Portrait of Xul Solar

The 19 Most Famous Xul Solar Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 20 works by Xul Solar in our catalogue

In short

City and Abysses (1946) is the Xul Solar painting that draws the most eyes. After it, the eye goes to I, the 80 (1923) and Couple (1923). Among the 20 works of Xul Solar in our catalog, these 19 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1887 – 1963, San Fernando Surrealism Most works: Buenos Aires Museum of Modern Art

Top 10 paintings by Xul Solar, through the gallery's eye

1
City and Abysses (1946) by Xul Solar

City and Abysses

1946

Around the decade of the 1940s, Xul worked intensively on his new creations: Panchess, panlingua and probably his first ideas for a new type of theatre. Most of the pieces from the early part of the decade present a chromatic reduction –

3
Couple (1923) by Xul Solar

Couple

1923

From the first months of 1923, Xul Solar began to organize from Europe to exhibit in Buenos Aires. In those brief news to his family, he informed them that he had begun to paint larger works, among them perhaps

4
Two mestizos of airplane and people (1935) by Xul Solar

Two mestizos of airplane and people

1935

In the mesmerizing realm of Xul Solar, reality is never static; it is a fluid, breathing entity where the boundaries between the mechanical and the organic dissolve into pure imagination. His 1935 masterpiece, Two mestizos of airplane and people, serves as a profound window into this esoteric universe. The painting captures a moment of surrealist transcendence, featuring a central figure navigating a whimsical contraption that defies the laws of physics—a…

6
Leader of Snakes (1923) by Xul Solar

Leader of Snakes

1923 · Watercolor

We are looking at Leader of Snakes, a work from 1923 by the Argentine artist Xul Solar. The artist, born Oscar Agustín Alejandro Schulz Solari, utilized a delicate combination of watercolor and graphite on paper, which has been mounted on cardboard to preserve its presence. This specific medium allows for a certain transparency in the application of color, a characteristic often found in his early explorations of form and light.

Xul Solar's famous paintings, numbers 11 to 19

Xul Solar's famous paintings, period by period

Early Period

1923 – 1924 · 3 works in this list

The subjects that held Xul Solar's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Xul Solar's originals

The museum that holds the most of the paintings on this page.

Museum City Works by Xul Solar Paintings from this list
Buenos Aires Museum of Modern Art, Buenos AiresBuenos Aires Museum of Modern Art Buenos Aires 1 Mars and Saturn

Xul Solar across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Xul Solar's paintings: questions for the gallery

What is the single most famous work of Xul Solar?Reveal the answer

City and Abysses (1946). I, the 80 (1923) and Couple (1923) come next.

At what age did Xul Solar create City and Abysses?Reveal the answer

59 years old: City and Abysses dates from 1946, and Xul Solar was born in 1887.

Which ten paintings by Xul Solar are the most famous?Reveal the answer

City and Abysses, I, the 80, Couple, Two mestizos of airplane and people, Logs, Leader of Snakes, Colonial House, Holy Dance, Round and Message. The ranking above gives each one's year and museum.

How many works by Xul Solar are known?Reveal the answer

Our catalog holds 20 works by Xul Solar, dated from 1919 to 1954.

Where can the most famous Xul Solar originals be seen?Reveal the answer

Mostly in Buenos Aires Museum of Modern Art (Buenos Aires). The museum table above lists them all.

During which period did Xul Solar create the best-known paintings?Reveal the answer

In 1920s: 13 of the 19 works on this page were made then, I, the 80 among them.

Which famous Xul Solar painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Logs (1919) and the latest Pan Tree (1954).

What subjects did Xul Solar favour?Reveal the answer

People (3), Portrait (2) and Geometric (2), across the 19 works on this page.

What materials did Xul Solar paint with most?Reveal the answer

Watercolor, for 4 of the 19 works on this page.

Which movement does the work of Xul Solar belong to?Reveal the answer

Surrealism, judging by the originals on this page.

