749–1803
French Born in Paris Rococo to Neoclassicism Wikipedia in 20/32 languages
Adélaïde Labille-Guiard (1749–1803) stands as a remarkable figure in the history of French art, not merely for her exquisite portraits but also for her courageous challenge to the restrictive conventions that governed women’s roles within the artistic world. She defied societal expectations, navigated institutional barriers, and ultimately paved the way for future generations of female painters.
38of 100
지암바티스타 피토니 1687–1767
Born in 베네치아 Late Baroque, Rococo Wikipedia in 19/32 languages
Classical Mythology: His depictions of tales such as The Continence of Scipio and Bacchus and Ariadne highlight his skill in rendering the grandeur and drama of ancient legends with a distinctly Venetian flair.
Pupil of Antonio Balestra #69
39of 100
가스파르 판 비텔 1653–1736
네덜란드 Born in 아메르스포르트 베두타 회화 (Veduta painting) Wikipedia in 14/32 languages
45of 100
Elisabeth-Louise Vigée-Lebrun
The French Revolution brought upheaval to Vigée Le Brun’s world. In 1792, fearing for her safety, she fled Paris with her daughter, embarking on an exile that would last over a decade. Vigée Le Brun returned to France after the fall of Napoleon in 1804.
48of 100
크리스티안 빌헬름 에른스트 디트리히 1712–1774
독일 Born in 바이마르 네덜란드 및 이탈리아 거장들의 모방 Wikipedia in 11/32 languages
49of 100
Charles Amédée Philippe Van Loo 1719–1795
French Born in Rivoli Rococo, Portraiture Wikipedia in 13/32 languages
Vanloo's artistic style was deeply rooted in the traditions of the Baroque and Roman art academies, but he also drew inspiration from the work of contemporary artists such as Nicolas Lancret and Jean-Honoré Fragonard. His compositions are often dynamic and asymmetrical, creating a sense of movement and energy.
Pupil of Jean-Baptiste van Loo #53
51of 100
라그레네 르 에네 1725–1805
English Born in 파리 Romanticism, Animal Painting Wikipedia in 15/32 languages
53of 100
Jean-Baptiste van Loo 1684–1745
French Born in Aix-en-Provence Baroque, Rococo Wikipedia in 15/32 languages
His father, Louis-Abraham van Loo, himself the son of Jacob van Loo, instilled in him not only technical skill but also an appreciation for the power and prestige associated with portraiture.
54of 100
John Wollaston 1742–1775
English Rococo Painting
His work bears an unmistakable resemblance to the portraits of Thomas Hudson and Allan Ramsay, capturing not just the likeness of his subjects but the very essence of their social standing. His journey across the Atlantic in 1749 marked a transformative chapter for both the artist and the colonies. While later giants like Benjamin West and Gilbert Stuart would command the spotlight of American portraiture, Wollaston’s true contribution lies in his role as a pioneer, introducing the delicate elegance and shimmering sophistication of the Rococo style to North America.
55of 100
Carl Gustaf Pilo 1711–1793
Swedish Born in Runtuna Rococo Wikipedia in 12/32 languages
In this composition, King Gustav III is depicted in white coronation robes that seem to radiate an ethereal light, surrounded by the intricate social hierarchy of the era—from the nobility and burghers to the priests and farmers.
56of 100
Anna Dorothea Therbusch 1721–1782
German Born in Berlin Rococo Wikipedia in 13/32 languages
Anna Dorothea Therbusch (1721-1782) stands as a remarkable figure in the annals of Rococo art history —a woman artist who defied societal expectations and achieved considerable renown during the Enlightenment. Born into a family steeped in artistic tradition, her father, Georg Lisiewski, was himself a celebrated Berlin portrait painter, establishing a lineage dedicated to visual representation. Therbusch's artistic journey took an extraordinary turn when she relocated to Paris in 1765, seeking opportunities for advancement within the vibrant artistic landscape of the French capital.
Signature works · The 100 signature works
59of 100
Michele Marieschi 1710–1743
Italian Born in Venice Vedute Venice Wikipedia in 9/32 languages
In the golden age of the Venetian Rococo, few artists captured the ephemeral magic of the Serenissima with as much vitality as Michele Giovanni Marieschi. Scholars often point to the influence of masters such as Gaspare Diziani and the legendary Canaletto, whose works provided a blueprint for capturing the grandeur of urban environments.
