11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 23점의 Alessandro Longhi 작품 (당사 카탈로그 기준)
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갤러리가 선정한 Alessandro Longhi의 가장 유명한 작품은 Portrait of a Musician (1747)이며, 원작은 시카고의 시카고 미술관에 전시되어 있습니다. Portrait of a girl with a dog (1740)와 Portrait of a Young Woman (1760)가 더해져 누구나 한눈에 알아볼 수 있는 완벽한 트리오를 완성합니다. Alessandro Longhi의 작품 23점 중, 갤러리는 가장 유명한 22점을 아래와 같이 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품의 특징을 포함한 독창적인 원작입니다.
A gentleman is positioned in a three-quarter length portrait, seated slightly off-center against a background of warm, earthy browns. He wears a voluminous cloak of teal or seafoam green, which contrasts with the white of his lace cravat and cuffs. His face is framed by a powdered wig, and his expression carries a slight smirk. In the foreground, several musical objects are arranged near the subject, including a violin, a…
In a soft, luminous space, a young girl gazes directly at us, her expression serene and steady. She sits in a three-quarter view, her presence anchored by the weight of dark, velvet-like fabric that gathers in structured folds around her. A small, spaniel-type dog rests near her, its fluffy fur a tactile contrast to the smooth, pale skin of the child. The light descends from the upper left, catching the…
In Alessandro Longhi's Portrait of a Young Woman, a quiet elegance settles over the scene. This bust-length portrait captures a young woman positioned slightly off-center, her body turned toward the right while her gaze meets the viewer directly. The composition relies on a sense of poised stillness, set against a dark, indistinct, and monochromatic background that pushes her figure forward. The light enters from the upper left, washing over her…
In the quiet, shadowed corners of 18th-century Venice, where the glow of candlelight met the profound stillness of scholarly pursuit, Alessandro Longhi captured a moment of timeless devotion. His 1761 masterpiece, Painting and Merit, is far more than a mere portrait; it is an evocative window into the Venetian Rococo soul. The scene unfolds within a space defined by dramatic chiaroscuro, where deep, velvety shadows retreat to allow a brilliant,…
The work before us is titled Portrait of a Venetian lady, a piece that captures a specific moment of elegance from the mid-eighteenth century. It was painted by Alessandro Longhi, a figure deeply rooted in the artistic traditions of his home. This particular oil painting is dated 1758, a period when the Venetian Republic was navigating a significant era of social transition.
A heavy silence fills the room as the subject meets the viewer's gaze. This middle-aged man sits with a quiet, commanding presence, his body angled slightly toward the left while his eyes remain fixed forward. He is draped in the dark, substantial fabric of a judicial robe, a garment that seems to absorb the surrounding shadows. At his neck, the crisp white of clerical-style bands provides a sharp, bright contrast…
The oil on canvas titled Portrait of the Prefect of Brescia, Giovanni Grassi in a Red Robe was painted by Alessandro Longhi in 1783. The work captures the presence of Giovanni Grassi, who held the position of the Prefect of Brescia. He is presented in a formal manner, his figure anchored by the weight of his ceremonial attire.
In this three-quarter length portrait, Alessandro Longhi presents Francesco Maria Preti with a quiet, dignified presence. The subject is positioned slightly off-center, a choice that lends a sense of natural poise to the composition. He is dressed in a dark teal or navy blue coat, which anchors the figure against a background of earthy browns and ochres. This deep, muted color palette creates a somber, scholarly atmosphere, allowing the lighter…
In the quiet, contemplative depths of Alessandro Longhi’s Portrait of Carlo Lodoli, one finds much more than a mere likeness of a Franciscan friar; one encounters a profound dialogue between the fading grandeur of the Baroque and the rising intellect of the Enlightenment. Painted in 1761, this masterpiece serves as a poignant window into the soul of Venice during its Golden Age. Longhi, a master of the Venetian Rococo, captures…
To gaze upon Alessandro Longhi's Portrait of a Lady is to step directly into the luminous, sophisticated atmosphere of late eighteenth-century Venice. This painting, executed in 1770, transcends a mere likeness; it is a carefully composed study in aristocratic grace and quiet confidence. The subject, captured mid-pose, radiates an almost palpable warmth, suggested by the gentle curve of her smile. Longhi masterfully directs our attention to this central figure against…
Portrait of a Gentleman1780
12
Portrait of Jacopo Gradenigo1778 · Музей Чівіко
13
Portrait of a Lady Holding a Fan아일랜드 국립 미술관
14
Portrait of a Man in a Brown Cloak보스턴 미술관
15
Caterina penza국립 미술관
16
An austrian prince
17
Portrait of Goldoni
18
Playwright carlo goldoni
19
Empress Maria Luisa (1745–1792), Grand Duchess of Tuscany and Empress of Austria
20
Herrenbild
21
Portrait of Gentleman
22
Portrait of a Woman
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 7개의 미술관
| 소장 미술관 | 도시 | Alessandro Longhi의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 시카고 미술관 |
시카고 | 3 | Portrait of a Musician, Portrait of a girl with a dog, Portrait of a Young Woman |
 베네치아 아카데미아 미술관 |
베네치아 | 2 | Painting and Merit, Portrait of Carlo Lodoli |
 우피치 미술관 |
피렌체 | 1 | Portrait of a Lady |
 Музей Чівіко |
파도바 | 1 | Portrait of Jacopo Gradenigo |
 아일랜드 국립 미술관 |
더블린 | 1 | Portrait of a Lady Holding a Fan |
 보스턴 미술관 |
보스턴 | 1 | Portrait of a Man in a Brown Cloak |
 국립 미술관 |
런던 | 1 | Caterina penza |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
A gentleman is positioned in a three-quarter length portrait, seated slightly off-center against a background of warm, earthy browns. He wears a voluminous cloak of teal or seafoam green, which contrasts with the white of his lace cravat and cuffs. His face is framed by a powdered wig, and his expression carries a slight smirk. In the foreground, several musical objects are arranged near the subject, including a violin, a…
The work before us is titled Portrait of a Venetian lady, a piece that captures a specific moment of elegance from the mid-eighteenth century. It was painted by Alessandro Longhi, a figure deeply rooted in the artistic traditions of his home. This particular oil painting is dated 1758, a period when the Venetian Republic was navigating a significant era of social transition.
