Portrait of William Johnstone

The 22 Most Famous William Johnstone Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 22 works by William Johnstone in our catalogue

In short

Summer, Selkirk (1927) is the William Johnstone painting that draws the most eyes; the original belongs to the Scottish National Gallery of Modern Art, Edinburgh. After it, the eye goes to A Point in Time (1937) and Francis George Scott (1880–1958), Composer (1933). Among the 22 works of William Johnstone in our catalog, these 22 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1897 – 1981 Most works: Scottish National Gallery of Modern Art

Top 10 paintings by William Johnstone, through the gallery's eye

William Johnstone's famous paintings, numbers 11 to 22

The museums that keep William Johnstone's originals

The 6 museums that hold the most of the paintings on this page.

Museum City Works by William Johnstone Paintings from this list
Scottish National Gallery of Modern Art, EdinburghScottish National Gallery of Modern Art Edinburgh 3 Summer, Selkirk, A Point in Time, Mrs J. E. Winand
Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 3 Street Musicians (Post Cubist), Landscape with Trees (verso), Geometric Landscape (recto)
The Fleming Collection, LondonThe Fleming Collection London 2 Self Portrait, Entombment
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 1 Francis George Scott (1880–1958), Composer
Government Art Collection, LondonGovernment Art Collection London 1 Surrey Landscape
Pallant House Gallery, ChichesterPallant House Gallery Chichester 1 Landscape (Scottish Landscape)

William Johnstone across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

William Johnstone's paintings: questions for the gallery

What is the single most famous work of William Johnstone?Reveal the answer

Summer, Selkirk (1927), Scottish National Gallery of Modern Art, Edinburgh. A Point in Time (1937) and Francis George Scott (1880–1958), Composer (1933) come next.

At what age did William Johnstone create Summer, Selkirk?Reveal the answer

30 years old: Summer, Selkirk dates from 1927, and William Johnstone was born in 1897.

Which ten paintings by William Johnstone are the most famous?Reveal the answer

Summer, Selkirk, A Point in Time, Francis George Scott (1880–1958), Composer, Self Portrait, Thomas Scott (1854–1927), Artist (after George Fiddes Watt), Street Musicians (Post Cubist), Ode to the North Wind, Francis George Scott, Richard Thomas Church and Border Landscape The Eildon Hills. The ranking above gives each one's year and museum.

How many works by William Johnstone are known?Reveal the answer

Our catalog holds 22 works by William Johnstone, dated from 1918 to 1948.

Where can the most famous William Johnstone originals be seen?Reveal the answer

Mostly in Scottish National Gallery of Modern Art (Edinburgh), Abbot Hall Art Gallery (Kendal) and The Fleming Collection (London). The museum table above lists them all.

During which period did William Johnstone create the best-known paintings?Reveal the answer

In 1930s: 5 of the 22 works on this page were made then, A Point in Time among them.

Which famous William Johnstone painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Thomas Scott (1854–1927), Artist (after George Fiddes Watt) (1918) and the latest Golgotha (1948).

What William Johnstone originals can I see at the Scottish National Gallery of Modern Art?Reveal the answer

Summer, Selkirk, A Point in Time and Mrs J. E. Winand: the Scottish National Gallery of Modern Art, Edinburgh holds 3 of the works on this page.

William Johnstone: a portrait of the artist

A Life Bathed in Light: The Poetic Vision of William Johnstone

William Johnstone, born in 1897 and passing in 1981, remains a quietly compelling figure within the landscape of Scottish art. While not a household name, his work possesses a distinctive atmospheric quality that resonates with a deep sensitivity to place and mood. His life story, though somewhat elusive in detail, is inextricably linked to the poetic spirit that infuses his paintings – a spirit often described as Whistlerian in its subtle harmonies and evocative power. He also painted under the pseudonym Sholto Douglas. Johnstone’s artistic journey wasn't one of dramatic shifts or revolutionary pronouncements; rather, it was a gradual unfolding of a personal vision, rooted in observation and refined through dedicated practice.

Early Influences & Artistic Development

The early years of Johnstone’s life undoubtedly shaped his aesthetic inclinations. Scotland itself – its rugged highlands, misty lochs, and ever-changing skies – served as an enduring source of inspiration. While specific details regarding his formal training are scarce, the influence of James McNeill Whistler is readily apparent in his work. Whistler's emphasis on tonalism, a restrained palette, and the creation of atmosphere over precise representation clearly resonated with Johnstone. He wasn’t merely copying Whistler’s style; instead, he absorbed its principles and adapted them to his own unique sensibility, imbuing his landscapes with a distinctly Scottish character. This is not to say that Johnstone was solely beholden to Whistlerian aesthetics. A quiet realism, reminiscent of the Victorian portrait tradition – as exemplified by artists like William Herbert Johnston (a contemporary) – also subtly informs his depictions of figures and interiors.

Themes & Techniques: Capturing Ephemeral Beauty

Johnstone’s oeuvre primarily comprises landscapes and portraits, often interwoven with scenes of domestic life. His landscapes are not grand vistas designed to overwhelm the viewer; they are intimate studies of light and shadow, capturing fleeting moments of beauty in the natural world. He possessed a remarkable ability to convey atmosphere – the damp chill of a Scottish morning, the golden glow of late afternoon sunlight, the soft haze that hangs over rolling hills. His technique is characterized by delicate brushwork, subtle gradations of tone, and a masterful use of color to create mood. The colors are often muted, creating a sense of tranquility and introspection. In his portraits, Johnstone eschews flamboyant displays of virtuosity in favor of capturing the inner character of his sitters. He focuses on conveying personality through nuanced expressions and carefully observed details.

Historical Significance & Legacy

While Johnstone may not have achieved widespread fame during his lifetime, his work holds a significant place within the context of Scottish art history. He represents a continuation of the tonalist tradition, demonstrating its enduring appeal in the 20th century. His paintings offer a valuable glimpse into the social and cultural life of Scotland during this period, particularly through his portraits of local notables. More importantly, however, Johnstone’s legacy lies in his ability to evoke emotion and create atmosphere through subtle yet powerful means. He reminds us that true beauty often resides not in grand gestures but in quiet moments of observation and reflection. His work continues to captivate viewers with its poetic sensibility and masterful use of light, offering a timeless testament to the enduring power of artistic vision.