60of 100
Antonio Corradini 1668–1752
Italian Born in Este Rococo
Corradini’s artistic significance lies not only in his technical virtuosity but also in his role as a transitional figure between the Baroque and Rococo movements. He built upon the dramatic energy of the former while embracing the lightness, elegance, and playful sensuality of the latter. After leaving Vienna, Corradini spent his final years in Rome and Naples, continuing to refine his art until his death in 1752.
61of 100
마이센 자기 제조소 1710년생
독일 Born in 마이센 경질 자기
"미덕의 알레고리 인물상" – 복잡한 개념을 조각적 형태로 포착해내는 공장의 능력을 보여주며, 세밀한 디테일과 정제된 예술적 비전을 선보입니다. "엎드린 표범" – 사실주의와 우아함의 숙련된 조화를 나타내며, 동물을 놀라운 정확도와 품격으로 묘사하고자 했던 마이센의 헌신을 반영합니다.
62of 100
Gerard van Spaendonck 1746–1822
Born in Tilburg Wikipedia in 12/32 languages
He contributed over fifty works to Les Vélins du Roi, a renowned collection of botanical watercolors commissioned by the French royal family. These pieces demonstrate his exceptional skill in capturing the nuances of floral forms. 1788: Appointed as an advisor to the Académie. 1795: Became a founding member of the Institut de France. 1804: Received the Légion d'honneur and was ennobled by Napoleon Bonaparte, acknowledging his contributions to French art and culture.
69of 100
Antonio Balestra 1666–1740
Born in Verona Wikipedia in 11/32 languages
By 1690, Balestra moved to Venice, where he further honed his skills under the guidance of Antonio Bellucci for three years. Venetian Influence: His time in Venice instilled a sense of color and dramatic composition. He then traveled to Bologna and subsequently Rome, working in the workshop of the renowned Carlo Maratta.
71of 100
Georg Desmarées 1697–1776
Swedish-German Born in Stockholm City Rococo, Portraiture Wikipedia in 9/32 languages
His early works, heavily influenced by his uncle Meytens and the French masters, exhibited a meticulous attention to detail and a restrained elegance. However, the Venetian influence introduced a new dynamism – a play of light and shadow that imbued his portraits with greater emotional depth and visual intrigue. Other notable works include portraits of members of the Elector’s family, such as The Countess Holstein (Lenbachhaus, Munich) and The Princess Portia (Staatsgalerie, Stuttgart).
74of 100
Jacques De Lajoue 1686–1761
French Born in Paris Neoclassical Painting Wikipedia in 8/32 languages
In pieces such as " Fantaisie architecturale," the viewer is invited to wander through spaces where neoclassical elegance meets the untamed beauty of nature. While his name may not resonate with the same immediate thunder as contemporaries like Boucher or Watteau, Lajoue occupied a unique niche in the French canon, serving as an artist who could bridge the gap between the rigid grandeur of classical structure and the delicate, emotive spirit of the Rococo.
77of 100
Per Krafft the Elder 1724–1793
Swedish Born in Arboga Rococo Wikipedia in 7/32 languages
Beyond his individual achievements, Per the Elder Krafft’s historical significance is cemented by the artistic legacy he left within his own family. Ultimately, the work of Per the Elder Krafft remains a vital touchstone for understanding the cultural heartbeat of eighteenth-century Sweden. His children, Per Krafft the Younger and the miniaturist Wilhelmina Krafft, both studied at the Royal Swedish Academy of Fine Arts, carrying forward the technical excellence and emotive depth instilled by their father.
78of 100
Johann Georg Pinzel 1715–1761
Ukrainian, Czech Born in Buchach Baroque, Rococo
His close collaboration with architect Bernard Meretyn proved pivotal. This synergy is particularly evident in projects like the Buchach Town Hall (1750s) and the Trinitarian Church (1756-1757), where architecture and sculpture coalesce into a unified expression of Baroque grandeur. Despite his prolific output, Pinsel’s life ended relatively early, between September 16, 1761, and October 24, 1762, likely in Buchach.
