Per Krafft the Elder의 초상화

Per Krafft the Elder 회화: 갤러리의 시선으로 선별한 가장 유명한 작품 52선

10월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 52점의 Per Krafft the Elder 작품 (당사 카탈로그 기준)

요약하자면

갤러리가 선정한 Per Krafft the Elder의 가장 유명한 작품은 Portrait of Alois Friedrich von Brühl (1739-1793). (1767)이며, 원작은 바르샤바의 바르샤바 국립 박물관에 전시되어 있습니다. Portrait of Natalia Alexandrovna Repnina (1767)와 Portrait of Stanisław August Poniatowski (1767)가 더해져 누구나 한눈에 알아볼 수 있는 완벽한 트리오를 완성합니다. Per Krafft the Elder의 작품 52점 중, 갤러리는 가장 유명한 52점을 아래와 같이 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품의 특징을 포함한 독창적인 원작입니다.

1724 – 1793, Arboga Rococo 최다 소장처: 국립 미술관

갤러리 베스트 10 Per Krafft the Elder 작품

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Portrait of Alois Friedrich von Brühl (1739-1793). (1767) 의 Per Krafft the Elder

Portrait of Alois Friedrich von Brühl (1739-1793).

1767 · Oil On Canvas · 바르샤바 국립 박물관, 바르샤바

In this 1767 portrait, we encounter Alois Friedrich von Brühl in a moment of quiet, dignified repose. He is captured in a three-quarter length view, his body turned slightly toward the right while his gaze drifts off-camera, suggesting a man preoccupied with matters beyond the immediate room. The composition relies on a careful balance of light and shadow, a technique that sculpts his features and the heavy textures of his…

2
Portrait of Natalia Alexandrovna Repnina (1767) 의 Per Krafft the Elder

Portrait of Natalia Alexandrovna Repnina

1767 · Oil On Canvas · 에르미타주 박물관, 상트페테르부르크

To gaze upon this portrait is to step directly into the gilded salons of 18th-century Sweden, where life was lived with an exquisite, almost breathless elegance. This depiction of Natalia Alexandrovna Repnina captures not merely a likeness, but an entire atmosphere—one steeped in the delicate ornamentation and sophisticated leisure characteristic of the Rococo period. The sitter possesses an air of serene composure; her gaze seems to hold the quiet confidence…

4
Portrait of a Man (1775) 의 Per Krafft the Elder

Portrait of a Man

1775 · Oil On Canvas · 크라쿠프 국립박물관, 크라쿠프

Per Krafft the Elder presents a close-up study of a middle-aged man in this 1775 oil portrait. The subject is positioned in a three-quarter view, facing slightly toward the viewer's left. Despite this orientation, his eyes maintain direct contact with the observer, establishing an immediate, intimate connection. He emerges from an indistinct, dark void, a choice that strips away environmental context to focus entirely on the individual's presence.

5
Gustav III (1746–1792), King of Sweden (1791) 의 Per Krafft the Elder

Gustav III (1746–1792), King of Sweden

1791 · Oil On Canvas · 국립 미술관, 스톡홀름

The portrait depicts Gustav III, King of Sweden, in a three-quarter view against a dark, atmospheric background. He is shown from the torso up, wearing a military-style uniform of deep crimson and gold. A cerulean blue sash crosses his chest, and the intricate white lace of a cravat is visible at his neck. His hair is styled in a white, powdered wig that contrasts with the darker tones of his…

6
Portrait of Ignacy Krasicki (1767) 의 Per Krafft the Elder

Portrait of Ignacy Krasicki

1767 · Oil On Canvas · 바르샤바 국립 박물관, 바르샤바

This work is the Portrait of Ignacy Krasicki, a significant oil on canvas executed by the Swedish portraitist Per Krafft the Elder. Painted about 1767, the portrait captures the subject in a moment of quiet authority. The sitter is presented in formal clerical attire, a choice that underscores his ecclesiastical standing and religious devotion. A pectoral cross is visible upon his vestments, providing a specific detail of his high-ranking status…

7
Reading Boy (1758) 의 Per Krafft the Elder

Reading Boy

1758 · Oil On Canvas · 국립 미술관, 스톡홀름

The oil on canvas painting titled Reading Boy was executed by the Swedish portraitist Per Krafft the Elder in 1758. This work depicts a young boy positioned in a moment of quiet study. The subject is shown with his head resting against his hand, appearing absorbed in the pages of an open book. The composition focuses on the individual and his immediate activity, presenting a singular figure engaged in the…