In Alessandro Longhi's Portrait of a Young Woman, a quiet elegance settles over the scene. This bust-length portrait captures a young woman positioned slightly off-center, her body turned toward the right while her gaze meets the viewer directly. The composition relies on a sense of poised stillness, set against a dark, indistinct, and monochromatic background that pushes her figure forward. The light enters from the upper left, washing over her…
To gaze upon Alessandro Longhi's Portrait of a Lady is to step directly into the luminous, sophisticated atmosphere of late eighteenth-century Venice. This painting, executed in 1770, transcends a mere likeness; it is a carefully composed study in aristocratic grace and quiet confidence. The subject, captured mid-pose, radiates an almost palpable warmth, suggested by the gentle curve of her smile. Longhi masterfully directs our attention to this central figure against…
The oil on canvas titled Portrait of the Prefect of Brescia, Giovanni Grassi in a Red Robe was painted by Alessandro Longhi in 1783. The work captures the presence of Giovanni Grassi, who held the position of the Prefect of Brescia. He is presented in a formal manner, his figure anchored by the weight of his ceremonial attire.
In this three-quarter length portrait, Alessandro Longhi presents Francesco Maria Preti with a quiet, dignified presence. The subject is positioned slightly off-center, a choice that lends a sense of natural poise to the composition. He is dressed in a dark teal or navy blue coat, which anchors the figure against a background of earthy browns and ochres. This deep, muted color palette creates a somber, scholarly atmosphere, allowing the lighter…
Portrait of a Musician (1747), 시카고 미술관, 시카고. 다음은 Portrait of a girl with a dog (1740)와 Portrait of a Young Woman (1760)입니다.
14세: Portrait of a Musician은(는) 1747년 작품이며, Alessandro Longhi은(는) 1733년에 태어났습니다.
Portrait of a Musician, Portrait of a girl with a dog, Portrait of a Young Woman, Painting and Merit, Portrait of a Venetian lady, portrait of a judge, Portrait of the Prefect of Brescia, Giovanni Grassi in a Red Robe, Portrait of Francesco Maria Preti, Portrait of Carlo Lodoli 및 Portrait of a Lady. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1747년부터 1800년 사이의 Alessandro Longhi 작가의 작품 23점이 수록되어 있습니다.
대부분 시카고 미술관 (시카고), 베네치아 아카데미아 미술관 (베네치아) 및 우피치 미술관 (피렌체)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1760s 동안: 이 페이지의 총 22점의 작품 중 3점이 해당 시기에 제작되었으며, 그중 Portrait of a Young Woman점입니다.
이 페이지에서 가장 오래된 작품은 Portrait of a Musician (1747)이며, 가장 최근 작품은 Portrait of Francesco Maria Preti (1800)입니다.
이 페이지의 22점의 작품에 걸쳐 있는 Man (4), Lace (4) 및 Portrait (4)
이 페이지의 총 22점의 작품 중 7점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Rococo
Portrait of a Musician, Portrait of a girl with a dog 및 Portrait of a Young Woman: 시카고 미술관, 시카고은(는) 이 페이지에 있는 작품 중 3점을 소장하고 있습니다.
Alessandro Longhi (born Venice, Italy, 1733 – died 1813) was a prominent Venetian portrait painter and printmaker. He came from an artistic family; his father was the celebrated genre painter Pietro Longhi. Alessandro received his initial training under his father’s guidance, developing a foundation in observation and detail. He further honed his skills studying with Giuseppe Nogari (1699–1763), another respected Venetian artist.
Longhi specialized in portraiture, particularly depictions of Venetian nobles and prominent figures. He excelled in capturing the elegance and status of his sitters through meticulous detail and a refined Rococo style. Unlike some contemporaries who focused on grand historical or mythological scenes, Longhi concentrated on portraying individuals within their social context. His portraits often feature elaborate robes and emblems of office, reflecting his subjects’ positions and power – a characteristic noted in comparison to artists like Sebastiano Bombelli.
While deeply influenced by his father's realistic approach, Alessandro Longhi also demonstrated an appreciation for other masters. His etching technique, in particular, reveals a clear understanding and admiration of Rembrandt van Rijn’s work. This is evident in the “tumultuous and unusual” quality of his etchings, as described by Olimpia Theodoli, showcasing a first-hand knowledge of Rembrandt's techniques.
Alessandro Longhi’s work provides valuable insight into the social and political landscape of 18th-century Venice. His portraits serve as historical records, preserving the likenesses and status symbols of a fading aristocratic class. He captured a period of transition – the elegance and refinement of the Rococo era alongside the beginnings of decline for the Venetian Republic. While not as widely celebrated as his father, Alessandro Longhi’s contributions to Venetian portraiture are significant, offering a unique perspective on the lives and times of his subjects.