79of 100
Alessandro Longhi 1733–1813
Born in Venice Wikipedia in 10/32 languages
Unlike some contemporaries who focused on grand historical or mythological scenes, Longhi concentrated on portraying individuals within their social context. His portraits often feature elaborate robes and emblems of office, reflecting his subjects’ positions and power – a characteristic noted in comparison to artists like Sebastiano Bombelli. This is evident in the “tumultuous and unusual” quality of his etchings, as described by Olimpia Theodoli, showcasing a first-hand knowledge of Rembrandt's techniques.
80of 100
Giuseppe Bonito 1707–1789
Italian Born in Castellammare di Stabia Rococo Wikipedia in 11/32 languages
His journey was shaped by the prestigious studio of Francesco Solimena, the titan of Neapolitan painting, whose influence provided Bonito with a rigorous foundation in composition and light. While he possessed the technical mastery required for grand religious commissions—such as his ambitious altarpieces for the Caserta Royal Palace—he found his true voice in the genre scene. The historical significance of Giuseppe Bonito lies in his role as a chronicler of the Neapolitan spirit.
83of 100
Luis Paret Y Alcázar 1746–1799
Spanish Born in Madrid Rococo Wikipedia in 8/32 languages
In the vibrant, sun-drenched tapestry of 18th-century Spain, few artists captured the delicate interplay of light and social elegance as masterfully as Luis Paret y Alcázar. Under the tutelage of Antonio González Velázquez, he absorbed the rigorous techniques of the Spanish tradition, yet his spirit yearned for something more cosmopolitan. His influence traveled across oceans, notably shaping the trajectory of Puerto Rican art through his pupil, José Campeche.
85of 100
Giuseppe Nogari 1699–1766
Italian Born in Venice Rococo Wikipedia in 8/32 languages
His talent attracted the attention of powerful international patrons, most notably the German nobility residing in Venice, such as Sigismund Streit and Johann Matthias von der Schulenburg.
88of 100
Jean Raoux 1677–1734
French Born in Montpellier Symbolist Art Wikipedia in 7/32 languages
While not achieving the widespread renown of contemporaries like Watteau or Boucher, Raoux carved a unique niche for himself with his subtly evocative portraits and scenes imbued with a delicate, almost melancholic charm. Raoux’s works were widely disseminated through engravings by prominent artists such as Poilly, Moyreau, and Dupuis, ensuring that his style reached a broader audience.
90of 100
Francesco Zugno 1708–1787
Italian Born in Venice Rococo Wikipedia in 6/32 languages
Within the luminous and often overwhelming splendor of eighteenth-century Venice, the name Francesco Zugno emerges as a vital, if somewhat enigmatic, thread in the tapestry of the Rococo era. His early years were shaped by the prestigious traditions of his ancestors, including the fifteenth-century painter Giambattista Zugno, and he received formal training at the Academy of Painting and Sculpture of Venice.
91of 100
Joseph Boze 1745–1826
French Born in Martigues Portraiture Wikipedia in 7/32 languages
Notably, he survived the Reign of Terror thanks to his unwavering loyalty and diplomatic connections, demonstrating an astute awareness of political realities. The Palace of Versailles became his canvas for many years, where he created stunning depictions of royal families and dignitaries. Despite the upheavals of his time, Joseph Boze persevered, continuing to produce portraits until his death in Paris in 1826.
92of 100
Louis Joseph Watteau 1731–1798
French Born in Valenciennes Fêtes galantes Wikipedia in 6/32 languages
Watteau’s formative years were marked by a privileged upbringing within the aristocratic circles of Lille, Belgium. His father, Jean Watteau, was a silk merchant and instilled in François a keen appreciation for craftsmanship and visual aesthetics. Watteau’s aesthetic ideals—characterized by elegance, grace, and a preoccupation with sensual pleasure—became synonymous with the aristocratic culture of the Enlightenment.
93of 100
Jacobus Buys 1724–1801
Dutch Born in Amsterdam Rococo Wikipedia in 5/32 languages
His studies under Pronk and de Wit undoubtedly shaped his understanding of color theory and composition, while Troost likely instilled in him a deeper appreciation for portraiture techniques. Buys’s ability to seamlessly blend these influences—the Dutch tradition of realism with the French Rococo's emphasis on elegance and ornamentation—is what sets him apart. The influence of earlier Dutch masters is subtly present in Buys's work, particularly in his meticulous attention to detail and the use of light and shadow reminiscent of the Golden Age painters.