10
Johan Gustaf Lund, född 1712, kommissarie (1748) 의 Per Krafft the Elder

Johan Gustaf Lund, född 1712, kommissarie

1748 · Oil · National Portrait Gallery of Sweden, 스트렝스네스

In the portrait of Johan Gustaf Lund, född 1712, kommissarie by Per Krafft the Elder, the subject is presented in a three-quarter view. The composition focuses on the man from the waist up and is positioned slightly off-center. He is depicted with wavy, shoulder-length hair, a style characteristic of the mid-1700s. The figure is set against a dark, flat, and undifferentiated background that provides no environmental context, ensuring the viewer's…

11위부터 52위까지의 Per Krafft the Elder 작품

11Portrait by Carl von Fersen (1750) 의 Per Krafft the ElderPortrait by Carl von Fersen1750 · National Portrait Gallery of Sweden 12Birgethe Dorthe and Kirstne Margarethe Colstrup (1754) 의 Per Krafft the ElderBirgethe Dorthe and Kirstne Margarethe Colstrup1754 · 국립 미술관 13Portrait of Stanisław Augustus Poniatowski (1760) 의 Per Krafft the ElderPortrait of Stanisław Augustus Poniatowski1760 · 바르샤바 국립 박물관 14A Boy Reading (1758) 의 Per Krafft the ElderA Boy Reading1758 · 국립 미술관 15Portrait of a Boy (1762) 의 Per Krafft the ElderPortrait of a Boy1762 · 국립 미술관 16Elisabeth Frederike Sophie (1732–1780), Duchess of Württemberg (1762) 의 Per Krafft the ElderElisabeth Frederike Sophie (1732–1780), Duchess of Württemberg1762 · 국립 미술관 17Countess Teresa Kinska Poniatowska (1765) 의 Per Krafft the ElderCountess Teresa Kinska Poniatowska1765 18Karl XIII, 1748-1818, kung av Sverige och Norge (1772) 의 Per Krafft the ElderKarl XIII, 1748-1818, kung av Sverige och Norge1772 · 국립 미술관 19Anna Charlotta von Stapelmohr (1754-1791), married to State Secretary Elis Schröderheim (1775) 의 Per Krafft the ElderAnna Charlotta von Stapelmohr (1754-1791), married to State Secretary Elis Schröderheim1775 · 국립 미술관 20Portrait of Izabela Lubomirska née Czartoryska (1767) 의 Per Krafft the ElderPortrait of Izabela Lubomirska née Czartoryska1767 · 바르샤바 국립 박물관 21Portrait of a Boy (1773) 의 Per Krafft the ElderPortrait of a Boy1773 · Finnish National Gallery 22Girl with Bullfinch in a Cage (1766) 의 Per Krafft the ElderGirl with Bullfinch in a Cage1766 · 국립 미술관 23Emanuel Swedenborg, 1688-1772, ämbetsman (1766) 의 Per Krafft the ElderEmanuel Swedenborg, 1688-1772, ämbetsman1766 · National Portrait Gallery of Sweden 24Old Woman (1768) 의 Per Krafft the ElderOld Woman1768 · 국립 미술관 25Portrait of Teresa Poniatowska (1767) 의 Per Krafft the ElderPortrait of Teresa Poniatowska1767 · 크라쿠프 국립박물관 26Portrait of Izabela Branicka née Poniatowska (1767) 의 Per Krafft the ElderPortrait of Izabela Branicka née Poniatowska1767 · 크라쿠프 국립박물관 27Portrait of Konstancja Poniatowska née Czartoryska (1768) 의 Per Krafft the ElderPortrait of Konstancja Poniatowska née Czartoryska1768 · 크라쿠프 국립박물관 28Gustav IV Adolf, 1778-1837, kung av Sverige (1785) 의 Per Krafft the ElderGustav IV Adolf, 1778-1837, kung av Sverige1785 · 국립 미술관 29Portrait of Gustaf IV Adolf of Sweden (1778-1837) (1785) 의 Per Krafft the ElderPortrait of Gustaf IV Adolf of Sweden (1778-1837)1785 · National Portrait Gallery of Sweden 30Portrait of Anders Mattsson (1778) 의 Per Krafft the ElderPortrait of