Xul Solar: a portrait of the artist

A Luminary of the Avant-Garde: The Enigmatic World of Xul Solar

Oscar Agustín Alejandro Schulz Solari, known to the world as Xul Solar, was a figure who defied easy categorization. Born in San Fernando, Argentina, in 1887, his life and art were a vibrant tapestry woven with threads of cosmopolitan upbringing, esoteric exploration, and an unwavering dedication to artistic innovation. His parents—a Baltic German father and an Italian mother—instilled in him a sensibility open to diverse cultural currents, a foundation that would profoundly shape his artistic journey. Though initially educated as both a musician and architect, it was during extensive travels through Europe – London, Paris, Turin, Genoa, Milan – that Schulz Solari discovered his true calling: painting. He began with watercolor, later embracing tempera and occasionally oils, each medium serving as a vehicle for increasingly complex visions. The adoption of the name “Xul Solar” itself is deeply revealing; derived from the Latin "lux" (light) and "solar," it embodies the artist’s fascination with illumination, energy, and the universal forces that underpin existence. It wasn't merely a pseudonym but an invocation of his artistic philosophy.

Influences and Artistic Development

Xul Solar’s early work reflected the prevailing European avant-garde movements, yet he quickly transcended imitation to forge a uniquely personal style. His encounter with British occultist Aleister Crowley in 1924, though brief, left an indelible mark, sparking an interest in mysticism and symbolism that would permeate his art. Upon returning to Buenos Aires, Xul Solar became a central figure in the “Florida Group” (also known as the "Martín Fierro group"), a hub of intellectual and artistic ferment. Here, he forged close friendships with literary giants Jorge Luis Borges and Leopoldo Marechal, relationships that fostered a cross-pollination of ideas and profoundly influenced his creative output. This association wasn’t merely social; it was an exchange of philosophical inquiries, linguistic experimentation, and shared explorations of the subconscious. His paintings began to incorporate invented alphabets, geometric abstractions infused with occult symbolism, and dreamlike landscapes populated by enigmatic figures. He didn't simply depict reality; he constructed alternate realities governed by his own internal logic.

A Universe of Symbols and Languages

The core of Xul Solar’s artistic practice lay in the creation of a personal mythology—a universe brimming with invented languages, symbolic systems, and fantastical creatures. He developed two complete artificial languages: “Neocriollo,” a poetic blend of Portuguese and Spanish intended for spoken communication, and “Panlengua,” an ambitious attempt at a universal language linking mathematics, music, astrology, and the visual arts. These linguistic endeavors weren’t merely intellectual exercises; they were integral to his artistic vision, informing the intricate patterns and coded messages embedded within his paintings. He believed that language held the key to unlocking deeper truths about the universe, and he sought to create a system of communication that transcended cultural boundaries. This fascination extended to other areas: he designed musical instruments based on esoteric principles and even invented a complex board game called “Panajedrez,” governed by rules derived from his semiotic experiments.

Legacy and Lasting Impact

Despite achieving recognition during his lifetime, with a significant exposition at the Musée National d'Art Moderne in Paris in 1962, Xul Solar remained somewhat of an enigmatic figure until after his death in Tigre, Argentina, in 1963. Emilio Pettoruti’s biography published five years later helped to solidify his place within the canon of Argentine art and beyond. Today, Xul Solar is celebrated as a pivotal figure of the Latin American avant-garde—an artist whose work anticipated many of the concerns that would come to define Surrealism and other 20th-century movements. His paintings, with their vibrant colors, intricate symbolism, and otherworldly atmosphere, continue to captivate audiences worldwide. Naná Watzin, Leader of Snakes, and Four Indian Women are just a few examples of his masterpieces that showcase his unique artistic vision. Xul Solar’s legacy extends beyond the realm of painting; he was a visionary thinker, an inventor, and a cultural innovator who dared to imagine alternative realities and challenge conventional modes of thought. His work remains a testament to the power of art to transcend boundaries, explore the mysteries of existence, and illuminate the hidden dimensions of the human experience.