94of 100
Jeremiah Theus 1716–1774
Swiss Born in Chur Rococo Wikipedia in 5/32 languages
Theus’ distinctive style is characterized by its adherence to Rococo principles—a movement originating in France that prioritized grace, ornamentation, and pastel hues. Teaching & Artistic Legacy: Recognizing the importance of fostering artistic talent, Theus opened an evening drawing school in 1744—a pioneering initiative that nurtured aspiring artists within Charleston’s intellectual circles. His work serves as a compelling visual record of Charleston’s social landscape—a testament to the dynamism and sophistication of colonial America.
95of 100
Vigilius Eriksen 1722–1782
Danish Born in Copenhagen Rococo Wikipedia in 7/32 languages
These small-scale works, which included depictions of Frederick V and Catherine the Great, showcased a different facet of his virtuosity, requiring an even more intense focus on minute detail and color gradation.
96of 100
Georg David Matthieu 1737–1778
German Born in Berlin Rococo Wikipedia in 6/32 languages
Matthieu utilizes specific elements to communicate status: The inclusion of books and maps to suggest intellectual pursuit and territorial dominion. His friendship with Jakob Philipp Hackert likely brings broader European influences into his practice, particularly through shared study trips to Italy.
97of 100
Robert Tournières 1667–1752
Born in Ifs Wikipedia in 6/32 languages
He skillfully blended elements of Dutch intimacy – particularly evident in his genre scenes – with the emerging lightness and elegance that would come to define the Rococo style. His palette was noted for its delicate coloring, and he demonstrated a keen talent for capturing both pose and drapery. Tournières was deeply influenced by Dutch masters such as Godfried Schalken and Gerard Dou, dedicating considerable study to their techniques.
98of 100
Jose Del Castillo 1737–1793
Spanish Born in Madrid Neoclassical Wikipedia in 7/32 languages
Religious Works: Occasional but powerful devotional pieces, such as his depiction of Saint Dominic and Saint Francis, which demonstrated his ability to handle spiritual gravity.
99of 100
Agostino Brunias 1730–1796
Italian Born in Rome Vérité ethnographique Wikipedia in 2/32 languages
Leaving behind the grand estates and classical landscapes of England, Brunias immersed himself in the bustling markets, verdant plantations, and diverse communities of colonial Dominica. He meticulously depicted clothing styles, social interactions, and the vibrant cultural tapestry woven from African, European, and Caribbean influences. These prints circulated widely throughout Europe, providing Europeans with their first visual glimpses of Caribbean life beyond the stereotypical depictions of sugar plantations and exotic landscapes.
100of 100
Domenico Duprà 1689–1770
Italian Born in Turin Rococo Wikipedia in 6/32 languages
To reflect upon the breadth of his contributions, one might consider the following pillars of his career: Stylistic Synthesis: The seamless blending of Roman classical training with the light, decorative elegance of French Rococo portraiture. Courtly Service: A distinguished career serving the House of Braganza in Portugal, the Stuart family in Rome, and the House of Savoy in Italy.