Anders Mattsson1778 · National Portrait Gallery of Sweden 31Portrait of Carl Michael Bellman, 1740-1795 (1779) 의 Per Krafft the ElderPortrait of Carl Michael Bellman, 1740-17951779 · National Portrait Gallery of Sweden 32Anna Charlotta Stapelmohr, 1754-1791, g Schröderheim (1778) 의 Per Krafft the ElderAnna Charlotta Stapelmohr, 1754-1791, g Schröderheim1778 · National Portrait Gallery of Sweden 33The Artist's Daughter Wilhelmina (1783) 의 Per Krafft the ElderThe Artist's Daughter Wilhelmina1783 · 국립 미술관 34Gustav IV Adolf, 1778 - 1837, kung av Sverige (1793) 의 Per Krafft the ElderGustav IV Adolf, 1778 - 1837, kung av Sverige1793 · 국립 미술관 35Manufacturer Erik Westén the younger (1787) 의 Per Krafft the ElderManufacturer Erik Westén the younger1787 · Finnish National Gallery 36Secretary Konrad Arvid Johan Mandorf (1793) 의 Per Krafft the ElderSecretary Konrad Arvid Johan Mandorf1793 · Finnish National Gallery 37Johan August Meijerfeldt, 1725 - 1800. Greve, fältmarskalk (1792) 의 Per Krafft the ElderJohan August Meijerfeldt, 1725 - 1800. Greve, fältmarskalk1792 · National Portrait Gallery of Sweden 38Gustav IV Adolf, 1778-1837, konung av Sverige (1793) 의 Per Krafft the ElderGustav IV Adolf, 1778-1837, konung av Sverige1793 · National Portrait Gallery of Sweden 39Elis Schröderheim, 1747-1795, ämbetsman (1787) 의 Per Krafft the ElderElis Schröderheim, 1747-1795, ämbetsman1787 · National Portrait Gallery of Sweden 40Portrait of a Lady (1788) 의 Per Krafft the ElderPortrait of a Lady1788 · 국립 미술관 41Portrait of Bishop Ignacy Krasicki 의 Per Krafft the ElderPortrait of Bishop Ignacy Krasicki크라쿠프 국립박물관 42Carl Funck, 1708-1783 의 Per Krafft the ElderCarl Funck, 1708-1783국립 미술관 43Thomas von Plomgren, 1702-1754, grosshandlare 의 Per Krafft the ElderThomas von Plomgren, 1702-1754, grosshandlare국립 미술관 44Mrs Dorotea Westén 의 Per Krafft the ElderMrs Dorotea WesténFinnish National Gallery 45The Artist's Wife Maria Wilhelmina 의 Per Krafft the ElderThe Artist's Wife Maria Wilhelmina국립 미술관 46Sofia Albertina, 1753-1829, prinsessa av Sverige 의 Per Krafft the ElderSofia Albertina, 1753-1829, prinsessa av SverigeNational Portrait Gallery of Sweden 47David Anckarloo (1687-1765), admiral, married to 1. Ingeborg Bering, 2. Eva Catharina Humble 의 Per Krafft the ElderDavid Anckarloo (1687-1765), admiral, married to 1. Ingeborg Bering, 2. Eva Catharina HumbleNational Portrait Gallery of Sweden 48Henrik af Trolle, 1730-1784 의 Per Krafft the ElderHenrik af Trolle, 1730-1784National Portrait Gallery of Sweden 49Brita Christina Sparre, 1720-1776, g. Törnflycht 의 Per Krafft the ElderBrita Christina Sparre, 1720-1776, g. TörnflychtNational Portrait Gallery of Sweden 50Anders Johan von Höpken, 1712-1789, greve 의 Per Krafft the ElderAnders Johan von Höpken, 1712-1789, greveNational Portrait Gallery of Sweden 51Augustin Ehrensvärd, 1710-1772, militär, greve 의 Per Krafft the ElderAugustin Ehrensvärd, 1710-1772, militär, greveNational Portrait Gallery of Sweden 52Izabela Lubomirska née Czartoryska 의 Per Krafft the ElderIzabela Lubomirska née CzartoryskaRoyal Łazienki Museum

Per Krafft the Elder의 시대별 명작

Per Krafft the Elder의 시선을 사로잡은 주제들

이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.

