Pomona
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
요약하자면
Robert Tournières가 남긴 모든 원작 중 가장 유명한 작품은 스톡홀름의 국립 미술관에 소장된 Pomona (1739)입니다. 그 뒤를 이어 Portrait of an Old Man (Guillaume de Lisle?) (1700)와 Michel Corneille l'Aîné (1642-1708) (1702)가 뒤를 잇습니다. Robert Tournières의 작품 18점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 16점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
A Glimpse of Aristocratic Life: Robert Le Vrac de Tournières’ “Count Ferdinand Adolf von Plettenberg and His Family” Robert Le Vrac de Tournières' 1727 painting, "Count Ferdinand Adolf von Plettenberg and His Family," is more than just a portrait; it’s a meticulously crafted window into the refined world of 18th-century European aristocracy. The scene unfolds within a richly appointed interior – likely a salon or drawing room – dominated by…
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | Robert Tournières의 작품 | 이 목록의 작품들 |
|---|---|---|---|
| 스톡홀름 | 1 | Pomona | |
| Versailles | 1 | Michel Corneille l'Aîné (1642-1708) | |
| 버밍엄 | 1 | Portrait of Richard (Dicky) Bateman | |
| 디종 | 1 | Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) | |
| 부다페스트 | 1 | Count Ferdinand Adolf von Plettenberg and his Family | |
| 파리 | 1 | Concert | |
| 상트페테르부르크 | 1 | Portrait of Unknown Woman as Hebe | |
| 낭트 | 1 | Portrait of the Maupertuis family |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…
Pomona (1739), 국립 미술관, 스톡홀름. 다음은 Portrait of an Old Man (Guillaume de Lisle?) (1700)와 Michel Corneille l'Aîné (1642-1708) (1702)입니다.
72세: Pomona은(는) 1739년 작품이며, Robert Tournières은(는) 1667년에 태어났습니다.
Pomona, Portrait of an Old Man (Guillaume de Lisle?), Michel Corneille l'Aîné (1642-1708), Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain, Portrait of Richard (Dicky) Bateman, Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727), Dibutade Drawing, by the Light of a Lamp, the Portrait of His Lover, Count Ferdinand Adolf von Plettenberg and his Family, Concert 및 Pierre Louis Moreau de Maupertuis. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1690년부터 1750년 사이의 Robert Tournières 작가의 작품 18점이 수록되어 있습니다.
대부분 국립 미술관 (스톡홀름), Opera House (Versailles) 및 버밍엄 미술관 (버밍엄)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1700s 동안: 이 페이지의 총 16점의 작품 중 2점이 해당 시기에 제작되었으며, 그중 Portrait of an Old Man (Guillaume de Lisle?)점입니다.
이 페이지에서 가장 오래된 작품은 Concert (1690)이며, 가장 최근 작품은 Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) (1750)입니다.
이 페이지의 16점의 작품에 걸쳐 있는 Portraits (3) 및 Portraiture (2)
이 페이지의 총 16점의 작품 중 3점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Rococo
Robert Le Vrac de Tournières was born in Caen, France, in 1667. His artistic journey began with studies under Lucas Delahaye, a respected painter of the time. He further honed his skills under the tutelage of Bon Boullogne and Rigaud, both prominent figures in French painting, setting the stage for a successful career.
Tournières’ artistic style reflects a fascinating transitional period within French art. He skillfully blended elements of Dutch intimacy – particularly evident in his genre scenes – with the emerging lightness and elegance that would come to define the Rococo style. His palette was noted for its delicate coloring, and he demonstrated a keen talent for capturing both pose and drapery. While not considered among the most powerful painters of his era, critics acknowledged his careful technique and refined execution.
Tournières achieved significant recognition during his lifetime, being received into the Académie royale de peinture twice. The first acceptance in 1702 was based on his portraiture skills, specifically portraits of fellow artists Pierre Mosnier and Michel Corneille. His second reception in 1716, as a history painter, came with his work Invention of Drawing (1716), depicting a romantic scene illuminated by candlelight. Although many of his large-scale paintings have been lost to time, numerous smaller works survive, showcasing his mastery of detail and character portrayal.
Tournières was deeply influenced by Dutch masters such as Godfried Schalken and Gerard Dou, dedicating considerable study to their techniques. This influence is visible in his attention to light, shadow, and the intimate portrayal of everyday life. He also drew inspiration from his teachers, incorporating elements of their styles into his own unique approach.
In 1737, Tournières was promoted to professeur auxiliaire, further solidifying his position within the artistic community. He continued to exhibit successfully at the Salon of 1742. However, he returned to Caen in 1749 and ceased painting. His father, an engraver, had familial connections through marriage to François Lemoyne. Despite fading from active practice, Tournières left behind a considerable body of portraits that remain highly regarded and are found in notable collections today.
Robert Le Vrac de Tournières occupies an important place as a transitional figure in French art. He embodies the shift from the more formal Baroque style towards the lighter, more decorative Rococo aesthetic. His ability to synthesize Dutch realism with emerging French sensibilities makes his work particularly valuable for understanding the evolution of 18th-century painting.