Signature works
Signature Rococo works
A timeline
Rococo through its signature works
- 1678
- 1723
- 1729
- 1730
- 1735
- 1736
- 1739
- 1741
- 1744
- 1745
- 1760
- 1765
- 1770
- 1775
Figures
The figures
| 프랑스 | 30 |
|---|---|
| 이탈리아 | 15 |
| Italy | 10 |
| 독일 | 7 |
| France | 7 |
| 영국 | 6 |
| 네덜란드 | 3 |
| Sweden | 3 |
| 17th 세기 | 36 |
|---|---|
| 18th 세기 | 62 |
| 19th 세기 | 1 |
| 국립 미술관 | 24 |
|---|---|
| 에르미타주 박물관 | 14 |
| 루브르 박물관 | 13 |
| 메트로폴리탄 미술관 | 8 |
| 프라도 미술관 | 7 |
| Statens Museum For Kunst | 6 |
| 바르샤바 국립 박물관 | 5 |
| 베네치아 아카데미아 미술관 | 4 |
Every name
List of 100 famous Rococo 화가들, every name
- 1
앙투안 바토프랑스 · 1684–1721 - 2
카날레토이탈리아 · 1697–1768 - 3
조반니 바티스타 티에폴로이탈리아 · 1696–1770 - 4
프랑수아 부셰프랑스 · 1703–1770 - 5
장오노레 프라고나르프랑스 · 1732–1806 - 6
장바티스트시메옹 샤르댕프랑스 · 1699–1779 - 7
토머스 게인즈버러영국 · 1727–1788 - 8
조슈아 레이놀즈영국 · 1723–1792 - 9
장바티스트 그뢰즈French · 1725–1805 - 10
베르나르도 벨로토이탈리아 · 1722–1780 - 11
프란체스코 과르디1712–1793 - 12
피에트로 롱기이탈리아인 · 1701–1785 - 13
조반니 도메니코 티에폴로이탈리아 · 1727–1804 - 14
조반니 바티스타 피아제타이탈리아 · 1683–1754 - 15
니콜라 랑크레프랑스인 · 1689–1743 - 16
조제프 베르네프랑스인 · 1714–1789 - 17
로살바 카리에라이탈리아 · 1675–1757 - 18
마르크 나티에프랑스 · 1685–1766 - 19
캉탱 드 라 투르프랑스인 · 1704–1788 - 20
알렉산더 로슬린스웨덴 · 1718–1793 - 21
요한 조파니독일 · 1733–1810 - 22
루이미셸 반 로프랑스 · 1707–1771 - 23
장-에티엔 리오타르스위스 · 1702–1789 - 24
프랑수아 르모인프랑스 · 1688–1737 - 25
장 프랑수아 드 트로이프랑스 · 1645–1730 - 26
장 바티스트 파테르프랑스 · 1695–1736 - 27
샤를앙드레 반 루프랑스 · 1705–1765 - 28
프란체스코 주카렐리이탈리아 · 1702–1788 - 29
자코포 아미고니이탈리아 · 1682–1752 - 30
샤를조제프 나투아르프랑스 · 1700–1777 - 31
프란츠 안톤 말베르츠독일/오스트리아 · 1724–1796 - 32
샤를 앙투안 코이펠프랑스 · 1694–1752 - 33
Adélaïde Labille-GuiardFrench · 1749–1803 - 34
드미트리 레비츠키우크라이나-러시아 · 1735–1822 - 35
장 바티스트 피갈프랑스 · 1725–1805 - 36
안 발레-코스테르프랑스 · 1744–1818 - 37
루이 장 프랑수아 라그레네프랑스인 · 1756–1827 - 38
지암바티스타 피토니1687–1767 - 39
가스파르 판 비텔네덜란드 · 1653–1736 - 40
표도르 로코토프1730–1808 - 41
프랑수아 위베르 드루에1727–1775 - 42
블라디미르 보로비콥스키1757–1825 - 43
앙투안 페스느프랑스 · 1683–1757 - 44
앨런 램지1713–1784 - 45
Elisabeth-Louise Vigée-Lebrun - 46
코라도 자쿠인토이탈리아 · 1703–1766 - 47
요한 하인리히 티슈바인독일 · 1722–1789 - 48
크리스티안 빌헬름 에른스트 디트리히독일 · 1712–1774 - 49
Charles Amédée Philippe Van LooFrench · 1719–1795 - 50
구스타프 룬드베리스웨덴 · 1695–1786 - 51
라그레네 르 에네English · 1725–1805 - 52
야코프 데 비트네덜란드 · 1695–1754 - 53
Jean-Baptiste van LooFrench · 1684–1745 - 54
John WollastonEnglish · 1742–1775 - 55
Carl Gustaf PiloSwedish · 1711–1793 - 56
Anna Dorothea TherbuschGerman · 1721–1782 - 57
요한 게오르크 플라처오스트리아 · 1704–1761 - 58
나다니엘 혼네덜란드 · 1718–1784 - 59
Michele MarieschiItalian · 1710–1743 - 60
Antonio CorradiniItalian · 1668–1752 - 61
마이센 자기 제조소독일 · 1710년생 - 62
Gerard van Spaendonck1746–1822 - 63
조셉 하이모어영국인 · 1692–1780 - 64
장 자크 카피에리프랑스 · 1678–1755 - 65
장 바티스트 페로노프랑스 · 1715–1783 - 66
프랜시스 헤이먼영국인 · 1708–1776 - 67
루이 토케프랑스 · 1696–1772 - 68