Per Krafft the Elder의 원작을 소장하고 있는 미술관

이 페이지에 있는 작품을 가장 많이 소장하고 있는 7개의 미술관

소장 미술관 도시 Per Krafft the Elder의 작품 이 목록의 작품들
국립 미술관, 스톡홀름국립 미술관 스톡홀름 18 Gustav III (1746–1792), King of Sweden, Reading Boy, The Artist's Daughter Wilhelmina
National Portrait Gallery of Sweden, 스트렝스네스National Portrait Gallery of Sweden 스트렝스네스 17 Ivan Andrejevitj Osterman, 1725-1811, Johan Gustaf Lund, född 1712, kommissarie, Portrait by Carl von Fersen
바르샤바 국립 박물관, 바르샤바바르샤바 국립 박물관 바르샤바 5 Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Stanisław August Poniatowski, Portrait of Ignacy Krasicki
크라쿠프 국립박물관, 크라쿠프크라쿠프 국립박물관 크라쿠프 5 Portrait of a Man, Portrait of Teresa Poniatowska, Portrait of Izabela Branicka née Poniatowska
Finnish National Gallery, 헬싱키Finnish National Gallery 헬싱키 4 Portrait of a Boy, Manufacturer Erik Westén the younger, Secretary Konrad Arvid Johan Mandorf
에르미타주 박물관, 상트페테르부르크에르미타주 박물관 상트페테르부르크 1 Portrait of Natalia Alexandrovna Repnina
Royal Łazienki Museum, 바르샤바Royal Łazienki Museum 바르샤바 1 Izabela Lubomirska née Czartoryska

Per Krafft the Elder, 10년마다 탄생한 대표작 한 점

연대별 작품 수

그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.

Per Krafft the Elder의 작품: 갤러리의 해답

Per Krafft the Elder의 작품 중 가장 유명한 작품은 무엇인가요?정답 확인하기

Portrait of Alois Friedrich von Brühl (1739-1793). (1767), 바르샤바 국립 박물관, 바르샤바. 다음은 Portrait of Natalia Alexandrovna Repnina (1767)와 Portrait of Stanisław August Poniatowski (1767)입니다.

Per Krafft the Elder이(가) Portrait of Alois Friedrich von Brühl (1739-1793).을(를) 완성했을 당시의 나이는 몇 살이었나요?정답 확인하기

43세: Portrait of Alois Friedrich von Brühl (1739-1793).은(는) 1767년 작품이며, Per Krafft the Elder은(는) 1724년에 태어났습니다.

Per Krafft the Elder의 대표작 10점은 무엇인가요?정답 확인하기

Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Natalia Alexandrovna Repnina, Portrait of Stanisław August Poniatowski, Portrait of a Man, Gustav III (1746–1792), King of Sweden, Portrait of Ignacy Krasicki, Reading Boy, The Artist's Daughter Wilhelmina, Ivan Andrejevitj Osterman, 1725-1811 및 Johan Gustaf Lund, född 1712, kommissarie. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.

Per Krafft the Elder의 작품은 몇 점인가요?정답 확인하기

저희 카탈로그에는 1748년부터 1793년 사이의 Per Krafft the Elder 작가의 작품 52점이 수록되어 있습니다.

Per Krafft the Elder의 가장 유명한 원작들은 어디에 전시되어 있을까요?정답 확인하기

대부분 국립 미술관 (스톡홀름), National Portrait Gallery of Sweden (스트렝스네스) 및 바르샤바 국립 박물관 (바르샤바)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.

Per Krafft the Elder의 가장 유명한 작품들은 언제 제작되었나요?정답 확인하기

1760s 동안: 이 페이지의 총 52점의 작품 중 15점이 해당 시기에 제작되었으며, 그중 Portrait of Alois Friedrich von Brühl (1739-1793).점입니다.

Per Krafft the Elder의 초기 및 후기 대표작은 무엇인가요?정답 확인하기

이 페이지에서 가장 오래된 작품은 Johan Gustaf Lund, född 1712, kommissarie (1748)이며, 가장 최근 작품은 Gustav IV Adolf, 1778 - 1837, kung av Sverige (1793)입니다.

Per Krafft the Elder 작가가 가장 자주 다룬 주제는 무엇인가요?정답 확인하기

이 페이지의 52점의 작품에 걸쳐 있는 Man (20), Lace (15) 및 Woman (10)

Per Krafft the Elder 작가가 가장 많이 사용한 매체는 무엇인가요?정답 확인하기

이 페이지의 총 52점의 작품 중 30점의 Oil On Canvas

Per Krafft the Elder은(는) 어떤 미술 사조에 속해 있나요?정답 확인하기

이 페이지의 원작들을 기준으로 볼 때, Rococo

국립 미술관이(가) 소장하고 있는 Per Krafft the Elder의 원작은 무엇인가요?정답 확인하기

Gustav III (1746–1792), King of Sweden, Reading Boy 및 The Artist's Daughter Wilhelmina: 국립 미술관, 스톡홀름은(는) 이 페이지에 있는 작품 중 18점을 소장하고 있습니다.

Per Krafft the Elder: 작가

Per the Elder Krafft: A Swedish Portraitist Embodied in Rococo Elegance

To step into the world of Per the Elder Krafft is to enter a realm of gilded salons and breathless elegance, where the light of the Enlightenment meets the delicate ornamentation of the Rococo. Born in 1724 in Arboga, Sweden, Krafft emerged as a pivotal figure in Swedish art history, a master whose brush captured not merely the physical likenesses of his era, and but the very soul of the eighteenth-century aristocratic elite. His life and work serve as a window into a period defined by a fascinating juxtaposition of grace and burgeoning neoclassical structure, reflecting a society caught between the playful whimsy of the past and the disciplined ideals of a new age.

Krafft’s artistic evolution was shaped by a lineage of profound influence. His early training began in Uppsala, where his interest in the arts first took root, but it was through his studies under established masters that his technical virtuosity truly blossomed. In Stockholm, he became a dedicated pupil of the court painter Johan Henrik Scheffel, whose influence is clearly visible in Krafft’s early self-portraits and intimate family depictions. This foundation of precision was further enriched when Krafft traveled to Copenhagen, where he encountered the works of Carl Gustaf Pilo. From these mentors, Krafft inherited a meticulous attention to detail and an unparalleled ability to manipulate light, learning how to use chiaroscuro to sculpt form and imbue his subjects with a palpable, breathing presence.

The Art of the Aristocratic Narrative

The essence of Krafft’s oeuvre lies in its ability to weave complex narratives through the medium of portraiture. His canvases were far more than simple records of identity; they were carefully constructed tapestries of status, lineage, and moral virtue. Utilizing the soft, pastel palettes characteristic of the Rococo movement, Krafft breathed life into shimmering fabrics, intricate lacework, and the subtle sheen of silk. He possessed a rare technical ability to render the ephemeral softness of human skin alongside the tangible weight of luxurious textiles, creating an illusion of depth that draws the viewer into a close, intimate encounter with the sitter.

His subject matter often centered on the most prominent figures of European nobility, documenting the splendor of dynasties such as the Czartoryski. In his portrait of Izabela Lubomirska née Czartoryska, one can observe his mastery in conveying a sense of refined dignity and serene composure. Similarly, his depiction of the celebrated Russian ballerina, Natalia Alexandrovna Repnina, serves as a breathtaking testament to his skill. In this work, the artist captures an entire atmosphere of sophisticated leisure, where every fold of fabric and every glint of light whispers tales of wealth and societal expectation. Through these works, Krafft did not just paint people; he painted the very concept of nobility.

Legacy and Artistic Lineage

Beyond his individual achievements, Per the Elder Krafft’s historical significance is cemented by the artistic legacy he left within his own family. He was a patriarch of Swedish painting, father to artists who would continue to shape the nation's aesthetic landscape. His children, Per Krafft the Younger and the miniaturist Wilhelmina Krafft, both studied at the Royal Swedish Academy of Fine Arts, carrying forward the technical excellence and emotive depth instilled by their father. This familial continuity ensured that the refined sensibilities of his era would resonate well into the next century.

Ultimately, the work of Per the Elder Krafft remains a vital touchstone for understanding the cultural heartbeat of eighteenth-century Sweden. His ability to balance the playful asymmetry and organic curves of the Rococo with a profound psychological depth allows his portraits to transcend their historical moment. Even today, when we gaze upon his meticulously rendered subjects, we are reminded of a time when art was a grand celebration of beauty, grace, and the enduring allure of the human spirit.