도나토 크레티이탈리아 · 1671–1749 - 69
Antonio Balestra1666–1740 - 70
가스파레 트라베르시이탈리아 · 1722–1770 - 71
Georg DesmaréesSwedish-German · 1697–1776 - 72
장 바티스트 필레몽프랑스 · 1728–1808 - 73
코르넬리스 트루스트네덜란드 · 1696–1750 - 74
Jacques De LajoueFrench · 1686–1761 - 75
리처드 코스웨이영국 · 1742–1821 - 76
필리프 메르시에프랑스 · 1689–1760 - 77
Per Krafft the ElderSwedish · 1724–1793 - 78
Johann Georg PinzelUkrainian, Czech · 1715–1761 - 79
Alessandro Longhi1733–1813 - 80
Giuseppe BonitoItalian · 1707–1789 - 81
크리스토프 위에프랑스 · 1700–1759 - 82
루이 드 실베스트르프랑스 · 1675–1760 - 83
Luis Paret Y AlcázarSpanish · 1746–1799 - 84
요한 살로몬 발독일, 덴마크 · 1689–1765 - 85
Giuseppe NogariItalian · 1699–1766 - 86
장 랑크French · 1674–1735 - 87
나사니엘 호언아일랜드 · 1718–1784 - 88
Jean RaouxFrench · 1677–1734 - 89
에두아르 오노레 아브프랑스 · 1818–1890 - 90
Francesco ZugnoItalian · 1708–1787 - 91
Joseph BozeFrench · 1745–1826 - 92
Louis Joseph WatteauFrench · 1731–1798 - 93
Jacobus BuysDutch · 1724–1801 - 94
Jeremiah TheusSwiss · 1716–1774 - 95
Vigilius EriksenDanish · 1722–1782 - 96
Georg David MatthieuGerman · 1737–1778 - 97
Robert Tournières1667–1752 - 98
Jose Del CastilloSpanish · 1737–1793 - 99
Agostino BruniasItalian · 1730–1796 - 100
Domenico DupràItalian · 1689–1770
Questions
Your questions
Which Rococo 화가 is the most famous?
First place goes to 앙투안 바토 (#1); 카날레토 (#2) and 조반니 바티스타 티에폴로 (#3) complete the podium.
Who are the 5 most famous Rococo 화가들?
앙투안 바토 (#1), 카날레토 (#2), 조반니 바티스타 티에폴로 (#3), 프랑수아 부셰 (#4) 및 장오노레 프라고나르 (#5).
Which city was home to the most Rococo 화가들?
파리: 15 of the 화가들 in this list were born there.
Where were most Rococo 화가들 born?
프랑스: 30 of the 100 화가들 in this list were born there, then 이탈리아 (15) 및 Italy (10).
Who was the first Rococo 화가?
The earliest-born 화가 in this list is 장 프랑수아 드 트로이 (#25), born in 1645.
In which period did Rococo art flourish?
Most 화가들 in this list were born in the 18th 세기 (62 of 100), between 1645 and 1818 overall.
Where are the great works of Rococo art today?
Who are famous Rococo 화가들 today?
The highest-ranked living 화가들 in this list are 마이센 자기 제조소 (#61).
Who are the most famous female Rococo 화가들?
This list includes 5 women: 로살바 카리에라 (#17), Adélaïde Labille-Guiard (#33), 안 발레-코스테르 (#36), Elisabeth-Louise Vigée-Lebrun (#45) 및 Anna Dorothea Therbusch (#56).
Who are the most famous Rococo 화가들 from 이탈리아?
The highest-ranked 화가들 born in 이탈리아 are 카날레토 (#2), 조반니 바티스타 티에폴로 (#3), 베르나르도 벨로토 (#10), 프란체스코 과르디 (#11) 및 피에트로 롱기 (#12).
Who are the most famous Rococo 화가들 from 프랑스?
The highest-ranked 화가들 born in 프랑스 are 앙투안 바토 (#1), 프랑수아 부셰 (#4), 장오노레 프라고나르 (#5), 장바티스트시메옹 샤르댕 (#6) 및 장바티스트 그뢰즈 (#9).
Where can I see more works by these 화가들?
Our catalogue holds 11,037 works by these 화가들.
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